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- Charles Perrault was a French writer from Paris, and an early member of the Académie Française (French Academy). He was a pioneer in the then-new literary genre of the fairy tale, publishing "Stories or Tales from Past Times" (Histoires ou contes du temps passé, 1697). He combined elements from older folk tales with fantasy depictions of contemporary French society. His most popular fairy tales were "Bluebeard" (Barbe Bleue), "Cinderella" (Cendrillon), "Little Red Riding Hood" (Le Petit Chaperon Rouge), "Puss in Boots" (Le Maître chat ou le Chat botté), and "Sleeping Beauty" (La Belle au bois dormant). Perrault was a main influence on the Brothers Grimm, who published German variations of some of his tales. Several of his tales have received multiple adaptations in film, television, and theatre.
In 1628, Perrault was born to an affluent bourgeois family. He was the seventh child of Pierre Perrault and Paquette Le Clerc. His most notable brothers were the pioneering hydrologist Pierre Perrault (c. 1608-1680) and the architect, physician and anatomist Claude Perrault (1613-1688).
Perrault was trained in law, but chose to follow a career in government service. In 1663, Perrault was appointed as the first secretary of the "Academie des Inscriptions et Belles-Lettres", a learned society whose initial task was to compose or obtain Latin inscriptions to be copied on public monuments and medals. The society was founded by the influential minister of state Jean-Baptiste Colbert (1619-1683), and Perrault served as Colbert's administrative aide.
In 1669, Perrault proposed to Louis XIV of France (1638 -1715, reigned 1643-1715) the construction of a group of 39 fountains in the labyrinth of Versailles. Each fountain would represent one of Aesop's fables. The fountains were constructed between 1672 and 1677. Once the work was completed, Perrault published guidebook for the labyrinth.
In 1674, Perrault wrote a book in defense of the opera "Alceste" (1674) by Jean-Baptiste Lully (1632 - 1687). The opera was an adaptation of the Greek play "Alcestis" (438 BC) by Euripides. Traditionalists denounced Lully for deviating too much from the story of the original work, while Perrault defended the merits of Lully's work. The controversy over the opera led to the so-called "Quarrel of the Ancients and the Moderns". Traditionalist and modernist scholars of the French court were arguing over whether ancient literature was superior to modern works, or whether modern literature had far surpassed its predecessor. Perrault became a leader of the modernist faction.
In 1682, Perrault faced mandatory retirement from his government posts at the age of 56. Colbert wanted to replace Perrault with one of his own sons, and was no longer interested in advancing Perrault's career. Following Colbert's death, Perrault found himself targeted by Colbert's surviving political rivals.
In 1686, Perrault made his first attempt to write "serious" epic poetry. He wrote an epic about the life of the Roman writer and bishop Paulinus of Nola (c. 354-431). The poem was poorly received, and Perrault was ridiculed by the satirist Nicolas Boileau-Despreaux (1636-1711).
In 1691, Perrault experimented with the fairy tale genre by writing the novella "La Marquise de Salusses ou la Patience de Griselidis". In 1693, he wrote the fairy tale "The Ridiculous Wishes". In the story, an impoverished couple are granted three wishes by an ancient god, but waste the opportunity to improve their life through poorly-thought wishes. In 1694, Perrault wrote the fairy tale "Donkeyskin". In the story, a widowed king wants to marry his own daughter (who resembles her mother), but the unwilling girl is protected by her fairy godmother. These stories were more warmly received by Perrault's associates.
In 1695, Perrault compiled the first edition of "Stories or Tales from Past Times". He collected his imaginative fairy tales, concluding each of them with a "rhymed, well-defined and cynical moral". In 1697, the work received its first printed edition. It became widely popular, with eight reprints in Perrault's lifetime.
In 1699, Perrault published his translation of the fables compiled by the Italian writer Gabriele Faerno (1510-1561). This translation was popular in England during the 18th century, and was used as a school textbook. It was Perrault's last significant work. Perrault died in 1703, at the age of 75. Most of his works fell out of fashion during the decades following his death, but his fairy tales remained in print. They have remained popular for centuries, ensuring an enduring fame for Perrault. - Writer
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Wilhelm Grimm (1786-1859) was a German author and pioneering anthropologist. He was the younger brother of philologist Jacob Grimm.
Wilhelm was born in the town of Hanau, in the Landgraviate of Hesse-Kassel, Holy Roman Empire. His parents were Philipp Wilhelm Grimm and his wife Dorothea Zimmer, respectively a jurist and a housewife. Wilhelm's maternal grandfather was a city councilman in Kassel. Wilhem was one of 9 children born to the couple, but 3 of his siblings died in infancy.
In 1791, the Grimm family moved to the town of Steinau an der Straße, where Philipp Grimm had been appointed as the new Amtmann (district magistrate). They settled in a large house, surrounded by fields. Wilhelm initially did not attend school, but was educated at home by private tutors. He was given a strict, religious education as a Lutheran.
In 1796, Philipp Grimm died in office, due to pneumonia. The Grimm family fell into poverty, and had to relinquish its house and servants. Jacob Grimm (only 11-year-old at the time) legally became the new head of household, and had to undertake some adult responsibilities. The Grimm family was, for the time being, financially dependent on Wilhelm's maternal grandfather and on Wilhelm's maternal aunt, who was serving as a lady-in-waiting at the court of William I, Landgrave of Hesse-Kassel (1743-1821, reigned 1785-1821).
In 1798, the same maternal aunt arranged for both Jacob and Wilhelm Grimm to attend the Friedrichsgymnasium Kassel, a gymnasium (equivalent to preparatory high school) in Kassel. By this time, Wilhelm's maternal grandfather had died, and their aunt was their only protector.
The two brothers Grimm became roommates in their school years, and formed a particularly close relationship which would endure into their adult lives. They relied entirely on each other in most matters. They were both hard-working students, but considered as inferior by several classmates who came from aristocratic families. The two brothers differed in temperament, with Jacob being the more intellectual and introspective, and Wilhelm being slower to grasp new ideas, but acting jovial and out-going. Wilhelm suffered from various illnesses, but his talent for music and storytelling made him more popular with their peers.
In 1803, Jacob Grimm graduated the Gymnasium at the top of his class. In 1804, Wilhelm Grimm also graduated at the top of his class. Both brothers next started college life in the University of Marburg. They became roommates again while they were both college students, and would continue living together for most of their adult lives. They shared their books and other property items.
At the University, the Grimm brothers were subject to class discrimination, disqualified from admission in certain courses in favor of aristocratic students, and denied tuition aid. However, they kept excelling in their studies. While initially interested in legal studies, both brothers were impressed with the teachings of professor Friedrich Carl von Savigny (1779-1861). Savigny was an innovative historian, and awakened in the brothers a new passion for history, philology, and medieval literature. Savigny introduced the brothers to some of his own friends,who were leading romantic writers and intellectuals of the time.
Due to increasing financial problems, Jacob Grimm (who was legally responsible for the financial care of all his siblings), quit school in 1805, and started seeking employment in various German courts. By 1808, Jacob became a librarian in Kassel. Wilhelm at the time suffered from heart and respiratory ailments, and Jacob paid for his medical treatments. Jacob then managed to arrange for Wilhem to be hired as a fellow librarian in Kassel, allowing the brothers to work together. Their salaries were rather small, but they had a steady income and plenty of time for research.
An old acquaintance, the novelist Clemens Brentano (1778-1842) asked the brothers to help him in collecting traditional stories. Brentano was working on a new collection of folk tales, but did not have enough time to search for more tales. For the following few years, the brothers Grimm interviewed storytellers from various social backgrounds and collected 53 individual tales. But when they send their report to Brentano, he had lost interest in the project. Unwilling to waste years of effort, the brothers Grimm prepared to publish the tales under their own name. They worked on revising the various oral tales for a literate audience. In 1812, the first version of Grimms' Fairy Tales was published, containing 86 stories. Wilhelm, the storyteller of the duo, was responsible for many of the revisions to the stories. Over the following decades, the brothers kept revising and expanding their work. By 1857, the 7th edition of the collection, it included 211 individual tales.
Following the success of their first published work, the brothers started producing philological books and studies on various European mythologies, primarily Irish and Norse mythology. They became literary celebrities and earned honorary doctorates from various universities.
In 1825, Wilhelm Grimm married his long-time friend Henriette Dorothea "Dortchen" Wild. Her family had been among those interviewed for Grimms' Fairy Tales, and they had kept in touch for over a decade. Jacob Grimm never married and continued co-cohabiting with his brother and new sister-in-law. Wilhelm and Henriette had four children together: Jacob (April-December 1826), Herman Friedrich (1828 -1901), Rudolf Georg (1830 -1889), and Barbara Auguste Luise Pauline Marie (1832 - 1919).
In 1830, both Jacob and Wilhelm were candidates for the position of head librarian at Kassel, but were overlooked despite their fame. They resigned their positions soon after, and took new jobs as professors at the University of Göttingen, in the Kingdom of Hanover. They pioneered the course of German studies.
In 1837, the Grimms were fired from the University, as part of the so-called "Göttingen Seven". The new king of Hanover, Ernest Augustus (1771-1851, reigned 1837-1851), announced plans to abolish or heavily rewrite Hanover's constitution. Seven college professors opposed the abolition of the constitution and protested. They were all fired and deported from Hanover.
Wilhelm and his brother returned to Kassel, but were now unemployed. They relied on financial support from friends and admirers, while working on a new dictionary. In 1840, their former mentor Savigny convinced new king Frederick William IV of Prussia (1795-1861, reigned 1840-1861) to employ the Brothers Grimm. They gained positions at the University of Berlin, and stipends from the German Academy of Sciences at Berlin. They continued jointly working on their dictionary, but each brother started producing individual works, since their intellectual interests had become much different.
During the Revolutions of 1848, the Brothers Grimm were elected to the civil parliament in Mainz, but they resumed their teaching positions in Berlin at the end of the Revolution. Jacob chose retirement in the late 1840s, but Wilhem continued teaching until 1852. They devoted the rest of their lives to working on their incomplete dictionary.
In 1859, Wilhem died in Berlin, due to an unspecified infection. He was 73-years-old. His brother Jacob survived him, but reportedly became increasingly reclusive following Wilhelm's death.- Writer
- Additional Crew
Jacob Grimm was a German folklorist, linguist, and philologist. He and his younger brother Wilhelm Grimm (1786 - 1859) co-operated in collecting, compiling, and revising German folk tales into "Grimms' Fairy Tales" (1812). By its final revised edition in 1857, the collection included 210 unique fairy tales. Grimm also published the historical treatise "Teutonic Mythology" (Deutsche Mythologie, 1835) on Germanic mythology and its impact in modern German folk culture. He spend his last years working on "The German Dictionary" (Deutsches Wörterbuch), the largest and most comprehensive dictionary of High German. It was left unfinished with his death, but was expanded and finished by other scholars. Its first complete edition was published in 1961, nearly a century after Grimm's death.
In 1785, Grimm was born in Hanau, Landgraviate of Hesse-Kassel. His father was the lawyer Philipp Grimm (d. 1796). His father died when Grimm was 11-years-old, severely reducing the Grimm family's income and social status. However, Jacob received financial help from a maternal aunt who served as a lady of the chamber to the Landgravine of Hesse.
Grimm was educated at public schools, and enrolled at the University of Marburg in 1802. He was initially only interested in studying law, but he was impressed with the lectures of the historian Friedrich Carl von Savigny (1779 -1861). Savigny awakened in Jacob a love for historical and antiquarian research, and allowed the young man to study Middle High German texts from his personal library.
In 1805, Grimm joined his mentor Savigny in his work at Paris, where he took time to study available medieval texts. In 1806, Grimm found a new job, working in the war office at Kassel. His salary was meager, but provided him with enough free time to pursue his own interests.
In 1808, Grimm was appointed superintendent of the private library of Jerome Bonaparte, King of Westphalia (1784-1860, reigned 1807-1813). He also as an auditor to the state council. His combined salary for these two positions were 4000 francs. Following Jerome's deposition, Grimm served as Secretary of Legation in Hesse-Kassel. He spend a few years trying to claim restitutions of books from Kassel that had been taken by the French Army.
In 1816, Grimm was appointed as the second librarian at the Kassel library, second-in-command for this department. He worked closely with his brother Wilhelm, who was also employed as a librarian at this library. In 1828, the chief librarian died. Both brothers were nominated for promotion, but were disappointed when the vacant seat was occupied by another candidate.
In 1829, the frustrated Jacob accepted an offer to work as both a professor and a librarian at the University of Göttingen. He lectured on legal history, historical grammar, literary history, and diplomatics. He also provided commentaries on Old German poetry and the "Germania" of Tacitus, one of the oldest surviving works on Germanic history and culture.
In 1837, Jacob and Grimm were both included in the Göttingen Seven, academics who protested against the planned abolition of the constitution of the Kingdom of Hanover by the new monarch, Ernest Augustus, King of Hanover (1771-1851, reigned 1837-1851). The academics were all fired by the king, and the Grimm Brothers were exiled. The brothers spend a few years under reduced circumstances in Kassel.
In 1840, Grimm was appointed a professor at the University of Berlin, after accepting an offer of employment Frederick William IV of Prussia (1795-1861, reigned 1840-1861). By the terms of his employment, he was not actually obligated to lecture students. He chose to only lecture on occasion, devoting much of his time to compiling more literary works.
Grimm died in September 1863, while still working in Berlin. He was 78-years-old at the time of his death. He had never married and had no known descendants. His legacy includes a large influence on several fields of scholarship, and frequent adaptations of his fairy tales over the following centuries. He is the originator of "Grimm's law" in linguistics, which is used in the study of the Proto-Indo-European language.- Writer
- Soundtrack
Abraham Lincoln was an American politician from Kentucky. He was the second presidential candidate of the then-new Republican Party, following John Charles Frémont (1813 - 1890). He served as President of the United States from 1861 to 1865, during the American Civil War. He was assassinated in April 1865, the first of four American presidents to be assassinated during their term in office.
In February 1809, Lincoln was born in a one-room log cabin, located on the Sinking Spring Farm . The Farm itself was located near the modern city of Hodgenville, Kentucky, which was incorporated in 1836. Lincoln was the second child born to the illiterate farmer Thomas Lincoln (1778-1851) and his first wife Nancy Hanks (1784-1818). Both of his parents were born in Virginia.
Lincoln was a namesake grandson of Captain Abraham Lincoln (1744 - 1786), a military veteran of the American Revolutionary War. The senior Abraham was born in Pennsylvania, and settled in the areas of modern Kentucky in 1781. He was shot by an unnamed Native American in May 1786, while working in his field. The Lincoln family were descendants of Samuel Lincoln (1622 - 1690), an English weaver who had settled in the Massachusetts Bay Colony in 1637.
Lincoln's father Thomas bought or leased various farms in Kentucky, but lost most of his land in court disputes over property titles. In 1816, the Lincoln family settled in Indiana, which at the time had a more reliable and surveying system. Indiana was a "free-state", having abolished slave-holding in 1816. This suited Thomas' religious beliefs. He had joined the Separate Baptists, a religious group which forbade its members to own slaves.
In October 1818, Lincoln's mother Nancy died due to milk sickness. She had ingested milk cow containing the poison tremetol. She was 34-years-old at the time of her death. Lincoln was only 9-years-old at the time. The boy's primary caregiver for a while was his older sister Sarah Lincoln (1807 - 1828), who took over most household duties.
In December 1819, Lincoln's father married his second wife Sarah Bush (1788 - 1869). She was a widow, with three children of her own from a previous marriage. Lincoln grew close to his stepmother, and started calling her mother. By that time, Lincoln was old enough to start working in the farm. He reportedly never liked the physical labor, and his family regarded him as particularly lazy.
Lincoln received little formal schooling, relying on brief tutoring by itinerant teachers. He learned to read at the age of 7, but was not trained to write for several years. However, he became a bibliophile and spend most of his free time "reading, scribbling, writing, ciphering, writing Poetry, etc" He was largely self-educated, reading on a variety of topics.
As a teenager, Lincoln was "tall, strong, and athletic". He was trained in the "catch-as-catch-can" style of wrestling, a grappling style, and had a career as an amateur wrestler. He earned his reputation in the sport by defeating the leader of "the Clary's Grove Boys", a local gang of troublemakers.
In 1830, the Lincoln family moved to Macon County, Illinois. By that time, Lincoln was 21-years-old, legally entering adulthood. His relationship with his father Thomas became difficult, as young Lincoln craved for financial independence. In 1831, Thomas and most of his family settled in a new homestead, located in Coles County, Illinois. Lincoln decided not to follow them, and started living on his own. He settled for a few years in New Salem, Illinois.
In 1831, Lincoln and his partner Denton Offutt purchased a general store in New Salem. Lincoln gained a reputation of honesty, when he realized that he had accidentally overcharged a customer and voluntarily returned the money to him. By 1832, the general store had failed. The partnership was dissolved.
Also In 1832, Lincoln stood as a candidate for the Illinois General Assembly. He was an unlikely candidate, as he was rather poor and lacked political connections. He received 277 votes, nearly every vote in the village of New Salem. He lost the election as he was unknown outside this village.
In the early 1830s, Lincoln worked as New Salem's postmaster, and then as county surveyor. He aspired to become a lawyer, and read law on his own. He extensively studied legal texts in order to qualify. He later claimed that he was entirely self-taught. In 1834, Lincoln sought election to the Illinois General Assembly again. This time, he stood as a candidate for the powerful Whig Party and won the election. He served four terms in the General Assembly.
Lincoln's first known romantic relationship involved Ann Rutledge (1813 - 1835), a local woman who was reputedly engaged to another man. Rutledge died in August 1835, during a typhoid epidemic. She was only 22-years-old at the time of her death. Lincoln became severely depressed following her death. Biographers think that he wrote the poem "The Suicide's Soliloquy"(1838), to record his own suicidal thoughts during this period.
In 1836, Lincoln was admitted to the Illinois bar, and moved to Springfield Illinois to practice law. He started his career as a lawyer by practicing law under experienced lawyer John Todd Stuart (1807 - 1885), who happened to be a long-time friend of Lincoln. Lincoln gained a reputation as a formidable trial lawyer in cases involving cross-examinations.
In his political career in the 1830s, Lincoln championed the construction of the Illinois and Michigan Canal, which connected the Great Lakes to the Mississippi River and the Gulf of Mexico. He later served as a Canal Commissioner. He voted to expand suffrage to all white males, not only white landowners. He adopted a "free soil" policy, vocally opposing both slavery and abolitionism. He favored the plan of the Whig party leader Henry Clay (1777 - 1852) to use freedmen in the colonization of Liberia.
In 1839, Lincoln became romantically interested in Mary Todd (1818 - 1882), a daughter of the wealthy businessman Robert Smith Todd (1791-1849). They were engaged in 1840, and were married in 1842. They had four sons. Mary had a higher social standing than Lincoln, being part of the gentry in Springfield, Illinois. She had reputedly rejected several suitors. Her most notable suitor before Lincoln was the successful lawyer Stephen Arnold Douglas (1813 -1861).
In 1842, Lincoln's last term in the Illinois General Assembly ended. In 1843, he sought the Whig nomination for a seat in the U.S. House of Representatives. He lost the nomination to John Jay Hardin (1810 - 1847), but convinced party officials to not renominate Hardin in the next election. Lincoln won the Whig nomination in 1846, and went on to win the election. He served as a congressman from 1847 to 1849. During this time, Lincoln was the only Whig in the Illinois delegation.
During his term in congress, Lincoln proposed a bill to abolish slavery in the District of Columbia, and to compensate slave owners for the loss of property. The bill failed to gain sufficient support, even from his own party. Lincoln spoke out against the country's involvement in the Mexican-American War (1846-1848), warning that the price of glory would be "showers of blood".
Lincoln did not seek renomination to Congress in the 1848 election, honoring a 1846 pledge to serve a single term. He supported Zachary Taylor's campaign to win the Whig nomination for the presidency. When Taylor won the presidential election, Lincoln expected political favors from the new president. Taylor offered to Lincoln an appointment as secretary or governor of the Oregon Territory, which was at that time a stronghold of the Democratic Party. Lincoln declined the offer, as it would require him to abandon his legal career in Illinois. He resumed life as a lawyer.
During the 1850s, Lincoln was one of Illinois' leading lawyers. He appeared before the Illinois Supreme Court in 175 cases, and was the sole counsel in 51 of these cases. He solidified his reputation as a defense lawyer in two murder trials. In the trial of Duff Armstrong (1833-1899), Lincoln was able to prove that a key eyewitness was actually lying about what he had seen. Lincoln found that the witness stood at too great a distance in nighttime conditions to have seen anything. In the trial of Simeon Quinn "Peachy" Harrison (a cousin of Lincoln), Lincoln was able to convince a judge that the dying declaration of the murder victim should not be excluded as hearsay, That declaration was that the victim had actively provoked Harrison into attacking, helping the defense's case.
In 1854, Lincoln resumed his active participation in political life by speaking out against the controversial Kansas-Nebraska Act, a law that repealing the Missouri Compromise (1820), and would allow for the expansion of slavery to the new territories of Kansas and Nebraska. The Whig Party split in two due to its factions' different reactions to the new law. The Party's anti-slavery faction helped establish the new Republican Party, which also attracted anti-slavery politicians from the Free Soil Party, the Liberty Party, and the Democratic Party.
In 1854, Lincoln stood as a Whig candidate to the United States Senate. He was not able to secure the election, but managed to convince his supporters to vote for Lyman Trumbull (1813 - 1896), an anti-slavery Democrat with similar views to their own. Trumbull won the election. In 1856, Lincoln formally joined the Republican Party. At the June 1856 Republican National Convention, Lincoln was one of the candidates for the party's nomination for Vice President of the United States. Lincoln received 110 votes, finishing second among the candidates. The vice-presidential nomination was instead won by William Lewis Dayton (1807 - 1864).
In 1858, Lincoln stood as a Republican candidate for the United States Senate. His opponent was Stephen Arnold Douglas, a leading Democrat politician. The Senate campaign featured seven debates between Lincoln and Douglas, which attracted nationwide attention. The candidates argued extensively over the legal and moral status of slavery in the United States. In this elections, the Republican Party won the popular vote, but the Democratic Party won more seats. The legislature re-appointed Douglas to the Senate. But Lincoln had become nationally famous, and he was often mentioned by the press as a likely presidential candidate.
In 1860, Lincoln received early endorsements as a presidential candidate. In the 1860 Republican National Convention, he secured the party's nomination. His most significant rival for the nomination was William Henry Seward (1801-1872), who finished second among the various candidates. Only Lincoln and Seward received over 50 votes from delegates. The party's nomination for vice president was secured by Hannibal Hamlin (1809 - 1891), a former Democrat who had opposed slavery for most of his career.
In the 1860 United States presidential election, the Democratic Party was split into two rival factions, which nominated different candidates. In the election, Lincoln received 1,866,452 votes, or 39.8% of the popular vote. In the electoral college, he received 180 votes, winning the election. Lincoln every one of the free Northern states, plus California and Oregon in the recently annexed Western United States. He received no votes at all in 10 of the 15 slave states.
Lincoln started his presidency in March 1861. By that time, 7 states had already seceded from the Union in reaction to his victory (in chronological order: South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, and Texas). The American Civil War started in April 1861 with the Battle of Fort Sumter, a bombardment of a Union fort located near Charleston, South Carolina. On April 15, Lincoln called on the states to send a total of 75,000 volunteer troops to recapture forts, protect Washington, and "preserve the Union". In Baltimore rioting crowds started attacking Union forces. Lincoln suspended the right of habeas corpus in select areas, allowing the government forces to confine people without formal trials. Thousands of suspected Confederate sympathizers were confined.
Lincoln soon established his executive control over the Union's war effort, and helped shape its military strategy, He expanded his war powers, and exercising "unprecedented authority" over the country. He had the full support of the Republican-controlled Congress, as well as popular support in states loyal to the Union. His political opposition consisted of two different factions, the Copperheads and the Radical Republicans. The Copperheads were a faction of the Democratic Party which demanded a compromise on the matter of slavery, and a peace settlement with the Confederates. The Radical Republicans were a faction of the Republican Party which demanded the "permanent eradication of slavery", and rejected any ideas concerning compromises with slave-owners.
In September 1862, Lincoln issued the Emancipation Proclamation, which declared the emancipation of slaves in 10 Confederate states. The Proclamation took effect on January 1, 1863. By the spring of 1863, Lincoln had started recruiting "black troops" in massive numbers. By the end of the year, 20 regiments of African Americans from the Mississippi Valley had been recruited by the Union.
Lincoln ran for re-election in the 1864 United States presidential election. He united the main factions of the Republican Party and the War Democrats (a pro-Union faction of the Democratic Party) into a coalition known as Union Party. The remaining factions of the Democratic Party made the mistake of nominating retired general George Brinton McClellan (1826 - 1885) as their presidential candidate. McClellan held a grudge against Lincoln, but rejected any ideas concerning peace with the Confederates. Meaning that the Copperheads could see little difference between him and Lincoln.
Lincoln won the presidential election with 2,218,388 votes, representing 55.0% of the popular vote. 78% of Union soldiers. voted fort him, as they did not want a compromise to end the War. Lincoln won 212 electoral votes, and had the support of 22 out of the Union's 25 states. His new vice-president was Andrew Johnson (1808 - 1875), a prominent War Democrat.
In 1865, the Union seemed to be winning the American Civil War. On April 14, 1865, Lincoln and his wife attended Ford's Theatre in Washington D.C. They wanted to see a performance of the then-popular British play "Our American Cousin" (1858) by Tom Taylor (1817 - 1880). During the performance, Lincoln was assassinated by the well-known actor John Wilkes Booth (1838 - 1865). Booth was a Confederate sympathizer, and hoped to turn the tide of the War. Lincoln was 56-years-old at the time of his death.
Lincoln's corpse was returned for burial to Springfield, Illinois, where he had lived for decades. On May 4, 1865, Lincoln was interred at the Oak Ridge Cemetery in Springfield. The Lincoln Tomb later became a state historic site. His wife and three of their four sons were later buried there as well.
Historians tend to rank Lincoln among the top Presidents of the United States. Due to his violent death, he came to be regarded as "a national martyr". Several political factions trace their origins to Lincoln's ideas and policies. He has been described as "a classical liberal" of the 19th-century, and is well-regarded for his policies favoring trade and business.- John Wilkes Booth was an American theatrical actor from Maryland. He was a member of the prominent Booth theatrical family. Booth assassinated president Abraham Lincoln, and was killed shortly after. He was the first of four presidential assassins in United States history.
In 1838, Booth was born in Bel Air, Harford County, Maryland. It was a small town with less than 200 residents. Booth's father was Junius Brutus Booth (1796 -1852), a British Shakespearean actor who had migrated to the United States in 1821. Booth's mother was Mary Ann Holmes, Junius' long-term mistress. His parents could not be legally married, as Junius had left his wife back in England when he migrated.
Booth was named after the British radical politician John Wilkes (1725 -1797), a member of the Hellfire Club (an exclusive club for high-society rakes). Wilkes happened to be a cousin of Booth's father, though they never met. Junius chose to emphasize their relation.
In 1851, Junius Booth finally secured a divorce from his first wife, following 30 years of separation. On May 10, 1851 Junius married Holmes. This allowed him to legitimize his children by her. Also in 1851, Junius started building Tudor Hall as a new summer home for his family. It would serve as John Booth's main residence from December 1852 to 1856.
In 1852, Junius Booth died during a steamboat trip from New Orleans to Cincinnati. He is thought to have been accidentally poisoned through drinking impure river water. John Booth became an orphan at age 14, and was forced to drop out of school. He had previously attended the "Milton Boarding School for Boys" and the military academy "St. Timothy's Hall". Booth was reportedly an indifferent student. A former teacher thought that Booth was intelligent, but not particularly interested in his studies.
As a teenager, Booth aspired to become an actor. His older brothers Junius Brutus Booth Jr. (1821-1883) and Edwin Booth (1833 - 1893) had already started their own acting careers. In preparation for an acting career, Booth practiced elocution daily and studied the works of William Shakespeare.
In August 1855, Booth made his stage debut at the "Charles Street Theatre" of Baltimore. He was playing the Earl of Richmond in Shakespeare's "Richard III". He missed some of his lines, and the audience jeered at him. At about that time, Booth started performing regularly at the " Holliday Street Theater" of Baltimore. This theater had previously hosted performances by other members of the Booth family.
In 1857, Booth joined the stock company of the "Arch Street Theatre" in Philadelphia. He used the alias "J.B. Wilkes" to avoid comparison with his father and brothers. He gained a reputation as a scene stealer, and the audience reacted positively to his enthusiasm. In February, 1858, Booth played the role of Petruchio Pandolfo in the opera "Lucrezia Borgia" by Gaetano Donizetti. He developed stage fright, and accidentally turned his opening lines into a comedic monologue. The audience reacted with roaring laughter.
Later within 1858, Booth started performing in Virginia. He joined the stock company of the "Richmond Theatre" in Virginia. He became popular due to his energetic performances, and the audience singled him out for praise. By the end of 1858, Booth had appeared in 83 plays in a single year. His favorite role was playing Marcus Junius Brutus, because he was "the slayer of a tyrant".
By the end of the 1850s, Booth had a yearly income of 20,000 dollars. Critics described him as "the handsomest man in America" and a "natural genius", and female audience members idolized him. His performances were often acrobatic in nature, with him leaping upon the stage. He was passionately gesturing as he spoke his lines. He regularly practiced swordsmanship to use its movements in his performances. He reportedly "cut himself with his own sword" on several occasions.
In 1860, Booth started his first national tour as a leading actor. He performed in major cities, such as New York City, Boston, Chicago, Cleveland, St. Louis, Columbus, Georgia, Montgomery, Alabama, and New Orleans. Critics praised his lively performances, though they noted that Booth was less cultured and graceful than his brother Edwin. Walt Whitman commented that Booth had flashes of real genius as he performed.
In 1861, the American Civil War started. Booth publicly expressed his admiration for the Southern United States secession. Several people wanted him to be banned from the stage for his supposedly treasonous statements, but no official action was taken against Booth. In 1862, Booth regularly performed in the Union states of the war, despite his Confederate sympathies. He also performed in the border states, the small group of slave states who refused to secede from the Union (Delaware, Kentucky, Maryland, and Missouri).
By 1863, Booth won more acclaim for portraying villains on stage. He frequently performed as Richard III, King of England (1452 - 1485, reigned 1483-1485) in Shakespeare's tragedy "Richard III". He also played the villainous Duke Pescara in "The Apostate". By the autumn of 1863, Booth was regularly performing in Boston, Providence, Rhode Island, and Hartford, Connecticut.
In November 1863, Booth first performed on "Ford's Theatre" in Washington, D.C. The theatre building was new, debuting in August 1863. It was owned by John Thompson Ford (1829-1894), an old friend of the Booth family. Booth was among the first leading men to appear in the theatre. Among the audience in Booth's original performance was Abraham Lincoln. Lincoln and his family noted that Booth frequently glared at the president throughout the performance. Booth declined an invitation to meet Lincoln in person. Booth gained a new fan in Tad Lincoln (1853 -1871), Lincoln's youngest son, who was thrilled with Booth's performances. Booth delivered a rose to Tad as a gift, in appreciation of the boy's vocal admiration for him.
Booth continued regularly performing in 1864 and early 1865, making his final theatrical performance on on March 18, 1865. In 1864, Booth helped raise funds for the erection of a statue of William Shakespeare for Central Park. Also in 1864, Booth invested part of his income in Fuller Farm Oil, a Pennsylvania-based oil drilling company. Their oil well reportedly yielded 25 barrels (4 kl) of crude oil daily. Booth withdrew his financial support of the company by the end of the year, possibly in reaction to an industrial accident involving explosives.
In February 1865, Booth was engaged to the famed socialite Lucy Lambert Hale (1841-1915), daughter of the Republican senator John Parker Hale. Booth's mother approved their relationship, though Holmes warned her son that his romantic infatuations tended to be short-lived. Booth reportedly had never explained his hatred of Lincoln to his fiancee.
By late 1864, Booth had formed a small network of Confederate sympathizers. They plotted to kidnap Abraham Lincoln. But in April 1865, Booth heard the news that Robert E. Lee had surrendered at Appomattox Court House. He decided that the kidnapping plot was no longer feasible, and started plotting to assassinate Lincoln instead.
By April 14, Booth had finalized his plan to personally assassinate Lincoln while the President attended a performance at Ford's Theatre. Booth's fellow conspirators were supposed to also assassinate vice-president Andrew Johnson and secretary of state William H. Seward, the two men at the top of the presidential succession order. Their plan was to throw the Union into a state of panic and confusion, in hopes of prolonging the civil war.
On the night of April 14, Booth shot Lincoln in the back of the head with with a .41 caliber Deringer pistol. Major Henry Rathbone (1837-1911) then attempted to apprehend Booth, but Booth stabbed him with a knife. Booth then jumped on the state, loudly proclaiming "sic semper tyrannis". (Latin for "Thus always to tyrants"). He was quoting a phrase attributed to Marcus Junius Brutus, in reference to Julius Caesar's assassination. His fellow conspirators failed in their own assassination tasks. Johnson was left unharmed, while Seward received non-fatal wounds in the attack targeting him.
After leaving Washington, D.C on horseback, Booth fled into southern Maryland. By that time, Booth had injured his leg in uncertain circumstances. His leg was briefly treated by Dr. Samuel Mudd (1833 - 1883). Booth spend days hiding in the Maryland woods, waiting for an opportunity to cross the Potomac River into Virginia. By April 26, Booth was located by Union troops while hiding in Richard H. Garrett tobacco barn in Virginia. When Booth refused to surrender, the soldiers set the barn on fire. Booth was shot by sergeant Boston Corbett (1832-c. 1894), who was acting against orders.
Booth was fatally wounded in the neck, with the bullet partially severing his spinal cord. He was left paralyzed, and had to be transported to Garrett's farmhouse. He died there three hours later, at the age of 26. His last request was for the soldiers to tell his mother that he died for his country. His final words were "useless, useless", in reference to his paralyzed hands.
Booth's corpse was transported by ship to the Washington Navy Yard for identification and an autopsy. The body was then buried in a storage room at the Old Penitentiary. In 1867, Booth's remains were moved to a warehouse at the Washington Arsenal. In 1869, his remains were released to the Booth family, and buried in the family plot at Green Mount Cemetery in Baltimore.
Booth's legacy has remained controversial in the 150 years that followed his death. Confederate veterans and their families praised him for years as a martyr to their cause, while Northerners cursed him as the madman who killed the "savior of the Union" (Lincoln). By the early 20th century, Booth was popularly blamed for supposedly causing all the mutual hostility and violence associated with the Reconstruction era (1865-1877). But he remains one of the most famous figures associated with the American Civil War. His tomb annually attracts visitors. - Writer
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Alfred, Lord Tennyson was a popular English poet. He served as Poet Laureate of the United Kingdom for 42 years (term 1850-1892). He often wrote poetry based on mythology. Among his most famous works was the "Idylls of the King" (printed in updated versions, 1859-1885), a collection of narrative poems based on Arthurian legends. It was the most famous Victorian era-version of the legends, and remains popular. His poems typically reflect intense feelings of "grief, melancholy, and loss", as Tennyson struggled with depression throughout his life.
In 1809, Tennyson was born in Somersby, Lincolnshire. Somersby is a small village, located within a range the low hills known as the Lincolnshire Wolds. His father was the Anglican clergyman George Clayton Tennyson (1778-1831). George served as the rector of Somersby (term 1807-1831), the rector of Benniworth (term1802-1831) the rector of Bag Enderby, and the vicar of Grimsby. He was shrewd at managing his money and fairly affluent throughout his career. Tennyson's mother was Elizabeth Fytche (1781-1865), daughter of another clergyman.
In 1816. Tennyson started his education at the King Edward VI Grammar School, an all-boys grammar school located in Louth. It had been established in 1551, with financing provided by Edward VI of England (1537-1553, reigned 1547-1553). Tennyson finished his schooling there in 1820.
George Tennyson was an amateur poet, and encouraged his sons to write their own poetry. In 1826, at age 17, Alfred Tennnyson co-wrote a poetry collection with two of his older brothers, These brothers were Frederick Tennyson (1807-1898) and Charles Tennyson Turner (1808-1879) ,who went on to have literary careers of their own.
In 1827, Tennyson started his tertiary education at the Trinity College of Cambridge. While there, he joined a local intellect society, the Cambridge Apostles. Tennyson met and befriended fellow poet Arthur Hallam (1811-1833) and aspiring clergyman William Henry Brookfield (1809-1874).
In 1829, Tennyson won the Chancellor's Gold Medal, a prestigious literary award granted by the University of Cambridge. In 1830, Tennyson published "Poems Chiefly Lyrical", his first solo poetry collection. Its popularity helped him build a reputation as a promising writer. Among the poems included was "Mariana", a narrative poem about a woman who is isolated from society and has suicidal thoughts. The poem was loosely inspired by the play "Measure for Measure" (1604) by William Shakespeare, but rejected the play's happy ending. It was the first poem about social isolation Tennyson ever published, and the theme would appear frequently in his future poems.
In 1831, George Tennyson died at the age of 53. Alfred Tennyson dropped out of College and returned home to the rectory. He had to financially support his widowed mother. The Tennyson family was granted permission to keep using the rectory, even after George's death. At about this point, Tennyson arranged his sister Emilia engagement to his best friend Arthur Hallam.
In 1833, Tennyson published a second poetry collection under the generic title "Poems". It included the earliest version of "The Lady of Shallott", which would later become one his most famous poets. However this collection met with harsh criticism, and Tennyson's reputation suffered. He did not dare publish anything for the next decade, though he privately continued writing poems.
In September 1833, Arthur Halam died of cerebral hemorrhage during his vacation in Vienna. Halam was only 22-years-old, and his death surprised his family and friends. Tennyson mourned him, and started writing poets in his memory. The most important of them was "In Memoriam A.H.H.", first published in 1850. It contained Tennyson's thoughts on mortality, and also his thoughts on the then-popular scientific theory of the "transmutation of species". Tennyson wondered whether life was guided by the inherent cruelty of nature, and explored the implications of natural selection a decade before scientist Charles Darwin (1809 - 1882) wrote on the same topic.
In 1837, Tennyson and his family moved away from the rectory. He settled in Beech Hill Park, within the village of High Beach. The location was deep within Epping Forest, an ancient woodland in Essex. In wintertime, Tennyson had access to a frozen pond. He enjoyed skating there. His new house was not far from London, and he could socialize with friends who lived there. His needy mother, however, demanded his presence at home. She prevented him from ever spending the night in London.
In the late 1830s, Tennyson befriended Dr. Allen, the administrator of a local asylum. Allen also managed an ecclesiastical wood-carving enterprise, and convinced Tennyson to invest in it. When this business venture failed, Tennyson lost much of the family fortune. In 1840, Tennyson moved to London.
In May 1842, Tennyson published a new poetry collection under the generic title "Poems". Some of the poems had been published before, others were brand new. Its sales were surprisingly good, and he also earned profits from its reprint in the United States. By 1846, Tennyson had earned more than 600 pound pounds sterling from this single work. This helped him escape serious financial difficulties, which had lasted for years. His critical reputation also improved, with some critics viewing as the leading poet of his generation.
In 1850, Tennyson was appointed as the new Poet Laureate of the United Kingdom. He succeeded the Romantic poet William Wordsworth (1770-1850), who died from pleurisy earlier that year. He was reportedly only chosen because the older poet Samuel Rogers (1763 - 1855) had refused his appointment to the position.
In June 1850, Tennyson married his childhood acquaintance, the hymn-writer Emily Sellwood. Emily was better at at conducting business tasks than her husband, and she became Tennyson's business manager. They would have two sons. A difficult second pregnancy left Emily with permanent health problems.
From 1851 to 1853, Tennyson and his family lived in Chapel House, a Georgian brick house located in Twickenham. The house has been preserved as a Grade II-listed building. It is considered of historical significance due to its connection to Tennyson. Other famous figures resided there during the 20th century.
In 1853, Tennyson rented Farringford House, a country house located in the Isle of Wight. In 1856, he bought the country house from its previous owners. He lived there until 1869. The place eventually attracted tourists who wanted to meet Tennyson, much to his annoyance. He moved out in 1869, but continued to use Farringford as his winter home.
In December 1854, Tennyson published the narrative poem "The Charge of the Light Brigade". It commemorated an ill-fated cavalry charge during the Battle of Balaclava (October 1854), where about 110 British soldiers were killed and other 161 wounded due to their blind obedience to an order by a superior. It became one of Tennyson's most famous poems, inspiring sequels and adaptations by other writers and musicians.
In 1865, Tennyson was offered the rank of baronet by the government, but denied the honor. In 1868, he was offered the same rank, but again denied the honor. In 1883, the Prime Minister William Ewart Gladstone (1809 - 1898) offered him the rank of a baron, and Tennyson took the offer. In 1884, he was officially appointed as the 1st Baron Tennyson. It was a new hereditary title that would be inherited by his descendants. From this point Alfred became known under the name "Lord Tennyson". Tennyson was reportedly the first person to be raised to a British peerage for their writing.
Tennyson continued writing well into his old age. He tried to become a playwright as well, though his plays were not considered particularly memorable. His last major work was the play "The Foresters" (1892), featuring incidental music by Arthur Sullivan (1842-1900). It was unpopular in the United Kingdom, but met with success in the United States.
Tennyson died in October 1892, at the age of 83. He was buried at Westminster Abbey. He left an estate of 57,206 pounds sterling. His eldest son Hallam Tennyson (1852-1928) succeeded him as the 2nd Baron Tennyson. Hallam published a biography of his father in 1897. Hallam is mainly remembered for a brief term as the Governor-General of Australia (term 1903-1904).
Tennyson was succeeded as Poet Laureate with Alfred Austin (1835 - 1913), a poet chiefly noted as a nature-lover. Austin was widely considered to be inferior to Tennyson. Tennyson's fame has far outlasted many of his contemporaries, and he is among the relatively few Victorian era-writers whose works remain popular with the wider public.- Writer
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Robert Louis Stevenson was a Scottish novelist, poet, and travel writer from Edinburgh. His most popular works include the pirate-themed adventure novel "Treasure Island" (1883), the poetry collection "A Child's Garden of Verses" (1885), the Gothic horror novella "Strange Case of Dr Jekyll and Mr Hyde" (1886) which depicted a man with two distinct personalities, and the historical novels "Kidnapped" (1886) and "The Black Arrow: A Tale of the Two Roses" (1888). Stevenson spend the last years of his life in Samoa, where he tried to act as an advocate for the political rights of Polynesians.
In 1850, Stevenson was born in Edinburgh. His father was Thomas Stevenson (1818-1887), a civil engineer, lighthouse designer, and meteorologist. Thomas was a co-founder of the Scottish Meteorological Society, and one of the sons of the famed engineer Robert Stevenson (1772-1850). Thomas' brothers were the engineers David Stevenson and Alan Stevenson. Stevenson's mother (and Thomas' wife) was Margaret Isabella Balfour, a member of a centuries-old gentry family. Stevenson's maternal grandfather was Lewis Balfour (1777-1860), a minister of the Church of Scotland. Lewis was himself a grandson of the philosopher James Balfour (1705-1795).
Both Stevenson's mother and his maternal grandfather had chronic problems with coughs and fevers. Stevenson demonstrated the same problems throughout his childhood. His contemporaries suspected that he was suffering from tuberculosis. Modern biographers have suggested that he was instead suffering from bronchiectasis (a congenital disorder of the respiratory system) or sarcoidosis (an autoimmune disease which affects the lungs).
Stevenson's parents were Presbyterians, but they were not particularly interested in indoctrinating their son. Stevenson's nurse was Alison "Cummy" Cunningham, a fervently religious woman. While tending to Stevenson during his recurring illnesses, she read to him passages from the Bible and from the works of the Puritan preacher John Bunyan (1628-1688). She also narrated to him tales of the Covenanters, a 17th-century religious movement.
Stevenson's poor health as a child kept him away from school for extended periods. His parents had to hire private tutors for him. He did not learn to read until he was 7 or 8-years-old. However, he developed an interest in narrating stories in early childhood. When he learned to write, he started writing tales as a hobby. His father Thomas was happy about this hobby, as he was also an amateur writer in his early life. In 1866, Stevenson completed his first book. It was "The Pentland Rising: A Page of History, 1666", a historical narrative of a Covenanter revolt. It was published at his father's expense.
In November 1867, Stevenson entered the University of Edinburgh to study engineering. He showed little interest in the subject matter. He joined both the debating club Speculative Society, and an amateur drama group organized by professor Fleeming Jenkin (1833-1885). During the annual holidays, Stevenson repeatedly joined his father in travels to inspect the family's engineering works. He displayed little interest in engineering, but the travels turned his interests towards travel writing.
In April 1871, Stevenson announced to his father that he wanted to become a professional writer. His father agreed, on the condition that Stevenson should also study to gain a law degree. In the early 1870s, Stevenson started dressing in a Bohemian manner, wore his hair long, and joined an atheist club. In January 1873, Stevenson explained to his father that he no longer believed in God, and that he had grown tired of pretending to be pious. He would eventually rejoin Christianity, but remained hostile to organized religion until his death.
In late 1873, Stevenson visited London. He had an essay published in the local art magazine "The Portfolio" (1870-1893), and started socializing with the city's professional writers. Among his new friends was the poet William Ernest Henley (1849-1903). Henley had a wooden leg, due to a childhood illness which led to amputation. Stevenson later used Henley as his inspiration for the one-legged pirate Long John Silver.
Stevenson qualified for the Scottish bar in July 1875, at the age of 24. He never practiced law, though his legal studies inspired aspect of his works. In September 1876, Stevenson was introduced to the American short-story writer Fanny Van de Grift Osbourne (1840-1914). She had separated from her unfaithful husband, and lived with her daughter in France. Fanny remained in his thoughts for months, and they became lovers in 1877. They parted ways in August 1878, when she decided to move back to San Francisco.
In August 1879, Stevenson decided to travel to the United States in search of Fanny. He arrived to New York City with little incident. The journey from New York City to California negatively affected his health, and he was near death by the time he arrived in Monterey, California. He and Fanny reunited in December 1879, but she had to nurse him to recovery. His father cabled him money to help in his recovery.
Stevenson and Fanny married in May 1880. Th groom was 29-years-old, and the bride was 40-years-old. They spend their honeymoon at an abandoned mining camp on Mount Saint Helena. The couple sailed back to the United Kingdom in August 1880. Fanny helped Stevenson to reconcile with his father.
Stevenson and his wife moved frequently from place to place in the early 1880s. In 1884, they settled in their own home in the seaside town of Bournemouth, Dorset. Stevenson named their new residence "Skerryvore". He used the name of a lighthouse which his uncle Alan had constructed. In 1885, Stevenson reacquainted himself to his old friend, the novelist Henry James (1843-1916). James had moved to Bournemouth to care for his invalid sister. Stevenson and James started having daily meetings to converse over various topics. Stevenson wrote several of his popular works while living in Bournemouth, though he was frequently bedridden.
In 1887, Thomas Stevenson died. Stevenson felt that nothing tied him to the United Kingdom, and his physician had advised him that a complete change of climate might improve his health. Stevenson and much of his surviving family (including his widowed mother) traveled to the state of New York. They spend the winter at a cottage in the Adirondacks, with Stevenson starting to work on the adventure novel "The Master of Ballantrae" (1889).
In June 1888, Stevenson chartered the yacht "Casco" to transport him and his family to San Francisco. The sea air helped restore his health for a while. Stevenson decided to spend the next few years wandering in the Pacific islands. He visited the Hawaiian Islands, and befriended the local monarch Kalakaua (1836-1891, reigned 1874-1891) and his niece Ka'iulani (1875-1899). Stevenson's other voyages took him to the Gilbert Islands, Tahiti, New Zealand and the Samoan Islands.
In December 1889, Stevenson and his family at the port of Apia in the Samoan islands. He decided to settle in Samoa. In January 1890, he purchased an estate on the island. He started building Samoa's two-story house, and also started collecting local folktales. He completed an English translation of the moral fable "The Bottle Imp".\
Stevenson grew concerned with the ongoing rivalry between Britain, Germany and the United States over their influence in Samoa. He feared that the indigenous clan society would be displaced by foreigners. He published various texts in defense of the Polynesians and their culture. He also worked on "A Footnote to History: Eight Years of Trouble in Samoa" (1892), a detailed chronicle of the Samoan Civil War (1886-1894) and the international events leading up to it.
Stevenson's last fiction writings indicated his growing interest in the realist movement, and his disdain for colonialism. In December 1894, Stevenson suffered a stroke while conversing with his wife. He died hours later, at the age of 44. The local Samoans provided a watch-guard to protect his body until a tomb could be prepared for it. Stevenson was buried at Mount Vaea, on a spot overlooking the sea. A requiem composed by Stevenson himself was inscribed on the tomb.
Stevenson was seen as an influential writer of children's literature and horror fiction for much of the 20th century, but literary critics and historians had little interest in his works. He was re-evaluated in the late 20th century "as an artist of great range and insight", with scholarly studies devoted entirely to him. The Index Translationum, UNESCO's database of book translations, has ranked him as the 26th most translated writer on a global level. Stevenson ranked below Charles Dickens (25th) in the index, and ahead of Oscar Wilde (28th). His works have received a large number of film adaptations.- Topsy was originally a wild elephant, born in Southeast Asia c. 1875. She was captured by elephant traders while still a baby and smuggled into the United States by 1877 . Her new owner Adam Forepaugh (1831-1890) claimed that she was born in captivity and advertised her as the first American-born baby elephant. Forepaugh was the owner of Forepaugh Circus, one of the two largest circuses in the country. The other was Barnum & Bailey Circus.
Topsy served most of her life as a circus elephant, performing at various incarnations of the Forepaugh Circus from 1877 to 1902. She gained a bad reputation for allegedly injuring and killing circus workers. Sensational news reports claimed that she had killed 12 men, though a 21st-century finds these reports unreliable. There are reports that she injured one of two workers c. 1900, but not that she actually killed them.
Her notoriety as a "killer elephant" was solidified in 1902, when she killed a spectator by the name of James Fielding Blount. Blount reportedly had been teasing the circus elephants, and throwing sand at Topsy's face. When he burnt the sensitive tip of her trunk with a lit cigar, Topsy grew angry and retaliated. She killed the man easily, although there are contradictory reports on the exact manner of his death.
The death of Blount generated much publicity. The Circus benefited for a time, when crowds of spectators kept arriving to see the "killer elephant". All went well for about a month, until a spectator by the name of Louis Dodero decided to tease the elephant himself. Dodero supposedly used a stick to tickle Topsy behind the ear. She used her trunk to seize him around the waist and then threw him to the ground. Dodero was apparently injured but not killed. The ongoing publicity turned negative and threatened the reputation of the Circus, and its owners decided to sell her.
In Summer 1902, Topsy was sold from the Circus to the Sea Lion Park, a Coney Island amusement park. Its owner was Paul Boyton (1848-1924), a showman best remembered as the inventor (or popularizer) of the immersion suit. The amusement park was famous for its aquatic circus and sea lions, but Boyton was seeking out additional attractions to face the competition. Topsy's animal handler from the circus, William "Whitey" Alt, was hired by Boyton to keep charge of Topsy.
Later that year, Paul Boyton leased the amusement park to aspiring businessmen Frederick Thompson and Elmer Dundy. The new owners started expanding the park, remodeling it, and renamed it to Luna Park. It continued using the name until destroyed by a fire. Taking advantage of Topsy's notoriety, the new owners had her working hard and transporting cargo and a new airship. The media broadcast her work, presenting as Topsy doing "penance" for her bad behavior.
Topsy was however soon involved in negative publicity again, mostly due to the erratic behavior of her handler William "Whitey" Alt . In October, 1902, Alt was arrested by the police for setting Topsy loose in the streets of New York City. In December, a drunk Alt used Topsy to attack a local police station and to scare away the police officers. His employers fired him, but there was the problem of what to do with Topsy.
The Luna Park tried to get rid of the problematic elephant, originally by trying to sell Topsy to someone else. No circus or zoo was interested in buying an elephant notorious for bad behavior. So the owners announced to the press that they would euthanize Topsy by electrocution. The initial plan was to publicize the event and sell admission tickets. A protest by the American Society for the Prevention of Cruelty to Animals resulted in the decision to avoid turning the death to a public spectacle. But the Society still allowed the plans for execution to continue, just demanding that the death should not be inhumane.
Uncertain whether electrocution would be enough to kill Topsy, the planners of the death added two additional ways to kill her. She would also be poisoned by ingesting poisoned food and strangulated by a machine. The execution was set for January 4, 1903, and initially attended by 1500 spectators and 100 press photographers. Only about 100 people were allowed to witness the death itself.
The execution had to be delayed by more than a hour. A new animal handler called Carl Goliath was supposed to lead Topsy over a bridge and towards the execution devices. But Topsy refused to cross the bridge and Goliath could not convince her to move at all. The planners offered 25 dollars to her former handler William "Whitey" Alt to help coax Topsy to the execution place. He refused to help kill the elephant in any way. Deciding to kill Topsy where she stood, the planners had to dismantle the execution devices and bring them to Topsy.
Topsy was first fed 460 grams of potassium cyanide in order to poison her. Then electrocuted with 6,600 volts for about 10 seconds. She fell to the ground following the electrocution, but the owners were not sure that she was dead. They uses a steam-powered winch to strangulate her for 10 minutes. A post-mortem examination of her corpse determined that the 10-second electrocution had already killed her. The winch was not needed at all. The poor innocent soul falsely thought to be a killer was dead. - Annie Oakley (born Phoebe Ann Mosey) was an American professional sharpshooter from Ohio. She starred for several years in Buffalo Bill's Wild West show. Her stage acts were filmed for one of Thomas Edison's earliest Kinetoscopes in 1894. Later in life, Oakley trained other women in marksmanship. She was an advocate for female self-defense.
Oakley was born in a rural area of Darke County, Ohio, not far from the the state's border with Indiana, in 1860. Her family's residence was located 2 miles (3.2 kilometers) from the settlement of Woodland (later renamed to Willowdell). Oakley's father was the farmer Jacob Mosey (1799-1866), a veteran of the War of 1812 (1812-1815). Oakley's mother was Susan Wise (1830-1908), who was 31 years younger than her husband. Both parents were Quakers from Pennsylvania, and they were both of English descent. Oakley was the 6th of 9 children born to this couple.
In the winter of 1865, Jacob Mosey was caught in a blizzard. Hypothermia turned him into an invalid. He died months later, having never recovered from the ordeal. In 1867, Oakley learned how to trap animals in order to supplement her family's income. In 1868, Oakley learned how to handle firearms and how to hunt animals with them. She sold the hunted game to restaurants and hotels.
In March 1870, Oakley was placed in the Darke County Infirmary. Nancy Edington, the superintendent's wife, trained Oakley in sewing and decorating. Months later, Oakley was hired as a servant by a local family. The family promised her a meager salary (0.50 dollars per week) and help in financing her education. They reneged on both promises.
From 1870 to 1872, Oakley was mentally and physically abused by her employers. She was treated as an unpaid slave instead of a servant. She eventually run away. In her autobiography, she nicknamed these employers as "the wolves". She never mentioned their real names. Modern biographers are uncertain whether her employers were the Studabaker family or the Boose family.
In 1872, Oakley moved in with the Edington family, who she knew from the Infirmary. In 1875, Oakley moved into her mother's house for the first time in 5 years. She used her hunting skills to become her family's main breadwinner. Her earnings allowed her to soon pay off the mortgage on her mother's farm.
In November 1875, professional sharpshooter Frank E. Butler (1847-1926), placed a 100 dollars bet (per side). He claimed that he could beat any sharpshooter in Ohio. Oakley took on the challenge, and a match was arranged between the two sharpshooters. Oakley won the match, and impressed Butler. Soon after the match, Butler started courting Oakley. They were married on June 20, 1882, after Butler received a divorce from his first wife. They remained married for 44 years.
Oakley started professionally performing as a sharpshooter in the late 1870s or early 1880s. She took the stage name "Oakley", reputedly naming herself after the neighborhood of Oakley, Cincinnati. She and Butler had settled in the neighborhood during the early years of her relationship.
In 1885, Oakley and Butler were hired as performers by "Buffalo Bill's Wild West", a circus-like attraction that toured annually. The owner was the showman Buffalo Bill (1846-1917), who was a veteran of both the American Civil War and the American Indian Wars. Early in her career in the show, Oakley developed a professional rivalry with one of her co-workers, the sharpshooter Lillian Smith (1871-1930). Smith was younger than Oakley, and was trying to upstage her.
In the late 1880s, Oakley and Buffalo Bill's Wild West toured Europe. Oakley performed her act for (among others) Queen Victoria of the United Kingdom (1819-1901, reigned 1837-1901), Marie Francois Sadi Carnot, President of France (1837-1894, term 1887-1894). Umberto I, King of Italy (1844-1900, reigned 1878-1900), and Wilhelm II, German Emperor (1859-1941, reigned 1888-1918). Oakley won favorable reviews by the European press.
In 1894, Oakley starred in Thomas Edison's Kinetoscope film "The Little Sure Shot of the Wild West, an exhibition of rifle shooting at glass balls, etc". It was a filming of her act, making Oakley one of the earliest performers to be filmed. In 1898, Oakley volunteered for service in the Spanish-American War (1898). Her offer was turned down by the government of President William McKinley (1843-1901, term 1897-1901), likely because of her gender.
In 1901, Oakley was seriously injured in a train accident. She was temporarily paralyzed, and endured five spinal operations in order to regain her mobility. She resigned from Buffalo Bill's Wild West during her recovery. In 1902, Oakley acted professionally in the Western-themed stage play "The Western Girl".
In 1904, Oakley filed 55 libel lawsuits against various newspapers. Most of them were owned by newspaper magnate William Randolph Hearst (1863-1951). The newspapers had published a false news story than Oakley was a cocaine addict and a habitual thief. They had confused Oakley with a burlesque performer who used "Annie Oakley" as an alias. By 1910, Oakley had won 54 of the 55 lawsuits.
In 1912, Oakley and Butler settled for a few years in Cambridge, Maryland. In 1917, they moved to North Carolina. Oakley continued performing into the 1920s. In 1922, Oakley was injured in a car accident, forced to wear a a steel brace on her right leg. She made a comeback performance in 1923, and set new shooting records in 1924.
In 1925, Oakley's health declined and she was forced to retire from performing. She died in November 1926, at the age of 66. The reported cause of death was pernicious anemia, caused by a deficiency of vitamin B12. Her body was cremated, and her ashes were buried at Brock Cemetery, located in the vicinity of Greenville, Ohio.
Oakley was survived by her husband Frank Butler, who died 18 days after Oakley's death. Butler had reportedly refused to eat anything after his wife's death. They had no children. Oakley did not leave much of an inheritance to her relatives, as she had donated most of her personal fortune to charities. Her incomplete autobiography was inherited by actor Fred Stone (1873-1959). Oakley's name remains associated with the legends of the "Wild West", and there have been several adaptations of her life in fiction. - Writer
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Arthur Conan Doyle was a British writer of Irish descent, considered a major figure in crime fiction. His most famous series of works consisted of the "Sherlock Holmes" stories (1887-1927), consisting of four novels and 56 short stories. His other notable series were the "Professor Challenger" stories (1912-1929) about a scientist and explorer, and the "Brigadier Gerard" stories (1894-1910) about a French soldier in the Napoleonic Wars. Doyle's literary works have frequently been adapted into film and television.
In 1859, Doyle was born in Edinburgh, Scotland to an Irish Catholic family. His father was Charles Altamont Doyle (1832 - 1893), a professional illustrator and water-colorist who is primarily remembered for fantasy-style paintings. Doyle's mother was Mary Foley (1837-1920). Through his father, Doyle was a nephew of the antiquarian James William Edmund Doyle (1822 - 1892), the illustrator Richard Doyle (1824-1883), and the gallery director Henry Edward Doyle (1827 -1893). Doyle's paternal grandfather was the political cartoonist and caricaturist John Doyle (1797-1868).
During his early years, Doyle's family had financial problems due to his father's struggles with depression and alcoholism. They received financial support from affluent uncles, who also financed Doyle's education. From 1868 to 1870, Doyle was educated at Hodder Place, a Jesuit preparatory school located at Stonyhurst, Lancashire. From 1870 to 1875, Doyle attended Stonyhurst College, a Roman Catholic boarding school. He disliked the school due to its rather limited curriculum, and the constant threats of corporal punishment and ritual humiliation used to discipline students.
From 1875 to 1876, Doyle received further education at Stella Matutina, a Jesuit school located at Feldkirch, Austria. His family wanted him to perfect his use of the German language, but this school offered a wider range of study subjects. Stella Matutina attracted student from many countries, and was more cosmopolitan in nature than Doyle's previous schools.
Doyle decided to follow a medical career. From 1876 to 1881, Doyle studied medicine at the University of Edinburgh Medical School. He also took botany lessons at the Royal Botanic Garden in Edinburgh. During his university years, Doyle started writing short stories. He had trouble finding a publisher, and "Blackwood's Magazine" (1817-1980) rejected his submitted work. Doyle's first published short story was "The Mystery of Sasassa Valley" (1879), featuring a demon in South Africa. That same year, Doyle published his first academic article in a science journal. The article examined the uses of the flowering plant Gelsemium as a poison. As an experiment, Doyle self-administrated doses of the poison and recorded the symptoms.
In 1880, Doyle worked for a while as a doctor in the whaling ship "Hope". In 1881, following his graduation from medical school, Doyle served as a ship's surgeon on the SS Mayumba. In 1882, Doyle and a former classmate established a medical practice in Plymouth, Devon. Their partnership failed, and Doyle soon started his own practice in Southsea, Hampshire. He did not have many patients, so he decided to resume writing fiction to supplement his income.
In 1886, Doyle created the character of Sherlock Holmes. He loosely based his creation on his former college teacher Joseph Bell (1837 - 1911), inspired by Bell's emphasis on the importance of "deduction and inference and observation". Doyle completed the first Holmes novel, "A Study in Scarlet" (1887), and sold the rights to the publishing house "Ward, Lock & Co." (1854-1964). The novel's publication was delayed until November, 1887, but it was well-received by professional critics.
Doyle next completed the sequel novel "The Sign of the Four" (1890), commissioned from the American literary magazine Lippincott's Monthly Magazine (1868-1915). He started writing short stories about Holmes for the British literary magazine "The Strand Magazine" (1891-1950).
Besides Holmes stories, Doyle wrote seven historical novels between 1888 and 1906. He wrote "Micah Clarke" (1889), as a fictionalized account of the Monmouth Rebellion (1685) and its consequences. The novel also voices Doyle's arguments against religious extremism. He wrote "The White Company" (1891) to examine the role of mercenaries in 14th-century warfare, depicting the campaigns of Edward the Black Prince (1330-1376) in the Kingdom of Castile. He wrote "The Great Shadow" (1892) to feature the experiences of soldiers in the Battle of Waterloo (1815). He wrote "The Refugees" (1893) to examine the fates of Huguenot refugees who were fleeing 17th-century France to escape religious persecution by Louis XIV (1638-1715, reigned 1643-1715). He wrote "Sir Nigel" (1906) to examine the early phases of the Hundred Years' War (1337 - 1453). He regarded these novels to be his best literary work, though they were never as popular as his crime novels.
In 1900, Doyle served as a volunteer doctor in the Second Boer War in South Africa (1899-1902), though he had no previous military experience. He was stationed at a field hospital at Bloemfontein. At about this time, Doyle wrote the non-fiction book "The Great Boer War" (1900), which covered in detail the early phases of the war. He also wrote the companion work "The War in South Africa: Its Cause and Conduct" in order to defend the British Empire from accusations of misconduct in its military efforts. These works were translated in multiple languages, and were appreciated by the British government. For his services to the British Empire, Doyle was knighted in 1902. In 1903, Doyle became a knight of the Order of Saint John, a British royal order of chivalry that was based on the original Knights Hospitaller.
In 1906, Doyle was involved in efforts to exonerate the lawyer George Edalji, a mild-mannered man who had been convicted of animal mutilations on insufficient evidence. Doyle helped publicize other instances of miscarriages of justice, and convinced the public that there was need of reforms in the legal system. In 1907, British authorities reacted to this campaign by establishing the Court of Criminal Appeal.
In 1909, Doyle wrote the non-fiction work "The Crime of the Congo" (1909). In the book, Doyle denounced the human rights abuses in the Congo Free State, and claimed that the Belgian colonial forces had enslaved the local population. He quoted testimonies from many witnesses and tried to convince the public of a need to intervene in the area.
World War I (1914-1918) was a difficult time for Doyle , as several of his relatives and friends died due to the war. Doyle's son Kingsley was seriously wounded in the Battle of the Somme (1916), and never fully recovered. Kingsley died of pneumonia in 1918, while still hospitalized. Doyle's brother, Brigadier-general Innes Doyle, died of pneumonia in 1919. Doyle's brother-in-law, the famous author E. W. Hornung, died of pneumonia in 1921. The series of deaths led Doyle to further embrace Spiritualism, and that faith's claims about existence beyond the grave. He spend much of the 1920s as a missionary of Spiritualism, and investigated supposed supernatural phenomena. He also wrote many non-fiction spiritualist works. In 1926, Doyle financed the construction of a Spiritualist Temple in Camden, London.
In July 1930, Doyle suffered a heart attack while staying in his then-residence, Windlesham Manor, in Crowborough, Sussex. He spend his last moments in reassuring his wife Jean Leckie that she was wonderful. He was 71-years-old at the time of his death. He was survived by two sons and two daughters. His daughter Jean Conan Doyle (1912 - 1997) was the copyright holder of much of her father's works until her own death.
Since Doyle was no longer a Christian at the time of his death, his family declined giving him a Christian burial place. Doyle was buried in Windlesham Manor's rose garden. His remains were later re-interred in Minstead churchyard, New Forest, Hampshire. His wife's remains were buried beside him. His gravestone epitaph described him as "Steel true/Blade straight/Arthur Conan Doyle/Knight/Patriot, Physician and man of letters".
Doyle is long gone, but his works have remained popular into the 21st century. Doyle has been cited as an influence on later crime writers, and Agatha Christie's earliest novels were strongly influenced by Sherlock Holmes' stories. His life's events have inspired several biographies, and a number of fictionalized accounts.- George V was the King of the United Kingdom and the British Dominions from 1910 until his death in 1936. He was the second son of Edward VII of the United Kingdom and Alexandra of Denmark. George outlived his older brother Prince Albert Victor, Duke of Clarence and Avondale (1864-1892), who died during a flu pandemic in the early 1890s. George served as the heir to the throne from 1901 to 1910, and eventually succeeded his father. George's reign covered the entire World War I (1914-1918) and much of the interwar period (1918-1939). In 1917, George changed the name of the British royal house from House of Saxe-Coburg and Gotha to House of Windsor. in reaction to anti-German public sentiment in the UK. George appointed the first Labour ministry in 1924, and in 1931 he was the founding monarch of the Commonwealth of Nations. George suffered from smoking-related health problems, and he was incapacitated and terminally ill by January 1936. His physician euthanized him. Two of George's sons subsequently reigned as Edward VIII (reigned 1936) and George VI (reigned 1936-1952).
In 1865, George was born in London. At the time, his father was the heir apparent of the reigning monarch, Queen Victoria (reigned 1837-1901). George's maternal grandfather was Christian IX of Denmark (reigned 1863-1906), who was nicknamed as "the father-in-law of Europe" for marrying most of his children into the leading royal families of Europe. As the second son of his father, George was not considered a likely hired to the throne.
George's father wanted his son to have a military education. In 1877, George enlisted in the Royal Navy at the age of 12. He joined a ship reserved for the training of cadets. During the late 1870s, George traveled the world aboard a British ship. In 1881, George visited Japan. He hired a local artist to tattoo his arm, choosing to display the image of a dragon on his arm. He continued his active naval service until 1892, and was for a while the commanding officer of the HMS Thrush and the HMS Melampus. Despite being a world-traveler, George failed to acquire fluency in any language other than English. His grandmother Victoria was disappointed that her grandson could not converse in either French or German.
As a youth, George fell in love with his cousin, Princess Marie of Edinburgh. But her mother disapproved of their courtship, and Marie herself rejected George's marriage proposal. Marie would later marry Ferdinand I of Romania (reigned 1914-1927). In 1892, Albert Victor died and George became his father's intended heir. At the time of his death, Albert Victor was engaged to Mary of Teck. Following his brother's death, George bonded with the mourning Mary. He proposed marriage to her in 1893, with the support of his grandmother. The couple were married in July 1893. George reportedly found it difficult to express his feelings in speech, but found it easier to write about them. So he continued writing love letters to Mary during the years of their marriage.
In 1892, George was granted the title of the Duke of York by his grandmother. George and his wife settled at York Cottage in Norfolk, a relatively small residence. Unlike his socialite father Edward, George desired a quiet life for himself. George's lifestyle during the 1890s resembled that of the British middle class, rather than that of the British royalty. His main hobby was stamp collecting, and he was eventually responsible for the expansion of the Royal Philatelic Collection.
In January 1901, Queen Victoria died and her son succeeded her as Edward VII. George inherited the title of the Duke of Cornwall, and started styling himself as the Duke of Cornwall and York. That year, George and Mary toured the British Empire. George personally presented thousands of medals to the soldiers of the still ongoing Second Boer War (1899-1902). George opened the first session of the Australian Parliament during his visit of Australia. His visit in New Zealand was primarily used as an opportunity to advertise New Zealand's attractiveness to potential tourists and immigrants through a press campaign.
In November 1901, George was granted the title of the Prince of Wales by his father. For the first time, his father trusted him with wide access to state documents. George in turn shared his documents with his wife Mary, who served as his primary advisor and speech writer. In his new role as the heir to the throne, George supported reforms in naval training. He wanted the cadets of the Royal Navy to have a shared educational background, regardless of their specific assignments.
In May 1910, Edward VII died and George succeeded him. He genuinely mourned his father, writing in his diary that they had never quarreled with each other, and that his father had been his best friend. George objected to the wording of his intended Accession Declaration, as he found the anti-Catholic phrases to be objectionable. At his insistence, most of the anti-Catholic phrases were removed.
In June 1911, George and Mary were coronated at Westminster Abbey. In December 1911, George was officially declared the new Emperor of India at a ceremony in Delhi. At the ceremony, George was wearing the then-new Imperial Crown of India. He announced the transfer of the capital of India from Calcutta to Delhi. George subsequently visited Nepal, and took time off for big game hunting. He took pride in killing 21 tigers, 8 rhinoceroses and a bear during his hunting in Nepal.
In July 1914, George orchestrated the Buckingham Palace Conference to negotiate the topic of Irish Home Rule. Rival political factions in Ireland had become radicalized, and George hoped to prevent a new Irish Civil War. The conference ended without an agreement. In August 1914, George took part in the council which declared war against the German Empire. Wilhelm II of Germany (reigned 1888-1918) was his first cousin, but their diplomatic relationships had deteriorated.
In July 1917, George officially renamed the British royal house: from the House of Saxe-Coburg and Gotha to the House of Windsor. He and all his British relatives relinquished their German titles and started adopting British-sounding surnames. Any member of the wider royal family who sided with Germany lost his/her British peerage titles through the rules of the "Titles Deprivation Act 1917".
Following the end of World War I, George rarely left the UK on official business. He visited Belgium and France in 1922, and Italy in 1923. These were his final diplomatic visits. George was horrified at the violence of the Irish War of Independence (1919 - 1921), and repeatedly called for negotiations between the rival factions of the war. The war led to an Anglo-Irish treaty and the 1922 partition of Ireland.
George was worried about the republican movement in the post-war UK, and tried to increase his support from the major parliamentarian parties of the country. During the 1920s, George cultivated friendly relations with moderate politicians of the Labour Party politicians and with trade union officials. In 1926, George hosted the Imperial Conference in London. By its decisions, the British Dominions became autonomous, and were no longer subordinate to the UK. In 1931, the Statute of Westminster 1931 formalized the Dominions' legislative independence. It marked the transformation of the British Empire into the Commonwealth of Nations, with George as the official head of the Commonwealth.
In the 1930s, George was increasingly hostile to the Nazi government of Germany. In 1934, George expressed his belief that Britain and Germany were heading for a new war. In 1935, George celebrated his Silver Jubilee and was met with adulation by the crowds. His efforts to increase the popularity of the British monarchy had apparently paid off, though he was surprised at the extend of his own personal popularity.
George was a heavy smoker, and had been suffering from chronic bronchitis since the mid-1920s. In 1928, he was diagnosed with septicemia at the base of his right lung. In the final year of his life, George required the administration of oxygen. On 15 January, 1936, George was seriously ill, bedridden, and drifting in and out of consciousness. By January 20, there was no sign of recovery and the incapacitated George required sedatives to deal with the pain. His chief physician Bertrand Dawson, 1st Viscount Dawson of Penn decided to euthanize the king, and surreptitiously injected George with a fatal dose of cocaine and morphine. Since the king was never asked for his consent to the physician's decision, the decision's legality has been questioned.
George was 70-years-old at the time of his death. George was interred at St George's Chapel, Windsor Castle. The chapel had served as the chosen burial place for the British royal family since the 1810s. Following George's example, his successors have mostly tried to reflect the values and virtues of the British upper middle-class. - Born in Providence, Lovecraft was a sickly child whose parents died insane. When he was 16, he wrote the astronomy column in the Providence Tribune. Between 1908 and 1923, he wrote short stories for Weird Tales magazine and others. He died in Providence, in poverty, on March 15, 1937. His most famous novel is considered to be "At the Mountains of Madness", about an expedition to the South Pole, which discovers strange creatures beneath a mountain.
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James Matthew "J. M." Barrie was a Scottish novelist and playwright. He had a distinguished career, but is primarily remembered for creating Peter Pan and his supporting characters. He used the character of Pan in the novel "The Little White Bird" (1902), the stage play "Peter Pan, or The Boy Who Wouldn't Grow Up" (1904). the novel "Peter Pan in Kensington Gardens" (1906), the play "When Wendy Grew Up - An Afterthought" (1908), and the novel "Peter and Wendy" (1911).
In 1860,. Barrie was born in the burgh of Kirriemuir, in the county of Forfarshire. The county has since been renamed to "Angus". In the 19th century, Kirriemuir was center for the weaving industry, Barrie's father was David Barrie, a moderately prosperous weaver. Barrie's primary caregiver was his mother Margaret Ogilvy, who introduced him to English-language literature at an early age. Barrie was the 9th child born to the couple, out of ten children.
In 1866, Barrie's older brother David Barrie was killed in an ice-skating accident. David was Margaret's favorite son, and she was devastated by his death. Barrie started imitating his dead brother, in an effort to serve as a replacement for him. Barrie's mother reportedly found comfort in the fact that her dead son would remain a boy forever, never to grow up and leave her.
In 1868, Barrie started attending the Glasgow Academy, an independent day school located in Glasgow. At the time, two of his older siblings were among the school's teachers. In 1870, Barrie was transferred to the Forfar Academy. It was a comprehensive school located in Forfar, and it was closer to his parents' house. In 1874, Barrie was enrolled at the Dumfries Academy, a grammar school located in Dumfries.
As a teenager, Barrie was a bibliophile. He enjoyed reading penny dreadfuls, serial literature sold at a cheap price. He also enjoyed reading the juvenile fiction of Robert Michael Ballantyne ( 1825 - 1894), and the historical novels of James Fenimore Cooper (1789 - 1851). Barrie was part of a group which liked to re-enact the adventures of pirates. He was also part of a drama club at Dumfries. While a teenager, he wrote and produced his first play: "Bandelero the Bandit". The play was denounced by a local clergyman for its supposed immorality.
Barrie aspired to become a professional writer, but his family insisted that he must attend university first. Barrie enrolled at the University of Edinburgh. While a college student, he started working at the newspaper "Edinburgh Evening Courant" as their drama reviewer. He graduated from university in 1882.
Following graduation, Barrie worked as a staff journalist for the newspaper "Nottingham Journal". Meanwhile he started working on short stories based on the life story of his grandfather. He eventually reworked this story into a trilogy of novels: "Auld Licht Idylls" (1888), "A Window in Thrums" (1890), and "The Little Minister "(1891). The stories depicted life within the "Auld Lichts", a religious sect which his grandfather had joined. These novels were popular at the time, though largely based on the industrialized Scotland's nostalgia for a bygone era.
In the 1890s, Barrie started working on theatrical works. An early success for him was "Ibsen's Ghost, or Toole Up-to-Date" (1891), a parody of the plays of Henrik Ibsen (1828 -1906). The play was largely based on two of Ibsen's plays, "Ghosts" (1881) and "Hedda Gabler" (1891) .
While working as a playwright, Barrie met and courted the actress Mary Ansell (1861 -1950). The two of them were married in 1894, though they reputedly never consummated their marriage. The marriage lasted until 1909, ending in a divorce. Barrie resented Ansell's extramarital affair with a younger man, the novelist Gilbert Cannan (1884 -1955). Following a second failed marriage of Ansell, Barrie voluntarily started financially supporting her. Until his death in 1937, Barrie gave her an annual allowance.
In 1901, Barrie published one of his most successful plays, "Quality Street". The protagonist Phoebe Throssel was a respectable school mistress, who started pretending to be a younger woman in older to reclaim the heart of her former suitor. The initial run of the play in London lasted for 459 performances. The play was frequently revived until the 1940s.
In 1902, Barrie had another hit with the survival-themed play "The Admirable Crichton". The play depicts an aristocratic family and their servants as shipwreck survivors. While living in a desert island, the butler Crichton turns out to be a far more effective leader than his employer. This satire on class relationships had an initial run of 828 performances.
In 1902, Barrie introduced the character of Peter Pan, which became his most popular creation. He liked contrasting the typical middle class life of the Edwardian era, with the adventurous life and ambivalent morality of the fictional Neverland. While most of the Pan stories were written for a child audience, their social commentary also attracted adults. Barrie was praised by fellow writer George Bernard Shaw (1856-1950) for these stories.
In 1909, Barrie was part of a campaign by several playwrights to challenge the United Kingdom's strict censorship laws. In 1911, Barrie was part of the anti-censorship's campaign second wave. In 1910, he commented on marital relations with the play "The Twelve Pound Look". In the play, a married woman seeks a divorce. She has gained financial independence and no longer needs her husband. The play was considered controversial at the time.
In 1917, Barrie explored the concept of the alternate reality in the play "Dear Brutus". In the play, a group of adult characters feel that they have taken wrong turns in their lives. A magic users offers them glimpses into the lives of their alternate reality counterparts, which took different life decisions. Some of them are enlightened by the experience, others learn nothing of value. The play was a hit, running for 363 performances in its initial run. It was revived in 1922.
In 1920, Barrie wrote the mystery play "Mary Rose". It was the last notable hit in his career. The play's protagonist mysteriously vanishes twice. She first disappears as a child. She re-appears 21 days later, but she has no recollection of where she was. As an adult, Mary Rose vanishes again. She leaves a husband and a son behind. She re-appears decades later, with no recollection of where she was again. But she has not aged a single day, and she is now physically younger than her own son. The play offers no definite answers to its mystery. It has experienced several revivals.
In 1929, Barrie gave the copyright right to Peter Pan (and any royalties gained from it) to the children's hospital Great Ormond Street Hospital. The royalties have continued to financially support the hospital ever since. The copyright was extended indefinitely by a special provision in the Copyright, Designs and Patents Act 1988.
Barrie continued producing new works into the 1930s, though none were particularly groundbreaking. His last play was the Bible-themed story "The Boy David" (1936). It concerned the relationship between the aging Saul, King of Israel and his youthful son-in-law and prospective heir David. The play was based on the "Books of Samuel". A play which Barrie wrote but never produced was "The Reconstruction of the Crime", published posthumously in 2017.
By 1937, had moved into a nursing home in London. In June 1937, he died there due to pneumonia. He was 77-years-old at the time of his death. He was buried in his native Kirriemuir, in the family grave previously used by his parents and some of his siblings. His will left provision for his ex-wife Mary Ansell and a number of Barrie's surrogate children from the Llewelyn Davies family. Barrie left the majority of his estate to his longtime secretary Lady Cynthia Asquith ( 1887 -1960). Barrie had no known descendants.
Several of Barrie's works have remained popular into the 21st century. Peter Pan has frequently been adapted into various media, and has inspired a number of unofficial sequels. Tourists continue visiting locations in Kirriemuir which are associated with him. Barrie's long-lasting fame has not faded.- Edith Wharton (née Jones) was an American novelist and short story writer from New York City. She had insider knowledge of New York's upper class, which she realistically portrayed in her works. In 1921, Wharton became the first woman to win the Pulitzer Prize for Fiction. She won the award for her historical novel "The Age of Innocence" (1920), where she portrayed the rigid worldview of the 1870s aristocrats of New York. She spend the last few decades of her life as an expatriate in France.
In 1862, Wharton was born in New York City. Her parents were George Frederic Jones and Lucretia Stevens Rhinelander. The Joneses were a wealthy and well-connected family in New York, having earned their wealth through real estate business. Through her mother, Wharton was a great-granddaughter of Lieutenant Colonel Ebenezer Stevens (1751 -1823), an officer of the Continental Army during the American Revolution. Through her father, Wharton was a first cousin, once removed, of the famed socialite Caroline Schermerhorn Astor (1830 - 1908). Astor was the de facto leader of the "Four Hundred", an informal grouping of New York's wealthy socialites who were seen as "champions of old money and tradition".
From 1866 to 1872, Wharton and her family made extensive travels across Europe. During her stay in Europe, Wharton became a fluent speaker in French, German, and Italian. She was educated by tutors and governesses. She also loved to read the books in her father's library, though her mother forbade her to read novels.
In 1871, Wharton faced the first crisis of her life. During an extended visit in the Black Forest of Germany, Wharton suffered from typhoid fever. The disease almost killed her. In 1872, the Joneses returned to the United States. They divided their time between New York City (in the winter) and Newport, Rhode Island (in the summer).
From an early age, Wharton started writing her own fictional works. By 1873, she had written an incomplete novel. In 1877, Wharton publisher her first work. It was an English translation of the German poem "Was die Steine Erzählen" ("What the Stones Tell") by Heinrich Karl Brugsch (1827 -1894). She was paid 50 dollars for her work, the first money she earned as a writer.
She had to use a pseudonym for her first published work, at the insistence of her parents. A writing career was out-of-the-question for proper "society women" of this era. Also in 1877, Wharton completed the novella "Fast and Loose". In 1878, she had a collection of her poems and translations privately published by her father. In 1879, one of her pseudonymous poems was published in the "New York World". In 1880, five of her poems were published in the literary magazine "Atlantic Monthly". Her family and her social circle discouraged her from continuing her promising literary career. Wharton did not write anything of note between 1880 and 1889, when one of her poems was published in "Scribner's Magazine".
In 1879, Wharton came out as a debutante at the age of 17. She soon was courted by Henry Leyden Stevens, son of the prosperous hotel owner Paran Stevens. Her family disapproved her new relationship. In 1881, Wharton and her family returned to Europe. George Jones' health had started failing, and he hoped that a stay in Europe would help him recover. In 1882, he died in Cannes, France due to a stroke.
In 1882, Wharton and her widowed mother returned to the United States. Wharton was briefly engaged to her persistent suitor Henry Leyden Stevens, but the engagement was canceled without any known explanation. In 1883, Wharton started living separately from her mother Lucretia. Lucretia had decided to settle permanently in France, where she lived until her death in 1901.
In 1885, Wharton married the sportsman Edward Robbins "Teddy" Wharton, who was 12 years older than her. The two of them shared a love of travel. Between 1886 and 1897, the couple spent several months each year in Europe. Their favorite destination was Italy; Wharton retained a love of this country for decades.
In the late 1880s, Teddy suffered from acute depression. As the years passed and his mental state declined, the couple ceased their extensive travels. They spent most of their time at "The Mount", their country house in Lenox, Massachusetts. Wharton herself reportedly struggled with asthma and bouts of depression in the late 19th century.
From 1908 to 1909, Wharton had a mid-life extramarital affair with the journalist William Morton Fullerton (1865 -1952). In 1913, Wharton divorced Teddy. Their marriage had lasted for 28 years, but caring for a chronically depressed man had taken its toll on her.
In 1911, as her marriage deteriorated, Wharton decided to move permanently to Paris, France. During World War I (1914-1918), Wharton supported the French war effort. In 1914, Wharton opened a workroom for unemployed women. In 1914, she helped set up the American Hostels for Refugees, to care for Belgian war refugees in France. In 1915. she helped found the Children of Flanders Rescue Committee, which sheltered about 900 Belgian refugees.
In 1915, Wharton wrote articles about France's front-lines. She regularly visited the trenches of the Western Front to get a first-hand view of the war, and was within earshot of artillery fire. Her articles were collected in the non-fiction book "Fighting France: From Dunkerque to Belfort" (1915).
In 1916, President Raymond Poincaré appointed Wharton a chevalier (knight) of the Legion of Honour, the country's highest award, in recognition of her dedication to the war effort. During the war, she helped in the founding of tuberculosis hospitals. In 1919, following the war's end, Wharton decided to leave Paris and to settle in the French countryside. She purchased Pavillon Colombe, an 18th-century house located in Saint-Brice-sous-Foret. It remained her main residence until her death.
In 1921, Wharton became the first woman to win the Pulitzer Prize for Fiction though her win was controversial. The three fiction judges employed for the contest voted that the award should be given to Sinclair Lewis (1885-1951). Columbia University's advisory board overturned their decision and decided that the winner was Wharton. Wharton was also nominated three times for the Nobel Prize in Literature (in 1927, 1928, and 1930), without ever winning.
In 1934, Wharton published her autobiography under the title "A Backward Glance". The work is noted for omitting some of the more difficult aspects of her life, which became known after Wharton's death. Among these omitted aspects were Wharton's rather poor relationship with her mother Lucretia, the personal problems which she faced while married with Teddy, and her extramarital affair with Fullerton.
In June 1937, Wharton was working on a revised edition of an older work, when she suffered a heart attack. She recovered, but suffered a stroke in August of the same year. She died due to the stroke, at the age of 75. She was buried in the American Protestant section of the Cimetière des Gonards in Versailles. She was given war hero honors at her funeral.
Wharton remains one of the most celebrated American writers of the 20th century, in large part due to her astute criticism of the 19th-century upper class, and her vivid depictions of a world that was long gone even when she wrote her novels. Her prose works remain in print, while her poetry is largely forgotten. - Writer
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Kubec Glasmon was a Polish-American screenwriter and novelist. Originally working as a pharmacist, Glasmon collaborated with John Bright in writing a number of crime stories and novels.
In 1931, his novel "The Public Enemy" was adapted into a film, and Glasmon himself was hired as its screenwriter. The film was well-received and Glasmon was nominated for the Academy Award for Best Story. The award was instead won by rival screenwriter John Monk Saunders (1897-1940). However, Glasmon started regularly working as a screenwriter afterwards. Highlights of his career included the crime film "Taxi!" (1932), the musical "Bolero" (1934), and the thriller "The Glass Key" (1935).
In 1940, Glasmon suffered a heart attack, and died. He was 40-years-old. He received a posthumous film credit, as the screenwriter of the medical drama film "Calling Dr. Gillespie" (1942).- John Wray was an American character actor from Philadelphia, Pennsylvania. He was primarily active during the 1930s.
Wray's real name was "John Griffith Malloy". He had a notable theatrical career, and appeared regularly in Broadway. In the late 1920s, there was a transition from silent films to sound films. Many stage actors headed to Hollywood, in the hope that their acting experience may help them find steady work in the new medium. Wray was one of the actors in this wave of prospective film stars.
Wray made his film debut in "New York Nights" (1929), where he played racketeer Joe Prividi. Prividi was the film's main villain, and the role helped Wray find steady work as a heavy. Among his most notable roles was sadistic drill instructor Himmelstoss in "All Quiet On The Western Front" (1930), gangster Morton Bradstreet in "The Czar of Broadway", con-artist Frog in "The Miracle Man" (1932), the starving farmer in "Mr. Deeds Goes to Town" (1936), and prison warden Wheeler in "You Only Live Once" (1937).
Wray's career was seemingly in decline by the late 1930s, when he was at times reduced to the role of an uncredited extra. But he continued acting until 1940, with his last known role being a bit part in the screwball comedy "The Doctor Takes a Wife" (1940). Wray died in April 1940, at the age of 53. - Second Unit Director or Assistant Director
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Pen Tennyson was an English film director. He only directed three films before his accidental death at age 28. He had previously served as an assistant director to Alfred Hitchcock in several 1930s films.
In 1912, Tennyson was born in London. He was the eldest son of the civil servant and academic Charles Bruce Locker Tennyson (1879-1977) and his wife Ivy Pretious. Through his father's side of the family, Tennyson was a great-grandson of the famous poet Alfred, Lord Tennyson (1809 -1892). Alfred served as Poet Laureate of the United Kingdom (term 1850-1892). He is mostly remembered for writing the "Idylls of the King" (published in updated editions, 1859-1885), a collection of narrative poems based on Arthurian legends. The work was the most famous Victorian era-version of the legends, and it remains popular.
Tennyson received his secondary education at Eton College, an independent boarding school for boys between the ages of 13 and 18. He entered the film industry in 1932, at age 20. His mother introduced him to film distributor Charles Moss Woolf (1879-1942). Woolf in turn introduced him to film producer Michael Balcon (1896-1977), who helped him get his start in the industry. Balcon became his mentor, and reportedly treated Tennyson as a surrogate son.
Tennyson started working as a camera assistant at the Gaumont British Studios, located at Shepherd's Bush.in West London. In 1934, Tennyson was promoted to the position of assistant director. His first assignment was the film" The Man Who Knew Too Much", with Hitchcock serving as the main director.
Temnyson next worked with Hitchcock in the film "The 39 Steps" (1935). While Hitchcock helped in Tennyson's training, their relationship was not without its problems. During this film. Hitchcock played a cruel prank on Tennyson. He convinced him that they needed a double for actress Madeleine Carroll, and that there was nobody available. He then had Tennyson dress in drag for one of the film's scenes. Carroll herself was actually available for the scene, but Hitchcock had a laugh at Tennyson's expense.
In 1938, Michael Balcon became the new head of the Ealing Studios. This was a successor company to the Associated Talking Pictures (ATP). Tennyson followed his mentor to this company, and was finally given his chance at becoming a director. His directing debut was the boxing-themed sports film "There Ain't No Justice" (1939). In the film, a small-time boxer learns that his recent fights were fixed and that his career is controlled by gambling syndicate.
Tennyson's first film was well-regarded by critics due to its "realistic portrayal of the boxing world", though certain scenes of graphic violence had been censored at the film's production phase. Film historians credit the film as one of the first British sound films to attempt a realistic portrayal of working-class life in London.
The following year Tennyson directed his second film, "The Proud Valley" (1940). It depicted the life of an African-American immigrant who works as a miner in the South Wales coalfield. The film was intended as a comeback for American actor Paul Robeson (1898-1976), who had not appeared in films since 1937. However, Robeson's outspoken political views had angered the British press baron Max Aitken, 1st Baron Beaverbrook (1879 - 1964). Beaverbrook both ensured that the film received little actual publicity and had Robeson blacklisted throughout the British film industry. Robeson left the United Kingdom shortly following the film's release.
In 1940, Tennyson started his service in the Royal Navy Volunteer Reserve (RNVR). He created the propaganda feature film "Convoy" (1940) in order to lionize the Royal Navy's activities in World War II. According to "Kinematograph Weekly", this film was the most popular British film of 1940 in its domestic market. It was Tennyson's third and last film as a director.
Later within 1940, Tennyson was commissioned in the Royal Navy. In June 1941, he was transferred to a unit that created instructional films for the Admiralty, the British government department responsible for the command of the Royal Navy. His experience in the film industry likely made him ideal for this role.
On July 7, 1941, Tennyson completed a filming session at Scapa Flow, in the Orkney Islands. Scapa Flow served as the United Kingdom's chief naval base during World War II. Following the filming, Tennyson boarded a airplane that was supposed to transport him to Rosyth. The airplane accidentally ploughed into a hillside, killing Tennyson and everyone else aboard. The accident took place during fine weather conditions. Tennyson was 28-years-old at the time of his death.
Tennyson was survived by his wife, the actress Nova Pilbeam (1919-2015). He had no known children. He is remembered as a promising film director, who died prematurely.- Writer
- Script and Continuity Department
- Soundtrack
Edgar Allan Woolf was an American playwright and screenwriter. He is mostly remembered as a co-writer of the fantasy film "The Wizard of Oz" (1939).
Woolf was born in New York City to inventor Albert E. Woolf and his wife Rosamond Wimpfheimer. His father was an inventor of electrical devices.
Woolf was educated in both the City College of New York and Columbia University. He graduated from Columbia in 1901, at the age of 20. He had begun writing plays during his college years. In his senior year, he wrote "The Mischief Maker", produced as Columbia's annual varsity show.
Following his graduation, Woolf sought an acting career. He joined the Murray Hill Stock Company as an actor, performing in New York City for several years. He eventually started writers sketches and plays for vaudeville performers, transitioning from an actor to a writer. He wrote for ,among others, Mrs Patrick Campbell (1865-1940), Pat Rooney (1880-1962), and Mitzi Hajos (1889-1970).
In 1906, Woolf wrote the book for the musical revue "Mam'zelle Champagne". The play became famous not for its content, but a murder occurring at its opening night in the theater. The millionaire Harry Kendall Thaw (1871-1947) murdered the famous architect Stanford White (1853-1906). The publicity of the event helped attract attention to the revue, which had a run of 60 performances.
In the 1930s, Woolf moved from New York City to Los Angeles. He was hired as a screenwriter for Metro-Goldwyn-Mayer. His most frequent collaborator there was Florence Ryerson. The two co-wrote "The Wizard of Oz", and co-created the character of Professor Marvel.
He entertained fellow writers and directors as a host of dinner parties, and personally cooked for his guests.
In 1943, Woolf took daily walks with his pet dog,. In December of that year, he apparently tripped on the dog's leash while walking down the stairs at his Beverly Hill residence. He fell down the stairs, and suffered a fatal skull fracture. His servants transported him to a hospital in Santa Monica, where he died. He was 62-years-old.- Writer
- Script and Continuity Department
Garrett Fort was an American playwright, screenwriter, and short story writer from New York City. He had an active writing career from the early 1920s to his death in the mid-1940s. He is primarily remembered for writing the scripts for the horror films "Dracula" (1931), "Frankenstein" (1931), and "Dracula's Daughter" (1936). He also wrote the script for the famous Western "The Mark of Zorro" (1940).
In 1934, Fort was introduced to the Indian spiritual master Meher Baba (1894 -1969). His new mentor introduced him to a form of mysticism, with ideas influenced from Sufism and the philosophical movement of Universalism. Fort wanted to adapt Baba's philosophy to a screenplay. He devoted several years to his dream project. In 1937, Fort traveled to India in search on inspiration. He soon returned to the United States, without ever securing funding to turn his screenplay into a film.
While continuing to regularly work as a screenwriter into the 1940s, Fort was often underpaid and faced recurring financial problems. In October 1945, Fort died in a hotel room of Los Angeles. The cause of death was an overdose of sleeping pills. His final film project was the war film "Blood on the Sun" (1945), which dramatized events surrounding the strategic document "Tanaka Memorial" (1927) and the Japanese war plans which it described.
Several of Fort's screenplays were adapted into films after his death. He was also credited as a co-writer in the horror film "The Mad Room" (1969), which was a remake of one his films and reused elements from his script. A number of his films were selected for preservation in the National Film Registry, and have maintained cult followings into the 21st century.- Edward Alexander "Aleister" Crowley was an English occultist, ceremonial magician, philosopher, professional writer, and self-proclaimed prophet. In his youth, Crowley joined the occult organization Hermetic Order of the Golden Dawn (1887-1903), where he received much of his training in theurgy and ceremonial magic. In 1904, Crowley established his own religion: Thelema (Greek for "the will"). He had supposedly received a divine revelation from an angel. Crowley believed that humans should strive to overcome both their desires and their socially-instilled inhibitions in order to find out the true purpose of their respective lives. Several of Crowley's religious ideas went on to influence Wicca, the practice of chaos magick, Satanism, and Scientology.
In 1875, Crowley was born in Royal Leamington Spa, Warwickshire to a wealthy family. His father was the retired engineer Edward Crowley (1829-1887), who was 46-years-old at the time of Crowley's birth. Edward had grown wealthy due to being the partial owner of a successful brewery. Cowley's mother was Emily Bertha Bishop (1848-1917), a member of a somewhat prominent family whose members lived in both Devonshire and Somerset.
Crowley's parents were converts of the Plymouth Brethren, a Christian fundamentalist movement whose members believed that the Bible is the only authority for church doctrine and practice. Crowley received his early education at an evangelical boarding school located in Hastings. He was then send to the Ebor preparatory school in Cambridge. The boy grew to hate the abusive Reverend Henry d'Arcy Champney, who inflicted sadistic punishments on his students. Crowley eventually dropped out of this school, due to health problems. The boy had developed albuminuria, a urine disease.
By the time he was 12, Crowley was skeptical about Christianity and its teachings. Years of bible study had resulted in Crowley realizing and memorizing the inconsistencies in the Bible. He eagerly pointed these to his religious teachers. In his teen years, Crowley largely rejected Christian morality. He felt the need to satisfy his sexual urges, and did not view this need as immoral. He received college lessons in chemistry, and started writing poetry as a hobby. In his early 20s, Crowley was also a chess enthusiast, and an increasingly skilled mountaineer. In 1894, Crowley joined the Scottish Mountaineering Club. In 1895, Crowley climbed the peaks of five mountains in the Bernese Alps.
By 1895, Crowley started using his nickname "Aleister" as his legal name. From 1895 to 1898, Crowley attended Trinity College, Cambridge. He studied primarily philosophy and literature. He was the president of the local chess club, and briefly considered pursuing a career as a professional chess player. In 1896, Crowley had his first sexual experience with another man while vacationing in Stockholm, Sweden. He would later embrace his bisexuality. He had sexual sexual relationships with various men while living in Cambridge, though such activities were illegal in Victorian England. In 1897, Crowley started a romantic relationship with the on-stage female impersonator (drag queen) Herbert Charles Pollitt (1871-1942). They eventually broke up because Pollitt refused to join his boyfriend in his studies of mysticism and occultism. Crowley later wrote several texts concerning his lifelong regrets about ending his relationship with Pollitt.
In 1898, Crowley dropped out of Cambridge. He maintained excellent grades, but he lost interest in actually pursuing a degree. Also in 1898, Crowley published two volumes of his poems. Shortly after leaving Cambridge, the novice occultist Crowley started hanging out with members of the occultist organization Hermetic Order of the Golden Dawn (1887-1903). He was formally initiated into the organization in November 1898. His initiation ritual was performed by the organization's de facto leader, Samuel Liddell MacGregor Mathers (1854 -1918). Crowley grew to consider Mathers to be an ineffectual leader.
In the late 1890s, Crowley received training in ceremonial magic by more experienced members of the Golden Dawn. He was fascinated with the ritual use of drugs. He rose through the organization's ranks, but was soon refused entry into the group's inner Second Order. The openly bisexual and libertine Crowley was disliked by several conservative members of the organization. Crowley had started a feud with a fellow member, the Irish poet William Butler Yeats (1865-1939). Yeats' friends resented Crowley.
A schism eventually started within the Golden Dawn, between Mathers' supporters and the members who disliked Mathers' autocratic policies. Crowley chose to support Mathers, and tried to take over one of the organization's temples in the name of Mathers. The dispute resulted in a court case between the rival factions of the Golden Dawn, over ownership of the temple. Mathers lost the court case, and Crowley started being treated as a pariah by members of the winning faction.
In 1900, Crowley decided to migrate to Mexico. He settled in Mexico City, where he experimented with the Enochian invocations of the famed occultist and alchemist John Dee (1527-1608/1609). His mountaineering activities led him to reach the top of several Mexican mountains, such as Iztaccihuatl, Popocatepetl, and Colima. After leaving Mexico, Crowley started traveling the world in search of new experiences. He visited California, Hawaii, Japan, Hong Kong, Ceylon (Sri Lanka), India, and France. Crowley took part in a failed mountaineering expedition that attempted to reach the peak of K2, the second-highest mountain on Earth. The expedition reached an altitude of 20,000 feet (6,100 meters). They abandon the attempt to reach the peak, as Crowley and several other expedition members were suffering from malaria.
In August 1903, Crowley married Rose Edith Kelly (1874-1932), the sister of one of his close friends. It was a marriage of convenience, not love. Rose wanted to escape an arranged marriage, and was fleeing from domineering family members. Her brother viewed the marriage as a personal betrayal by Crowley. The couple took an extended honeymoon. In February 1904, the couple settled in Cairo Egypt. Crowley started invoking ancient Egyptian deities in magical ceremonies. He also took the opportunity to study Islamic mysticism.
In early April 1904, Crowley started listening to the disembodied voice of the angel Aiwass. It supposedly delivered to Crowley messages from the god Horus, concerning a new age for humanity. Crowley recorded his divine revelations in "The Book of the Law", the first publication of Thelema. The disembodied voice supposedly also requested a number of difficult tasks from Crowley, who simply chose to ignore them as unreasonable demands.
In 1905, Crowley returned to his private estate in Scotland, for the first time in several years. He renounced his former mentor Mathers, as Crowley was convinced that the old man was conspiring against him. Crowley established his own printing company, the "Society for the Propagation of Religious Truth". He chose the name to mock a Christian charity organization, the Society for Promoting Christian Knowledge (1698-). The primary purpose of the company was the promotion of Crowley's literary works. By this point, Crowley was relatively famous as a poet. Several of his poems were favorably received by critics, but they never sold well.
Crowley soon resumed world traveling. He led a failed mountaineering expedition to climb the mountain Kanchenjunga in Nepal. Crowley faced a mutiny over his reckless behavior during the expedition. He returned to India, then made an extended tour of Southern China. He also visited Hanoi in Vietnam. He worked on a new ritual while in China, invoking his Holy Guardian Angel. He proceeded to travel through Japan and Canada, and visited New York City in a failed effort to secure funding for a new mountaineering expedition.
Crowley's return to the United Kingdom came with a nasty surprise for him. He learned that his first-born daughter Lilith Crowley had died of typhoid fever during his absence. He also realized that his wife Rose was struggling with alcoholism, and that she was probably not fit to be a parent. His own health was failing at the time, and he underwent a series of surgical operations.
In 1907, Crowley started regularly using hashish in his magic rituals. In 1909, he published an essay concerning the mystical aspects of hashish use. He published several books concerning the occult during the late 1900s. The family fortune which he had inherited was running out at the time, and he tried to secure additional funds. At one point, Crowley was hired by George Montagu Bennett, the Earl of Tankerville, to protect him from evil witchcraft. Crowley realized that Tankerville was a cocaine-addict suffering from paranoia, so Crowley just improvised a drug rehabilitation project for his employer.
In 1908, Crowley realized that horror short stories were selling much better than poetry. So he published a series of his own horror stories. He also became a regular writer for a weekly magazine, the so-called "Vanity Fair" (1868-1914). In 1909, Crowley established his own magazine, "The Equinox" (1909-1998). The magazine specialized in texts about occultism and magick, but also regularly published poetry, prose fiction, and biographies.
In 1909, Crowley divorced his wife Rose, as he was fed-up with her drinking binges. Rose was institutionalized in 1911.In November 1909, Crowley started a long journey through the deserts of Algeria. He chose to recite the Quran on a daily basis while living in the desert. At one point, Crowley offered a blood sacrifice to the demon Choronzon while still in Algeria. He returned to London in January 1910, to find that his old mentor Mather was suing him for publishing secret texts of the defunct Golden Dawn. Crowley both won the court case, and enjoyed the publicity which the case brought him. The yellow press was portraying him as a Satanist, and Crowley found it amusing to embrace various stereotypes about Satanism at the time.
In 1910, Crowley organized the Rites of Artemis, a public performance of magic and symbolism. All the performers were associates and followers of Crowley. The celebrations received favorable reviews from the press. The encouraged Crowley soon organized the Rites of Eleusis in Westminster, but this performance received mostly negative reviews. There were press reports at the time that Crowley was homosexual, but the authorities made no attempt to arrest him. Crowley devoted the next couple of years to his writing activities, completing 19 works on magic and mysticism in this period. He also continued publishing poetry and fiction.
In 1912, Crowley published the magical book "The Book of Lies", one of his best-reviewed works. Crowley found himself accused of plagiarizing the works of the German occultist Theodor Reuss (1855-1923), based on the similarities between their ideas. Crowley managed to convince Reuss that the similarities were coincidental, and befriended Reuss in the process. Crowley was then initiated in Reuss' own occult organization, the Ordo Templi Orientis (OTO). With Reuss' permission, Crowley established a British branch of the organization and completely rewrote most of the organization's rituals. OTO was practicing sex magic, and Crowley liked that idea.
In 1913, Crowley served as the producer for a group of female violinists. Primarily because the group's leader was a close friend and lover of Crowley. He followed them during 6 weeks of performances in Moscow, Russia. Crowley wrote several new works while in Moscow. In January 1914, Crowley and his long-term lover Victor Neuburg settled together in a Parisian apartment. The couple experimented with sex magic rituals, which involved the use of strong drugs. At the time, Crowley regularly invoked the Roman gods Jupiter and Mercury in his new rituals. Noticing that Neuburg had started distancing himself from Crowley by the end of their vacation in Paris, Crowley had an intense argument with him and ritually cursed Neuburg.
By 1914, Crowley was nearly bankrupt. He financially depended on donation by his followers. In May 1914, he transferred the ownership of his estate in Scotland. Later that year, Crowley suffered from a bout of phlebitis. Following his recovery, he decided to migrate to the United States for financial reasons. He settled in New York City, where he became a regular writer for the American version of the magazine "Vanity Fair" (1913-1936). He continued experimenting with sex magic while living in the Big Apple.
During World War I, Crowley declared his support for the German Empire against the British Empire. His sympathies were possibly influenced by his German friends in the OTO. In 1915, Crowley was hired as a writer for the propagandist newspaper "The Fatherland", which championed German interests in the United States. Crowley left New York City for a while, going on an extended tour of Canada, Mexico, and the United States. He visited Vancouver to make contact with the local variation of the OTO. Crowley spend part of the winter of 1916 in New Orleans, which was his favorite American city. In February 1917, Crowley headed to Florida for a family reunion with a number of his evangelical Christian relatives who had settled there.
Later in 1917, Crowley returned to New York City. He struggled with unemployment, as several of the newspapers and magazines which had previously hired him had shut down. In 1918, Crowley worked on a new translation of the Taoist book "Tao Te Ching". At the time, Crowley claimed to have started experiencing past life memories. Fueled by his belief in reincarnation, Crowley proclaimed himself to be a reincarnation of Pope Alexander VI/Rodrigo de Borja (1431-1503, term 1492-1503). Having more free time than usual while living in Greenwich Village, Crowley found a new hobby in painting. He exhibited several of his painting at a local literary club, and attracted some attention from the local press.
In 1919, the impoverished Crowley moved back to London. The local press labeled a traitor for his Germanophile tendencies. He was suffering from asthma attacks at the time. An English doctor prescribed a supposedly miraculous drug for Crowley, which promised to cure his asthma. The drug was actually heroine, and was highly addictive. Crowley developed a drug addiction. In January 1920, Crowley moved to the Parisian apartment of his lover Leah Hirsig. While there, he started efforts to establish a new organization, the Abbey of Thelema. He named it after a fictional organization which had appeared in the works of Francois Rabelais (c. 1483-1553).
In April 1920, Crowley settled in Sicily with a number of his supporters and their families. They established the Abbey of Thelema. They established daily rituals for the sun god Ra. Crowley offered a libertine education for the children of his followers, and allowed them to witness sex magic rituals. The organization soon attracted new followers, but Crowley's drug addiction was increasingly out of control. In 1922, Crowley published the autobiographical novel "Diary of a Drug Fiend". The British press criticized it for supposedly promoting the use of drugs.
In 1923, Crowley was at the center of an international scandal. A young Thelemite follower died from a liver infection, after drinking polluted water. His widow published stories of the unsanitary conditions in the Abbey, and of self-harm rituals which Crowley had created for his followers. The international press published scathing stories for Crowley. Benito Mussolini, the fascist Prime Minister of Italy (1883-1945, term 1922-1943) decided to deport Crowley in April 1923. The Abbey was not officially targeted by the fascist government, but it soon collapsed due to its lack of leadership. There was no way to attract more followers of Crowley to Sicily without using Crowley's physical presence as a tool for recruitment.
In self-exile in Tunis during much of 1923, Crowley started working on his autobiography, "The Confessions of Aleister Crowley". In January 1924, Crowley moved back to France in preparation for a series of nasal operations. For the next few years, Crowley spend part of each year in Tunis and part of each year in France. He wrote a few significant works at the time, though some of his personal relationships deteriorated.
In the mid-1920s, Crowley declared himself to be the new leader of the OTO, following the death of Reuss. His right to leadership was questioned by other candidate leaders,. The OTO soon split itself to several rival factions, each proclaiming itself to be the true continuation of the original organization. In 1928, Crowley was deported from France. Due to Crowley's past loyalty to the German Empire, the French authorities worried that he may be a German agent.
In 1929, Crowley moved back to the United Kingdom. He secured a book deal with Mandrake Press, which agreed to publish his autobiography and several works of prose fiction. The Great Depression negatively affected Crowley. In November 1930, Mandrake went into liquidation. Crowley was left with no regular published for his works, and no regular source of income. Crowley spend part of the year 1930 in Berlin, Germany, where his expressionistic paintings were displayed in a gallery. His works gained favorable press reviews, but few of them were actually sold. Painting was not a profitable occupation for Crowley.
In January 1932, Crowley started socializing with German communists and other far left figures in Berlin, despite having never previously expressed any interest in their ideologies. Some of his biographers suspect that Crowley was merely acting as a spy for British intelligence at this time. Later that year, he returned to London for another nasal surgery. In desperate need of money, Crowley launched a series of court cases for libel against his perceived enemies. The litigation proved more expensive than he expected, and he was declared bankrupt in February 1935. The bankruptcy case revealed that Crowley's expenses over the past few years had far exceeded his income.
In 1936, Crowley published "The Equinox of the Gods". It was his first new book in half a decade, and sold unusually well. Crowley also managed to secure funding from the Agape Lodge, a Californian splinter faction of the OTO. His benefactor was the Lodge's de facto leader, the rocket engineer Jack Parsons (1914-1952). Crowley was concerned at the time about the disestablishment of the German faction of the OTO, whose members faced persecution by the Nazi Party. Several of Crowley's German friends had been arrested, and others had fled the country.
During World War II, Crowley was closely associated with the British intelligence community. His biographers are uncertain whether he was working as a British agent, or merely assisting actual agents. Among Crowley's close associates during the War were two fellow British writers who were working as intelligence agents: Roald Dahl (1916-1990) and Ian Fleming (1908-1964). Crowley supposedly helped create a new war slogan for the BBC, called "V for Victory". His asthma attacks worsened during the war, in part because the medication he needed was unavailable. He was briefly hospitalized in Torquay. Among Crowley's last published works was a wartime book about the concept of human rights.
On December 1, 1947, Crowley died due to chronic bronchitis, aggravated by pleurisy. He was 72-years-old at the time of his death. Despite Crowley maintaining several friendly and professional contacts during the last years of his life, only about a dozen people bothered to attend his funeral. His body was cremated, and his ashes were delivered to the next leader of the OTO, Karl Gemer. Gemer was living at the time in exile in the United States. Gemer buried Crowley's ashes in a garden located in Hampton, New Jersey. Crowley remains one of the most famous and influential occultists of his era, thought the nature of his legacy remains a controversial topic. - Actor
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Paul Wegener was born in Arnoldsdorf, West Prussia, part of the German Empire. His birthplace is currently part of Poland, under the name "Jarantowice". Wegener's family included a number of scientists, the most notable being his cousin Alfred Wegener (1880-1930). Alfred is remembered as the originator of the theory of continental drift.
Paul has no known relation to another Paul Wegener (1908-1993), who served as a Nazi Party official and an officer of the Schutzstaffel (SS).
Paul Wegener initially followed legal studies in college, but dropped out in order to become a theatrical actor. By 1906, he was part of an acting troupe led by Max Reinhardt (1873-1943). Reinhardt went on to become a film director. By 1912, Wegener himself had become interested in the film medium, and sought roles as a film actor.
In 1913, Wegener heard of an old Jewish legend, concerning the Golem. He wanted to adapt the legend into film, and started co-writing a script with Henrik Galeen (1881-1949). Their script was adapted into the film "The Golem" (1915), with Wegener and Galeen serving as the two co-directors. The film was a success and established Wegener as a celebrated figure in German cinema. Wegener returned to adapting the Golem legend into film, by directing a parody film in 1917 and the more serious "The Golem: How He Came into the World" (1920). The 1920 film remains one of the classics of German cinema. Wegener's other films often reflected his personal interests, such as trick photography, the supernatural, and mysticism.
He continued his film career into the 1930s, and made the transition from silent films to sound films. Under the Nazi regime (1933-1945), several actors and directors faced persecution or exile. Wegener instead found himself favored by the regime and appeared regularly in Nazi propaganda films of the 1940s. Wegener personally disliked the regime (which had persecuted a number of his friends and associates) and reputedly financed a number of German resistance groups.
In 1945, with World War II over and Berlin in ruins, Wegener took initiative as president of an organization intended to improve the living standards for surviving citizens of Berlin. He continued to appear in theatrical productions from 1945 to 1948, although he was suffering from an increasingly poor health.
In July 1948, Wegener collapsed on stage during a theatrical performance. The curtain was brought down and the rest of the performance was canceled. It was his last acting role, as he retired in an attempt to recuperate. He died in his sleep in September 1948. He was survived by his last wife Lyda Salmonova (1889-1968).- Margaret "Peggy" Webling was an English playwright and novelist from Westminster, London. She is primarily remembered for her 1927 play "Frankenstein", a loose adaptation of the 1818 novel "Frankenstein; or, The Modern Prometheus" by Mary Shelley. Her play was the main source used for the horror film "Frankenstein" (1931) by James Whale.
In 1871, Webling was born in Westminster, London. Her father was a silversmith and jeweler. During her early life, Webling was an amateur actress. She became a minor celebrity by performing in London with her three sisters. She became acquainted with the leading actress Ellen Terry (1847-1928), the novelist Lewis Carroll (1832-1898), and the polymath John Ruskin (1819-1900).
During the 1890s, Webling lived primarily in Canada and the United States. In 1896, she published her debut work, a poetry collection In 1905, she published her debut novel "Blue Jay". She continued regularly writing novels over the following years, such as "The Spirit of Mirth" (1910), "Edgar Chirrup" (1915), and "Boundary House" (1916). In 1919, she wrote the Christian-themed illustrated children's book "Saints and Their Stories".
In 1924, Webling published her memoir, "Peggy: The Story of One Score Years and Ten". In 1927, she was approached with a business offer by the actor-producer Hamilton Deane (1880 -1958). He had used a stage adaptation of "Dracula" to rise to fame. He wanted to introduce a stage adaptation of "Frankenstein" as well, and wanted Webling to write it for him.
Webling's play debuted in Preston, Lancashire in December 1927. She continued revising it over the next few years. The play had its London debut in February 1930. There were a total of 72 performances in London, though contemporary critics ridiculed the play's "flimsy" plot. In Webling's version of the story, the term "Frankenstein" applied to both the scientist and the monster. She was the first writer to name the creature with the family name of his creator.
In April 1931, the film studio Universal Pictures purchased the film rights to an unproduced American adaptation of Webling's play. As part of the deal, Webling received 20,000 dollars. She was also promised 1% of the gross earnings on all showings of any films based on her dramatic work. Her play served as the basis of the horror film "Frankenstein" (1931), which was a box office hit.
During the late 1930s, Webling published her last known works: "Aspidistra's Career" (1936), "Opal Screens" (1937), and "Young Lætitia" (1939). She spend the 1940s in retirement. She died in June 1949, at the age of 78. Her works fell in obscurity following her death, but her version of Frankenstein influenced most screen adaptations of the Frankenstein story during the 20th century. - Writer
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Margaret Mitchell was an American historical novelist and a journalist. She published only one completed novel in her lifetime, "Gone with the Wind" (1936), which covered a woman's struggle for survival through the American Civil War and the Reconstruction Era. The novel won the Pulitzer Prize for Fiction in 1937, and it was the top American fiction bestseller in 1936 and 1937. Mitchell had completed the romance novella "Lost Laysen" in her adolescence, but it was only published posthumously in 1996. A collection of Mitchell's newspaper articles was published under the title ""Margaret Mitchell: Reporter" (2000). Several of her writings from her early life have been published under the title "Before Scarlett: Girlhood Writings of Margaret Mitchell." (2000).
In 1900, Mitchell was born in Atlanta, Georgia. Her father was Eugene Mitchell (1866-1944), a prominent lawyer, politician, and historian. He served a term as the President of the Atlanta Board of Education (1911-1912), and co-founded the Atlanta Historical Society. Mitchell's mother was Maybelle Stephens Mitchell (1872-1919), a prominent suffragist leader, and a co-founder of both the League of Women Voters in Georgia and the Catholic Layman's Association of Georgia. Mitchell's paternal ancestors were Scottish-Americans, and her maternal ancestors were Irish-Americans.
During her early childhood, Mitchell lived with her family at a Jackson Street mansion, east of downtown Atlanta. The mansion was owned by Miitchell's maternal grandmother, Annie Stephens (d. 1934) , who lived with them. Stephens was reportedly a tyrant to her family, and had a somewhat adversarial relationship with her granddaughter. But Mitchell went on to interview her for "eye-witness information" about the effects of the Civil War and Reconstruction in Atlanta. Stephen's memories were one of the primary sources for "Gone with the Wind" .
Mitchell's mother had the habit of dressing her daughter in boys' pants, because she thought that they were safer than dresses. Mitchell continued dressing as a boy until she was 14, and her family nicknamed her "Jimmy" (after the comic strip character "Little Jimmy"). Mitchell was a tomboy in her childhood, and her favorite pastime was to ride her Texas plains pony. Aging Confederate soldiers tried to entertain the young girl by narrating to her gritty details of specific battles from the Civil War.
In 1912, the Mitchell family moved to a new residence at the east side of Peachtree Street. The house was located at a short distance from the Chattahoochee River. The family reportedly had concerns about the safety of their Jackson Hill home, due to its proximity to areas affected by the Atlanta Race Riot (1906). The Jackson Hill home was eventually destroyed in the Great Atlanta Fire of 1917.
By the early 1910s , Mitchell was an avid reader. Among her favorite writers were Edith Nesbit and Thomas Dixon. Mitchell started writing fairy tales and adventure stories as a hobby. Among her early works was "The Arrow Brave and the Deer Maiden" (1913), about a mixed-race "Indian" who has to endure pain to win over his love interest. Mitchell's mother kept her daughter's stories in white enamel bread boxes.
In 1914, Mitchell started attending Atlanta's Washington Seminary, a then-fashionable private girls' school. The school had over 300 students. Mitchell joined the school's drama club. She was still a tomboy, and she habitually played the male characters in performances of William Shakespeare's plays. She also joined the school's literary club, and had her stories published in the school's yearbook. Among her first published stories was the revenge-themed "Little Sister", where a little girl shoots her sister's rapist.
In 1918, Mitchell graduated and started preparing for a college education, at the insistence of her mother. Her mother chose which school Mitchell would attend, Smith College in Northampton, Massachusetts. At the time, it was reputedly "the best women's college in the United States". Before her college classes started, Mitchell was engaged to her first serious love interest, the army lieutenant Clifford West Henry. He was send to fight in France in July 1918, and was mortally wounded in October of the same year. Mitchell would continue mourning him for years.
In 1919, Mitchell' mother died from the flu. She was one of the many victims of a flu pandemic that had started in 1918. Mitchell arrived home from college, a day after her mother had died. She found that her mother left a short letter of advise for her, telling her to take care of herself before taking care of other causes.
Later in 1919, Mitchell dropped out of college. She did not excel in any area of academics, and her father expected her to take over the family's household. Mitchell had health problems of her own, and had an appendectomy in the autumn of 1919. Mitchell was feeling increasingly disappointed with her life's direction, as she wrote to a friend. In 1920, Mitchell made her Atlanta society debut. Shortly after, she started dressing as a flapper. In 1921, she shocked the Atlanta high society by performing an Apache dance in a charity ball, and kissing her male partner during the performance. She was consequently blacklisted from the Junior League.
In 1922, Mitchell started dating the bootlegger Berrien ("Red") Kinnard Upshaw (1901-1949). In September 1922. the couple were married against her family's wishes. They both moved in with Mitchell's father. Red was an alcoholic with a violent temper, and Mitchell suffered physical abuse at his hands. They agreed to a period of separation in December 1922, and their divorce was finalized in October 1924. In 1925, Mitchell married her second husband John Robert Marsh (1895-1952). He was Red's former roommate, and another love interest for Mitchell since 1922. Marsh had reportedly secured Mitchell's uncontested divorce, by giving Red a loan. Mitchell and her new husband set their residence at the Crescent Apartments in Atlanta, nicknaming their new home "The Dump". It would later become known as Margaret Mitchell House and Museum.
Between her two marriages, Mitchell had decided that she needed her own source of income. In 1922, she started working as a journalist for "The Atlanta Journal Sunday Magazine". Among her early successes was securing a 1923 interview with the then-popular actor Rudolph Valentino. She continued her journalistic career until May 1926. At the time of her resignation, Mitchell had suffered an ankle injury that would not heal properly. Her mobility problems prevented her from working on assignments.In her four years as a journalist, Mitchell wrote 129 feature articles, 85 news stories, and several book reviews.
Following her resignation from "The Atlanta Journal", Mitchell worked for a few months as a gossip columnist for the "Sunday Magazine". In 1926, Marsh asked his increasingly bored wife why she did not write a book of her own instead of reading thousands of them. By 1928, Mitchell started work on a historical novel of her own. In 1935, her novel was still unfinished. But the book editor Harold Latham of Macmillan read her manuscript and was convinced that it was a potential best-seller. Having secured a publisher, Mitchell spend 6 months in making revisions and checking the novel's historical references. "Gone with the Wind" was published in June 1936.
Her novel turned Mitchell into a literary celebrity, but she had no intention of writing further works. In September 1941, Mitchell christened the light cruiser USS Atlanta (CL-51). During World War II, Mitchell served as a volunteer for the American Red Cross. She raised money for the war effort by selling war bonds. In 1944, she christened the light cruiser USS Atlanta (CL-104).
On August 11, 1949, Mitchell crossed Peachtree Street with her husband. They were on their way to a movie theatre, when Mitchell was struck by a drunk driver. She was hospitalized at Grady Hospital. She died on August 16, without ever regaining consciousness. She was buried at Oakland Cemetery, Georgia. Her husband was buried by her side in 1952. Though Mitchell is long gone, her novel never went out of print. It remains popular into the 21st century. Mitchell was posthumously inducted into the Georgia Writers Hall of Fame in 2000.- John L. Balderston was an American playwright, screenwriter, and journalist from Philadelphia. He specialized in creating horror and fantasy stories. He is primarily remembered for the time travel-themed play "Berkeley Squarte" (1926), the 1927 American adaptation of the play "Dracula", the screenplays for the horror films "The Mummy" (1932), "Bride of Frankenstein" (1935), and "Dracula's Daughter" (1936), the screenplay for the adventure film "The Prisoner of Zenda" (1937), and the screenplay for the psychological thriller "Gaslight" (1944).
Balderston received his college education at Columbia University, a private research university located in New York City. In 1912, he was hired as a journalist by the daily newspaper "The Philadelphia Record" (1877-1947). He served as the newspaper's New York City correspondent.
During World War I, Balderston served as a war correspondent for the for the McClure Newspaper Syndicate. He also served as a director of information in England and Ireland for the United States Committee on Public Information. In 1916, Balderston co-wrote "The Brooke Kerith", a biography of Jesus. In 1919, he wrote his debut play, "The Genius of the Marne".
From 1920 to 1923, Balderston served as a magazine editor for the London-based publication "The Outlook" (1898-1928). The magazine was founded by the British Conservative politician George Wyndham (1863-1913), and was closely aligned with the Conservative Party for most of its existence.
From 1923 to 1931, Balderston was the head of the London bureau for the daily newspaper "New York World" (1860-1931). The newspaper was owned at the time by the Pulitzer family, heirs of its former publisher Joseph Pulitzer (1847-1911). In 1931, the Pulitzer family sold the newspaper to their competitor Roy W. Howard (1883-1964). The new owner decided to shut down the newspaper, and to fire its 3,000 employees. Balderston decided at the time to retire as a journalist, in order to work as a full-time screenwriter.
Balderston had written several plays in the early 1920s, to little success. His first major hit was "Berkeley Squarte" (1926). Its main plot concerned a 20th-century man who time travels back to late 18th-century London and interacts with his own ancestors. The plot was loosely based on the unfinished novel "The Sense of the Past" (1917) by Henry James, though most of the characters were originally created by Balderston. The play enjoyed 179 performances at London's West End theaters, and 229 performances in Broadway.
In 1927, Balderston was retained by stage producer Horace Liveright (1884-1933) to write a revised version of the play "Dracula" (1924) by Hamilton Deane. Balderston reduced the total cast from eleven characters to eight, combined the main female characters Lucy Westenra and Mina Murray into a single character, and revised the origin of Dracula himself. He clearly identified the fictional vampire with the historical ruler Vlad the Impaler, something only hinted at the original novel by Bram Stoker. Balderston's version enjoyed 261 performances at Broadway, and turned lead actor Bela Lugosi into a rising star.
At a later point, actor-producer Hamilton Deane hired Balderston to write a revised version of the play "Frankenstein" (1927) by Peggy Webling. Balderston's version never made it to Broadway, but Balderston sold the film rights to the film studio Universal Pictures. Balderston's plays served as the basis for the hit horror films "Dracula" (1931) and "Frankenstein" (1931). Universal decided to directly hire Balderston as a screenwriter for the horror film "The Mummy" (1932). Balderston in turn decided to move the film's setting to Egypt, figured that the main villain should be motivated by immortal love (rather than revenge), and invented the concept of the magical Scroll of Thoth (loosely based on the historical "Book of the Dead").
Throughout the 1930s, Balderston worked as a screenwriter for various film studios. He was one of the team of writers who collaborated on the film adaptation of "Gone with the Wind" (1939). He wrote screenplays for several films in the early 1940s, but his only major success in this period was "Gaslight" (1944). With his screenwriter career at its end, he tried his hand at writing his own novels. He wrote the novel "A Goddess to a God" (1948), which depicted the relationship of Julius Caesar and Cleopatra VII.
In 1952, Balderston was appointed as a lecturer in drama at the University of Southern California. In 1953, he settled a law suit with Universal Pictures over the "Frankenstein" sequels. Based on his original contract, Balderston should have received part of the revenue of any sequel to the original "Frankenstein". Universal had reneged on the deal, and Balderston had sued them.
In March 1954, Balderston suffered a heart attack at his residence in Beverly Hills. He died shortly after, at the age of 64. His enduring fame since then is based mostly on his screenplays to popular films. Several of his works received new adaptations following his death. He is considered one of the most successful screenwriters of the interwar period. - Writer
- Soundtrack
Alan Alexander Milne (signing with the initials A. A. ) was an English novelist, short story writer, poet, and playwright from London. He is primarily remembered for creating Winnie-the-Pooh and his supporting characters. He set their stories in the "Hundred Acre Wood", a fictionalized version of Ashdown Forest in East Sussex. Milne owned a country home near the forest, and resided there for about 3 months of the year. He depicted Winnie in the short story collections "Winnie-the-Pooh" (1926) and "The House at Pooh Corner" (1928), and the poetry collections "When We Were Very Young" (1924) and "Now We Are Six" (1927). All four books were illustrated by Ernest Howard Shepard (1879 - 1976). The Winnie stories have received several adaptations, and were the basis of a Disney media franchise introduced in 1966.
In 1882, Milne was born in Kilburn, London. It was a relatively new district of the London, with its first major building activity having started in 1819. Kilburn was named after Kilburn Priory, a small community of nuns who resided in the area from the 1130s to the 1530s. Milne's father was the educator John Vine Milne. He operated Henley House School, a small independent school in Kilburn. Milne and his family lived within the school building.
Milne was initially educated at his father's school. From 1889 to 1890, Milne's school teacher was the novelist H. G. Wells (1866- 1946). Milne received his secondary education at the Westminster School, a public school that had been operating since the 1540s. It had received royal patronage by both Henry VIII and Elizabeth I.
Milne received his college education at Trinity College, Cambridge. He entered the college with a mathematics scholarship, and graduated in 1903 with a Bachelor of Arts in Mathematics. During his college years, Milne was a writer and editor for the student magazine "Granta" (1889-). The magazine often published works by students who aspired to professional writing careers. It was relaunched as a literary magazine in 1979.
In 1903, Milne started regularly contributing texts for publication to "Punch" (1841-1992), the leading humor magazine of the United Kingdom. Most of his early published work consisted of humorous verse and whimsical essays. In 1905, Milne published his debut novel "Lovers in London". He later grew to dislike it. In 1906, he officially joined the "Punch" magazine's staff. He soon started working as an assistant editor for the magazine.
In 1913, Milne married Dorothy "Daphne" de Sélincourt (1890-1971). At the start of World War I, Milne joined the the British Army. He initially served in the Royal Warwickshire Regiment. He was commissioned as a second lieutenant (on probation) in February, 1915. His probationary status ended in late December 1915, when his commission was approved. Milne was transferred to the Royal Corps of Signals in 1916, as his health had declined during his military service. He returned from service in France to work as a signals instructor.
In 1917, Milne was transferred to Military Intelligence. He spend the rest of the war as a propaganda writer for MI7, an office of the Directorate of Military Intelligence with responsibilities for press liaison and propaganda. He was discharged from the army in February, 1919. He voluntarily relinquished his commission in February 1920, though he retained the rank of lieutenant. His son Christopher Robin Milne was born in August 1920.
During his war service, Milne had continued his writing career. In 1917, he published the fairy tale novel "Once on a Time". He tried to subvert the stereotypes of typical fairy-tales, by featuring morally grey "heroes" and "villains". He also portrayed Princess Hyacinth as a competent regent, rather than a damsel in distress.
In 1919, Milne published the comedy play "Mr. Pim Passes By". The play's female lead Olivia Marden is happily married to her second husband, following a miserable married life with her original husband Telworthy. Telworthy supposedly died abroad in Australia. Early in the play, Olivia learns from an elderly acquaintance that Telworthy may be still be alive, and that her second marriage is bigamous. How she tries to confirm whether Telworthy is alive forms the play's plot. The play had an initial run of total run of 246 performances in Manchester and London. It had several revivals during the 1920s, including a ran of 124 performances in Broadway, New York City. It firmly established Milne's reputation as a competent playwright.
In 1920, Milne was hired as a screenwriter by the film studio Minerva Films. It was co-owned at the time by the actor Leslie Howard (1893-1943) and the film director Adrian Brunel (1892-1958). Milne wrote the screenplays for the silent films "The Bump", "Twice Two", "Five Pound Reward", and "Bookworms".
In 1922, Milne published the mystery novel "The Red House Mystery", a "locked room" whodunit. In the novel, Mark Ablett is the owner of English country house. He already has several guests staying at his residence, and then he has an unexpected reunion with his long-lost brother Robert. Shortly after, Robert is murdered and Mark disappears. Amateur sleuth Tony Gillingham decides to find out what happened to the two brothers. Milne had been a long-time fan of mystery novels, and decided to write one of his own. The novel was a best seller, and remained in print for decades. However, Milne initially decided against writing another mystery novel.
Inspired by his relationship with his young son Christopher Robin, Milne started writing poems and short stories for children in 1924. Besides the Winnie-the-Pooh stories, he also published the short story collection "A Gallery of Children" (1925). He took inspiration from a series of illustrations by Henriette Willebeek le Mair (1889-1966), and wrote one short story to accompany each of the illustrations.
In 1928, Milne wrote the short story "In Which Christopher Robin and Pooh Come to an Enchanted Place, and We Leave Them There" as the finale of the Winnie series. In the story, an older Christopher Robin and Winnie bid farewell to each other, but Winnie promises never to forget his friend. Milne decided to quit writing children's stories by the end of the 1920s. He felt that his son was too old to enjoy them. He had also grown to dislike that the public expected him to write only children's stories, while he had diverse literary interests.
In December 1929, Milne introduced his theatrical play "Toad of Toad Hall". It was the first theatrical adaptation of the novel "The Wind in the Willows" (1908) by Kenneth Grahame. Milne introduced a frame story, where the 12-year-old girl Marigold listens to an animal fable by her nurse. The play enjoyed several revivals in the West End until 1935. It became popular again in the 1960s, and enjoyed annual West End revivals for two decades.
In 1933, Milne published the mystery novel "Four Days Wonder". In the novel, an obsessive young woman investigates the unexpected death of her aunt. While not one of Milne's most famous works, it was adapted into the American mystery film "Four Days' Wonder" (1936). In 1934, Milne published the non-fiction book "Peace With Honour" in order to express his pacifist political views. In 1939, he wrote his autobiography "It's Too Late Now: The Autobiography of a Writer".
During World War II, Milne served in the Home Guard (1940-1944). It was an armed citizen militia, and most of its volunteers were too old to join the regular armed services. Milne received the rank of captain, but he insisted to be called "Mr. Milne" by members of his platoon. He wrote the non-fiction book "War with Honour" (1940) to express the view that Britain needed to achieve victory over Nazi Germany. During the War, his son Christopher Robin served as a sapper in the Royal Engineers.
In 1946, Milne published his final novel, "Chloe Marr". It featured a beautiful socialite who regularly manipulated her suitors, but had a hidden agenda. Milne then published his final short story collections, "The Birthday Party" (1948) and "A Table Near the Band" (1950). They were met with little success, as Milne's popularity had declined. In his personal life, Milne was estranged with his son Christopher Robin. In 1948, Christopher Robin had married his maternal first cousin Lesley de Sélincourt, against the wishes of both his parents. Lesley's father was the hated brother of Daphne de Sélincourt, and the two siblings had been avoiding each other for 30 years.
In 1951, Milne published his final play, "Before the Flood". It was his first new play since the early 1940s. In 1952, Milne survived a stroke. Its effects reportedly invalidated him, and he was forced to retire from his writing career. By 1953, Milne looked older than his actual age . He was also increasingly depressed. He died on January 31, 1956, two weeks following his 74th birthday. His remains were cremated and his ashes "were scattered in a crematorium's memorial garden in Brighton".
In 1964, the University of Texas at Austin acquired a collection of Milne's manuscripts. It has also acquired fragments of Milne's correspondence, his legal documents, his genealogical records, and some of his personal effects. The original manuscripts for "Winnie-the-Pooh" and "The House at Pooh Corner" have been acquired by the Trinity College Library, Cambridge. In 1979, a memorial plaque was unveiled in Ashdown Forest. It commemorates the works of Milne and Shepard which granted worldwide fame to the Forest. While Milne is long gone, Winnie and his other famous characters have remained popular for nearly a century.- Writer
- Script and Continuity Department
John Russell was an American journalist, short story writer, and screenwriter from Iowa. He is primarily remembered for scripting the acclaimed silent films "The Iron Horse" (1924) and "The Sorrows of Satan" (1926). He was also an uncredited co-writer for the gothic horror film "Frankenstein" (1931), which was his last known film.
In 1885, Russell was born in Davenport, Iowa. Davenport was a commercial railroad hub in the 19th century, connected through the Rock Island Railroad with the boom-town of Chicago, Illinois. Russel started working as a journalist for the news agency "New York City News Association" and was later hired by the newspaper "New York Tribune".
In 1910, Russell published the fiction story "The Society Wolf" under a pseudonym. He started writing short stories for various magazines and newspapers. Some of them were reprinted in the short story collection "The Red Mark and Other Stories" (1919). During the 1920s and early 1930s, he published the books "In Dark Places" (1923), "Far Wandering Men" (1929), and "Cops 'N Robbers" (1930s).
Russell started working as a screenwriter in the 1920s, also working as a consultant in adaptations of his own stories. He was the scriptwriter for "The Iron Horse" (1924), the first major film in the career of young director John Ford. The film narrated the construction of the first transcontinental railroad (constructed between 1863 and 1869), and highlighted the backbreaking work provided by impoverished immigrants.
Among Russell's most famous films was "Beau Geste" (1926). In the film, a self-exiled Englishman joins the French Foreign Legion. He survives a mutiny by fellow soldiers, but is mortally wounded in a siege. His posthumous letter reveals that he had taken the blame for a theft to protect a beloved aunt. The film was popular at the time of its release, and inspired a scene-for-scene remake in 1939.
Russel also scripted the fantasy film "The Sorrows of Satan" (1926). In the film, Satan takes human form and convinces a struggling writer to place his fate in Satan's hands. The writer becomes a social climber, and his patron demon arranges for him a loveless marriage to a Russian princess. The writer eventually rejects Satan's promises, and chooses his own romantic partner. The film was a success for director D. W. Griffith, and is well-regarded by later generations of critics.
Russell's writing career abruptly ended in the 1930s. He lived the rest of his life in obscurity. In 1956, Russell died in Santa, Monica California, two weeks prior to his 71st birthday. Some of his films were later chosen for preservation by the National Film Registry. However, several of his other films are considered lost.- Writer
- Additional Crew
- Script and Continuity Department
Richard Schayer was an American screenwriter from Washington, D.C., active from 1916 to his death in 1956. He wrote or co-wrote the scripts for nearly a 100 films, and he was a prolific writer of Westerns. He is primarily remembered for scripting the Gothic horror films "Frankenstein" (1931) and "The Mummy" (1932), which were both box office hits.
In 1880, Schayer was born in Washington, D.C. His father was Colonel George Frederick Schayer, Deputy Recorder of Deeds in Washington, D.C.. His mother was Julia Schayer (1842-1928), a professional writer who is mostly remembered for her short stories. Schayer was a younger, maternal half-brother of the poet Leonora Speyer (1872 - 1956). Leonora won the the 1927 Pulitzer Prize for Poetry. Through Leonora's marriage, Schayer was a brother-in-law of the British financier and music patron Edgar Speyer, 1st Baronet (1862-1932).
Schayer worked for various film studios in Los Angeles. He served as an executive of Universal Pictures, when the studio was under the control of its co-founder Carl Laemmle (1867-1939). Laemmle lost control of the company in 1936, and several of his associates were pushed out by the new management.
Schayer continued working in the film industry until his death. He died in Hollywood, Los Angeles, where he had spend much of his career. He received several writing credits following his death. In part due to the reuse of his scripts in remake films, and in part due to the filming of his unused scripts.- Eliot Ness was an American Prohibition agent; primarily remembered for his efforts to enforce Prohibition in Chicago. He dedicated much of his efforts against the local crime boss Al Capone and Capone's criminal organization, the Chicago Outfit. Ness led a team of law enforcement agents known as "The Untouchables", who were reputedly incorruptible. Ness' posthumously released memoir, "The Untouchables" (1957), has been adapted into two television series, one film, and one video game.
- Composer
- Music Department
- Soundtrack
Jean Sibelius was a Finnish classical composer, one of the last composers of the Romantic-era (c. 1800-1910) in classical music. His works were often inspired by nature, by Nordic mythology, and by the Finnish epic poem "Kalevala" (1849). Sibelius completed most of his major works between the 1890s and 1926. He lived in semi-retirement from 1926 to his death in 1957, only completing a few works during these 30 years. Having completed 7 notable symphonies, Sibelius spend nearly 15 years working on an unfinished 8th symphony, He abandoned this effort in 1938, and only short manuscript sketches have survived from this work.
In December 1865, Sibelius was born in the city of Hameenlinna. The city is named after Hame Castle, which is located there. At the time of Sibelius' birth, the city was part of the Grand Duchy of Finland, an autonomous region of the Russian Empire. His parents were the physician Christian Gustaf Sibelius and his wife Maria Charlotta Sibelius Borg. The family name Sibelius derived from the Sibbe estate in Eastern Uusimaa, which belonged to his paternal ancestors.
In 1868, Christian Sibelius died due to typhoid fever. He left substantial debts to his family. His widow sold their property, and then started living with her own widowed mother, Katarina Borg. Sibelius was primarily raised by his mother and his maternal grandfather, having few contacts with male relatives. The exception was his uncle Pehr Ferdinand Sibelius, an amateur violinist. Pehr encouraged his nephew's interest in music, and served as a surrogate father to him. In 1875, Pehr brought a violin as a gift for his nephew.
Sibelius received piano lessons from an aunt during his childhood, but preferred to play the violin. During his childhood and adolescence, Sibelius performed in various musical trios and quartets with his siblings and a number of neighbors. In 1881, Sibelius composed one of his earliest works, the short pizzicato piece "Vattendroppar" (Water Drops) for violin and cello. That same year, he started receiving violin lessons from the local bandmaster Gustaf Levander.
Sibelius graduated from a secondary school in 1885, after repeating a year due to poor grades. He was thought to be an absent-minded pupil, whose only notable skills were in the subjects of mathematics and botany. Following his graduation, Sibelius briefly studied law at the Imperial Alexander University in Finland. He was more interested in a music education, so he soon transferred to the Helsinki Music Institute (which was later renamed to the Sibelius Academy in his honor).
In the Institute, Sibelius received his first formal lessons in composition. He befriended his young teacher Ferruccio Busoni (1866-1924) and several of his classmates. He also befriended Aino Jarnefelt (1871-1969), the sister of a classmate. He soon started courting Aino, and they eventually married each other in 1892.
Sibelius graduated from the Institute in 1889, and then continued his musical studies in Berlin and Vienna. While living in Vienna, Sibelius started working on the symphonic poem "Kullervo " (1892). It was an adaptation of a section of the "Kalevala", about a suicidal tragic hero, and his failed efforts at seeking redemption for a crime. The completed poem was the breakthrough hit in Sibelius' career. Sibelius was praised by critics for the "confidence and inventiveness of his writing", and for successfully evoking "the melody and rhythm of Finnic rune singing".
From 1892 onward, Sibelius was primarily interested in composing orchestral music. His next popular work was the choral composition "Vainamoinen's Boat Ride" (April 1893). Between 1893 and 1895, Sibelius' works were frequently presented in Helsinki's concert halls. During this period, he supplemented his income by working as a music teacher at various music schools. In 1898, Sibelius was awarded a substantial annual grant. The grant was initially supposed to financially support him for a decade, but was later extended to a permanent annual grant.
In 1899, Sibelius completed his First Symphony. At about the same timer, he completed the Finnish patriotic song "Song of the Athenians". It became a symbol of Finnish nationalism. Sibelius' tone poem "Finlandia" (1900) was inspired by the national struggle of the Finnish people, and was in part used to protest against Russian repression. It became one of his most popular works.
In 1900, Sibelius went on an international tour, which introduced his works to audiences in Stockholm, Copenhagen, Hamburg, Berlin, and Paris. He received critical praise, and gained international fame. He completed his Second Symphony in 1902, which was met with enthusiasm by the Finnish public. By that time, Sibelius' works were also regularly performed in Germany. In 1903, Sibelius composed incidental music for the play "Kuolema" (Death), written by his brother-in-law Arvid Jarnefelt. The music turned out to be more popular than the play, particularly the play's opening number, "Valse triste" (Sad Waltz).
In November 1903, Sibelius started the construction of his new home: Ainola (Aino's Place). It was named in honor of his wife Aino, and located near Lake Tuusula. Sibelius financed the house's construction with the profits from his series of concerts in Finland, Estonia, and Latvia. The house was completed by September 1904, when Sibelius and his family moved in. He soon befriended a number of painters and writers who lived in the area.
During the 1900s, Sibelius had a reputation of overspending on luxury foods and alcoholic drinks. In 1907, he resolved to give up drinking. His wife was ill at the time and recovering in a sanatorium, so he had to devote more time to his family and its needs. Later that year, Sibelius himself underwent an operation for suspected throat cancer. He was still in poor health for much of 1908, and he had a second operation on his throat. He was convinced that he had to quit both smoking and drinking to survive. Due to his poor health during 1908, Sibelius had to cancel his scheduled concerts in Rome, Warsaw, and Berlin.
In 1909, Sibelius had mostly recovered from his health problems, and he resumed traveling abroad. He was met with enthusiastic audiences in the United Kingdom, where his previous tours had received lukewarm responses. In 1910, he introduced his newest works to audiences in the city of Kristiania, Norway (later renamed to Oslo). In early 1911, Sibelius went on a concert tour in Sweden. Later that year, he completed his Fourth Symphony. It received mixed reviews in Finland, it was met with enthusiasm by British music lovers, and was openly ridiculed by American audiences in New York City. In 1914, Sibelius' sea music composition "The Oceanides" was met with far more enthusiasm at the Norfolk Chamber Music Festival, in Norfolk, Connecticut.
World War I (1914-1918) had an adverse effect on Sibelius' finances, as his royalties from abroad were interrupted. He continued working anyway. In December 1915, Sibelius completed his Fifth Symphony. He conducted its premiere on 8 December, the date of his 50th birthday. He worked for most of 1916 on a revised version of the Symphony, in part due to his own perfectionist tendencies. He was perceiving flaws even on his praised works.
During the Finnish Civil War (1918), Sibelius supported the anti-communist "Whites" but took no part in the armed conflict. His house was twice searched for weapons by the communist Red Guard, but they failed to find any weapon. Red Guard fighters escorted Sibelius and his family to Helsinki, as their commander-in-chief had guaranteed Sibelius' safety in a diplomatic agreement.
In 1919, Sibelius presented his Second Symphony at a concern in Copenhagen, Denmark. It was his first concert outside the borders of Finland since 1915. By the end of the year, he had completed his final revision of the Fifth Symphony and had started work on his Sixth Symphony. In 1920, he started struggling with a hand tremor, but still managed to complete more works, In that year, Sibelius received a donation of 63,000 marks from Finnish businesses. This allowed him to pay part of his debts from previous years,.
In the early 1920s, Sibelius entered negotiations with the American businessman and philanthropist George Eastman (1854 -1932). Eastman wanted Sibelius to accept a teaching position at the Eastman School of Music which he had founded, and was willing to pay handsomely. Sibelius eventually turned down the offer, because he was reluctant to move to New York.
In 1921, Sibelius had a series of successful concerts in England and Norway. But he was increasingly feeling fatigued. In 1922, he started using spectacles for the first time. He was having headaches when he tried to read without them. In February 1923, Sibelius completed his Sixth Symphony. His concerts of that year were met with enthusiasm in Sweden, but they were poorly received in Italy. By that time, Sibelius had started overindulging in alcoholic drinks. He seemed intoxicated during a public appearance in Gothenburg.
In early 1924, Sibelius completed his Seventh Symphony. It was received more positively in Denmark, rather than in Finland. In Denmark that year, Sibelius was honored with the Knight Commander's Cross of the Order of the Dannebrog. This Danish chivalric order is typically awarded for contribution to the arts and sciences. In 1925, the Royal Danish Theatre asked Sibelius to compose incidental music for the play "The Tempest" (1610/1611) by William Shakespeare. This composition premiered in March 1926. By that time, Sibelius was struggling with "essential tremor" (a muscle disorder) and was self-medicating with alcohol.
In 1926, Sibelius entered his semi-retirement. He rarely completed new works, and mostly avoided any interviews and public appearances. He spend years working on his unfinished Eighth Symphony, before giving up. In the Summer of 1941, Sibelius and his family moved back to Ainola after an absence of several years. He spend much of the rest of his life there, rarely bothering to visit Helsinki. He received visitors there, and his various grandchildren and great-grandchildren spend their holidays at Ainola with him.
In 1955, Sibelius' 90th birthday was celebrated with special performances of his works by both the Philadelphia Orchestra and the (British) Royal Philharmonic Orchestra. In September 1957, Sibelius died due to a brain hemorrhage (bleeding within the skull). He was 91-years-old at the time of his death. His death was honored with a moment of silence at the United Nations General Assembly.
Sibelius was honored with a state funeral in Finland. He was buried in the garden of his residence at Ainola. His widow Aino continued living at Ainola until her own death in 1969. She was buried beside him at the garden. In 1972, Sibelius' last surviving daughters sold Ainola to the Finnish state. In 1974, Ainola was turned into a museum. Sibelius has repeatedly been memorialized in Finnish art, stamps, and currency since his death.- Actress
- Director
- Writer
Musidora was a French actress, film director, and writer. She is particularly remembered for portraying the vamp villainess Irma Vep in the crime serial film "Les Vampires" (1915-1916) and the gang leader Diana Monti/Marie Verdier in the revenge-themed film serial film "Judex" (1917). Her screen persona depicted her with "heavily kohled dark eyes, somewhat sinister make-up, pale skin and exotic wardrobes". Her characters were among the most popular femmes fatales of their era.
Musidora's real name was Jeanne Roques. She was born in a Parisian family of artists. Her father was the composer Jacques Roques, while her mother was the painter Adèle Clémence Porche. Musidora started an acting career in her teen years, and made her film debut in 1914. She took the stage name Musidora, naming herself after a character of that name in the novels of Théophile Gautier. The name means "gift of the Muses".
Early in her film career, Musidora collaborated with the film director Louis Feuillade. He was a pioneer in the development of the crime thriller as distinct genre. By playing villainesses, Musidora became one of the most famous French actresses of the 1910s. But she also found some success as a film director and a film producer. She directed 10 films between the late 1910s and the early 1920s, though only two of them have survived. Two of her films were adaptations of the novels of Colette (1873-1954). The novelist happened to be a personal friend of Musidora, and was willing to help with the screenplays for the adaptations.
Musidora's acting career ended by 1926, but she continued working as a writer and film producer until the early 1950s. In her old age, she worked in the ticket booth of the Cinémathèque Française. In 1957, Musidora died in Paris. She was buried in the Cimetière de Bois-le-Roi.- Dorothy L. Sayers was an English crime writer, one of the most popular writers of the so-called Golden Age of Detective Fiction (1920s-1930s). She was known as one of the four Queens of Crime, alongside her fellow novelists Margery Allingham, Agatha Christie, and Ngaio Marsh. Sayers' most popular character was Lord Peter Wimsey, an aristocratic gentleman detective who viewed mystery solving as an amusing hobby. Sayers wrote 11 Wimsey novels and several short stories featuring Wimsey and his family. In addition to her crime fiction works, Sayers wrote plays, works of literary criticism, and essays on various topics. She also translated works by other writers into English. Her English translation of the "Divine Comedy" is considered her most notable work in that field.
In 1893, Sayers was born in Oxford. Her father was the Reverend Henry Sayers, chaplain of the Christ Church Cathedral. Henry also served for some time as the headmaster of the Christ Church Cathedral School. Sayers' mother was Helen Mary Leigh, daughter of a prominent solicitor. Helen was a member of the extended Leigh family, landed gentry from the Isle of Wight.
Sayers was primarily raised in the tiny village of Bluntisham, after her father was appointed as the rector of the local church. In 1909, she started attending the Godolphin School as a full-time student. It was a boarding school for girls, located in Salisbury. The school was named after its founder, Elizabeth Godolphin (c. 1663 --1726), and was originally devoted to the education of orphan girls from prosperous families.
In 1912, Sayers won a scholarship that allowed her to attend Somerville College, in Oxford. She studied both modern languages and medieval literature at the college. Her most prominent teacher was Mildred K. Pope (1872 - 1956), a historian specializing in Anglo-Norman England. Sayers graduated with first-class honors in 1915, but did not actually receive her Master of Arts degree until 1920. Sayers was among the first female students to receive degrees from the University of Oxford. Women were previously allowed to attend Oxford, but there was a college policy against granting them degrees.
Sayers started her literary career as a poet, publishing her first volume of poems in 1916. Her poems were regularly published at "The Oxford Magazine" (1883-) , a literary magazine associated with Oxford University. Sayers initially supported herself financially by working as a teacher. In the early 1920s, she started working for the publishing company Victor Gollancz. From 1922 to 1931, Sayers worked as a copywriter and advertiser for the advertising agency S.H. Benson. She is credited with creating successful advertising campaigns for Colman's mustard and Guinness beer.
Sayers started work on her first crime novel in 1920, but did not complete it until 1923. The novel was "Whose Body?" (1923), the debut novel for Peter Wimsey. The novel begins with the discovery of an unidentified man's corpse in the bathroom of a private apartment, whose owner had never met the dead man. The dead man was a look-alike of a famous financier who had mysteriously disappeared the previous night. Wimsey has to discover what connected the two men, and what happened to them. The novel was met with praise for its plot twists, and established Sayers' reputation as a novelist.
Sayers published the rest of the Wimsey novels between 1926 and 1937. She eventually lost interest in writing crime novels, ending her career as a novelist in 1939. She reportedly found it pointless to write murder mysteries at a time when real-life mass murders were monopolizing the news. She briefly re-used Wimsey and his supporting cast in ""The Wimsey Papers" (1939-1940), a series of magazine articles commenting on wartime conditions in Britain.
During the early phases of World War II, Sayers published the theology book "The Mind of the Maker" (1941). Its primary topic was the nature of the Trinity, and its connection to the creative process in art. She explored the central doctrines of Christianity in several other theological works. In 1943, she was offered a doctorate in divinity by the then-Archbishop of Canterbury. She declined the offer, as she did not view herself as a professional theologian.
Sayers published non-fiction works on various topics throughout the 1940s and the 1950s. Sayers died in December 1957, due to coronary thrombosis (a heart disease). She was 64-years-old at the time of her death. Her remains were cremated and her ashes buried beneath the tower of St Anne's Church, Soho, London. The sole beneficiary of her will was her illegitimate son, John Anthony Fleming.
Sayer's reputation as a theologian has endured into the 21st century. In 2022, Sayers was officially added to the Episcopal Church liturgical calendar with a feast day on 17 December. Her novels remain popular, and have received a number of adaptations for television and radio. - Actor
- Soundtrack
Carl Switzer was an American child actor, singer, dog breeder, and hunting guide from Paris, Illinois. He became famous for portraying Alfalfa in the film series "Our Gang" during the 1930s. His character was one of the most memorable characters ever portrayed in the series. Later in his career, Switzer's acting roles were limited to bit parts and appearances in B-movies. He supported himself through other lines of work. Switzer was fatally shot by an acquaintance over a money dispute. The circumstances of his death are disputed, due to contradictory accounts by the shooter and by an eyewitness.
In 1927, Switzer was born in Paris, Illinois. A small city located about 165 miles (266 kilometers) south of Chicago and 90 miles (140 kilometers) west of Indianapolis. Switzer was the youngest of four children born to George Frederick "Fred" Switzer (1905-1960) and his wife Gladys Carrie Shanks (1904-1997). Switzer's older brother was the child actor Harold Switzer (1925-1967).
In the early 1930s, the Switzer brothers were locally famous in their hometown for their music performances. In 1934, the Switzer family traveled to California. They visited the Hal Roach Studios (1914-1961) while sightseeing. The Switzer brothers gave an impromptu performance in the the Our Gang Café, the studio's open-to-the-public cafeteria. They were both offered contracts by producer Hal Roach (1892 -1992), who wanted them to appear in the film series "Our Gang" (1922-1944). The long-running series featured a large group of child actors.
Switzer made his film debut in the "Our Gang" short film "Beginner's Luck" (1935), where his character performs as the "Arizona Nightingale". By the end of the year, Alfalfa (Switzer) had become one of the series' main characters. His brother Harold was relegated to performing background characters in the series. In 1937, Switzer surpassed George McFarland in popularity. At the time, McFarland was the nominal star of the "Our Gang" series. Switzer had a difficult relationship with his co-stars, as he enjoyed playing cruel jokes on them.
Switzer's performances in "Our Gang" ended in 1940. His last appearance as Alfalfa was in the short film "Kiddie Kure" (1940), where the gang members attempted to convince a hypochondriac that his pills were unnecessary. Switzer was 12-years-old at the time of the film's production, making him the oldest member of the main cast. The production team considered him too old to keep playing a child.
Switzer initially found more work in films of the time. He played a young boy scout in the comedy film "I Love You Again" (1940). He next appeared in "Barnyard Follies" (1940), a B-Movie depicting efforts to raise funds for a rural orphanage. Switzer had a leading role in the comedy film "Reg'lar Fellers" (1941), a feature-film adaptation of the long-running comic strip "Reg'lar Fellers" (1917-1949) by Gene Byrnes.
Switzer was reduced to a supporting role in "Henry and Dizzy" (1942), his first appearance in the-then popular film series about the Aldrich Family (1939-1944). The films were adaptations of a long-running radio sitcom of the same name, which lasted from 1939 to 1953. Switzer played a younger member of the Twine family in "There's One Born Every Minute" (1942), a comedy about false advertising. The Twine family profits from marketing their puddings as containing the fantastic Vitamin Z, with the press failing to realize that this vitamin does not exist. A local scientist is persuaded to act as a shill for their product.
Switzer had a minor role in the musical comedy "Johnny Doughboy" (1942), which featured a plot about fictionalized versions of "has-been" child stars. Several other real-life former child stars had roles in this film, including Baby Sandy, Bobby Breen, and George McFarland. The film received an Academy Award nomination for Best Musical Score.
Switzer had the uncredited role of Auggie in "The Human Comedy" (1943), a comedy-drama film about life in the home front of World War II. His character was a friend of Ulysses Macauley (played by Jackie Jenkins). Over the following few years, Switzer would frequently appear in uncredited roles, in films such as "Going My Way" (1944) and "Courage of Lassie" (1946).
Switzer had his first leading role in years when cast as Sammy Levine in "Gas House Kids" (1946). The film depicted the life of unruly youths from the Gas House District of New York City. It was partly inspired by the forced relocation of the District's residents in the 1940s, to make way for an urban renewal project. About 600 buildings were razed, and 3,100 families were forced to relocate. The real-life tragic conditions had inspired the popular culture of the time. The film was successful enough to have its own sequels, "Gas House Kids Go West" (1947) and The "Gas House Kids in Hollywood" (1947). Switzer had leading roles in both sequels, his last leading roles in any film.
During the 1950s, Switzer had a few significant supporting roles in films. He played a co-pilot in the aviation adventure "Island in the Sky" (1953), a pilot in the disaster film "The High and the Mighty" (1954), and a Native American ranch hand in the Western film "Track of the Cat" (1954). He had a minor part in the comedy film "Dig That Uranium" (1956), where the Bowery Boys seek an uranium mine in the Wild West. Switzer also had several appearances in television, serving as a recurring guest star in "The Roy Rogers Show".
Switzer's film career was not particularly lucrative during his adult years. He supplemented his income by breeding and training hunting dogs, and by serving as a guide to hunting expeditions. His most notable clients were Roy Rogers, Dale Evans, James Stewart, and Henry Fonda. In 1954, Switzer married his girlfriend Diantha "Dian" Collingwood (1930-2004). She was the heiress of the company Collingwood Grain, which specialized in the construction of grain elevators. The marriage was a rather hasty decision, as the couple had only met 3 months prior to the wedding.
In 1956, Switzer was broke and his wife Dian was pregnant. Switzer's mother-in-law offered them the administration of a farm near Pretty Prairie, Kansas, and Switzer took the offer. His only, son Justin Lance Collingwood Switzer, was born later that year. Switzer had a reunion with his former co-star George McFarland in 1957. McFarland recalled that Switzer seemed restless, and he got the impression that Switzer was bored with his life as a farmer. He figured that this life "wasn't going to last" for Switzer.
Switzer received a divorce in 1957, and lost custody of his son. In January 1958, Switzer was mysteriously shot in the upper right arm while sitting in his parked car, in front of a bar in Studio City, Los Angeles. The bullet smashed through the car's window. The shooter was never found, and no motive was ever established.
In December 1958, Switzer was arrested by the authorities. He had been cutting trees in the Sequoia National Forest, with the intention to sell them as Christmas trees. This practice was illegal. He was sentenced to pay a fine of 225 dollars, and was also sentenced to one year's probation. This left him in financial trouble for the last month of his life.
In 1959, Switzer was hired to train a hunting dog by Moses Samuel "Bud" Stiltz. Switzer and Stiltz had been business associates for years, having met each other at the Corriganville Movie Ranch. During the dog's training, the dog ran off to chase after a bear. Stiltz demanded that Switzer had to either relocate his dog or pay him the equivalent of the dog's value. Switzer placed a reward for the relocation of the dog and the safe return of the animal. When the dog was found, Switzer rewarded the rescuer with 35 dollars in cash, and the worth of 15 dollars in alcoholic beverages. The reward money pushed Switzer further into poverty.
In late January, 1959, Switzer had an emotional conversation about his financial troubles with photographer Jack Piott. The two figured that Stiltz had to reimburse Switzer for the finder's fee. The two of them headed together to Stiltz's home in Mission Hills, where they got into an argument with him. After being struck on the left side of his head, Stiltz proceeded to threaten the two men with a loaded a .38-caliber revolver.
What happened next is uncertain. Stiltz testified that Switzer pulled a knife on him, and that he had shot him in self-defense. Tom Corrigan (Stiltz's adolescent stepson) later testified that Switzer had decided to end the fight and to leave empty-handed, but Stiltz shot him anyway. In any case, the bullet damaged one of Switzer's arteries and caused massive internal bleeding. Switzer had already died by the time his body was transferred to a hospital. He was 31-years-old at the time of his death.
Switzer was buried in the Hollywood Forever Cemetery, located in the Hollywood district of Los Angeles. His gravestone depicts the image of a hunting dog, to commemorate that he trained hunting dogs for a living. His death initially attracted little attention from the press, but the controversial circumstances of his death have become the subject of true-crime articles and documentaries. Switzer is still remembered as one of the better child actors of his era, and as a reliable actor in supporting roles.- Music Department
- Soundtrack
The Big Bopper (real name: Jiles Perry Richardson Jr. ) was an American singer, songwriter, and disc jockey from Texas. His best known song compositions were" Chantilly Lace" (featuring a flirtatious phone conversation) and "White Lightning" (a rockabilly hit). Richardson was killed in an airplane crash in the winter of 1959, alongside fellow musicians Buddy Holly and Ritchie Valens. He was only 28-years-old. Their death date on February 3, 1959 is remembered as "The Day the Music Died".
In 1930, Richardson was born in the small town of Sabine Pass, Texas. The town is primarily remembered as the location of two different battles in the American Civil War. It was annexed by the neighboring city of Port Arthur, Texas in 1978. Richardson's parents were the oil-field worker Jiles Perry Richardson (1905-1984) and his wife Elise Stalsby (1909-1983). Richardson was the eldest of three sons born to the family.
Richardson was primarily raised in Beaumont, Texas, and attended Beaumont High School. He graduated in 1947, at the age of 17. He was reportedly an athletic young man, and served as a defensive lineman in the American football team "Royal Purple". He received his college education at Lamar College in Beaumont, Texas (later renamed to Lamar University). He was a pre-law student.
During his college years, Richardson was a part-time worker at the radio station KTRM in his hometown of Beaumont Texas. In 1949, he was hired by the station as a full-time employee. He decided to drop out of college at that time. In 1952, Richardson married his girlfriend Adrienne Joy "Teetsie" Wenner (1936-2004). The new couple soon had their first daughter, Debra Richardson (1953-2006).
By 1954, Richardson had been promoted to the rank of supervisor of announcers at KTRM. In March 1955, Richardson was drafted into the United States Army. He completed his basic training at Fort Ord, California. He was then transferred to Fort Bliss in El Paso, Texas, where he spend his two years of army service as a radar instructor. He was discharged from the Army in March 1957, with the rank of corporal.
Richardson was immediately rehired by KTRM, and granted his own music show. Richardson had seen college students performing a dance called "The Bop". He decided to adopt the stage name "The Big Bopper" for his new show. His show run for 3 hours in the afternoons. He was also promoted, becoming the radio station's program director.
In May 1957, Richardson set a new record for length of on-air broadcasting. He performed a single continuous broadcast for a total of five days, two hours, and eight minutes, during which he played 1,821 different records. While he had become famous as a disc jockey, he soon started working as a songwriter. He composed notable songs for George Jones and Johnny Preston.
Richardson was interested in performing his own songs. He signed a contract with the record producer Pappy Daily (1902-1987), who specialized in promoting country acts. Richardson's first single, "Beggar to a King", was met with indifference by the public. Richardson had his first great hit with "Chantilly Lace" (released in June, 1958). It reached the 6th place on the pop charts, spending 22 weeks in the national Top 40. It established Richardson's new stage persona as a "good-natured caricature of a ladies' man".
Richardson had his second hit song with the novelty song "The Big Bopper's Wedding". The song's main character is about to get married, but gets cold feet at the altar. In January 1959, Richardson was ready to promote his music act with live performances. He signed up to participate in the concert tour "Winter Dance Party", alongside Buddy Holly (and his band-mates), Ritchie Valens, and the vocal group "Dion and the Belmonts". The tour was scheduled to cover twenty-four Midwestern cities in as many days, with no off days for the music performers.
On January 23, 1959, the tour started with a live performance in Milwaukee, Wisconsin. By February 2, the touring performers reached Clear Lake, Iowa, for their 11th performance. However, the tour was poorly planned and the musicians had run into problems. The tour "erratically zigzagged back and forth across" the Midwestern United States, with the musicians spending between ten to twelve hours each day in a tour bus. They faced "freezing mid-winter temperatures" and poorly maintained rural highways. The tour buses broke down frequently, and had to be replaced 5 times in 11 days. No road crew had been hired to assist the musicians with transporting their equipment. Both Richardson and Valens were sick, experiencing flu-like symptoms.
By the time the touring musicians reached Iowa, Holly was fed-up with the traveling conditions. He chartered a plane to fly himself and his band to Fargo, North Dakota, which was closer to their next destination at Moorhead, Minnesota. The plane was a single-engined, V-tailed Beechcraft 35 Bonanza, with enough space for three seated passengers and the pilot. Richardson asked to join the flight, as he was too ill to keep traveling by bus. Valens requested the third seated place in the flight, and won it in a coin toss with another musician.
The chartered plane took off from Mason City Municipal Airport on February 3, 1959, with weather conditions including light snowing and winds estimated as reaching the speed of 20 to 30 mph (32 to 48 km/h). The flight would prove fatal for all three passengers. The Bonanza impacted terrain at high speed in a nose-down attitude. Richardson's body was found at some distance from the the wreckage of the aircraft, thrown into a cornfield. A coroner determined that the cause of Richardson's death was "gross trauma to brain".
Richardson was buried in his home state of Texas. Two months following his death, Richardson gained a posthumous son by his wife. The son, Jay Perry Richardson (1959-2013), became a musician as well. He used the stage name "The Big Bopper, Jr." The elder Richardson's remains were transferred alongside his wife's grave in 2007, at the request of their son. The couple are buried at Forest Lawn Cemetery, located in Beaumont, Texas. A stainless steel monument to Richardson, Holly, and Valens was erected at the crash site in 1988.- Actor
- Soundtrack
Arthur Quirk Bryan was an American actor from Brooklyn, New York City. He is primarily remembered as a voice actor for radio and animation. His best known roles were the wisecracking physician and surgeon Dr. George Gamble in "Fibber McGee and Molly" (1935-1959), and the inept hunter Elmer Fudd in "Looney Tunes". Bryan voiced Fudd from 1940 to 1959, the heyday of the character in theatrical animation. When playing Fudd, Bryan nearly always vocalized consonants [r] and [l], pronouncing them as [w] instead. This became one of the character's main traits. Following Bryan's death in 1959, Hal Smith voiced Fudd in two animated shorts. In 1962, the production crew decided to cease using Fudd as a character. The character would later be revived, with most subsequent voice actors imitating Bryan's performance in the role.
In 1899, Bryan was born in Brooklyn. In his early years, he sang in a number of churches in the New York City area. He had aspirations to become a professional singer. In 1918, the teen-aged Bryan was hired as an as insurance clerk for the Mutual Life Insurance Company. In 1926, Bryan was hired as a singer by the New York City-based radio station WINS.
In 1928, Bryan was hired as a tenor soloist by the radio station WFAN, which was also located in New York City. From 1929 to 1931, Bryan worked as an announcer for the New Jersey-based radio station WOR. In the autumn of 1931, Bryan moved to Philadelphia to work as an announcer for the radio station WCAU. In 1933, he started working for the radio station WTEL, which was also based in Philadelphia. In 1934, Bryan moved back to New York City. He was hired by the radio station WHN.
In 1936, Bryan moved to Los Angeles. He was initially hired as a screenwriter for Paramount Pictures. He soon transitioned into acting roles, frequently portraying supporting characters in B Movies. He portrayed newspaper editor Joe McGinty in the horror film "The Devil Bat" (1940). His later roles included an unnamed Philistine merchant in the Biblical drama "Samson and Delilah" (1949), two appearances in the film series "Road to ...", and a single appearance in an "Ozzie and Harriet" feature film.
From 1938 to 1940, Bryan was a regular cast member in the radio talk show "The Grouch Club". The show featured radio stars who voiced their frustrations with the recurring problems of everyday life. Vitaphone produced a short film series based on the show, with Bryan depicting unfortunate souls who struggled with taxation, with the vote registry, and with the lack of available parking places.
In 1940, Bryan was asked to voice Elmer Fudd for the animated short film "Elmer's Candid Camera". The film introduced an entirely new design for the character, following a few years of appearances by prototype versions of Fudd. Previous versions of the character had been voiced by Mel Blanc, Danny Webb, and Roy Rogers. But it Bryan's voice for the character who made Fudd a hit with the audience of the time. Bryan would continue to portray Fudd for 19 years. Fudd would serve as the main antagonist for another hit character of the "Looney Tunes" film series, Bugs Bunny.
Bryan was increasingly famous as a voice actor in the early 1940s. He was hired to portray semi-regular character Lucius Llewellyn in the radio sitcom "The Great Gildersleeve" (1941-1958), using the same voice as Elmer Fudd. In 1942, Bryan used his natural voice to portray the barber Floyd Munson in the same series. In 1943, writers Don Quinn and Phil Leslie decided to create a role for Bryan in their radio series "Fibber McGee and Molly", based on what they liked about Bryan's previous performances. His new role was Dr. George Gamble, who would exchange creative insults with the main character Fibber McGee (voiced by Jim Jordan).
Bryan was also hired to portray protagonist Major Hoople in a radio adaptation of the comic strip "Our Boarding House" (1921-1984). Hoople was portrayed as a "retired military man of dubious achievement", who would boast of the adventures of his youth. He has been described as a modernized version of Falstaff. The radio adaptation was not particularly successful, only lasting from June 1942 to April 1943. No recordings of this series have survived.
From 1948 to 1949, Bryan was a regular panelist on the television quiz show "Quizzing the News". The panelists had to identify events in the news based on spoken clues and drawings. During the 1950s, Bryan regularly appeared on television, though mostly in one shot roles. He portrayed history teacher Professor Warren in the short-lived sitcom "The Halls of Ivy" (1954-1955), his only recurring role in this medium.
In November 1959, Bryan died of a sudden heart attack. He was 60 years old at the time of his death. He was buried in Valhalla Memorial Park Cemetery, located in North Hollywood. His final appearance as Fudd was the posthumously released short "Person to Bunny" (April 1960), a parody of the interview show "Person to Person" (1953-1961). Bryan was initially replaced by Hal Smith as Fudd's voice actor, but the production crew decided to cease using Fudd as a character in 1962. Decades following his death, Bryan is still remembered as one of the most prominent voice actors of his era.- Writer
- Music Department
- Additional Crew
Oscar Hammerstein II was an American lyricist, librettist, theatrical producer, and musical theatre director from New York City. He won a total of 8 Tony Awards for his best known works, "South Pacific" (1949), "The King and I" (1951), and "The Sound of Music" (1959). He twice won the Academy Award for Best Original Song, for his songs "The Last Time I Saw Paris" (1940) and "It Might as Well Be Spring" (1945). Several of his songs became part of the standard repertoire for both singers and jazz musicians. During the 1940s and the 1950s, Hammerstein produced some of his best musicals in collaboration with the composer Richard Rodgers (1902-1979). They are credited with creating character-driven stories with dramatic moments, while American musicals were previously considered light-hearted entertainment.
In 1895, Hammerstein was born in New York City. His parents were the theatrical manager William Hammerstein (1875-1914) and his first wife Alice Nimmo (died in 1910). His father operated the Victoria Theatre in Times Square, considered for a while as the most successful theatre in New York City. Hammerstein's paternal ancestors were German Jews, while his maternal ancestors were British. Hammerstein's paternal grandfather was Oscar Hammerstein I (1846-1919), a theatrical impresario and composer who is credited with popularizing the opera genre in the United States.
In 1912, Hammerstein enrolled at Columbia University. He later studied at Columbia Law School. Following his father's death in 1914, Hammerstein participated in his first play: "On Your Way". It was performed in the Varsity Show (1894-), Columbia's regular arts presentation. During his university years, Hammerstein both wrote and performed for the Varsity Show.
In 1917, Hammerstein dropped out of law school to pursue a theatrical career. He found a mentor in the lyricist and librettist Otto Harbach (1873-1963). Harbach taught him that in musicals, the music, lyrics, and story should be closely connected. Hammerstein took this lesson to heart. Hammerstein wrote the book and the lyrics for the Broadway musical "Always You" (1920), the first musical of his career. In 1921, Hammerstein joined "The Lambs" (1874-), a New York City-based social club for theater professionals. It was named in honor of the English authors and salonists Charles Lamb (1775-1834) and Mary Lamb (1764-1847).
In 1927, Hammerstein had his first great success with the musical "Show Boat". It was an adaptation of a then-popular novel by Edna Ferber (1885-1968), and depicted life on a a Mississippi River show boat over a 40-years-period. It was considered revolutionary in musical storytelling in dealing with tragedy and serious issues, in a field previously dominated by light comedies and satirical operettas. The musical introduced the popular songs "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man". Hammerstein had partnered with the composer Jerome Kern (1885-1945) for this musical. The duo continued to work together for decades.
In the early 1940s, Hammerstein was asked by Richard Rodgers to work with him in a musical adaptation of the play "Green Grow the Lilacs" (1930) by Lynn Riggs (1899-1954). Rodgers had previously attempted to work on the adaptation with Lorenz Hart (1895-1943), but they had a falling out over Hart's declining mental state and his self-admitted lack of inspiration. The adaptation turned into the hit musical "Oklahoma!" (1943), about a love triangle in Indian Territory. It ran for an unprecedented 2,212 performances, and has often been revived. The musical's success convinced Hammerstein and Rodgers that they should collaborate further in subsequent works.
Hammerstein and Rodgers became the dominant creative force of the American musical theatre from 1943 to 1959. Their subsequent collaborations were the musicals "Carousel" (1945), "Allegro" (1947), "South Pacific" (1949), "The King and I" (1951), "Me and Juliet" (1953), "Pipe Dream" (1955), "Flower Drum Song" (1958), and "The Sound of Music" (1959). Most of them were well-received, and they never had a single flop in all these years. The duo also worked together for the music of the film "State Fair" (1945), and for the music-themed television special "Cinderella" (1957). Their works often provided social criticism, and dealt with issues such as discrimination (in various forms) and domestic abuse.
In 1943, Hammerstein wrote the book and lyrics for the musical "Carmen Jones". It was an adaptation of the opera "Carmen" by Georges Bizet, but featured African-American characters and had an all-black cast. It was considered groundbreaking for its era. The musical eventually received its own film adaptation, serving as a vehicle for Dorothy Dandridge (1922-1965).
Hammerstein was an advocate for writers' rights within the theater industry. In 1956, he was elected as the new president of the Dramatists Guild of America, a professional organization whose main goal was to negotiate better contracts for playwrights. His term lasted until 1960, when he was replaced by Alan Jay Lerner (1918 - 1986).
In August 1960, Hammerstein died at his home, Highland Farm in Doylestown, Pennsylvania. It was a 19th-century farmhouse which had served as his residence since 1940. The cause of death was stomach cancer, and he had been struggling with the disease for a while. He was 65-years-old at the time of his death. To honor his passing, the lights of Times Square were turned off for one minute, and London's West End lights were dimmed. His remains were cremated and his ashes were buried at the Ferncliff Cemetery in Hartsdale, New York. A memorial plaque for Hammerstein was placed at Southwark Cathedral in London.
Hammerstein was survived by his second wife Dorothy Hammerstein (1899-1987), a professional interior designer and decorator. They had been married since 1929. Hammerstein's son James Hammerstein (1931-1999) followed his father's footsteps as a theatre director and producer. Hammerstein's stepdaughter Susan Blanchard (1928-) worked as a lyricist and theatrical producer, though she is primarily known as a a socialite.- Florence Ryerson was an American playwright, screenwriter, and short story writer. She is mostly remembered as the co-writer of the fantasy film "The Wizard of Oz" (1939).
In 1892, she was born under the name of Florence Willard in Glendale, California. She was the daughter of journalist Charles Dwight Willard (1860-1914) and his wife Mary McGregor. Charles worked for the newspapers "Los Angeles Times" and "Los Angeles Herald". He had also authored a number of books, including a history of Los Angeles.
Florence was educated at both Stanford University and Radcliffe College. She married Harold Swayne Ryerson, who worked in the manufacture of ladies' clothes.
From 1915 to 1927, Ryerson primarily worked as a short writer, publishing over 30 short stories. Her stories were published in magazines, such as "The American Magazine", "Ladies' Home Journal", "Munsey's Magazine", and "Woman's World". In 1926, Ryerson was hired as a screenwriter by Metro-Goldwyn-Mayer. She started work in silent films, and soon expanded to sound films. Highlights of her career included entries into then popular series about Fu Manchu and Philo Vance.
She and her second husband Colin Clements co-wrote the novels "This Awful Age" (1930) and "Mild Oats" (1933), considered among the earliest novels to depict the lives of female teenagers, They also adapted these novels to the play "June Mad" (1939), and the film "Her first Beau".
The couple of Ryerson and Clements purchased the Workman Ranch, located in San Fernardo Valley. Ryerson renamed the ranch to the Shadow Ranch, inspired by the shade of its eucalyptus trees, They restored and expanded the 19th century adobe of the Ranch, which became their primary residence for the late 1930s and the entirety of the 1940s.
In 1939, she co-wrote the screenplay for the film "The Wizard of Oz", adapting a children's novel by Lyman Frank Baum (1856-1919). She is credited for creating Professor Marvel, the Kansas' counterpart to the Wizard of Oz.
The writing duo of Ryerson and Clements co-wrote several Broadway plays during the 1940s. The partnership came do an end with Clements' death in 1948. In 1951, Ryerson retired to Hampton Falls, New Hampshire. She continued to write theatrical plays, which were produced by the local high school.
In 1965 Ryerson died in Mexico City. The cause of death was heart failure. She was 72 years old. Her former residence at Shadow Ranch was designated a Historic-Cultural Monument in 1962, and still stands. - Producer
- Additional Crew
- Production Manager
Fred Quimby was an American animation producer. He served as the executive in charge of the Metro-Goldwyn-Mayer cartoon studio from 1937 to 1955. He worked with prominent directors, such as Tex Avery, Joseph Barbera, and William Hanna. His studio won 8 Academy Awards for Best Animated Short Film. He is chiefly remembered as a producer for the original "Tom and Jerry" film series.
In 1886. Quimby was born in Minneapolis, the largest and most-populous city in the US state of Minnesota. Early in his life, he worked as a journalist, before starting a career in film.
In 1907, Quimby became the manager of film theater in Missoula, Montana. He later joined the staff of the film production company Pathé. He became a member of its board of directors, but left in 1921 to try his lack as an independent producer. From 1924 to 1927, Quimby worked for Fox Film. In 1927, he was hired by Metro-Goldwyn-Mayer (MGM). He served for a time as the nominal head of its short films department.
In 1937, Quimby became the head of the Metro-Goldwyn-Mayer cartoon studio, MGM's new animation subsidiary. His name became well known due to its prominence in the cartoon credits. He had a difficult relationship with his staff members. He was not an animator himself, and had no previous experience in animation. He served chiefly as a liaison between the animators and MGM executives. He consistently turned down requests for bigger budgets, raises and special dispensations of funds. His employees considered him humorless.
In 1939, Quimby approved the production of " Puss Gets the Boot" by directors Barbera and Hanna. The film introduced the characters of Tom Cat and Jerry Mouse, and was nominated for the Academy Award for Best Animated Short Film. Quimby was at first not interested in producing more Tom and Jerry films, but changed his mind due to the first film's critical and financial success. As a producer, he claimed sole responsibility for the success of the new series.
In May 1955, Quimby retired at the age of 69. Barbera and Hanna replaced him as the new heads of the studio. The studio did not long survive Quimby's departure, as MGM shut down its animation subsidiary in 1957. Quimby lived in retirement for 10 years. In September 1965, Quimby died from a heart attack in Santa Monica, California. He was 79-years-old.- Writer
- Actor
Evelyn Waugh was an English writer from London. He had a successful career as a novelist, a biographer, a travel writer, a journalist, and a book reviewer. He is primarily remembered for the satirical novel "Decline and Fall" (1928), the autobiographical novel "A Handful of Dust" (1934), the nostalgia-themed family saga "Brideshead Revisited" (1945), and the war-themed trilogy "Sword of Honour" (1952-1961). Waugh converted to Roman Catholicism in the early 1930s, and his works after that point tended to feature Catholic characters.
In 1903, Waugh was born in West Hampstead, London. His father was the professional writer and literary critic Arthur Waugh (1866-1943). Through his father's side of the family, Waugh was a descendant of the nonconformist preacher Alexander Waugh (1754-1827). His ancestor had co-founded the London Missionary Society, an interdenominational evangelical missionary society. Waugh's known ancestry included English, Scottish, Welsh, Irish and French Huguenot people.
Waugh was home-schooled by his mother until the age of 7. In September 1910, Waugh began life as a day pupil at the Heath Mount preparatory school. By that time, he had started writing short stories as a hobby. At school, Waugh was a notorious school bully. One of his victims was Cecil Beaton, later a professional photographer who recorded his memories of Waugh's bullying. In his free time from school, Waugh wrote theatrical plays and convinced his neighborhood friends to perform them with him.
During the early years of World War I, Waugh and several of his schoolmates from Heath Mount served as messengers for the War Office. In his final year at Heath Mount, Waugh served as the editor of the school magazine "The Cynic". Waugh aspired to attend the boarding school Sherborne School, which his father had once attended. But after his older brother Alec was expelled from Sherborne due to his homosexuality, Waugh learned that the school would not even consider him as a candidate student. In 1917, Waugh instead became a student of the Lancing College, which he considered to be inferior to Sherborne.
During his time at Lancing, Waugh published an essay about Cubism in an art magazine. It was his first published work. His teacher J. F. Roxburgh (1888-1954) encouraged Waugh's aspirations for a writing career. Another teacher, Francis Crease, trained Waugh in the arts of calligraphy and decorative design. Waugh won several prized for art and literature during his student years at Lancing. He left Lancing in December 1921, after winning a scholarship to read Modern History at Hertford College, Oxford.
During his early years in Oxford, Waugh worked as a reporter for two rival student publications: "Cherwell" and "Isis". He also worked as a film reviewer "Isis". Waugh soon joined the "Hypocrites' Club" (1921-1925), a student club for heavy drinkers and homosexuals. Waugh had his first homosexual relationships with some of the club's fellow members. Waugh devoted part of his time to writing reviews and short stories for publication, part of his time to improving his skills as a graphic artist, and part of his time partying with the club members. He neglected his formal studies, and was frequently arguing with his history tutor C. R. M. F. Cruttwell (1887-1941). Their adversarial relationship turned into mutual hatred, and Waugh continued mocking Crutwell in his literary works for decades.
Waugh left Oxford in 1924, without earning a degree. He started work on a novel, and enrolled at the art school Heatherley School of Fine Art. He soon quit his studies due to boredom, and started looking for a job. In January 1925, Waugh started working as a teacher at Arnold House, a boys' preparatory school in North Wales. Used to hanging out with large groups of friends, Waugh had trouble adjusting to the social isolation of his new position.
Waugh quit his teaching job in the summer of 1925, as he was promised a secretarial job by the experienced writer C. K. Scott Moncrieff (1889-1930). Moncrief decided against hiring him, but Waugh learned this after his resignation. At about the same time, a completed novel by Waugh was rejected by a publisher. Waugh felt desperate, and he experienced a failed suicide attempt. He spend the following couple of years as a school teacher at the village of Aston Clinton in Buckinghamshire and at Notting Hill in London.
Waugh started writing commercially-published fiction in 1926. In 1927, he secured a contract to write a full-length biography of the painter Dante Gabriel Rossetti (1882-1882). This biography was published in April 1928, and won critical praise. His first novel "Decline and Fall" was published in September 1928, and was also met with praise and decent sales. By December 1928, the novel was in its third printing and the rights for an American reprint had already been sold. Waugh had found success in his literary career, but his personal life was still unsteady. He had a brief, failed marriage to the socialite Evelyn Gardner (1903-1994), daughter of Herbert Gardner, 1st Baron Burghclere. Gardner did not tolerate her husband's infidelities and Waugh himself filed for a divorce. The marriage had lasted less than a year.
Following his separation for his wife in 1929, Waugh had no settled home for the next eight years. Despite working steadily as a writer and journalist, he relied on the hospitality of his friends instead of buying or renting a house. His novel "Vile Bodies" (1930) , was a major commercial success. It was a rather bitter satire on the Bright Young Things, a group of Bohemian aristocrats and socialites who had grained prominence in the 1920s.
In 1930, Waugh traveled to Abyssinia as a journalist, to cover the coronation of the new emperor Haile Selassie. He subsequently traveled through the British East Africa colonies and the Belgian Congo. He recorded his travel in both a travel book and an autobiographical novel. Waugh spend the winter of 1932-1933 traveling through British Guiana and Brazil. In 1934, Waugh joined an expedition to Spitsbergen in the Arctic. He returned to Ethiopia in 1935, as a war correspondent in the Second Italo-Ethiopian War (1935-1937).
In April 1937, Waugh married his second wife Laura Herbert. She was a cousin of his first wife. As a wedding present, the couple received the country house Piers Court, located in Gloucestershire. He continued publishing new books in the late 1930s, though they primarily expressed his increasingly conservative political views. In September 1939, Waugh let his wife and young children move to Pixton Park in Somerset, the Herbert family's country seat. It was considered a safer location in wartime conditions. he was commissioned into the Royal Marines in December 1939.
Waugh's first experience of combat service in World War II was the Battle of Dakar (September 1940) in French West Africa. In November 1940, Waugh was posted to a commando unit. In May 1941, Waugh and his unit helped in the evacuation of Crete. In May 1942, Waugh was transferred to the Royal Horse Guards. In 1943, Waugh started parachute training. He fractured a fibula during an exercise, and he applied for three months' unpaid leave. He started working on the novel "Brideshead Revisited" during his recovery. Waugh's extended leave lasted until June 1944. He then served as a liaison to Partisan forces in Yugoslavia. He returned to London in March 1945.
"Brideshead Revisited" was published in May 1945, and was more popular than any of his previous works. Waugh was released by the army in September 1945. He continued traveling as a journalist in various European locations. He expressed his frustrations about postwar European travel in the novella "Scott-King's Modern Europe" (1947). In the early 1950s, he started working on war novels. He also completed the dystopian novel "Love Among the Ruins. A Romance of the Near Future" (1953), which displayed his contempt for the post-war world. He seemed to be prematurely aged at the time. By the time Waugh completed his 50th year, he was partially deaf, rheumatic, and suffering from recurring insomnia and depression. He used alcohol for self-medication.
In 1954, Waugh's doctors were concerned about his deteriorating health and advised him to travel again. He took a ship for Sri Lanka, but displayed signs of paranoia during the journey. He thought that the other passengers were whispering about him, and complained about hearing voices even when he was alone. A subsequent medical examination revealed that Waugh was suffering from bromide poisoning from his drugs regimen. When his medication was changed, his hallucinations disappeared. He recorded his experience in the autobiographical novel "The Ordeal of Gilbert Pinfold" (1957).
In 1955, Waugh was visited at home by an overly aggressive journalist who demanded an interview. No longer feeling safe at Piers Court, Waugh decided to sell his long-time residence. In 1956, Waugh and his family moved to the Combe Florey House in Somerset. In the late 1950s, he ceased publishing new works while working on the biography of a Catholic theologian. Due to facing money shortages, Waugh agreed to be interviewed by the BBC in 1960. It was his first interview in years, as he had been systematically avoiding journalists.
Waugh published his last major work in 1961, the war novel "Unconditional Surrender". He started work on his autobiography in 1962. Its first volume was published in 1964, under the title "A Little Learning". He changed the names of several of the individuals mentioned in the book, in order to avoid scandal. The book attracted little attention. In desperate need of funds in 1965, Waugh signed contracts to write several non-fiction books. His physical and mental deterioration prevented him from working on any of these books, and his only literal activity at the time was editing work in the combined edition of his war novels.
Waugh died of heart failure in April 1966, while attending the Easter Mass with members of his family. He was 62-years-old at the time of his death. He was buried in the churchyard of the Church of St Peter & St Paul, located in Combe Florey. A Requiem Mass in his honor was celebrated in Westminster Cathedral. His novels have received several adaptations since his death, and their popularity has endured into the 21st century.- Francis Edward Faragoh (born Ferenc Eduárd Faragó) was a Hungarian-American screenwriter, active from 1929 to 1947. He was born in Budapest, Austria-Hungary, and migrated to the United States prior to World War I. He is primarily remembered for writing the screenplays for the pioneering gangster film "Little Caesar" (1931) and the gothic horror film "Frankenstein" (1931).
Faragoh was nominated for the "Academy Award for Best Adapted Screenplay" for his script for "Little Caesar". The Award was instead won by rival screenwriters Howard Estabrook. Faragoh's latter works were less critically acclaimed, though he wrote the screenplays for well-received period dramas (such as "Chasing Yesterday" and "Lady from Louisiana"). He also co-wrote the screenplay of the coming-of-age drama "My Friend Flicka", which has been hailed as a great work by later generations of critics.
Faragoh was blacklisted in Hollywood during the 1950s, as a Communist sympathizer. By that point he had already semi-retired. He spend his last years in in Oakland, California. He died of a heart attack in 1966. He was 67-years-old at the time of his death. Some of his films were eventually chosen for preservation by the National Film Registry, due to their historical significance. - Actor
- Soundtrack
Stuart Erwin was an American actor, often working as a voice actor in radio and animation. He was once nominated for the Academy Award for Best Supporting Actor.
Erwin was born in Squaw Valley, Fresno County, California, in 1903. Squaw Valley is a census-designated place, the location of a post office which has operated on-and-off since 1879. It is located 30 miles (48 kilometers) to the east of the county seat: Fresno. Despite their similarity n names, it has no connection to the Squaw Valley Ski Resort, which is located in Placer County, California.
Erwin attended school at Porterville High School, located in Porterville, California. Porterville was at the time a local center for the mining industry, primarily known for the extraction of magnetite from nearby mines. Erwin latter attended the University of California. He started performing on stage as an actor while still a college student. During the 1920s, Erwin mainly appeared on repertory theatre in Los Angeles.
In 1928, Erwin made his film debut in the biographical film "Mother Knows Best." The film was largely based on the life of actress and singer Elsie Janis (1889-1956), and depicted her relationship with the stage mother who managed her career since childhood. The film was mainly notable as the first "talkie" (sound film) produced by the film studio Fox Film (1915-1935), using the Movietone sound system.
Erwin regularly appeared in theatrical films during the late 1920s and early 1930s, but was infrequently cast on major roles. His first memorable role was that of oil-industry businessman and radio-station owner Leslie McWhinney in the musical comedy "The Big Broadcast" (1932). In the film, McWhinney is both the employer and a close friend to singer Bing Crosby (1903-1977). The film was Crosby's first starring role as an actor, and he depicted a fictionalized version of himself.
Erwin gained a starring role in the comedy film "Palooka" (1934), an adaptation of the popular comic strip "Joe Palooka" (1930-1984) by cartoonist Ham Fisher (1900-1955). Erwin was cast in the role of Joe Palooka himself. Palooka was depicted as a professional boxer, but with a kind heart, a hero's instinct to protect others, and rather limited intelligence. In the film, the role of the middle-aged Knobby Walsh, Palooka's Irish-born manager and the mastermind behind his rise to fame, was played by Jimmy Durante (1893-1980).
In 1936, Erwin had another starring role, as hillbilly Amos Dodd in the comedy "Pigskin Parade". In the film, Amos is an uneducated farmer from Arkansas, but has an amazing talent for American football. So he gets recruited as a college football player by a Texas-based university. The role met with critical praise, and Erwin was nominated for an Academy Award for Best Supporting Actor. However, the Award for that year was won by rival actor Walter Brennan (1894-1974).
In radio, Erwin had a recurring role in "Phone Again Finnegan" (1946), and played multiple roles in the anthology series "Lux Radio Theatre" (1934-1955), "Cavalcade of America" (1935-1953), and "The United States Steel Hour" (1943-1953).
From 1950 to 1955, Erwin starred in the television sitcom "The Stu Erwin Show." The series lasted for a total of 130 episodes, and cast Erwin in the role of a high-school principal who has to to also raise his own children. After the sitcom's end, Erwin frequently appeared as a guest star in other television series.
In 1963, Erwin played the role of football coach Wilson in the science-fiction comedy film "Son of Flubber," The film was a commercial success, earning about 22 million dollars at the North American box office. It was the 7th most commercially successful film of 1963, being outperformed by "Cleopatra" (1st), "How the West Was Won" (2nd), "It's a Mad, Mad, Mad, Mad World" (3rd), 'Tom Jones" (4th), "Irma la Douce" (5th), and "The Sword in the Stone" (6th). "Son of Flubber" itself outperformed the horror film "The Birds" (8th), the spy film "Dr. No" (9th), and the drama film "The V.I.P.s" (10th).
In 1964, Erwin played the role of police chief Loomis in another science-fiction comedy film, "The Misadventures of Merlin Jones." This film earned only 4 million at the box office, but was considered successful enough to receive a sequel, called "The Monkey's Uncle" (1965). Erwin was not asked to appear in the sequel. "The Misadventures of Merlin Jones" was Erwin's last film role.
From 1965 to 1967, Erwin was limited to playing guest star roles in various television series, such as "Gunsmoke," "Bonanza," and "Lassie." In December 1967, Erwin suffered a myocardial infarction ("heart attack") and died in Beverly Hills. He was 64-years-old. He was survived by his wife June Collyer (1906-1968), who died due to pneumonia in March 1968.
The bodies of both Erwin and Collyer were cremated. Their ashes were interred at the Chapel of the Pines Crematory, in Los Angeles.- Frances Dade was an American actress from Philadelphia. She had a rather brief career, spanning from the late 1920s to the early 1930s. Her most notable role was playing the fledgling vampire Lucy Weston in "Dracula" (1931), based on the novel's Lucy Westenra. She was the first actress to ever play the character of Lucy in a feature film.
In 1907, Dade was born in Philadelphia. Her parents were Francis Cadwallader Dade, Jr. and Frances Rawle Pemberton. Through her mother, she was a grandniece of the Confederate general John Clifford Pemberton (1814 - 1881). Her great uncle is remembered as the commanding officer during the Confederate surrender at the Siege of Vicksburg (1863). Also through her mother, Dade was a first cousin of the famous ice hockey player Hobey Baker (1892 - 1918).
Dade started her career as a theatrical actress. She played Lorelei Lee in the touring company of the musical "Gentlemen Prefer Blondes" (1925) by Joseph Fields and Anita Loos. She was offered a contract by film executive Samuel Goldwyn (1882 - 1974), though she later primarily worked as a freelancer.
Dade made her film debut in the romantic drama "The Constant Nymph" (1928), an adaptation of a controversial novel written by Margaret Kennedy (1896 - 1967). Her initial film role was a bit part. She had a more substantial role as Monica Grey in the romantic comedy "He Knew Women" (1930). In the film, Monica's unrequited love for a young poet eventually turns into a desire to hurt him for rejecting her feelings.
Dade had a supporting role in the mystery film "Raffles" (1930), an adaptation E. W. Hornung's short stories about gentleman thief A. J. Raffles. In the crime film "Grumpy" (1930), Dade played Virginia Bullivant, the main character's granddaughter. This film is remembered as the directorial debut of George Cukor.
In 1931, Dade played a female vampire in "Dracula". This role catapulted her to fame, and she was selected as one of thirteen WAMPAS Baby Stars of the year. It was a list of up-and-coming starlets. Within the year, she appeared in several other films. The most notable among them was the crime mystery "Daughter of the Dragon", where Anna May Wong was cast as a daughter of Dr. Fu Manchu.
In 1932, she only appeared in one feature film: "Big Town". It was her last film appearance. In August 1932, Dade married the wealthy socialite Brock Van Avery. She retired from acting, and reportedly later pursued a new career as a nurse. In 1968, Dade died in relative obscurity. She is still remembered by fans of classic horror films, as one of the first female vampires on screen. - Director
- Animation Department
- Producer
Hamilton Luske was an American animator and film director from Chicago, who spend most of his career at the Walt Disney Animation Studios. He served as the supervising director of several of Disney's films. He was also the supervising animator for the character of Snow White in the feature film "Snow White and the Seven Dwarfs" (1937), tasked with making the character more believably human and realistic than any previous Disney character.
Luske graduated from the University of California- Berkley, where he majored in business. He started his working life as a newspaper cartoonist in Oakland. Luske was hired by Walt Disney Animation in 1931, and received most of his training as an animator there. His early work included several of the studio's short films, both in the anthology series "Silly Symphonies" (1929-1939) and the long-running character-driven series "Mickey Mouse" (1929-1953). His first major assignment was serving as the supervising animator of Snow White in "Snow White and the Seven Dwarfs" (1937). He was rewarded for his success by becoming a supervising director in subsequent films.
Luske served as a supervising director in the feature film "Pinocchio" (1940), which he co-directed with Ben Sharpsteen. He co-directed "The Pastoral Symphony" segment of the anthology film "Fantasia" (1940), which focused on characters from Greco-Roman mythology. Luske served as the supervising director of the animated segments of the feature film "The Reluctant Dragon" (1941), while the live-action segments were directed by Alfred Werker.
Luske subsequently co-directed "Saludos Amigos" (1942), "Make Mine Music" (1946), "Fun and Fancy Free" (1947), "Melody Time" (1948), "So Dear to My Heart" (1948), "Cinderella" (1950), "Alice in Wonderland" (1951), "Peter Pan" (1953), "Lady and the Tramp" (1955), and "One Hundred and One Dalmatians" (1961). He directed an animated sequence in the live-action musical film "Mary Poppins" (1964), and won an Academy Award for Best Visual Effects for his efforts.
Luske's last significant assignment was directing the animated short film "Scrooge McDuck and Money" (1967), marking the first animated appearance of Scrooge. Scrooge McDuck had been a recurring character in Disney comics since 1947, but had received no adaptations in film until Luske's short film.
Luske died in 1968, in Bel Air, California, at the age of 64. At the time, Disney's other veteran animators had started leaving or retiring, marking an end of an era for the studio. Luske was posthumously named a Disney Legend in 1999. Luske's son Tommy Luske worked as a voice actor in the 1950s.- Actress
- Soundtrack
Juanita Hall was an American actress from New Jersey. She is primarily remembered for her roles in two Rodgers and Hammerstein stage musicals ("South Pacific" and "Flower Drum Song") and in their respective film adaptations. In 1950, Hall became the first African American actress to win a Tony Award for Best Supporting Actress.
In 1901, Hall was born in Keyport, New Jersey to an interracial couple. Her father was African-American and her mother was Irish-American. Hall was orphaned at an early age, but she and her siblings were raised by her maternal grandparents. She received her secondary education at the Keyport High School, a public high school. She then received classical training at the Juilliard School, a private performing arts conservatory located in New York City.
By the early 1930s, Hall served as the assistant director for the Hall Johnson Choir. She went on to become both a leading Broadway performer. and a regular performer in the clubs of Greenwich Village. Her signature role was that of the Vietnamese trader Bloody Mary in "South Pacific". She portrayed the character in 1,925 Broadway performances at the Majestic Theatre.
In 1958. Hall recorded the music album "Juanita Hall Sings the Blues", backed by experienced jazz musicians. That same year, Hall returned to the role of Bloody Mary in the film adaptation of "South Pacific". Due to doubts on whether the aging actress could perform the role's key songs, the opera singer Muriel Smith (1923-1985) was hired as the character's singing voice.
Hall continued her performing career until 1962, when she was forced to leave a road show tour due to poor health. Hall was suffering from diabetes for the last decade of her life, and she lost her eyesight due to complications from diabetes. She retired to the Lillian Booth Actors Home, an assisted-living facility located in Englewood, New Jersey. The Actors Fund of America financed her medical treatments until her death in 1968. Hall died at the age of 66, from complications of diabetes.- Actress
- Soundtrack
Doris Lloyd was an English actress with a lengthy film career. She appeared in over 150 films between 1920 and 1960. She spent most of her life abroad in the United States.
In 1891, Lloyd was born in Walton, Liverpool. Her parents were Edward Franklin Lloyd and Hessy Jane McCappin. One of her grandfathers was reportedly an amateur actor,.
Lloyd made her theatrical debut c. 1914, Liverpool Repertory Company. She made her film debut in the crime film The Shadow Between (1920), based on a novel by Silas Kitto Hocking (1850-1935).
In the early 1920s, Lloyd traveled to the United States to visit her sister who had settled there. She found work as an actress in the United States, and decided to permanently settle there. Besides film appearances, Lloyd appeared in Broadway theater, in the Ziegfeld Follies, and with touring theaters,
Though mostly playing minor and supporting roles, Lloyd had a few highlights in her film career. She played the sinister Russian spy Mrs. Travers in Disraeli (1929), Mrs. Cutten in Tarzan the Ape Man (1932), sympathetic thief Nancy Sikes in Oliver Twist (1933), school superintendent Miss Wetherby in Tarzan and the Leopard Woman (1946), and the "meek housekeeper" Mrs. Watchett in The Time Machine (1960).
Lloyd voiced one of the talking roses in the animated film Alice in Wonderland (1951). Towards the end of her career she had bit parts as an unnamed depositor in Mary Poppins (1964), and as Baroness Ebberfeld in The Sound of Music (1965). Her last film appearance was in the comedy film Rosie! (1967).
Lloyd died in May 1968, at the age of 76. She died in Santa Barbara, California, and was buried in the Forest Lawn Memorial Park Cemetery of Glendale.- Actor
- Soundtrack
Jules Munshin was an American actor, comedian, and singer from New York City. He is primarily remembered for his appearances in MGM film musicals. Munshin's family name was originally "Monszejn", and his father was named Gershon Joseph Monszejn. He first gained fame as a Broadway actor, starring in the musical revue "Call Me Mister" (1946), by Arnold M. Auerbach (1912-1998) and Harold Rome (1908-1993). The theme of the musical was the then-ongoing demobilization of troops from service in World War II, their return to civilian life, and their demand to be called by name and not by military rank. The musical was a hit, and had a run of 734 performances.
His film debut was Easter Parade (1948), in which he played the headwaiter, François. The film was a box office success, earning about 5,8 million dollars at the domestic box office. It was the most financially successful picture to feature lead actor Fred Astaire and lead actress Judy Garland. Munshin had a supporting role in the baseball-themed musical Take Me Out to the Ball Game (1949), which featured Gene Kelly and Frank Sinatra, as the male leads. Munshin had another supporting role in the romance film That Midnight Kiss (1949), in which Mario Lanza was the male lead. Munshin had a more substantial role in the musical On the Town (1949) about three sailors on shore leave in New York City. The film was a critical and commercial hit, and remains Munshin's most memorable film appearance.
Munshin resurfaced in We Go to Monte Carlo (1953) (original title: "Monte Carlo Baby") about a spoiled young actress (played by Audrey Hepburn). The film helped launch her career. Munshin then had a minor role in the romantic comedy Ten Thousand Bedrooms (1957), which featured Dean Martin as the male lead. He had a more substantial role in the musical comedy Silk Stockings (1957), which was loosely based on Ninotchka (1939). Munshin played Bibinski, an inept Soviet operative who has to convince expatriate Russian composer Peter Illyich Boroff (played by Wim Sonneveld) to return to their motherland. The film was a popular hit and garnered acclaim for Cyd Charisse (the female lead). Munshin's next supporting role was in the Disney comedy film Monkeys, Go Home! (1967). The plot involved chimpanzees used as a labor force in an olive grove, and other workers protesting about the chimps stealing their jobs. Munshin's final film role was in the Charlie Chan-parody film Mastermind (1976), in which he played an Israeli agent.
In February 1970, Munshin suffered a heart attack. He died three days before his 55th birthday.- Music Artist
- Actor
- Music Department
James Douglas "Jim" Morrison was an American poet, singer, and songwriter from Florida. He was the lead vocalist of the rock band "The Doors" (1965-1973), and has been cited as "one of the most influential frontmen in rock history". Morrison recorded a total of six studio albums with the Doors, all of which sold well. Morrison struggled with alcohol dependency for most of his adult life, and displayed erratic behavior both on and off the stage. He was described as "A Jekyll and Hyde" by record producer Paul Rothchild, due to often displaying contradictory character traits in his interactions with others. Morrison died unexpectedly in Paris, France at the age of 27. No autopsy was ever performed, and the cause of Morrison's death remains disputed. His mysterious death has inspired a large number of theories, and has fascinated people for decades.
In 1943, Morrison was born in Melbourne, Florida, a city located 72 miles (116 kilometers) southeast of Orlando. Melbourne emerged as a new settlement in the 1870s. It was named after Melbourne, Australia, because the new town's first postmaster had spend most of his life in the Australian city. Morrison's parents were George Stephen Morrison (1919-2008) and his wife Clara Virginia Clarke (1919-2005). Morrison's father was a career officer of the United States Navy, and would eventually reach the rank of rear admiral. George is primarily remembered for his service in the Vietnam War. The Morrisons were part of a Scottish-American family that had been living in the United States since the 18th century. Genealogical research has indicated that they were descendants of Clan Morrison, a Scottish clan which is primarily associated with the Isle of Lewis and Harris.
Morrison experienced the typical nomadic life of a military brat, as his family never settled permanently in any location. At various points in his childhood, Morrison lived in San Diego, in northern Virginia, in Kingsville, Texas, and in Albuquerque, New Mexico. In 1957, Morrison started his high school years in Alameda, California. In 1959, he was transferred to the George Washington High School, located in Alexandria, Virginia. He graduated from there in June 1961. During his last years of high school, Morrison maintained a grade average of 88. He reportedly tested in the top 0.1% with an IQ of 149.
Following his high school graduation, Morrison went to live with his paternal grandparents in Clearwater, Florida. He initially attended the St. Petersburg Junior College, which had been operating as a private, non-profit institution since the late 1920s. In 1962, Morrison started attending the Florida State University (FSU), located in Tallahassee. In September 1963, he was first arrested for the police. He had been found drunk at a home football game, and was charged with disturbing the peace.
In 1964, Morrison was transferred to the film program at University of California, Los Angeles (UCLA). He enrolled at a class which studied the works of Antonin Artaud (1896-1948), and reportedly developed a fascination with surrealist theatre. In 1965, Morrison completed his undergraduate degree at UCLA's film school. He refused to attend the graduation ceremony, and the University mailed his diploma to his mother.
Following his university graduation, Morrison followed a bohemian lifestyle in Venice Beach, California. He lived on the rooftop of a building, and wrote song lyrics without having a chance to perform them. In the summer of 1965, Morrison and his recent acquaintance Ray Manzarek decided to form a rock band. They soon recruited the guitarist Robby Krieger and the drummer John Densmore. Morrison decided to name the band "The Doors", after the autobiographical book "The Doors of Perception" (1954) by Aldous Huxley. The name of the book was a reference to using "psychedelic drugs as facilitators of mystical insight".
Morrison soon emerged as the primary lyricist of the band, though Krieger wrote or co-wrote several of their hit songs. Morrison typically avoided using music instruments in live performances, though he learned to use both the maracas and the tambourine. In June 1966, the band were the opening act at the nightclub "Whisky a Go Go" in West Hollywood. During their performances there, Morrison interacted with the Irish singer Van Morrison (1945-), and studied aspects of Van's stage persona and stagecraft. He eventually incorporated several of these aspects into his own stage persona.
In November 1966, Morrison and the other members of the band produced the promotional film "Break On Through (To the Other Side)", named after the title of their first single. They would continue to create short music films throughout the initial years of the band. In 1967, the band signed a contract with the record company Elektra Records. The company would promote their songs to nationwide. The band had its breakthrough hit in the summer of 1967, with the single "Light My Fire". It spent three weeks at the top spot of the Billboard Hot 100 chart.
The band was soon booked to perform two of their songs in the variety television series "The Ed Sullivan Show". The show's censors insisted on changes to "Light My Fire", due to the show's explicit references to drug use. The band feigned compliance, but instead used the explicit version of the song. The resulting controversy caused the cancellation of their six further bookings for television appearances. However, their popularity among rock fans increased.
In September 1967, the band released their second album "Strange Days". It reached the 3rd place number on the US Billboard 200, and earned favorable reviews by the music press. The bands distinctive blend of blues and dark psychedelic rock had turned them into one of the most popular rock bands in the United States. However, Morrison would soon gain notoriety for different reasons. He was arrested on stage in New Haven, Connecticut, after narrating to the audience his recent encounter with a police officer who had maced him. The local police charged him with indecency and public obscenity, though the charges were eventually dropped. Morrison was the first rock performer to be arrested onstage during a live performance.
In September 1968, the Doors played in Europe for the first time. They gave four performances at the Roundhouse, London. Their performances were filmed by Granada Television for the television documentary "The Doors Are Open", which introduced the band to a wider British audience. As the band was gaining international popularity, the members increasingly took note of Morrison's self-destructive behavior. They were aware that he was a heavy drinker, but they realized that he started regularly appearing inebriated in their recording sessions.
By early 1969, Morrison had gained weight. He decided to stop wearing leather pants and concho belts, and to dress casually instead. He also ditched his typically clean-shaven look, and grew a beard for the first time. On March 1, 1969, Morrison increased his own reputation for rebellious behavior. While performing at the Dinner Key Auditorium in Miami, he encouraged the audience to start a riot and threatened to expose his penis on stage. Within days, six warrants for his arrest were issued by the Dade County Police department. One on them on charges of indecent exposure.
Due to Morrison's ongoing legal problems, many of the Doors' scheduled concerts had to be canceled. On September 20, 1970, Morrison was convicted of indecent exposure and profanity in a jury trial in Miami. In October 30, he was officially sentenced to imprisonment for 6 months and a fine of 500 dollars. Morrison remained free on a bond of 50,000 dollars. He commented in a press interview that the American judicial system favors the wealthy, and that (in his words) "if you have money you generally don't go to jail".
Morrison's last album with "The Doors" was "L.A. Woman". It was recorded between December 1970 and January 1971, and eventually released in April 1971. The album was heavily influenced by the blues genre, even more so than their previous works. It was co-produced by the veteran sound engineer Bruce Botnick. The album peaked at the 9th place on the Billboard 200, and the 28th place on the UK Albums Charts. Its most popular song was "Riders on the Storm", which peaked at the 14th place on the U.S Billboard Hot 100.
After finishing the recording of the album, Morrison announced to his band-mates that he planned to move to Paris, France. They had no objection to his decision. In March 1971, Morrison joined his longtime girlfriend Pamela Courson (1946-1974) at her rented apartment in Rue Beautreillis. This Paris street was noted as the former residence of the poet Charles Baudelaire (1821-1867). While staying in Paris, Morrison shaved his beard and lost some weight.
On July 3, 1971, Courson found Morison dead in the bathtub of their apartment at approximately 6:00 a.m. No autopsy was performed, as it was not required by French law. The official cause of death was heart failure, though this was just an educated guess. There were initial rumors of an accidental heroin overdose, but no evidence could confirm them. Morrison was buried at "Père Lachaise Cemetery", the largest cemetery in Paris and the most visited necropolis in the world. The cemetery was founded by the emperor Napoleon in 1804, and houses the remains of several famous writers and artists. Morrison has continued to inspire musicians for decades, and has repeatedly been cited as a main inspiration for the gothic rock genre.- Director
- Animation Department
- Writer
Burt Gillett was an animator from the state of New York, and a notable director of animated short films. He directed about a 100 short films between 1920 and 1940, but is best remembered for directing "Three Little Pigs" (1933) for the Disney studio.
Gillett started his film career c. 1916, when he was hired by the animation studio "International Film Service" (1915-1921). It was a subsidiary company of the International News Service, owned by William Randolph Hearst (1863-1951). The studio focused on creating adaptations for then-popular comic strips, such as "Krazy Kat," "The Katzenjammer Kids," and "Happy Hooligan."
Gillett worked in relative obscurity, until 1929 when hired by the Walt Disney Animation Studios. Studio head Walt Disney was facing a problem at the time, because Ub Iwerks was the only experienced animator on the studio's staff. Walt decided to head to New York City and to offer employment to a number of experienced animators working in the city's studios. Gillett was the second animator to accept Walt's offer, following Ben Sharpsteen.
By the summer of 1929, Gillett had become on the Disney's leading directors. He took over control of the "Mickey Mouse" film series, starting with the short film "Wild Waves". In 1930, Gillett also started directing films in the "Silly Symphonies" film series, an anthology which focused on one-shot characters. His first film in the series was "Cannibal Capers", featuring the tribal dance of a cannibal tribe.
Two of Gillett's short films won the "Academy Award for Best Animated Short Film": "Flowers and Trees" (1932) and "Three Little Pigs" (1933). "Flowers and Trees" was the first commercially released film to be produced in the full-color three-strip Technicolor process, an is credited as a milestone in the development of color films. "Three Little Pigs" introduced Disney's version of the Big Bad Wolf (also known as "Zeke Wolf") and the Three Little Pigs. The characters later became regularly featured characters in Disney comic strips and comic books.
Due to his newfound fame in the animation industry, Gillett was offered a more lucrative position as the new studio head of the animation studio Van Beuren Studios. Gillett started working there in 1934, and helped the studio transition to producing only color cartoon shorts.
While at Van Beuren, Gillett introduced the film series "Rainbow Parade." It was a "Silly Symphonies"-style anthology series, produced fully in Technicolor. Gillett personally directed many of the series' films. His most notable works for the studio included the "Molly Moo-Cow" sub-series (1935-1936), three animated adaptation of the popular comic strip "Toonerville Folks" (1908-1955), and a few color films for Felix the Cat.
Gillett's policies at the Van Beuren studios were controversial at the time. In order to compete effectively with the Disney studio, Gillett adopted several of the methods and techniques used by Disney. This made the studio's products seem more modern, but their films were seen as derivative. Gillett also fired several animators who had failed to meet his quality standards. His most controversial policy was forcing employees to work overtime to complete films, without any compensation for the extra hours.
In the mid-1930s, the Animated Motion Picture Workers Union (AMPWU) filed a complain against Van Beuren with the National Labor Relations Board. Their complain was based on Gillett's policies, but the Board decided in favor of the studio management. Gillett celebrated his victory by firing union agitators.
The Van Beuren studio shut down in 1936, leaving Gillett temporarily unemployed. The studio had lost its main distributor, RKO Pictures, and was unable to find another distributor. RKO had signed an exclusive deal to distribute Disney's films, and most major film studios already had animation subsidiaries.
Gillett was re-hired by the Disney studio, and he returned to directing films. His most notable film during this period of his career was the horror comedy "Lonesome Ghosts" (1937). It featured Mickey Mouse, Donald Duck, and Goofy as ghost hunters. The film's ghosts were portrayed as malicious pranksters. The short has received a number of adaptations of its own, including scenes in Disney-related video games.
In 1938, Gillett was hired by the Walter Lantz Studio. He worked as a director for a hand full of films, most notably introducing the new character Lil' Eightball, as a caricature of an African-American child. The character starred in three animated shorts, but was then retired. Gillett also directed a few entries in the popular "Andy Panda" series.
Gillett retired from the animation industry in 1940, and lived the rest of his life out of the limelight. He died in 1971, at the age of 80. His fame in the animation industry endures, in part due to directing several highly regarded short films, and in part due to his pioneering work in producing color films. Animation histories often include both his accomplishments and his controversial decisions.- Producer
- Actor
- Additional Crew
Max Fleischer was an American animator, inventor, and film producer from Krakow. As an inventor, Fleischer is primarily known for inventing the rotoscope, an animation technique that allowed animators to draw realistic images and movements, based on live-action images. He later co-founded the short-lived animation studio Fleischer Studios (1929-1942), and served as the studio head for its entire history. The studio was primarily known for creating short film featuring the animated characters Koko the Clown, Betty Boop, and Bimbo the Dog. It also introduced the first animated adaptations of both Popeye and Superman. Fleischer lost control over his studio to Paramount Pictures, though he would continue to work in animation for decades.
In 1883, Fleischer was born to a Jewish family in Krakow, Austria-Hungary. His father was the tailor Aaron Fleischer, and his mother was the housewife Malka "Amelia" Palasz. The Fleischer family emigrated to the United States in 1887, settling in New York City. Aaron became an exclusive tailor to high society clients, and the family enjoyed a middle-class life for about a decade. Aaron lost control over his tailor shop in the late 1890s, forcing the family to move to an impoverished section of Brooklyn.
Fleischer received commercial art training at the Cooper Union, a private college located at Cooper Square in New York City. He received formal art training at the Art Students League of New York. His teacher there was the Canadian painter George Bridgman (1864-1943). Fleischer also received further education at "Mechanics and Tradesman's School".
After completing his education, Fleischer was hired as an errand boy by the newspaper "The Brooklyn Daily Eagle" (1841-1955, 1960-1963). He remained there for years, working variously as a photographer, a photoengraver, and a staff cartoonist. He initially drew only single-panel editorial cartoons. He later created the satirical comic strips "Little Algie" and "S.K. Sposher, the Camera Fiend".
Fleischer left the newspaper c. 1905, in order to work as a technical illustrator for the Electro-Light Engraving Company in Boston. In 1909, he was hired as a catalog illustrator for the Crouse-Hinds Company. In 1910, he was hired as an art editor by the magazine "Popular Science". By 1914, the first commercially produced animated short films appeared in movie theaters. The characters; movements were generally "stiff and jerky", and so Fleischer started working on a method to trace images from a live-action film. He worked on his rotoscope from 1914 to 1916, and was granted a patent for the invention in 1917. This allowed the production of realistic animation.
Fleischer partnered up with his brother Dave Fleischer, to produce the animated film series "Out of the Inkwell" (1918-1929). It included 62 animated films, mostly featuring Koko the Clown as the protagonist. The character was inspired by Dave's previous job as a clown at Coney Island. The selling point of the series were the on-screen interactions between live-action artists and their pen and ink creations. The Fleischer brothers were eventually able to hire the experienced animator Dick Huemer, who produced more fluid animation for their films.
In 1924, Fleischer and a number of partners co-founded the film company Red Seal Pictures Corporation, which owned 36 theaters on the East Coast of the United States. One of Fleischer's partners was the inventor Lee de Forest (1873-1961). De Forest was working on a method to produce sound-on-film recordings for films. Fleischer gained access to de Forest's Phonofilm process, and went to work in creating animated short films with sound. The first of them was "My Old Kentucky Home" (1926), which also featured the first use of lip-synch in animation. Fleischer eventually worked on 19 early sound films, but the Red Seal went bankrupt in 1927.
From 1927 to 1929, the Fleischer brothers had a brief business partnership with film producer Alfred Weiss. They agreed to produce animated short films for Paramount Pictures, which would serve as their distributor. The partnership dissolved due to the mismanagement of Weiss, but the Fleischer brothers would maintain a working relationship with Paramount for the following 15 years.
In 1929, Fleischer co-founded the Fleischer studios. The company's staff initially set up operations at the Carpenter-Goldman Laboratories in Queens. Only 8 months later, they moved to a new location in Broadway. This would remain their main headquarters until 1938.Fleischer and his staff started work on the film series "Screen Songs" (1929-1938). It featured sing-along animated shorts, teaching the lyrics of various songs to the audience. The short films featured performances by popular musicians of the 1930s, such as Lillian Roth, Ethel Merman, and Cab Calloway.
The short film "Dizzy Dishes" (1930) introduced the character of Betty Boop, a caricature of a Jazz Age flapper. She quickly became a recurring character, and served initially as an imitation of real-life singer Helen Kane (1904-1966). Betty was a hit with the audience, and she was granted her own film series in 1932. She starred in 90 films between 1932 and 1939, and had guest-star roles in other 36 films between 1930 and 1933. She was the most popular character of the Fleischer Studios, regarded as the first "sex symbol" on the animated screen.
In late 1932, Fleischer licensed the rights to the comic strip character Popeye the Sailor. The character was granted a film series of his own, appearing in 109 short films between 1933 and 1942. The series introduced animated adaptation of several comic strip characters from the series "Thimble Theatre" (1919-1994), such as the damsel-in-distress Olive Oyl, the muscular bully Bluto, and the gluttonous scam artist J. Wellington Wimpy. The characters became household names, with Popeye himself said to surpass Mickey Mouse in popularity by the end of the 1930s.
Due to a business deal, the Fleischer Studios acquired much of its funding from a long-term partnership with Paramount Pictures. At times when Paramount itself was facing financial problems, the studio found itself suffering from a lack of funding. Fleischer was initially unable to secure rights to the innovative three-color Technicolor process in 1932. The studio introduced its first color cartoons in 1934, but had to use the limited two-color processes of Cinecolor (red and blue) and Two-Color Technicolor (red and green). They introduced their first film in three-color Technicolor in 1936. By that point, the rival studio Walt Disney Animation Studios was considered to be more innovative in its uses of color animation.
In the mid-1930s, Fleischer patented the use of three-dimensional effects in animation. He promoted these under the name the "Stereoptical Process". The process was used to great effect in the featurettes "Popeye the Sailor Meets Sinbad the Sailor" (1936) and "Popeye the Sailor Meets Ali Baba's Forty Thieves" (1937). Max Fleischer started petitioning Paramount to fund an animated feature film, but their executives were doubtful of its commercial value. Following the box office success of the animated feature film "Snow White and the Seven Dwarfs" (1937), Fleischer received sufficient funding to work on his own feature film.
In 1938, the Fleischer Studios moved its headquarters to Miami, Florida. The studio staff started working on "Gulliver's Travels" (1939), the second American animated feature film to be produced. During its production, the personal relationship between brothers and business partners Max and Dave Fleischer deteriorated. Max reportedly disapproved of Dave's love life, and attempted to end one of Dave's romantic relationships. The film was eventually completed and grossed more than $3 million dollars at the American box office.
To Max Fleischer's disappointment, the Fleischer Studios found itself in debt due to their first feature film. Paramount received a lion's share of the profits from the American box office, and the animation studio had no rights to any profits from the film's releases in foreign markets. In addition, Paramount penalized the animation studio with the debt of 350,000 dollars. The film had exceeded its original budget, and this violated a contract agreement with Paramount. The Fleischer Studios were now indebted to their distributor.
In 1940, Fleischer Studios introduced three new animated series: "Gabby", "Animated Antics", and "Stone Age Cartoons". "Gabby" was a spin-off from "Gulliver's Travels" , featuring the adventures of the film's town crier. "Animated Antics" was an anthology series, often featuring supporting characters from "Gulliver's Travels". "Stone Age Cartoons" featured a surprisingly modern take on Stone Age life, and has been cited as a precursor to "The Flintstones". All three series were regarded as commercial failures, generating little interest from exhibitors.
In search for a more viable series, Fleischer licensed to the superhero character Superman. The studio created a short-lived series for the character, releasing 9 short films between 1941 and 1942. It was the character's first animated adaptation, and featured more technically complex elements than most of its contemporaries in animation. Each episode had a budget of about 50,000 dollars, twice the budget of the typical Popeye cartoon in the same period. Frustrated that they had to animate the character leaping from place to place (as in the comics), the Fleischer brothers came up with the idea that Superman could fly on his own. The high cost of the series turned out to be a problem, but the series was popular.
Meanwhile, the Fleischer brothers were working on their second animated feature, at the request of Paramount. The film in question was "Mr. Bug Goes to Town", a tale of anthropomorphic insects. It was scheduled for release in early December 1941, but its release was postponed for months due to the bombing of Pearl Harbor. Theater owners showed only a limited interest in the film, and it turned out to be a box office bomb.
With the Fleischer Studios heavily in debt to Paramount and Dave Fleischer having already resigned, Paramount decided to claim ownership over the animation studio and its characters. Max Fleischer was forced to resign, while the studio was re-organized into the Paramount subsidiary Famous Studios (1942-1967). The most notable character of the new studio was Casper the Friendly Ghost.
Fleischer was briefly out of work. He subsequently was hired as the head of the animation department for "The Jam Handy Organization", a Detroit-based company owned by film producer (1886-1983). Fleischer primarily worked on animated training films for the Army and Navy during World War II. He continued working for Handy until 1953. His most notable film for this entire period was "Rudolph the Red-Nosed Reindeer" (1948), the first animated adaptation of a 1939 Christmas story by Robert L. May. Fleischer personally directed the film.
In 1953, Fleischer was hired as a production manager by Brayco. It was a company which primarily produced filmstrips from the late 1960s to its closing in 1963. It had formed as a corporate successor to the animation studio Bray Productions (1912-1928), where Fleischer had briefly worked in his early career.
In 1955, Fleischer won a lawsuit against Paramount Pictures. They had the rights to re-release most of his former films, but the court decided that they did not have the right to remove Fleischer's name from the film credits. In 1958, Fleischer and his new partner Hal Seeger (1917-2005) founded the minor animation studio "Out of the Inkwell Films". They had the intention to revive "Out of the Inkwell" as a television series. They eventually produced 100 color episodes of the new series, released from 1960 to 1961. Due to his failing health, Fleischer decided against appearing in person in the live-action segments.
For most of the 1960s, Fleischer made efforts to reclaim ownership over Betty Boop, his most popular character. Paramount had sold its rights to the character in 1958, but the courts were unable to decide which person or company held the exclusive rights to the character.
In 1967, Fleischer and his wife Essie retired to the Motion Picture Country House, a retirement community for film industry people. The retirement community was located at the southwest end of the San Fernando Valley, and had been operational since 1942. In September 1942, Fleischer died there, due to "arterial sclerosis of the brain". He was 89-years-old at the time of his death, having survived several of his former partners and employees.
Fleischer's animated works eventually found a new audience in animation fans who regard them as an alternative to Walt Disney's works, and who often find them to be more appealing to older audiences. Works of the Fleischer Studios have also been popular with animation historians, which regard them highly for their innovations. Fleischer remains one of the most famous animated film producers of the 20th century, but his reputation mostly endures due to the cult following of some of his characters.- Rupert Crosse was an African-American actor. In 1969, Crosse was the first African American to receive a nomination for the Academy Award for Best Supporting Actor.
Crosse was born in New York City, but was raised on the island of Nevis by his grandparents. Nevis is one of the Leeward Islands of the Caribbean Sea. It was a British colony until 1967, when it became one of the West Indies Associated States.
Crosse returned to the United States in order to serve in the United States Army. Following his military service, he was educated at Bloomfield College in Bloomfield, New Jersey. He studied acting under John Cassavetes, and made his film debut in the Cassavetes-directed film Shadows (1958). He played the manager Rupert. Crosse was 31 years old at the time of his film debut.
Crosse appeared regularly in guest star roles in television throughout the 1960s. His next film was Cassavetes' Too Late Blues (1961), about the life of a struggling jazz band. Crosse played bit parts in the legal drama Twilight of Honor (1963), the political drama The Best Man (1964), and the psychological thriller Marnie (1964). He had a more substantial part as a hobo in the romance film Wild Seed (1965).
Crosse next played Indian Joe in the western film Ride in the Whirlwind (1966). He befriended the film's leading actor, Jack Nicholson. Crosse had a minor role in another western: Waterhole #3 (1967), a comic remake of The Good, the Bad and the Ugly (1966). His next role was that of character Ned McCaslin in the coming-of-age film The Reivers (1969). The film was an adaptation of the novel "The Reivers, a Reminiscence" (1962) by William Faulkner, and depicts a group of car thieves who take a brand new 1905 Winton Flyer for a joyride. Crosse was nominated for the Academy Award for Best Supporting Actor for this role, but the award went to Gig Young (1913-1978).
Crosse played mostly television roles in the 1970s. He played Detective George Robinson in the television film Confessions of a Top Crime Buster (1971). He was next cast as Robinson again in the sitcom The Partners (1971), which lasted 20 episodes. The sitcom depicted Robinson as one of a duo of bumbling detectives. Crosse was depicted as a Korean War veteran, and more observant of his surroundings than his partner Lennie Crooke (played by Don Adams). The sitcom was canceled due to low ratings, failing to compete against rival sitcom "All in the Family" (1971-1979).
Crosse was suffering from lung cancer in 1973, and was forced to decline further roles. He returned to Nevis, where he soon died. He was survived by his wife Chris Calloway, and his only son Rupert Osaze Dia Crosse. Their son died in 2002 from a heart condition, and Chris died in 2008 from breast cancer. - Writer
- Additional Crew
Bill Finger was a comic book writer. His father Louis Finger was born in Austria and emigrated to the United States in 1907, while still a teenager. Louis worked as a tailor. Tessie, Bill's mother, was born and raised in New York City. Both parents were in their early 20s at the time of Finger's birth. Bill Finger had two sisters.
Finger was born in Denver, Colorado, but the Finger family eventually moved to New York City. Finger was mostly raised in The Bronx, and attended DeWitt Clinton High School. He graduated high school in 1933, and started his working career in the Great Depression. In 1938, Finger entered the comic strip business, as a ghost writer for a few comic strips created by Bob Kane's studio. Kane was a fellow graduate of DeWitt Clinton High School and the two of them were acquaintances.
In 1938-1939, National Comics (predecessor of DC Comics) had its first major success with a character called "Superman". This created a market for superheroes and several creators started working on creating other hero/vigilante characters. Bob Kane came up with a hero called "Bat-Man" or "Batman", and asked for Finger's assistance on the project. Finger rejected several of Kane's initial ideas about the character and suggested several changes in design and characterization. He came up with a civilian identity for the character as "Bruce Wayne", which Finger named after Robert the Bruce, King of Scotland and general Anthony "Mad Anthony" Wayne.
Kane marketed the "Batman" character to National Comics, and Batman's first story was published in "Detective Comics" #27 (May 1939). The script was written by an uncredited Finger, making him the first of many ghost writers to work on comics officially credited to Bob Kane. When Kane negotiated a contract about selling the rights to the "Batman" character, he claimed he was the sole creator of the character and demanded a sole mandatory byline on all Batman comics and adaptations thereof, acknowledging him as the creator. Finger's work on the character was not acknowledged.
Finger kept on working in "Batman"-related stories for much of the 1940s, 1950s, and 1960s either as a writer or a ghost writer. He is generally credited by comic book historians with creating or co-creating a number of Batman's foes and supporting characters. Among them: the Joker, Catwoman, Robin, Ace the Bat-Hound. Bat-Mite, Clayface, Bat-Girl/Betty Kane, the Penguin, the Scarecrow, Two-Face, the Riddler, and the Calendar Man. He also came up with the name "Gotham City" for the previously nameless metropolis where Batman operates, and co-created the Batmobile and the Batcave.
Besides "Batman", Finger's other writing credits for National Comics/DC Comics involve various stories for "Green Lantern", "Superman", and "Superboy". He is credited with co-creating Green Lantern/Alan Scott, the original character with that code-name. The Green Lantern series of the 1940s was a fantasy series, and the hero had magical powers. A reboot of the series in 1959 turned "Green Lantern" into a science fiction series featuring space cops and aliens, as the fantasy concept was considered outdated. In "Superman" stories, Finger is credited for adapting "Kryptonite" into comic books in 1949. The fictional element was created for the Superman radio series, but was adapted into the comic book series and became a permanent part in of the "Superman" saga. Finger's main contribution in the "Superboy" series was creating the character Lana Lang, as a love interest for the teenage hero.
Outside National Comics,Finger also contributed stories and characters to rival companies, such as Fawcett Comics, Quality Comics and Timely Comics (predecessor of Marvel Comics). Marvel credits him with the co-creation of the All-Winners Squad (introduced in 1946), the company's first superhero team.
Finger mostly retired from comic book writing c. 1961, starting a new career as a screenwriter for films and television series. He was even hired to write two episodes for the 1960s "Batman" live-action series. But he was in increasingly poor health, suffering a series of heart attacks in 1963, 1970 and 1973. He died due to atherosclerosis in 1974. His remains were cremated, and the ashes scattered on a beach. Finger has no known grave.
Finger was married twice, and he was survived by a son, Fred. While he never claimed rights to the Batman character, his granddaughter Athena Finger requested a creator's credit for his work. After negotiations, DC Entertainment finally credited Finger as Batman's co-creator in 2015.