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1-5 of 5
- Actor
- Additional Crew
David Proval launched his acting career with a starring role in Mean Streets (1973), directed by Martin Scorsese, and has been working nonstop ever since. Notable features in which he has appeared include The Phantom (1996), The Brady Bunch Movie (1995) Four Rooms (1995) and The Shawshank Redemption (1994). He is currently set to appear in the independent film White Boy (2002).- Actor
- Director
- Producer
Harvey Korman was a lanky, popular TV comedy veteran with a flair for broad comic characterizations, who shone for a decade as leading man and second banana par excellence on The Carol Burnett Show (1967).
Harvey Herschel Korman was born in Chicago, Illinois, to Ellen (Blecher) and Cyril Raymond Korman, a salesman. His parents, both immigrants, were from Russian Jewish families. A persistent television presence since the early 1960s, Korman's first break was a stint as a featured performer on The Danny Kaye Show (1963), a lively musical variety series in which Korman began working in the format which he would soon master--providing sturdy support to a multi-talented star in a wide variety of comedy sketches. Boasting large, expressive features and a wonderfully mutable voice, Korman could play a wide assortment of characters. Perhaps his first classic characterization was provided for The Flintstones (1960) wherein he was the distinctively snooty voice of The Great Gazoo, a little helmeted space man from the future consigned to the Earth's past in punishment for his crimes.
Korman garnered four Emmys for his work with Carol Burnett over the years. Ironically Korman would never again find such a successful showcase for his talents though he certainly tried, appearing in several busted pilots and short-lived sitcoms. Almost exclusively a comic actor, he stretched a bit to play straight man Bud Abbott opposite Buddy Hackett's Lou Costello in the disappointing TV biopic Bud and Lou (1978). He directed and/or produced sitcom episodes and TV comedy specials. An occasional actor in films, Korman made his feature debut with a supporting role in The Last of the Secret Agents? (1966). Several film roles followed until he gained his widest exposure with a major supporting role in Mel Brooks' classic Western spoof Blazing Saddles (1974). He fared well in Brooks' High Anxiety (1977) and History of the World: Part I (1981). He acted in two 1994 features: the blockbuster live-action version of The Flintstones (1994) (providing the voice of the Dictabird) and the poorly received but lavishly produced Radioland Murders (1994).- Actor
- Production Manager
- Soundtrack
John Vernon was a prolific stage-trained Canadian character player who made a career out of convincingly playing crafty villains, morally-bankrupt officials and heartless authority figures in American films and television since the 1960s. Vernon was directed by some stellar filmmakers, including Alfred Hitchcock (Topaz (1969)); George Cukor (Justine (1969)); Don Siegel (Dirty Harry (1971)) and Clint Eastwood (The Outlaw Josey Wales (1976)). After training at London's Royal Academy of Dramatic Art and honing his skills in Canadian theatre and television, Vernon made his US film debut in John Boorman's noir/gangster classic Point Blank (1967) as a trusted friend who betrays Lee Marvin. He again failed to inspire confidence as the ineffectual mayor of San Francisco in Dirty Harry (1971). Vernon may be best remembered as the sinister Dean Vernon Wormer in John Landis' National Lampoon's Animal House (1978), a role he reprised for the TV spin-off Delta House (1979). This led to more film comedy roles, a highlight being Mr. Big in the blaxploitation spoof I'm Gonna Git You Sucka (1988).- Actor
- Writer
- Producer
Once an overweight comic from Canada, Rick Ducommun slimmed down in the late 1980s and went on to tackle solid co-starring roles in feature films and TV, as well as headline several HBO and other pay-cable specials.
Ducommun grew up on a farm, the son of an entrepreneur father with whom he did not get along. Running away from home at age 14, he hitchhiked around the northern U.S., often living in communes, until returning to Canada at age 17, this time to Vancouver.
On a dare, Ducommun tried to do stand-up comedy at a Vancouver club. He was not only asked back, but bitten by the show business bug. He began playing clubs in Canada, hosted his own children's show, "ZigZag," and was put on TV by Alan Thicke, who was then hosting a talk show out of Vancouver.
When Thicke made his deal to do Thicke of the Night (1983), a late-night talk show from L.A., he brought Ducommun down to be announcer and a performer. When the show flopped, Ducommun began performing at L.A. clubs and acting in sitcoms. He was one of the zany cops on The Last Precinct (1986) -- a short-lived NBC show, and Mahler on Max Headroom (1987). Ducommun also played small parts in films, beginning with No Small Affair (1984) but found himself limited by a frame carrying 426 lb. He slimmed down more than 200 lb., and won the role of Art Weingartner, the dumb lug nosy neighbor to Tom Hanks in The 'Burbs (1989).
Despite good reaction to his work, the film was not a success, and Ducommun found himself mixing live performances in with his occasional film work, including an appearance in Blank Check (1994).
HBO did a special with Ducommun in 1989 called Rick Ducommun: Piece of Mind (1989), which was well received, as was the follow-up, "Hit and Run" in 1992. Ducommun frequently hosted pay and cable programs featuring stand-up comedy and was an regular performer on the Comedy Channel, later renamed, Comedy Central.- Tom Towles was a character player, often cast as scumbags or obnoxious men, who worked for more than a decade in Chicago theatre, before establishing himself in films and TV beginning in the late 80s - often in lower-budget fare. Towles drifted into acting after serving in the Marine Corps. Although he made an isolated appearance in a bit role in Dog Day Afternoon (1975) with Al Pacino, he returned to Chicago and became a member of the Organic Theatre Company appearing in numerous productions and often collaborating on the writing as well. Towles also acted with the prestigious Goodman Theatre there. It was 1985 before Towles was again in front of the cameras, this time as a lounge lizard in Pink Nights (1985). The next year, he was the despicable, loathsome Otis in Henry: Portrait of a Serial Killer (1986). In 1990, Towles played Harry Cooper, the guy everyone else trapped in the farmhouse would most like to sacrifice to the zombies in the remake of Night of the Living Dead (1990). Towles' TV work has been ongoing since he appeared as J.J., the hunted killer in Pilot (1987), the two-hour pilot for a Robert Conrad series. He was Norman Stoneface, true to his name, in the 1994 Showtime movie Girls in Prison (1994), and also appeared in numerous TV episodes.
Other films includes Mad Dog and Glory (1993), Fortress (1992), Blood In, Blood Out (1993), The Rock (1996), Doctor Dolittle (1998) and Rob Zombie's House of 1000 Corpses (2003).