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1-50 of 444
- Actor
- Producer
- Director
Leslie Howard Steiner was born in London to Lilian (Blumberg) and Ferdinand "Frank" Steiner. His father was a Hungarian Jewish immigrant, and his English mother was of German Jewish and mostly English descent. Leslie went to Dulwich College, then worked as a bank clerk until the outbreak of World War I, when he went into the army. In 1917, diagnosed as shell-shocked, he was invalided out and advised to take up acting as therapy. In a few years, his name was famous on the stages of London and New York. He made his first movie in 1914: (The Heroine of Mons (1914)). He became known as the perfect Englishman (slim, tall, intellectual, and sensitive), a part that he played in many movies which set women to dreaming about him. His first sound movie came out in 1930: Outward Bound (1930), an adaptation of the stage play in which he starred. In Never the Twain Shall Meet (1931) and Smilin' Through (1932), he played the Englishman role to the hilt. His screen persona could perhaps best be summed up by his role as Sir Percy Blakeney in The Scarlet Pimpernel (1934), a foppish society gentleman.
It was Howard who insisted that Humphrey Bogart get the role of Duke Mantee in The Petrified Forest (1936), a role that Bogart had played in the stage production. As he became more successful, he also became quite picky about which roles he would do, and usually performed in only two films a year. In 1939, he played the character that will always be associated with him, that of Ashley Wilkes, the honor-bound, disillusioned intellectual Southern gentleman, in Gone with the Wind (1939).
However, war clouds were gathering over England, and he devoted all his energy on behalf of the war effort. He directed films, wrote articles and made radio broadcasts. He died in 1943, when the KLM plane he was in was shot down by German fighters over the Bay of Biscay.- Enid was born in Monkseaton, Whitley Bay, Northumberland on the 12th June 1904 and educated as a boarder at Polam Hall School in Darlington between 1912 and 19. Success in a beauty contest while at school led her to study for the theatre. She made her theatrical debut in the chorus of 'A - Z' at the Prince of Wales theatre in London in 1922. Her film debut came in 1937 in 'Feather Your Nest'. She was also seen in 'Underneath the Arches' and 'The Wicked Lady'. She died on February 13th 1946 after falling at her home.
- Born in the Yeadon district of Leeds the concert party comedian (Once descried as a 'slow witted droll) made the transition from the old wooden Peeps (the Peoples Hall on the football field at Yeadon to the world of sound film., With his fluttering fingers and catch phrase 'What's to do' and once described as ;a slow witted droll took the Football Field tradition into films being cast as the rattle waving supporter in 'Up For the Cup(1933). He was a big hit as the tipsy photographer in the film version of J B Priestley's When "We Are Married (21942)
- Actor
- Writer
- Director
William Claude Dukenfield was the eldest of five children born to Cockney immigrant James Dukenfield and Philadelphia native Kate Felton. He went to school for four years, then quit to work with his father selling vegetables from a horse cart. At eleven, after many fights with his alcoholic father (who hit him on the head with a shovel), he ran away from home. For a while he lived in a hole in the ground, depending on stolen food and clothing. He was often beaten and spent nights in jail. His first regular job was delivering ice. By age thirteen he was a skilled pool player and juggler. It was then, at an amusement park in Norristown PA, that he was first hired as an entertainer. There he developed the technique of pretending to lose the things he was juggling. In 1893 he was employed as a juggler at Fortescue's Pier, Atlantic City. When business was slow he pretended to drown in the ocean (management thought his fake rescue would draw customers). By nineteen he was billed as "The Distinguished Comedian" and began opening bank accounts in every city he played. At age twenty-three he opened at the Palace in London and played with Sarah Bernhardt at Buckingham Palace. He starred at the Folies-Bergere (young Charles Chaplin and Maurice Chevalier were on the program).
He was in each of the Ziegfeld Follies from 1915 through 1921. He played for a year in the highly praised musical "Poppy" which opened in New York in 1923. In 1925 D.W. Griffith made a movie of the play, renamed Sally of the Sawdust (1925), starring Fields. Pool Sharks (1915), Fields' first movie, was made when he was thirty-five. He settled into a mansion near Burbank, California and made most of his thirty-seven movies for Paramount. He appeared in mostly spontaneous dialogs on Charlie McCarthy's radio shows. In 1939 he switched to Universal where he made films written mainly by and for himself. He died after several serious illnesses, including bouts of pneumonia.- Actor
- Writer
- Director
William Thompson Hay was probably one of the most versatile of entertainers. He was not only a character comedian of the first rank, but was also an astronomer of high repute - he discovered the spot on the planet Saturn in 1933 - and a fully qualified air pilot; he was once an engineer. Born in Stockton-on-Tees, County Durham in 1888, he became interested in astronomy at school and carried on his research work in this direction after he had finished his nightly stage entertainments. He was first "on the air" in 1922 and his then comedy sketches of "St. Michaels School" (of which he was the headmaster) proved to be one of the most popular comedy characters on radio at that time. This character was transferred to film and became equally successful. He worked at Elstree Studios, then Gainsborough, then Ealing; the Gainsborough period was the most consistently successfully, particularly when he worked with the team of Marcel Varnel (director), Val Guest and Marriott Edgar (writers), and Moore Marriott and Graham Moffatt (supporting cast). By the time he made his first film, he was in his mid forties and his last role came less than a decade later. Between 1934 and 1943, he was a prolific and popular film comedian. He was credited on several films as a writer or co-ordinator, and was arguably the dominant 'author' of all the films in which he appeared, in that they were built around his persona and depended on the character and routines he had developed over years on the stage.- Charles Brown Middleton was born 7th October 1879. His father was a military man with a strong sense of discipline which conflicted with Charles' own outlook on how to live his life so when 12 he ran away to join a circus and looked after the elephants before moving into performing in dramatic vignettes between traditional acts. At 18 he'd formed his own stock company which toured the South performing Shakespeare and self penned melodramas. He worked his way onto the Vaudeville circuit earning a reputation as a good actor which is how he met Stan Laurel. He appeared in some silent films in the 20's but his career took off with sound as stage actors were in demand due to their experience of vocal performance. He had a very distinctive voice which marked him out from the competition.He appeared with 3 great film comedy teams - Laurel and Hardy, The Marx Brothers and the Three Stooges. He was often cast as a 'Heavy' and appeared in a lot of serials - Di ck Tracy, Batman, and Black Raven but is probably best remembered as Ming the Merciless in 3 Flash Gordon serials of the 30's. He was never under contract which allowed him to choose his own roles but a succession of unwise career choices led to less work in his later years so for every good role there were some bad ones. In his final years he took to the stage touring theatres showing clips from his films and talking about his work. On 19th April 1949 he was admitted to hospital and had an operation for gangrene on his right foot and died on the 22nd with cause of death being given as arteriosclerotic heart disease which he'd been suffering from for 20 years.
- Producer
- Director
- Additional Crew
One of a large group of Hungarian refugees who found refuge in England in the 1930s, Sir Alexander Korda was the first British film producer to receive a knighthood. He was a major, if controversial, figure and acted as a guiding force behind the British film industry of the 1930s and continued to influence British films until his death in 1956. He learned his trade by working in studios in Austria, Germany and America and was a crafty and flamboyant businessman. He started his production company, London Films, in 1933 and one of its first films The Private Life of Henry VIII (1933), received an Oscar nomination as best picture and won the Best Actor Oscar for its star, Charles Laughton. Helped by his brothers Zoltan Korda (director) and Vincent Korda (art director) and other expatriate Hungarians, London Films produced some of Britain's finest films (even if they weren't all commercial successes). Korda's willingness to experiment and be daring allowed the flowering of such talents as Michael Powell and Emeric Pressburger and gave early breaks to people such as Laurence Olivier, David Lean and Carol Reed. Korda sold his library to television in the 1950s, thus allowing London Films' famous logo of Big Ben to become familiar to a new generation of film enthusiasts.- Actor
- Writer
- Director
Although his parents were never in show business, as a young boy Oliver Hardy was a gifted singer and, by age eight, was performing with minstrel shows. In 1910 he ran a movie theatre, which he preferred to studying law. In 1913 he became a comedy actor with the Lubin Company in Florida and began appearing in a long series of shorts; his debut film was Outwitting Dad (1914). He appeared in he 1914-15 series of "Pokes and Jabbs" shorts, and from 1916-18 he was in the "Plump and Runt" series. From 1919-21 he was a regular in the "Jimmy Aubrey" series of shorts, and from 1921-25 he worked as an actor and co-director of comedy shorts for Larry Semon.
In addition to appearing in two-reeler comedies, he found time to make westerns and even melodramas in which he played the heavy. He is most famous, however, as the partner of British comic Stan Laurel, with whom he had played a bit part in The Lucky Dog (1921). in the mid-1920s both he and Laurel wee working for comedy producer Hal Roach, although not as a team. In a moment of inspiration Roach teamed them together, and their first film as a team was 45 Minutes from Hollywood (1926). Their first release for Roach through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). They became a huge hit as a comedy team, and after several years of two-reelers, Roach decided to star them in features, their first of which was Pardon Us (1931).
They clicked with audiences in features, too, and starred in such classics as Way Out West (1937), March of the Wooden Soldiers (1934) and Block-Heads (1938). They eventually parted ways with Roach and in the mid-1940s signed on with Twentieth Century-Fox.
Unfortunately, Fox did not let them have the autonomy they had at Roach, where Laurel basically wrote and directed their films, though others were credited, and their films became more assembly-line and formulaic. Their popularity waned and less popular during the war years, and they made their last film for Fox in 1946.
Several years later they made their final appearance as a team in a French film, a troubled and haphazard production eventually, after several name changes, called Utopia (1950), generally regarded to be their worst film. Hardy appeared without Laurel in a few features, such as Zenobia (1939) with Harry Langdon, The Fighting Kentuckian (1949) in a semi-comedic role as a frontiersman alongside John Wayne and Riding High (1950), in a cameo role. He died in 1957.- Actor
- Director
- Writer
Robert Donat's pleasant voice and somewhat neutral English accent were carefully honed as a boy because he had a stammer and took elocution lessons starting at age 11 to overcome the impediment. It was not too surprising that freedom from such a vocal embarrassment was encouragement to act. His other handicap, acute asthma, did not deter him. At the age of 16 he began performing Shakespeare and other classic roles in a number of repertory and touring companies throughout Britain. In 1924 he joined Sir Frank Benson's repertory company, and later he was with the Liverpool Repertory Theater.
His work was finally noticed by Alexander Korda, who gave him a three-year film contract. Three minor films were followed by his role as Katherine Howard's lover, Thomas Culpepper, in the hit The Private Life of Henry VIII (1933). Donat's style of acting, whether comic or dramatic, was usually reserved, with the subtleties of face and voice being his talents to complement the role. A top draw in Britain, he went to Hollywood for The Count of Monte Cristo (1934), but he did not care for the Hollywood scene--the fishbowl lifestyle of the movie star. "Cristo" gave him the opportunity for Captain Blood (1935), but he eventually declined. (With a nod to hindsight, it is hard to think of anyone but a fresh-faced Flynn doing the role.) Although he would have contracts with MGM, Warner Bros. and RKO through the remainder of the 1930s, he begged off many a film role or broke commitments, ostensibly because of health problems, though, along with being finicky about roles, he was also such a conscientious actor that lack of confidence sometimes stymied his forward progress.
Hollywood usually had to shoot in England if it wanted him badly enough. And that was not a problem after the box office reception given The 39 Steps (1935), the big hit for Alfred Hitchcock. There was a hint of whimsy in Donat's face that worked especially well with the sophisticated comedic elements that crept into several of his dramatic roles. His portrayal of individualist Canadian Richard Hannay--which registered with North Americans both above and below the 49th parallel--in "Steps" was the first of such popular characters. Some of Hitch's famous on-the-set practical jokes ensued on the first day of shooting "Steps." The first scene was the escape on the moors from the master spy's henchmen by Donat and Madeleine Carroll handcuffed together. Donat and Carroll had not met before this, and Hitchcock handcuffed them together hours before filming so that they could get very well acquainted. He insisted he had misplaced the key when in fact he had slipped it to a studio security officer for safekeeping.
Hitchcock attempted to land Donat for three other roles, Sabotage (1936) and Secret Agent (1936) and Rebecca (1940), but illness, commitments, and more illness, respectively, supposedly kept Donat from accepting each. Hollywood would be treated in kind, for Donat was more dedicated to stage work. Hollywood did get him for The Citadel (1938), for which he was nominated for a Best Actor Oscar. He won the Oscar the next year for perhaps his best known role in Goodbye, Mr. Chips (1939) (MGM's with Greer Garson). Since 1939 was one of the most competitive film years in Hollywood history, Donat's reward for his mild Mr. Chipping was something of a stunner. This was the year of Gone with the Wind (1939), and Clark Gable as Rhett Butler seemed a shoo-in for best actor. But there is something of a myth that since both pictures were from MGM and "Wind" had so many nominations (including best actor, actress, and picture), MGM head and strongman Louis B. Mayer used his weight to spread the wealth toward "Chips".
Unlike other British actors who came to work in America during World War II, Donat stayed in Britain. He did mostly theater but also some British films--only four--with one for Korda and one for Carol Reed. Only six more films were allotted Donat after the war and into the 1950s, all but one British productions. He starred, directed and co-wrote The Cure for Love (1949) and starred in The Magic Box (1951), a well-crafted and delightful (if a bit fictionalized) salute to the history of the British film industry. By 1955, all of Donat's acting efforts required a bottle of oxygen kept off stage and at the ready as his health continued to turn toward the worse. The Inn of the Sixth Happiness (1958), a Twentieth Century Fox production shot in the UK, was Donat's final film. His fragility was poignantly obvious on screen, and he died shortly after the film was finished. He received a posthumous Special Citation from the USA National Board of Review and was nominated for a Best Actor Golden Globe. It was a career for Robert Donat that should have gone on, yet it was filled with many notable screen memories just the same.- Actor
- Composer
- Music Department
Ritchie, the 'California Kid' was from a family of poverty stricken fruit pickers and was the first rock star to originate from the West Coast and one of the innovators of 'Latino rock. In an eight month career he scored three hits with 'Come On Let's Go', 'Donna' and 'La Bamba' before being killed in an air crash on February 3rd 1959 which also took the lives of Buddy Holly and the Big Bopper.. He was just 17. Associate producer Daniel Valdez spent 2 1/2 years searching for Ritchie's family then discovered them living just 15 minutes from where he lived. He then spent months learning all about Ritchie before writing a script which he gave to the family for their approval and with it filming went ahead. The part of Ritchie went to the then 25 year old unknown Lou Diamond Phillips who put on 15lbs to get a chubbier face and learned how to sing and play the guitar after he'd past the audition. During the filming Lou married his own 'Donna' Julie Cyphers who was a production assistant on 'La Bamba'.- Writer
- Director
- Producer
Preston Sturges' own life is as unlikely as some of the plots of his best work. He was born into a wealthy family. As a boy he helped out on stage productions for his mother's friend, Isadora Duncan (the scarf that strangled her was made by his mother's company, Maison Desti). He served in the U.S. Army Signal Corps during WWI. Upon his return to Maison Desti, he invented a kissproof lipstick, Red-Red Rouge, in 1920. Shortly after his first marriage, his mother demanded that he return control of the company to her. Kicked out of Maison Desti, he turned to inventing. A tickertape machine, an intaglio photo-etching process, an automobile and an airplane were among his some of his commercially unsuccessful inventions. He began writing stories and, while recovering from an appendectomy in 1929, wrote his first play, "The Guinea Pig". In financial trouble over producing his plays, he moved to Hollywood in 1932 to make money. It wasn't long before he became frustrated by the lack of control he had over his work and wanted to direct the scripts he wrote. Paramount gave him this chance as part of a deal for selling his script for The Great McGinty (1940), at a cheap price. The film's success launched his career as writer/director and he had several hits over the next four years. That success emboldened him to become an independent filmmaker, but that did not last long--he had a string of commercial failures and acquired a reputation as an expensive perfectionist. He moved to France to make what turned out to be his last movie, The French, They Are a Funny Race (1955). He died at the Algonquin Hotel, New York City, in 1959.- Actor
- Director
- Writer
Lupino 'Nipper' Lane was one of the few English actors to achieve fame in Hollywood in the 20's. He was a descendant of the clown Grimaldi, who, it was said, was the first to use concealed trap doors for comic effect., Lupino carried on that tradition and had many years of stage experience from his time in England..He was double jointed and could twist his arms , legs and body into amazing positions and it was his acrobatic ability that caught the filmgoer's eye. He never developed a constant character, his comedy routines seemed to be more important to him and his chief delight was in dressing up. His films were mainly made at the Educational Studios in Hollywood and sadly many of them were lost forever having been sold for their scrap value He'd made over 40 films by the time 'talkies' arrived and unable to adapt to them concentrated on his first love, the theatre and carried in a successful career, so much so that when he died none of his obituaries mentioned his films. which included 'Sword Points', loosely based on the Three Musketeers, 'Summer Saps', 'Naughty Boy' (with his brother Wallace) and 'Maid in Morocco'- Actor
- Writer
- Additional Crew
Born in Birmingham, England, Charlie Hall was a member of the famed Fred Karno vaudeville troupe, which gave the world Charles Chaplin and Stan Laurel. Hall arrived in the U.S. in the early 1920s, after Chaplin and Laurel, and entered films playing a foil for many of the era's top comics. He is best remembered, though, as the short, stocky, black-haired, bad-tempered nemesis to Laurel and Oliver Hardy in scores of their films, often playing a husband jealous of Hardy's attentions to his wife, a competing store owner, or just a bystander who winds up in an altercation with the duo.- Actor
- Music Department
- Writer
Born George Hoy Booth in Wigan, Lancashire on 26 May 1904, he later took his father's stage name of George Formby. He briefly attended school where he failed to learn to read or write so was removed from formal education and sent to become a stable boy in Middleham, North Yorkshire, where he later became an apprentice jockey. In 1915 with the closure of the English racing season because of the First World War he moved to Ireland and continued as a jockey until the end of hostilities. Returning to England he raced for Lord Derby's Newmarket stables where he never won a race. Following his father's death in 1921 he gave his professional two week appearance at the Hippodrome in Lancashire where he was paid £5 a week and soon after hired to appear on the Moss Empire chain of theatres at £17 10 shillings a week. Touring around venues in Northern England his act didn't go down well resulting in bouts of unemployment. In 1923 he made two career changing decisions - he bought a ukulele and married Beryl Ingham, an Acrington, Lancashire, born champion champion clog dancer and actress who transformed his act. She insisted he appear on stage formally dressed and introduce his ukulele to his performance.. By June 1926 he'd started his recording career and from 1934 he was increasingly working in films developing into a major star by the late '30's and becoming the U.K.'s most popular and highest paid entertainer. During WWII he worked extensively for the ENSA (Entertainments National Service Association) entertaining civilians and troops and touring factories, theatres and concert halls. By 1946 it was estimated that he had performed in front of three million service personnel. After the war his career declined although he toured the commonwealth and continued to appear in variety and pantomime. His last television appearance was in December 1960, two weeks before the death of Beryl. Seven weeks after her funeral he announced his engagement to a school teacher but died in Preston three weeks later at the age of 56. He was buried in Warrington alongside his father.- Actor
- Stunts
- Producer
Born to Alice Cooper and Charles Cooper. Gary attended school at Dunstable school England, Helena Montana and Grinnell College, Grinnell, Iowa (then called Iowa College). His first stage experience was during high school and college. Afterwards, he worked as an extra for one year before getting a part in a two-reeler by the independent producer Hans Tiesler . Eileen Sedgwick was his first leading lady. He then appeared in The Winning of Barbara Worth (1926) for United Artists before moving to Paramount. While there he appeared in a small part in Wings (1927), It (1927), and other films.- Costume Designer
- Costume and Wardrobe Department
- Additional Crew
Orry-Kelly helped to revolutionize the Warners Costume Department after he joined the studio in 1932. He was one of the first legitimate fashion designers to design for the cinema Although he could easily adapt himself to the tattered prison uniforms of "I Am a Fugitive from a Chain Gang", he was most at home in the world of haute couture. He also played a special role in glamourizing such stars as Bette Davis, whom he first costumed when she played a society party girl in "The Rich Are Always with Us" in 1932, and later helped through the transformation from ugly duckling to glamorous swan in "Now, Voyager". The Australian-born designer won an Oscar for his work on "An American in Paris" in 1951. He died in 1964 at the age of 66.- Actor
- Writer
- Director
Stan Laurel came from a theatrical family, his father was an actor and theatre manager, and he made his stage debut at the age of 16 at Pickard's Museum, Glasgow. He traveled with Fred Karno's vaudeville company to the United States in 1910 and again in 1913. While with that company he was Charles Chaplin's understudy, and he performed imitations of Chaplin. On a later trip he remained in the United States, having been cast in a two-reel comedy, Nuts in May (1917) (not released until 1918). There followed a number of shorts for Metro, Hal Roach Studios, then Universal, then back to Roach in 1926. His first two-reeler with Oliver Hardy was 45 Minutes from Hollywood (1926). Their first release through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). Their first feature-length starring roles were in Pardon Us (1931). Their work became more production-line and less popular during the war years, especially after they left Roach and MGM for Twentieth Century-Fox. Their last movie together was The Bullfighters (1945) except for a dismal failure made in France several years later (Utopia (1950)). In 1960 he was given a special Oscar "for his creative pioneering in the field of cinema comedy". He died five years later.- Actor
- Stunts
Jimmy James, whose real name was James Casey was born in Stockton on Tees in 1892, His father, who was a clog dancer on Northern and Midland halls in 1904 introduced James as Terry the Blue Eyed Irish Boy who then did a song and dance act. After a while he joined Will Netta's juvenile singing troupe, Jockeys then Phil Ree's Stable Lads and Clare Lovedales Ten to One On. He then formed his own sketch company and toured The Spare Room as a bridegroom who got drunk at the reception and got locked out on the wedding night, Playing Sunderland in 1929 he was seen by George Black's agent and given a London booking at the Palladium, He was essentially a visual comic doing drunk routines, rolling a cigarette around his mouth, facial contortions. He had 3 routines Drunk, chipster and his best known The Shoebox with gormless Hutton Conyers, originally played by his son in law, Jack Darby then his son Cass James then Roy Castle (1956 ~ 59) Bretton Woods and his nephew Jack Casey.
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-- Leo Walmsley was brought up in the small fishing community of Robin Hood's Bay where he was a keen observer of the lives of two rival fishing families, the Storms and the Dukes who became the Fosdykes and the Lunns in his Bramblewick stories which vividly depict the decline of the inshore fishing industry and the impact of modern inventions. It wasn't until his second marriage at the age of 40 that he published the Bramblewick quartet - Three Fevers, Phantom Lobster, Sally Lunn and Foreigners, the first of which was filmed as Turn of the Tide.
- Jerry Desmond, whose real name was James Robert Sadler, was born 20th July 1908 and made his stage debut at age 11 in the Sadler Elsie Four at the Palace Cinema, Armadale in November 1919 staying with them until 1928 when he joined the chorus of a music comedy show which toured America. Returning to Britain he teamed up with Dr Jack becoming The Desmond Brothers then married Peg and formed Peg and Jerry Desmond performing in revue and concert party revues. In 1942 he did an 8 week tour with Sid Field by which time he was a struggling comedian when he was seen by George Cole and both of them were engaged for Strike a New Note at the Prince of Wales Theatre in London in 1943 which was followed by Strike it Again in 1944 then Piccadilly Hayride in 1946. Jerry, immaculately dressed and with a superior air was a perfect foil for Sid Field in a golf sketch which they did for the 1945 Royal Variety Show. The following year he made the film London Town and in 1947 Cardboard Cavalier, After Sid's death jerry became straight man to Nat Jackley then the 1953 film Trouble in Store found him as straight man to Norman Wisdom which continued through a series of films before he became quiz master on the $64,000 Dollar Question.
- Actor
- Art Department
- Soundtrack
The only career Nelson Eddy ever considered was singing. His parents, Isabel (Kendrick) and William Darius Eddy, were singers, his grandparents were musicians. Unable to afford a teacher, he learned by imitating opera recordings. At age 14 he worked as a telephone operator in a Philadelphia iron foundry. He sold newspaper advertising and performed in amateur musicals. Dr. Edouard Lippe coached him and loaned him the money to study in Dresden and Paris. He gave his first concert recital in 1928 in Philadelphia. In 1933 he did 18 encores for an audience that included an assistant to MGM studio chief Louis B. Mayer, who signed him to a seven-year contract. After MGM acting lessons and initial trials, his first real success came as the Yankee scout to Jeanette MacDonald's French princess in Naughty Marietta (1935), a huge box-office success made on a small budget. Eddy and MacDonald were paired twice more (Rose-Marie (1936), Maytime (1937)) when metropolitan Opera star Grace Moore was unavailable; they became an institution. Their last work together was in 1942. Critics nearly always panned his acting. He did have a large radio following (his theme song: "Short'nin Bread"). In 1959 Eddy and MacDonald issued a recording of their movie hits which sold well. In 1953 he had a fairly successful nightclub routine with Gale Sherwood which ran until his death in 1967. He and his wife Anne Denitz had no children.- Director
- Producer
- Writer
Maurice Elvey was born in Stockton-on-Tees, County Durham, England, the oldest son of William Clarence Folkard, an inspecting engineer, and Sarah Anna Seward Folkard (formerly Pearce). He never had a formal education, and was working on the streets of London by the age of nine after having run away from home. For a time he worked as a page boy in the Hyde Park Hotel, and a lucky encounter with a wealthy American set him on the road to a career in first the theatre and then in films. It was while in New York when working as a stage producer that he saw his first film, The Flying Dutchman (1923). This made such an impression on him that when he came back to England he was determined to produce and direct films; thus began a career spanning 44 years, during which time he made over 300 feature films and innumerable shorts. Amongst the "firsts" that Maurice Elvey can claim as a director are: Gaumont's first talking film (High Treason (1929)) and the first British colour film Sons of the Sea (1939)). Carol Reed and David Lean began their distinguished careers in film by working for him, and he directed Gracie Fields in her first movie, Sally in Our Alley (1931). Maurice Elvey was the older brother of Fred V. Merrick, and during the 1920s and 1930s they worked on a number of films together. In May 1996 the world premiere of a long-lost film about David Lloyd George, directed by Elvey, took place in Cardiff more than 70 years later than scheduled. The three-hour film was suppressed on the eve of its release under circumstances that have still not been fully explained. The film was acclaimed by cinema historians as a milestone in film making, and it is believed that had it been released in 1918, as originally planned, it may well have changed the course of British cinema.
Maurice Elvey was married three times. His first marriage took place on 31st December 1910 to Adeline Maud Charlton Preston (aka actress 'Philippa Preston'. This marriage ended in divorce. He then married Florence Hill Clarke (a sculptor) on 2nd February 1916. This marriage, too, ended in divorce. On 13th January 1923 he married Isabella Reed (aka actress Isobel Elsom), but this marriage also ended in divorce. As Elvey's niece and god-daughter I was privileged to unveil a plaque in April 1997 at the Green Dragon Museum, Stockton-on-Tees as part of the Centenary of Cinema Celebrations.- Actor
- Producer
- Writer
Tony Hancock was born in Birmingham, England, the son of John and Lillian Hancock. He was educated at Durlston Court, Swanage, and Bradfield College, Reading. He served in the R.A.F. (ground crew) during the war. In 1942 he was in the R.A.F. Gang Show. He was de-mobbed in 1946. He appeared at the Windmill Theatre, London in 1948. His radio show "Hancock's Half Hour" ran from 1954 - 1959, written by Ray Galton and Alan Simpson with co-stars Hattie Jacques, Kenneth Williams, Sidney James and Bill Kerr. This popular show was adopted by TV and the shows were re-recorded and broadcast 1956-1960.- Actor
- Writer
- Music Department
During the 1st World War he was in the army and was picked on a lot by the sergeant Major. On being demobbed he told the Sgt major that he would have his revenge on him by using his name for his (Bud's) stage name, In 1906 he was a call boy at the Cambridge Theatre in London's East End, In 1923 being out of work he became a London taxi driver, Early in 1924 he got the offer of a job in Glasgow but having no money to get there he walked taking 3 weeks, In 1926 he wrote Underneath the Arches in a dressing room at a Derby theatre.In 1936 he won £2,000 on a 66 -1 winner at The Oaks- Ivy Close began a dynasty that has now covered four generations of the history of Cinema and Television. She married the photographer Elwin Neame (1885-1923) and reared two sons Ronald Neame (1911-2010), a successful cinematographer, screenwriter, producer and director and Derek Neame (1915-1979), an author who scripted several films. Her grandson Christopher Neame (1942- ) and her great-grandson Gareth Neame (1967- ) have become successful producers. Her second husband was the Australian-born make-up artist and former stuntman Curly Batson, who died in 1957.
- Actor
- Soundtrack
Billy's first contact with music was as a boy chorister at St Margarets, Westminster, When the first world war came along he gave a false age to a recruiting sergeant and found himself in the Dardenelles at the age of 15 but when this was discovered he was shipped back home where he went off and joined the Royal Flying Corps and became a pilot, He often talked about those days which were clearly some of the happiest.of his life but always a key note was one of enthusiasm and never one of nostalgia, After the first World War he worked his way to the top the hard way While he was trying to get established he worked as a bus conductor and played football for Brentwood and Wimbledon and also did some boxing. By the late 20's he was at the top of his profession as a band leader His success allowed him to indulge in his three passions flying messing about in boats and motor racing, becoming one of the great personalities at Brooklands and his trophy case in his house was tangible evidence of his skill as a driver. He was in deed top of the bill in everything that he did He first broadcast as far back as 1924 at the Wembley exhibition and his radio show became as much a part of the English tradition as Sunday lunch,- With his clipped delivery, aristocratic if somewhat ominous manner and suave, urbane demeanour, Eric Portman was so good at playing German and/or Nazi officers that many believed he actually was German, or at least Austrian. The fact is that he was British to the core, having been born, raised and educated in Halifax, West Yorkshire, England. He began his acting career on the stage in 1923, specialising in works by William Shakespeare and George Bernard Shaw. His film debut came in the Tod Slaughter melodrama Maria Marten, or the Murder in the Red Barn (1935) as, oddly enough, a Gypsy.
Portman became a favourite of renowned filmmakers Michael Powell and Emeric Pressburger, leading to a role he is probably best remembered for - the determined Nazi commander of a German U-boat sunk off the coast of Canada in 49th Parallel (1941), who tries to lead his crew across Canada in order to get to the safety of the US, which was at the time not involved in the war. His versatility was obvious in a film he made the next year, One of Our Aircraft Is Missing (1942) as an RAF officer who finds himself stranded in Nazi-occupied Holland.
Portman kept busy over the next 25 years in a variety of roles, as villain and hero, in both thrillers and dramas. After making Deadfall (1968) he retired, apart from a few television projects over the next year or so. He died in 1969 of heart problems. - Director
- Producer
- Writer
Roy was the son of a music hall comedy pair, Rich and Robey known as 'The Swell and the Skivvy' , his father, Charlie Rich, after leaving the stage settled down in Halifax and with his wife, Elsie ran the Royal Oak pub in the town centre for many years. Following the end of the 1935 repertory season in Leeds Roy joined the BBC then with the outbreak of the second world war in 1939 he joined the Royal Air Force where he gained the rank of a Flight Lieutenant. After the war he joined Sydney Box at Gainsborough Studios where he co directed My Brothers Keeper, which had his wife, Brenda Bruce in the cast, followed by It's Not Cricket in 1948. His last film was Double Profile in 1954. After more stage work he, like is father became a publican running the Kings Head at Wellesbourne in Warwickshire.- Make-Up Department
- Actor
The son of an English wigmaker, he began his Hollywood career in 1921. Few actors had photogenically perfect features. Makeup often obliterated the best facial bone structure. Westmore developed cosmetics that would look the same under diverse lighting conditions and with different types of film.- British character actor with radio and stage experience from 1951. Studied at University College in London and learned acting at the Old Vic Theatre School. Toured South Africa in 1952 and subsequently appeared in many Shakespearean roles in Stratford-upon-Avon. Busy television actor from the late 1950's, popular as ruthless tycoon John Wilder in The Plane Makers (1963). Also noted for his voice-overs for Winston Churchill in two documentary features.
- Actor
- Producer
- Additional Crew
The British actor Michael Rennie worked as a car salesman and factory manager before he turned to acting. A meeting with a Gaumont-British Studios casting director led to Rennie's first acting job - that of stand-in for Robert Young in Secret Agent (1936) directed by Alfred Hitchcock. He put his film career on hold for a few years to get some acting experience on the stage, working in repertory in York and Windsor. Afterwards, he returned to films and achieved star status in I'll Be Your Sweetheart (1945). Brought to Hollywood in 1950 and signed to a contract by studio head Darryl F. Zanuck, Rennie was cast in arguably his most popular role as Klaatu in The Day the Earth Stood Still (1951), when director Robert Wise's first choice, Claude Rains, was unavailable. After that he worked as a supporting actor for eight years until his return to England in 1959. At that time, he took the lead role of Harry Lime in the television series The Third Man (1959). Throughout his career, he made numerous guest appearances on television, particularly on American programs.- Born in Hokenstein near the Prussia/ Poland border his mother was German and his father a French doctor. He studied biology at Berlin University but gave it up for banking then despite family protests he turned to the stage at 23 doing walk on parts in theatre's around Europe .In 1937 he moved to England playing Prince Ernest in Victoria Regina at the Lyric Theatre in London. 1940 -45 he broadcast regularly on overseas propaganda service. Married actress Susan Shaw and had a small, farm in Devon.
- Music Department
- Composer
- Actor
Austrian composer Max Steiner achieved legendary status as the creator of hundreds of classic American film scores. He was born Maximilian Raoul Walter Steiner in Vienna, Austria, the son of Marie Mizzi (Hasiba) and Gabor Steiner, an impresario, and the grandson of actor and theater director and manager Maximilian Steiner. His family was Jewish. As a child, he was astonishingly musically gifted, composing complex works as a teenager and completing the course of study at Vienna's Hochschule fuer Musik und Darstellende Kunst in only one year, at the age of sixteen. He studied under Gustav Mahler and, before the age of twenty, made his living as a conductor and as composer of works for the theater, the concert hall, and vaudeville. After a brief sojourn in Britian, Steiner moved to the USA in the same wave as fellow film composer Erich Wolfgang Korngold and quickly became a sought-after orchestrator and conductor on Broadway, bringing the Western classical tradition in which he had been raised to mainstream audiences.
He was soon snatched up by the film studios with the advent of sound and helped the fledgling talkies become musically sophisticated within a brief few years. He was one of the first to fully integrate the musical score with the images on-screen and to score individual scenes for their content and create leitmotifs for individual characters, as opposed to simply providing vaguely appropriate mood music, as evidenced in King Kong (1933), which set the standard for American film music for years to come.
From the 1930s to the 1960s, he was one of the most respected, innovative, and brilliant composers of American film music, creating a truly staggering number of exceptional scores for films of all types. He was nominated for Academy Awards for his scores eighteen times and won three times. Years after his death in 1971, he remains one of the giants of motion picture history, and his music still thrives.- Arthur P. Jacobs is best known for producing the "Planet of the Apes" series. He bought the rights to Pierre Boulle's novel Monkey Planet in 1963. Many film studios passed on the project, stating that the concept was unfilmable. Jacobs persevered, and the film was released in 1968 to wide popular acclaim. Jacobs cast his wife, starlet Natalie Trundy, in various roles in the four Apes sequels. Jacobs suffered from heart problems and died at the age of 51 in 1973, shortly after the final Apes film hit the theaters. An excellent character study of Jacobs can be found in John Gregory Dunne's The Studio.
- Londoner James Beck took to the Theatre at the end of his National Service, playing roles as diverse as Shylock to Archie Rice in "The Entertainer". His role as Cockney spiv Private Walker in Dad's Army made him a familiar face, if not a familiar name. His life was cut short before a potentially much more interesting career.
- After a short time working as a merchant seaman, followed by a few appearances on stage, Maxwell Reed moved to London and was signed by the Rank Organisation. He made many British films during the 40s and 50s, rotating between leads in B movies and supporting roles in major productions. He also appeared in a few Hollywood swashbucklers and TV series before succumbing to cancer in the 70s. He was a bona fide teen idol in the late 40s, being the heart throb of many a schoolgirl. He was married to Joan Collins during the early 50s but the marriage ended in divorce.
- Actor
- Soundtrack
A balding, bespectacled, bird-like British comic actor, Richard Wattis was an invaluable asset to any UK comedy film or TV programme for nearly thirty years. Much associated with the Eric Sykes TV series for the latter part of his career. He was often seen in officious roles, such as snooty shop managers, secretaries and policemen. He was working right up to his sudden death from a heart attack in 1975.- Director
- Cinematographer
- Camera and Electrical Department
Arthur Crabtree (1900-1975) was born in Shipley, Yorkshire where he gave up a safe job with a local firm of engineers to become a clapper boy at Elstree Studios. He had always been interested in photography and at the age of 29 he took a calculated risk, which paid off, when sound hit the British studios .From being a lowly clapper boy he rose to become an assistant to a young and up coming director called Alfred Hitchcock learning all he could. Ten years later he moved to Gainsborough Studios where he became a cameraman and then a lighting director working on such films as Kipps (1940) ,The Man in Grey (1943), and Fanny by Gaslight (1944). After that he was noticed by Maurice Ostrer who promoted him to director for Madonna of the Seven Moons' This milestone in British film history had a cast that included Phyllis Calvert and Stewart Granger and caused great queues at cinemas when it was screened in 1945, Subsequent films by Arthur included Lilli Marlene and Hindle Wakes. His last film was Horrors of the Black Museum in 1959 after which he retired- Actress
- Soundtrack
Angela and her actress sister Hermione were born of a wealthy family with Angela making her stage debut at the age of 8 as a little orphan girl in The Dawn of Happiness. One night a police officer said that she was too young and wouldn't allow her to perform, The following year she auditioned at The Old Vic Theatre, When she was 10 a newspaper called her 'a consumate little actress, at 11 she was appearing in Shakespeare, as a teenager she was singing and dancing in musicals and pantomimes and became the 'toast of London. She retired briefly when she was18. She appeared in many plays but most enjoyed those by Emlyn Williams - Night Must Fall, The Winslow Boy, Morning Star and The Light of Heart, which he wrote for her, She was married to theatre producer Glen Byam Shaw 1931 -75 and was awarded a CBE for services to the theatre- Actor
- Soundtrack
The star of the Carry On series of films, Sid James originally came to prominence as sidekick to the ground breaking British comedy actor Tony Hancock, on both radio and then television. Born in Johannesburg, South Africa and named Solomon Joel Cohen, James arrived in England in 1946, second wife in tow, having served with the South African Army during World War 2. By now an aspiring actor, James claimed to have boxed in his youth, perhaps to explain his craggy features, but was certainly a well respected hairdresser in his native country. Known in the trade as "one take James", he became a very talented and professional actor, constantly in demand for small parts in British post-war cinema. In 1960 James debuted in the fourth of the Carry On films, taking the lead role in Carry on Constable (1960) and went on to appear in a further 18 Carry On films as well as various stage and television spin-offs. Reputed not to have got on with Carry On co-star Kenneth Williams, the two often played adversaries on-screen, notably in the historical parodies Carry on Up the Khyber (1968) and Carry on Don't Lose Your Head (1967). James however was respected and revered by almost everyone he worked with and contrary to popular myth, a true gentleman. An addiction to gambling played a large part in James' workaholic schedule and subsequent heart attack in 1967. He was soon back in action however, playing a hospital patient in Carry on Doctor (1967), able to spend most of the film in bed. He suffered a second and fatal heart attack on stage in Sunderland, England on April 26 1976, leaving behind 3 children and his third wife Valerie who had stuck by him despite his affair with Carry On co-star Barbara Windsor, saying, "He always came home to me".- Director
- Second Unit Director or Assistant Director
- Editor
Born in Paris in 1904, Tourneur went to Hollywood with his father, director Maurice Tourneur around 1913. He started out as a script clerk and editor for his father, then graduated to such jobs as directing shorts (often with the pseudonym Jack Turner), both in France and America. He was hired to run the second unit for David O. Selznick's A Tale of Two Cities (1935), where he first met Val Lewton. In 1942, when Lewton was named to head the new horror unit at RKO, he asked Tourneur to be his first director. The result was the highly artistic (and commercially successful) Cat People (1942). Tourneur went on to direct masterpieces in many different genres, all showing a great command of mood and atmosphere.- Actress
- Soundtrack
From mill girl to film star was the real life story of Bradford born Pat Paterson. A former Laidler Sunbeam and stage struck she left Lister's Mill office at 15 to join a touring show, After doing cabaret work in London she was seen by an agent for Fox Films and given a part in the British film The Right to Live, A five year contract with Fox followed and in America she met and married French star Charles Boyer. After making 5 films she left the business. Her marriage was a very happy one and when she died in 1978 Charles died just a few days later reputedly of as broken heart,- Actor
- Director
- Additional Crew
Born in New York City, Dan Dailey started his career in vaudeville, later making his Broadway debut in the stage version of "Babes in Arms".
When signed to MGM, the studio initially casted him as a Nazi in The Mortal Storm (1940). The studio realized their mistake and cast him in musical films, thereafter. Then, after serving in World War II, Dailey later returned to acting to make more musicals.- Duncan Lamont began his career in the 1940's in Waterfront Women (1950) and Quentin Durward (1955) then went to Hollywood for Mutiny on the Bounty (1962). Returning to Britain he went into what he described as one of his happiest roles opposite Margaret Rutherford in Murder at the Gallop (1963). He described himself as a 'heavy with a capacity for light villainy' as he was never really a bad villain. When the film is nearly over there's usually justice to contend with, While sometimes he's was on the right side of the law never the less he always seems to end up dead or defeated. Television work took him to America for appearances in such as The Life and Legend of Wyatt Earp (1955), Hawaiian Eye (1959), and The Alaskans (1959), while British credits included such as Z Cars (1962), Danger Man (1960), and Dixon of Dock Green (1955).
- Peter Butterworth's promising career in the British Navy Fleet Air Arm ended when the plane which he was flying was shot down by the Germans in WW II and he was placed in a POW camp. There he became close friends with Talbot Rothwell (later a writer on the "Carry On" series, on which Butterworth often worked) and the two began writing and performing sketches for camp shows to entertain the prisoners (and to cover up the noise of other prisoners digging escape tunnels). Never having performed in public he was petrified but gamely sang a duet with Talbot. This sparked his enthusiasm to enter show business after the war and Talbot helped and encouraged him and he soon became a familiar character actor in both films and television. He specialized in playing gentle, well-meaning but somewhat eccentric characters (which, by most accounts, is what he was in real life). He was married to impressionist Janet Brown, who he met while doing a Summer show at Scarborough and their son, Tyler Butterworth, also became an actor. Butterworth died suddenly in 1979, as he was waiting in the wings to go onstage in a pantomime show.
- His real name was George Bramlett, born in Jarrow 17 December 1889. He started making stage appearances at the age of 5 or 6 in a semi pro minstrel troupe known in Sunderland as The Local Lads then joined The Merry Matelots a pierrot troupe, He went solo in 1904 at the Empire Music Hall n South Shields The following year he was a member of Levy and Cardwell's Juvenile's and made his London debut in 1908.
- Actor
- Producer
- Soundtrack
Born in Leigh-on-Sea, Essex, England on July 23, 1912, Wilding became a commercial artist after leaving school. He gained employment in the art department of a film studio in London in 1933, and he was soon approached by producers to become a movie star-in-training due to his dashing good looks. After debuting at age 21 in Bitter Sweet (1933), Wilding worked steadily in British pictures for nearly three decades. Though never a star of the first rank, he had leading roles in numerous films, including a part in the classic In Which We Serve (1942). Wilding often co-starred with Anna Neagle.
Wilding moved to Hollywood and was featured in two of Alfred Hitchcock's lesser efforts, Under Capricorn (1949) and Stage Fright (1950).
Wilding's last movie role was a two-line cameo in Robert Bolt's Lady Caroline Lamb (1972), which co-starred Leighton.- Roddy started out as an engineer before studying drama at Glasgow Unity Theatre for 3 years. His first important stage appearance was in 'The Gorbals Story' in London's West End after which it was back to Scotland where he spent 7 years with the Glasgow Citizens Theatre. He appeared on television as an actor and ballad singer in 'Folk Song Programmes' in films such as 'Morning Departure ' and 'The Bridal Path' He was married with two children, Sine and Norma.
- Born in Sunderland he worked his way up from copy boy to journalist on the local paper then after doing his national service returned to Newcastle before moving to London to work for a news agency and spent 3 years in Cairo .Returning to London his wife, knowing his real love was the theatre told him to try it and despite having no experience got a job at his first audition and straight away joined Equiity, With two babies and no regular wage things were tough but as a precaution he kept up his union subscriptions and did some holiday relief work at the news agency then came a regular part in The Newcomers which he had for some time but left because for him the part had lost its challenge, He then got a part in Coronation Street thanks to Patricia Phoenix (Elsie Tanner} who suggested him for a strong love interest story line
- Music Department
- Composer
- Writer
He met Lorenz Hart in 1918 who was to write lyrics for Richard for the next 25 years. The produced many successful songs and musicals such as 'Pal Joey' and 'The Boys From Syracuse'. In 1943 Richard teamed up with Oscar Hammerstein to make a musical version of the play 'How Green Was Your Valley' which became 'Oklahoma' Richard also provided the music for 'Carousel', 'South Pacific'. The King and I' and 'The Sound of Music'.