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- Director
- Actor
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Elem Klimov was born on 9 July 1933 in Stalingrad, Nizhne-Volzhskiy kray, RSFSR, USSR [now Volgograd, Volgogradskaya oblast, Russia]. He was a director and actor, known for Come and See (1985), Rasputin (1981) and Pokhozhdeniya zubnogo vracha (1965). He was married to Larisa Shepitko. He died on 26 October 2003 in Moscow, Russia.- Actor
- Writer
- Director
Sergei Bondarchuk was one of the most important Russian filmmakers, best known for directing an Academy Award-winning film epic War and Peace (1965), based on the book by Lev Tolstoy, in which he also starred as Pierre Bezukhov.
He was born Sergei Fedorovich Bondarchuk on September, 25, 1920, in the village of Belozerka, Kherson province, Ukraine, Russian Federation (now Belozerka, Ukraine). He was brought up in Southern Ukraine, then in Azov and Taganrog, Southern Russia. Young Bondarchuk was fond of theatre and books by such authors as Anton Chekhov and Lev Tolstoy. He made his stage debut in 1937, on the stage of the Chekhov Drama Theatre in the city of Taganrog, then studied acting at Rostov Theatrical School. In 1942 his studies were interrupted by the Nazi invasion during WWII. Bondarchuk was recruited in the Red Army and served for four years until he was discharged in 1946. From 1946 - 1948 he attended the State Institute of Cinematography in Moscow (VGIK), graduating as an actor from the class of Sergey Gerasimov. In 1948 he made his film debut in Povest o nastoyashchem cheloveke (1948) then co-starred in The Young Guard (1948).
For his portrayal of the title character in Taras Shevchenko (1951) he was awarded the State Stalin's Prize of the USSR, and was designated People's Artist of the USSR, becoming the youngest actor ever to receive such honor. Then he starred in the internationally renowned adaptation of the Shakespeare's Othello (1956), in the title role opposite Irina Skobtseva as Desdemona. Bondarchuk expressed his own experience as a soldier of WWII when he starred in The Destiny of a Man (1959), a war drama based on the eponymous story by Mikhail Sholokhov, which was also Bondarchuk's directorial debut that earned him the prestigious Lenin's Prize of the USSR in 1960.
Bondarchuk shot to international fame with War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy. The 7-hour-long film epic won the 1969 Academy Award for Best Foreign Language Film, and brought Bondarchuk a reputation of one of the finest directors of his generation. The most expensive project in film history, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (over $800,000,000 adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the 3rd two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed. Bondarchuk also made history by introducing several remote-controlled cameras that were moving on 300 meter long wires above the scene of the battlefield. Having earned international acclaim for War and Peace (1965), he starred in the epic The Battle of Neretva (1969) with fellow Russian, Yul Brynner, and Orson Welles, whom he would direct the following year.
By the late 1960s Bondarchuk was one of the most awarded actor and director in the Soviet Union. However, he was still not a member of the Soviet Communist Party, a fact that brought attention from the Soviet leadership under Leonid Brezhnev. Soon Bondarchuk received an official recommendation to join the Soviet Communist Party, an offer that nobody in the Soviet Union could refuse without risking a career. At that time he was humorously comparing his situation with the historic Hollywood trials of filmmakers during the 50s. Bondarchuk was able to avoid the Communist Party in his earlier career, but things changed in the Soviet Union under Brezhnev, so in 1970, he accepted the trade-off and joined the Soviet Communist Party for the sake of protecting his film career. In 1971 he was elected Chairman of the Union of Filmmakers, a semi-government post in the Soviet system of politically controlled culture. Eventually he evolved into a politically controlled figure and turned to making such politically charged films as Red Bells (1982) and other such films. Later, during the liberalization of the Soviet Union under Mikhail Gorbachev, Bondarchuk was seen as a symbol of conservatism in Soviet cinema, so in 1986 he was voted out of the office.
Bondarchuk was the first Russian director to make a big budget international co-production with the financial backing of Italian producer Dino De Laurentiis, such as Waterloo (1970), a Russian-Italian co-production vividly reconstructing the final battle of the Napoleonic Wars. This was his first English-language production, but several Soviet actors were cast, e.g. Sergo Zakariadze and Oleg Vidov. In this film, Orson Welles, his co-star in The Battle of Neretva (1969) made a cameo as the old King Louis XVII of France. But this time Bondarchuk was unable to control the advances of Rod Steiger, and the film was a commercial flop in Europe and America, albeit it gained the favor of critics.
After his dismissal from the office of Chairman of the Union of Cinematographers he started filming Tikhiy Don (2006) based on the eponymous novel by the Nobel Prize winner Mikhail Sholokhov, with Rupert Everett as the lead. At the end of filming, just before post-production, Bondarchuk learned about some unfavorable details in his contract, causing a bitter dispute with the producers over the rights to the film and bringing much pain to the last two years of his life. Amidst this legal battle the production was stopped and the film was stored in a bank vault, and remained unedited and undubbed for nearly fourteen years. The production was completed by Russian television company "First Channel", and aired in November 2006.
In his career that spanned over five decades, Sergei Bondarchuk had credits as actor, director, writer, and co-producer in a wide range of films. He suffered a heart attack and died on October 20, 1994, and was laid to rest in Novodevichy Cemetery in Moscow, Russia, next to such Russian luminaries as Anton Chekhov and Mikhail A. Bulgakov. His death caused a considerable mourning in Russia. Bondarchuk was survived by his second wife, actress Irina Skobtseva and their children, actress Alyona Bondarchuk, and actor/director Fedor Bondarchuk, and actress Natalya Bondarchuk, his daughter with his first wife, actress Inna Makarova.
As a tribute to Sergei Bondarchuk, his son, Fedor Bondarchuk called him "a father and my teacher," and dedicated his directorial debut, 9th Company (2005), set in war-torn Afghanistan, whereas Sergei's directorial debut was set in WWII.- Director
- Writer
- Editor
The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- The famous Russian actor was discovered by Andrei Tarkovsky. He was looking for an actor to play the part of Andrei Rublev for his second full-length film and accidentally found the completely unknown Solonitsyn in Chelyabinsk. He worked there as an amateur actor. After Andrei Rublev, he played main parts in many of Russia's best movies.
- Actor
- Director
Yankovsky was named best actor in a 1984 reader poll by Soviet Screen for his role in "In Love Because He Wants to Be." He was awarded the State Prize in 1987 for his role in "Flying Asleep and Awake." In 1989 he received the Vasiliev State Prize for his role in "The Kreutzer Sonata." Yakovsky was given the lifetime achievement award at the 1983 All-Union Film Festival. He won the best actor NIKA in 1991, and in the same year was named People's Artist of the Soviet Union. Yankovsky was born in Kazakhstan and studied at the Slonov Theater Academy in Saratov. In 1965 he joined the Saratov Drama Theater, moving to Moscow's Lenkom Theater in 1973. He has presided over the Kinotavr Russian Open Film Festival since 1993.- Andrey Myagkov, one of Russia's most familiar faces and a leading actor of the Moscow Art Theatre (MXAT) who starred in the 1970's comedy The Irony of Fate, or Enjoy Your Bath! (1976), made a comeback in the sequel The Irony of Fate 2 (2007).
He was born Andrey Vasilevich Myagkov on July 8, 1938, in Leningrad, Russia, USSR (now St. Petersburg, Russia). His father, Vasiliy Myagkov, was a professor at the Polytechnical Academy. Young Andrey was fond of theatre and was involved in the drama club at his high school. However, he focused on the study of chemistry and attended the Leningrad Institute of Technology, graduating in 1960 as a chemical engineer. His first job was as a research engineer at the Leningrad State Institute of Plastics, although at the same time he continued playing on stage as an amateur actor.
In 1961 he was admitted to the acting school of the Moscow Art Theatre (MXAT) in Leningrad. Then he moved to Moscow and studied at the Theatrical School of the Moscow Art Theatre (MXAT), graduating in 1965 as an actor. At that time he married actress Anastasiya Voznesenskaya. From 1965 to 1977 he was a member of the troupe at the Sovremennik Theatre in Moscow. There his stage partners were such actors as Oleg Efremov, Evgeniy Evstigneev, Galina Volchek, Stanislav Lyubshin, Anatoliy Romashin, Alla Pokrovskaya, Oleg Tabakov, Oleg Dal, Igor Kvasha, Valentin Gaft, and other notable Russian actors.
In 1977 he became a member of the troupe at the Moscow Art Theatre (MXAT). There he made his stage debut in the leading role as Zilov in "Utinaya okhota" ("Duck Hunting") by Aleksandr Vampilov, and eventually established himself as a leading actor in other stage productions at the MXAT. His stage partners there were such actors as Innokentiy Smoktunovskiy, Yekaterina Vasilyeva, Tatyana Doronina, Oleg Efremov, Evgeniy Evstigneev, Oleg Tabakov, Aleksandr Kalyagin, Andrei Popov, and other notable Russian actors. Since the split of the troupe in 1987, he has been a member of the Chekhov Moscow Art Theatre (Chekhov MXAT), named after Russian playwright Anton Chekhov. His stage partners there have been such notable Russian actors as Alla Pokrovskaya, Natalya Rogozhkina, Anastasiya Voznesenskaya, Irina Miroshnichenko, Iya Savvina, Stanislav Lyubshin, Vyacheslav Nevinnyy, Evgeniy Kindinov, Viktor Sergachyov, and Vladimir Kashpur, among others.
He made his film debut in the leading role as a dentist in Pokhozhdeniya zubnogo vracha (1965), by director Elem Klimov. He established himself with such roles as the monk Alyosha in The Brothers Karamazov (1969), then as Khlebnikov, an obsessed chess grandmaster, in Grossmeyster (1973) where he had several scenes with Lyudmila Kasatkina, Anatoly Solonitsyn, Mikhail Kozakov, Petr Shelokhonov, and other notable Russian actors.. He shot to fame in the Soviet Union with the leading role as Zhenya in The Irony of Fate, or Enjoy Your Bath! (1976), by director Eldar Ryazanov. His fruitful collaboration with Ryazanov continued in Office Romance (1977), The Garage (1980), and A Cruel Romance (1984). Andrey has played over 50 roles in film and on television. He declined offers to play in such modern Russian films as Night Watch (2004) and The Turkish Gambit (2005). However, he made a comeback reprising his most famous role as Zhenya opposite Barbara Brylska in The Irony of Fate 2 (2007), a sequel to the Soviet comedy The Irony of Fate, or Enjoy Your Bath! (1976).
In 1989, he made his directorial debut with a stage production of "Spokoynoy nochi, Mama" ("Good Night, Mama") at the Moscow Art Theatre (MXAT). In 2002 he directed the MXAT production of "Retro", a nostalgic play about three middle-aged women courting one man; the play earned him wide public acclaim, although evoking sharp criticism from some contemporary Moscow critics. His last directorial work for the Moscow Art Theatre was a 2006 production of "Osenniy charlston" ("Autumn Charleston") based on the play "The Cemetery Club" by American playwright Ivan Menchell.
He was awarded the State Prize of the USSR in 1977, the Brothers Vasiliev State Prize in 1979, was designated a People's Artist of Russia in 1986, and also received several other significant awards and nominations. Outside of his acting profession, Andrey Myagkov painted portraits, and his paintings are owned by Mikhail Gorbachev and Galina Volchek, among others.
Andrey Vasilevich Myagkov died on 18 February 2021 in Moscow and was laid to rest in Troekurovskoe Cemetery in Moscow, Russia. - Actor
- Director
- Writer
Alexandr Kajdanovsky, Russian actor, director and screenwriter, now best remembered for his work in Andrei Tarkovsky's films. Kajdanovsky left Junior High School to enroll in technical college where he was training to become a welder. Apparently a prospect of becoming a worker did not appeal to him and in 1965 he started studying acting at The Shchukhin Theatre School in Moscow. Before completing the course he took his first part in the film Tainstvennaya stena (1968) (A Mysterious Wall), and upon graduation in 1969, he worked as stage actor. Still unsatisfied with his work Kajdanovsky joined the army in 1973 spending some years in cavalry.
It was a famous film director Nikita Mikhalkov who discovered Kajdanovsky and gave him the lead in his civil war drama At Home Among Strangers, a Stranger Among His Own (1974) (At Home among Strangers, Stranger at Home). By the late 1970s Kajdanovsky had had credits in some noted films, including adventure stories Propavshaya ekspeditsiya (1975) (The Lost Expedition), Zolotaya rechka (1977) (Golden River), a fantasy Pilot Pirx's Inquest (1979) (Pilot Pirks Tested). The greatest twist in his career came with Andrei Tarkovsky giving him the lead in Stalker (1979). Kajdanovsky attended Tarkovsky's writing seminar and under his teacher's influence he wrote and directed Prostaya smert (1985) (An Ordinary Death) - an adaptation of one of Leo Tolstoy's stories - the film won honour at the Malaga film festival. Kajdanovsky's starring role in Spanish film El aliento del diablo (1993) (The Devil's Breath) and in Hungarian Büvös vadász (1994) (Magic Hunter) made him an international celebrity and resulted in him having been invited to become the juryman of the 1994 Cannes Film Festival. Unfortunately alcohol ruined his life, he could hardly maintain his career between the bouts of drinking, he died on December 3, 1995, 3 months short of 50.- Actor
- Additional Crew
- Soundtrack
Georgiy Vitsin was an Honored Artist of the RSFSR (10.04.1959). People's artist of the RSFSR (7.01.1977). People's artist of the USSR (30.10.1990). After graduation, Vitsin entered the Maly Theater School. But he was expelled with the phrase "for frivolous attitude to the learning process." Then he passed the tests at once in three studios - Alexei Dikiy's, the Revolution Theater and the Moscow Art Theater-2, and was immediately admitted to all three. In 1934 he entered the Moscow Theater School named after Eugeniy Vakhtangov. In 1935 Vitsin moved to the studio of Moscow Art Theater-2, where he studied with S. G. Birman, A. I. Blagonravov, V. N. Tatarinov. In 1936-1969 he was an actor at the Theater Studio under the direction of N.P. Khmeleva (since 1937 - theater named after M.N. Ermolova). In 1947 Georgiy Vitsin made his debut in the movie as N.V. Gogol in the film of Kozintsev "Belinskiy". The last seven years of life the actor did not act, appeared before the audience only in humorous concerts of the Actor's Theater. Georgiy Vitsin died on Monday, October 22, 2001 at 16.30 in the Moscow hospital. The funeral of the great actor took place on October 25 at the Vagankovskoye cemetery in Moscow.- Additional Crew
Joseph Stalin (a code name meaning "Man of Steel") was born Iosif (Joseph) Vissarionovich Dzhugashvili in 1878 in Gori, Georgia, the Transcaucasian part of the Russian Empire. His father was a cobbler named Vissarion Dzhugashvili, a drunkard who beat him badly and frequently and left the family when Joseph was young. His mother, Ekaterina Gheladze, supported herself and her son (her other three children died young and Jopseph was effectively an only child) by taking in washing. She managed, despite great hardship, to send Joseph to school and then on to Tiflis Orthodox Theological Seminary in Tbilisi, hoping he would become a priest. However, after three years of studies he was expelled in 1899, for not attending an exam and for propagating communist ideas and the books of Karl Marx.
Since 1898, Stalin became active in the Communist underground as the organizer of a powerful gang involved in a series of armed robberies. After robbing several banks in southern Russia, Stalin delivered the stolen money to Vladimir Lenin to finance the Communist Party. Stalin's gang was also involved in the murders of its political opponents; Stalin himself was arrested seven times, repeatedly imprisoned, and twice exiled to Siberia between 1902 and 1913. During those years he changed his name twice and became more closely identified with revolutionary Marxism. He escaped many times from prison and was shuttling money between Lenin and other communists in hiding, where his intimacy with Lenin and Bukharin grew, as did his dissatisfaction with fellow Communist leader Lev Trotskiy. In 1912 he was co-opted on to the illegal Communist Central Committee. At that time he wrote propaganda articles, and later edited the Communist paper, "Pravda" (Truth). As Lenin's apprentice he joined the Communist majority (Bolsheviks), and was responsible for the consolidation of several secret communist cells into a larger ring. Stalin's Communist ring in St. Petersburg and across Russia played the leading role in the Russian Revolution of 1917. After the revolution the Bolsheviks Communists grabbed the power, then Communists murdered the Tsar and the Russian royal family. Stalin and Lenin took over the Tsar's palaces and used the main one in Kremlin as their private residence.
Lenin appointed Stalin the People's Commissar for Nationalities in the first Soviet government and a member of the Communist Politburo, thus giving him unlimited power. Stalin led the "Reds" against anti-Communist forces known as the "Whites" and also in the war with Poland. He also organized "Red Terror" in Tsaritsin (later renamed Stalingrad). With his appointment as General Secretary to the Party Central Committee in 1922, a post he held for the next 30 years, until his death, he consolidated the power that would ensure his control of the country after Lenin's death in 1924. He also took, or gave himself, other key positions that enabled him to amass total power in the Party and Soviet government.
Stalin was known for his piercing eyes and terrifying stare, which he used to cow his opponents into submission during private discussions. In 1927 Stalin requested medical help for his insomnia, anger and severe anxiety disorder. His doctors diagnosed him as having "typical clinical paranoia" and recommended medical treatment. Instead, Stalin became angry and summoned his secret service agents. The next day the chief psychiatrist, Dr. Bekhterev, and his assistants died of poisoning. In addition, before the doctors' diagnosis about Stalin's mental condition could become known, he ordered the executions of intellectuals, resulting in the murders of hundreds of thousands of doctors, professors, writers, and others.
Stalin's policy of amassing dictatorial power under the guise of building "socialism in the country" resulted in brutal extermination of all real and perceived anti-Communist opposition. His purges of the Soviet military brought about the execution of tens of thousands of army officers, many of them experienced combat veterans of the Revolution, the Civil War, the Polish campaigns and other military operations (this decimation of the Russian officer corps would result in the Soviet Union's initial defeats at the hands of Nazi invaders at the beginning of World War II). He also isolated and disgraced his political rivals, notably Trotsky. Stalin's economic policies of strict centralized planning (i.e., the "five-year plans") resulted in the near ruination of the Soviet economy and mass famines in many areas of the Soviet Union, notably in Central Russia and the Ukraine. Popular resistance to Stalin's policies, such as nationalization of private lands and collective farming, by independent farmers ("kulaks"), brought about brutal retaliation, in which millions of kulaks were either forced off their land or executed outright. Altogether Stalin's economic and political policies resulted in the deaths of up to 10 million peasants during 1926-1934. Between 1934 and 1939 he organized and led massive purge (known as "The Great Terror") of the party, government, armed forces and intelligentsia, in which millions of so-called "enemies of the Soviet people" were imprisoned, exiled or executed. In the late 1930s, Stalin sent some Red Army forces and material to support the Spanish Republican government in its fight against the rebels led by Gen. Francisco Franco and aided by troops and material from Nazi Germany and Fascist Italy.
Stalin made the Non-Aggression Pact with Adolf Hitler in 1939, which bought the Soviet Union two years' respite from involvement in World War 2. After the German invasion in 1941, the USSR became a member of the Grand Alliance and Stalin, as war leader, assumed the title of Generalissimus. He had no formal military training and scorned the advice of his senior officers, due to suspicion and his rising paranoia, actions that resulted in horrific losses to the Russian military in both men and material (not to mention civilian losses). He rejected military plans made by such experienced officers as Marshal Georgi Zhukov, and insisted they be replaced by his own plans, which led to even more horrific losses. Towards the end of WWII he took part in the conferences of Teheran, Yalta and Potsdam with Franklin D. Roosevelt, Winston Churchill, Harry S. Truman and Clement Attlee. The agreements reached in those conferences resulted in Soviet military and political control over the liberated countries of postwar Castern and Central Europe.
From 1945 until his death Stalin resumed his repressive measures at home, resulting in censorship of the arts, literature and cinema, forced exiles of hundreds of thousands and the executions of intellectuals and other potential "enemies of the state". At that time he conducted foreign policies that contributed to the Cold War between the Soviet Union and the West. Stalin had little interest in family life, although he was married twice and had several mistresses. His first wife (Ekaterina Svanidze, married c. 1904) died three years after their marriage and left a son, Jacob (also known as Yacov), an officer in the Russian army during World War II who was captured by the Nazis and died in a POW camp (his father refused German offers to exchange him for captured German officers). His second wife (Nadezhda Alliluyeva, married 1919) attempted to moderate his politics, but she died by suicide, leaving a daughter, Svetlana Alliluyeva, and an alcoholic son, Vasili Stalin, who later died in exile. Increasingly paranoid, Stalin launched attacks on such intellectuals as Osip Mandelstam, Vsevolod Meyerhold, Anna Akhmatova, Dmitri Shostakovich, Sergei Prokofiev, Boris Pasternak, Aleksandr Solzhenitsyn and many other cultural luminaries. Stalin personally intervened in the fate of "counterrevolutionary" Yiddish writers and changed their sentences from exile to execution. Thirteen of them were executed by the Soviet secret police; their leader, Perets Markish, was executed in the typical KGB manner by a single gunshot to the head on August 12, 1952, in Moscow.
Stalin died suddenly on March 5, 1953, under somewhat mysterious circumstances, after announcing his intention to arrest Jewish doctors, whom he believed were plotting to kill him. The "official" cause of death was announced as brain hemorrhage. Stalin's apprentice, Georgi Malenkov, took the power, but was soon ousted by Nikita Khrushchev. Three years after death, Stalin was posthumously denounced by Nikita Khrushchev at the 20th Party Congress in 1956 for crimes against the Party and for building a "cult of personality." In 1961 Stalin's body was removed from Lenin's Mausoleum, where it had been displayed since his death, and buried near the Kremlin wall. In 1964 Leonid Brezhnev dismissed Khrushchev and brought back some of Stalin's hard-line policies. After 1986 Mikhail Gorbachev initiated a series of liberal political reforms known as "glasnost" and "perstroika", and many of Stalin's victims were posthumously rehabilitated, and the whole phenomenon of "Stalinism" was officially condemned by the Russian authorities.- Actress
- Writer
- Composer
Lyudmila Gurchenko was a popular actress in the Soviet Union during the 1950s - 1980s, she was best known for Carnival Night (1956), Five Evenings (1979) and Siberiade (1979).
She was born Lyudmila Markovna Gurchenko on 12 November 1935, in Kharkov, Ukrainian Soviet Republic of the USSR. She studied acting at the VGIK (Soviet State Institute for CInema), graduating from the class of Sergey Gerasimov in 1956. That same year she shot to fame in the Soviet Union, aftr delivering a stellar performance as singer Lenochka Krylova in Carnival Night (1956), by director Eldar Ryazanov.
Gurchenko's film partners were such Russian stars, as Oleg Borisov, Sergei Shakurov, Aleksandr Abdulov, Oleg Basilashvili, Mikhail Boyarskiy, Igor Ilyinsky, Yuriy Nikulin, Armen Jigarhanian, Oleg Tabakov, Stanislav Lubshin, Andrey Mironov and Aleksandr Mikhaylov among others.
Lyudmila Gurchenko was married five times and had one daughter with her first husband, Boris Andronikashvili. She died of a pulmonary failure on 30 March 2011, at age 75, and was laid to rest in Moscow, Russia.- Actor
- Additional Crew
- Soundtrack
Vyacheslav Tikhonov was one of Russian cinema's best known faces, he survived hardship during the Second World War, and became renown for his portrayal of Russian aristocrats and intellectuals in several award-winning films, such as War and Peace (1965) and White Bim Black Ear (1977).
He was born Vyacheslav Vasilevich Tikhonov on February 8, 1928, in a small town of Pavlovsky Posad near Moscow, USSR (now Moscow, Russia). His father, Vasili Romanovich Tikhonov, was a technician at a local garment factory. His mother, Valentina Vyacheslavovna, was a kindergarten teacher. Tikhonov's first profession was that of a metal-worker during the Second World War. The war later became the main theme in some of his most notable film works. Young Tikhonov was obsessed with movies, his favorite actors were Nikolay Cherkasov as Aleksandr Nevsky, and Boris Babochkin as Chapaev. From 1945-1950 Tikhonov studied at the State Institute of Cinema (VGIK). He made his film debut in The Young Guard (1948) by director Sergey Gerasimov. During the filming of Molodaya Gvardiya Tikhonov met his first wife, Nonna Mordyukova. Their son, Vladimir Tikhonov, also became an actor, however, he suffered from a drug dependency and died. Vyacheslav Tikhonov met his second wife during the filming of We'll Live Till Monday (1968).
In the course of his career Tikhonov worked with some of the best Russian directors. He worked with director Stanislav Rostotskiy in five films, starting in Delo bylo v Penkove (1957). Their collaboration was especially fruitful in Dozhivem do ponedelnika (1969) and White Bim Black Ear (1977), which received an Academy Award-nomination. Before that, Tikhonov appeared in the leading role as Prince Bolkonsky in War and Peace (1965), an eight-hour epic film by actor-director Sergey Bondarchuk. In 1969 the film won the Academy Award as the best foreign-language film.
Tikhonov's most notable role on television was as Russian spy Stirlitz (Col. Maxim Isayev) in Seventeen Moments of Spring (1973), a popular TV series about a Russian intelligence agent operating in Berlin during WWII. The dual identity of Tikhonov's character is well played, and the film has won him millions of loyal fans. Tikhonov's consistent popularity made his character, Stirlitz, a hero in hundreds of jokes. After the role as Stirlitz, Tikhonov became typecast as a Soviet military character, and played heroic KGB officers and generals in several Soviet films during the 70s and 80s. In 2002 Vyacheslav Tikhonov suffered a heart attack. However, he soon recovered and returned to acting. In 2004 he played a role in a film produced by his daughter Anna Tikhonova. His last film-work was in Andersen. Zhizn bez lyubvi (2006) by director Eldar Ryazanov.
Vyacheslav Tikhonov was awarded the State Prize of the USSR and the State Prize of Russian Federation. He received numerous government awards and decorations and was designated People's Actor of the USSR (1974). Vyacheslav Tikhonov was residing in his country house in the prestigious village of Nikolina Gora, a suburb of Moscow. He died of a heart failure on the 4th of December, 2009, and was laid to rest in Novodevichy Cemetery, Moscow, Russia.- Director
- Cinematographer
- Writer
Mikhail Kalatozov was born on 28 December 1903 in Tiflis, Russian Empire [now Tbilisi, Republic of Georgia]. He was a director and cinematographer, known for The Cranes Are Flying (1957), True Friends (1954) and Zagovor obrechyonnykh (1950). He died on 27 March 1973 in Moscow, RSFSR, USSR [now Russia].- Director
- Writer
- Editor
Dziga Vertov was born on 2 January 1896 in Bialystok, Grodno Governorate, Russian Empire [now Podlaskie, Poland]. He was a director and writer, known for Man with a Movie Camera (1929), Three Songs About Lenin (1934) and The Sixth Part of the World (1926). He was married to Elizaveta Svilova. He died on 12 February 1954 in Moscow, RSFSR, USSR [now Russia].- Music Department
- Composer
- Writer
Dmitri Shostakovich, one of Russian culture's most acclaimed intellectuals who was censored under the dictatorship of Joseph Stalin, was an internationally recognized composer whose music was in over 100 films.
He was born Dmitri Dmitrievich Shostakovich on September 25, 1906, in St. Petersburg, Russia. He was the second of three children of Dmitri Boleslavovich Shostakovich, a chemical engineer, and Sofia Kokaoulina, a pianist. Young Shostakovich studied piano under his mother tutelage and at a private school in St. Petersburg. His greatest influences were Johann Sebastian Bach, Ludwig van Beethoven and Modest Mussorgsky. From 1919-1925 he studied piano and composition at St. Petersburg (Leningrad) Conservatory. He wrote his First "Classical" symphony as his graduation piece. In 1927 he won an "honorable mention diploma" at the 1st International Piano Competition in Warsaw. In 1929 he collaborated with writer Vladimir Mayakovsky, artist Alexander Rodchenko and director Vsevolod Meyerhold.
In 1934 Shostakovich collaborated with Aleksei Dikij on the legendary opera Katerina Izmailova" (aka Lady Makbeth of Mtsensk). Dikij's production of "Katerina Izmailova" had over 100 performances in Leningrad and Moscow, and was considered a highlight in his directing career. However, in 1936, the opera was severely criticized by some critics on the Pravda, the Communist Party's official newspaper, and accused of formalism and intellectualism.
In the summer of 1941 Nazi Germany and its allies invaded the Soviet Union, and German and Finnish forces and encircled Leningrad (St. Petersburg). Defenders and civilians in besieged Leningrad were doomed, because the besieging forces cut supplies of food and energy to the surrounded city. It wasn't long before the city's population of birds, pets and even rats were eaten, and not long after there were reports of cannibalism brought about by starvation. The siege of Leningrad was so impenetrable that by December of that year an average of 4000 to 6000 residents a day were dying of starvation, disease, shellfire, bombardment and a variety of other causes.
During the first months of the siege Shostakovich was in Leningrad. He survived the first bombardments and joined the "night watch" patrol, helping to put out fires during massive German air bombardments. Shostakovich personally neutralized several incendiary bombs and was actively involved in firefighting. After aerial and artillery bombardments, during the rare quiet moments, Shostakovich was back to his piano composing new music. He was evacuated from the besieged city in the end of 1941.
The Seventh "Leningrad" Symphony, which Shostakovich started composing during the Nazi aerial and artillery attacks during the siege, was the masterpiece that won him national and international recognition. His music helped lift the spirits of Leningrad citizens in a time when they were struggling to survive.
On August 9, 1942, Karl Eliasberg gave a premiere performance of Shostakovich's Seventh Symphony in Leningrad. That famous concert was made possible because Eliasberg specially created an orchestra of survivors who were still able to perform in spite of starvation and dystrophy.
Eliasberg, who was also extremely emaciated, spent some time in the hospital in the Astoria hotel and came to the rehearsals straight from the sick ward. On the score of one of the musicians of that legendary orchestra you can still see a drawing showing hollow-cheeked Eliasberg conducting his orchestra sitting on a chair. The legendary performance was broadcast live from the Radio Hall in Leningrad, so millions of civilians and defenders of the besieged city were able to hear the powerful music. The symphony written in the conventional four movements is Shostakovich's longest, and one of the longest in the repertoire, with performances taking approximately one hour and fifteen minutes. The scale and scope of the work is consistent with Shostakovich's other symphonies as well as with those of composers considered to be his strongest influences, including Bruckner, Gustav Mahler and Igor Stravinsky.
Before they tackled Shostakovich's work, Eliasberg had the players go through pieces from the standard repertoire - Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky, Nikolai Rimsky-Korsakov - which they also performed for broadcast. Because the city was still blockaded at the time, the score was flown by night in early July for rehearsal. The concert was given on 9 August 1942. Whether this date was chosen intentionally, it was the day Hitler had chosen previously to celebrate the fall of Leningrad with a lavish reception for the top Nazi commanders. But instead of Hitler's plan, all loudspeakers delivered the live broadcast of the symphony performance throughout the city as well as to the German forces in a move of psychological warfare. The Russian commander of the Leningrad front, General Govorov, ordered a bombardment of German artillery positions in advance of the broadcast to ensure their silence during the performance of the symphony; a special operation, code-named "Squall," was executed for precisely this purpose. Three thousand high-caliber shells were lobbed onto the enemy. Then the music of Shostakovich came out of the speakers all over the siege perimeter, so the Nazis had to face the music. The music of Shostakovich brought the much needed support and catharsis to survivors who loved the symphony and applauded to Eliasberg and his orchestra. General Govorov with his staff came backstage to thank Eliasberg and his musicians for their art and courage.
The news about Dmitry Shostakovich's Seventh Symphony premiere in besieged Leningrad spread all over the world. It was an important message to all nations that Hitler's attack on Leningrad failed. Shostakovich who began to write his famous symphony before evacuation from besieged Leningrad in 1941, could not go back to attend its premier performance in 1942. The composer sent the conductor and the musicians who performed his work in the besieged city a telegram with words of gratitude.
After WWII Shostakovich was again accused of formalism in 1948. At that time, Shostakovich gained international recognition in the free world, and received several invitations to participate in music festivals and other cultural events. He was awarded the International Peace Prize (1954), State Prize five times (in 1941-1952), State Prizes of Russia and the USSR, and was designated People's Artist of the USSR. From 1957-1975 he was secretary of the Union of Composers of Russia and the USSR. He taught and promoted many talented musicians, such as Andrey Petrov, Georgi Sviridov, Karen Khachaturyan, and Boris Tishchenko among others.
Shostakovich and Yevgeniy Yevtushenko worked together on the famous Symphony No. 13 titled "Babi Yar", a vocal setting of poems by Yevtushenko. It was first performed in Moscow on December 18, 1962 under the baton of Kirill Kondrashin. Yevtushenko and Shostakovich toured many countries with the performances of "Babi Yar", and made several recordings of the Symphony No. 13. Among Shostakovich's best known film scores are 'Suite from The Gadfly' from The Gadfly (1955), and the score for director Grigoriy Kozintsev's acclaimed film Hamlet (1964) starring Innokentiy Smoktunovskiy.
In 1965 Shostakovich raised his voice in defense of poet Joseph Brodsky, who was sentenced to five years of exile and hard labor. Shostakovich co-signed protests together with such prominent figures as Korney Ivanovich Chukovskiy, Anna Akhmatova, Samuil Marshak, Yevgeniy Yevtushenko, and the French philosopher Jean-Paul Sartre. After the protests his sentence was commuted, and Brodsky returned to Leningrad. At that time, Shostakovich joined the group of 25 distinguished intellectuals in signing the letter to Leonid Brezhnev asking not to rehabilitate Joseph Stalin.
Dmitri Shostakovich was a towering figure in Russian music of the 20th century along with 'Sergei Prokofiev (I)' and Aram Khachaturyan. He wrote 15 symphonies, of which the Fifth (1937), the Sevenths "Leningrad" (1942), and the Thurteenth "Baby Yar" (1968) are the best known. His other compositions include cantatas and oratorios, seven operas and operettas, four ballets, twelve musical comedies and other music for stage plays, 36 original motion picture scores, fifteen quartets and other chamber music for, piano, violin, and cello. Shostakovich, who was an awarded pianist himself, had composed outstanding works for piano, such as his Piano concertos No1 and No2. His 24 Preludes and Fugues for piano received numerous awards and recognitions, and were recorded in critically acclaimed performance by Vladimir Ashkenazy.
Shostakovich died of a heart attack on august 9, 1975, in Moscow, and was laid to rest in Novodevichi Convent Cemetery in Moscow, Russia. His legacy is continued by his son, conductor Maxim Shostakovich, and his grandson, pianist Dmitri Shostakovich Jr.- Tatiana Samoilova (Tatyana Samojlova) is a Russian film actress known for the leading roles in The Cranes Are Flying (1957) and Anna Karenina (1967).
She was born Tatiana Evgenievna Samoilova on May 4, 1934, in Leningrad (St. Petersburg), Russia. Her father, Evgeniy Samoylov, was a notable Russian actor, Her mother, Zinaida Ilyinichna, was Jewish. Young Samojlova studied music under the tutelage of her mother. During the Second World War, she escaped from the siege of Leningrad with her parents, and moved to Moscow. There she studied ballet and graduated from the Ballet School of Stanislavsky Theatre. She was invited by Maya Plisetskaya to join the ballet school of Bolshoi Theatre, but she chose to be a dramatic actress. From 1953-1956 she studied at Shchukin Theatrical School, then at State Institute of Theatrical Art (GITIS), graduating in 1962, as actress. While a student, Samojlova made her film debut in Meksikanets (1955).
Samojlova shot to fame with the leading role as Veronika in Letyat Zhuravli (The Cranes are Flying 1957) by director Mikhail Kalatozov. In spite of the initial cold reception by the Soviet officialdom, the film was loved by public in Russia and internationally. It became the first and only Russian film to be awarded the Golden Palm at the Cannes Film Festival in 1958. Samojlova won a Special Mention at Cannes and was nominated for Best Foreign Actress BAFTA Film Award in 1959. She received many offers internationally, and was invited to work in Hollywood, but the Soviet government forced her to decline any jobs outside the Soviet Union.
During the 60s, her career stagnated due to overall stagnation in the USSR under Leonid Brezhnev. In 1960 Samojlova lost her job with Mayakovsky Theatre in Moscow, and was practically unemployed for several years. Her next success came with the title role in Anna Karenina (1967), an adaptation of the eponymous novel by Lev Tolstoy by director Aleksandr Zarkhi. Samojlova starred as Anna Karenina opposite her ex-husband Vasiliy Lanovoy.
During the 80s and 90s, Tatiana Samojlova had a lengthy pause in her film career. She made a comeback in several TV series in the 2000s. She was married four times, and has one son. Samojlova was designated People's Actress of Russia (1993). She is living in Moscow, Russia. - Actor
- Writer
Innokenti Smoktunovsky (birth name Smoktunovich) was born in Siberian village of Tatianovka near Tomsk in 1925. There were some speculations that his ancestors were of Polish nobility or of Jewish ethnicity and that they were exiled to Siberia for participating in the January Uprising of 1863. But, according to Smoktunovsky's own words, his ancestors were Belarusian peasants who were sent to Siberia after his grand-grandfather - a guard in the Bialowieza Forest - shot a wisent without permission. His father was killed in WWII. Smoktunovsky was drafted in the Red Army during WWII and was seized by the Nazis as a POW. He was on the road to a concentration camp, but managed to escape from the Nazis. He joined the partisans and served until the end of WWII. After the war he was under suspicion as a former POW and his career was limited to Siberia.
He studied acting for one year at the drama-studio of the Krasnoyarsk Drama Theater (1946). He found employment at the Norilsk Zapolyarny Drama Theater, where his friend and partner was Georgi Zhzhyonov, among other exiled actors. Both friends later starred in 'Beregis avtomobilya (1966)', directed by Eldar Ryazanov. But his film career started with director Mikhail Romm in 'Ubiystvo na ulitse Dante (1956), and in 'Soldaty (1956)' with director 'Aleksandr Ivanov'.
Smoktunovsky was praised by Laurence Olivier for the leading role in 'Hamlet (1964)', a B&W screen version directed by Grigoriy Kozintsev. Leading roles in Tchaikovsky (1969), 'Uncle Vanya (1970)', were among the highlights in film career of this great Russian actor. He worked with Georgi Tovstonogov from 1957-72 on stage of the Bolshoi Drama Theater (BDT) in Leningrad. He later moved to Moscow, where he worked at the Maly Theater and at the Moscow Art Theater (MKHAT). Smoktunovsky wrote an autobiographical book titled "They left me alive", in which he described his survival in Siberia, in WWII, and back again in Siberia, where he started his brilliant acting career.- Actor
- Soundtrack
Mikhail Gorbachev was the last leader of the Soviet Communist Party. He initiated the changes known as "perestroika" and "glasnost".
He was born Mikhail Sergeevich Gorbachev into a peasant family on March 2, 1931, in the village of Privolnoe, Stavropol province, Southern Russia. His father, named Sergei Gorbachev, was a tractor driver. His mother, named Maria Panteleyeva, was a peasant. His grandparents were deported and sentenced for nine years under the dictatorship of Joseph Stalin, for their success in becoming richer independent farmers known as kulaks. Young Gorbachev witnessed the destruction of traditional farming and degradation of villages, that caused massive exodus of people from their land and to gloomy industrial Soviet cities, where they were doomed to become brainwashed by propaganda and live in small flats under restricting political and economic conditions for the rest of their lives. During the Second World War Gorbachev survived the Nazi occupation of his land in Stavropol province in 1942-1943. After the war, Gorbachev chose to remain on his land, although it was now taken by the Communist Government, the ranks of which he would penetrate later. Gorbachev privately described his life and work on a Soviet collective farm as serfdom.
In 1947 Gorbachev shot to fame at the age of 16, after helping his father, a combine harvester operator, to harvest a record crop on a collective farm. For this achievement he was awarded the Order of the Red Banner of Labour and was promoted to the Communist Party at the age of 21. From 1950 - 1955 he studied law on a State scholarship at Moscow State University. There he met his future wife, Raisa Maksimovna Gorbacheva (nee Titarenko), they married in September 1953, and their daughter, Irina, was born in January 1957. After a brief stint as a Government Lawyer in Stavropol, Gorbachev made a career as a ranking leader of Komsomol (Union of Young Communists), then as a Communist Party leader of Stavropol province, climbing to the ranks as Member of the Central Committee of the Communist Party of the Soviet Union. At that time Gorbachev made his first travels outside of the Soviet Union. While the Soviet leaders were manipulating their own people into submission through fear and control, the West Europeans enjoyed freedom and prosperity that attracted East Germans and other Soviet satellites. Gorbachev learned his first lesson on his tour in East Germany, witnessing their rapid recovery after the Second World War. At the same time, in 1956, Yuri Andropov and Georgi Zhukov led the attack on Hungarian Revolution, and killed thousands of Hungarians who opposed the Soviet-imposed regime. Then Soviet leadership made more aggressive international actions by spreading military support to pro-communist regimes across the world and also by building the Berlin Wall and enforcing Soviet military and political domination in Eastern Europe. These Soviet actions alienated Europeans.
Open political discussions in the Soviet Union were not allowed under threat of prosecution, freedom of speech was never guaranteed, all media was owned and controlled by the Soviet government and independent activity was suppressed, and only some fragmented information was made available to ranking provincial communists, such as Gorbachev. In 1961 he attended the important 22nd Congress of the Communist Party in Moscow, where Nikita Khrushchev announced his Utopian plan to surpass the USA per capita income in 20 years. At the same 22nd Congress, upon Khrushchev's instruction, Gorbachev, among other top communists received a copy of Aleksandr Solzhenitsyn's anti-Stalin publication "One day of Ivan Denisovich" which criticized the brutality of Gulag prison-camps and the Soviet regime in general. That gave Gorbachev and some other young communists a hope that Khrushchev may change the brutal Soviet regime. However, in 1964, Nikita Khrushchev was arrested and dismissed by pro-Stalin group led by Leonid Brezhnev who eventually established a remake of Stalinism for the next 18 years, albeit in a more grotesque and senile version of Soviet regime. Then Brezhnev's regime crushed the Prague Spring of 1968, fought the Chinese Army over a border dispute in 1969, sent Soviet Tanks and Air Force to Egypt and Syria against Israel in the 1970s, as well as in North Vietnam against the French and Americans. At that time Gorbachev and his wife, Raisa Maksimovna, were allowed to travel to the Western Europe and see the difference between reality in European countries and its distorted depiction by the Soviet propaganda. In 1972 he headed the Soviet official delegation to Belgium, then, in 1974 was made Member of the Supreme Soviet in charge of the Commission on Youth Affairs. During the 1970s Gorbachev enjoyed a highly privileged life of a ranking communist, having many perks such as a villa in a suburb of Moscow, a special limo with a chauffeur and guards, and regular luxurious vacations in Italy and in the South of France, all at the expense of the Communist Party. However, this allowed him to see the striking difference between the quality of life in the Western Europe and gloomy survival of masses in the Soviet Union.
Gorbachev witnessed that people were living hopeless lives having no choice. Workers of collective farms lived without identification documents up until the 1970s. Undocumented citizens at collective farms were disposable. Migrants were used as industrial slaves, for symbolic pay. Wages were set by the state and did not depend on productivity or quality. The economy was governed by the state 5-year plan. This mostly ignored the world and domestic market signals; and lacked the incentives for innovation and efficiency. Teachers were forced to indoctrinate children of all ages from kindergartens through schools and universities. Total control and manipulation was demonstrated twice a year at annual May Day parades and Great Revolution parades on November 7. Military parades were accompanied by marching masses of industrial workers and managers, doctors and scientists, as well as teachers and students from all schools and universities. Exemplary obedient people were rewarded with better food and perks. Taming millions to obedience by fear and hunger led to a massive degradation of human rights, poor spirituality, lack of initiative and creativity, and the decay of public health and vitality. The country of almost three hundred million people was stuck in stagnation, inefficiency, and apathy. Brighter students were taken into the military-industrial system, brainwashed and locked there for life with little choices. Opponents were locked in the "Gulag" prison-camps, mostly in Siberia. There, millions were working various hard labor jobs in grand-scale economic projects; like the Baikal-Amur railroad (BAM). Since the Communist Revolution of 1917, people had been continually stripped of their land and property. Under Khrushchev and Brezhnev the destruction of independent farming was finalized. By the 1960s and 1970s massive poverty and anxiety pushed millions to migrate to cities. Mass-construction of cheap panel buildings was lagging behind. Millions of families shared poor housing, hostels, and dorms in cities. Villages were deserted. Collective farms decayed. Agricultural output fell below the levels of the Tsar's age. Tens of thousands of churches and monasteries were destroyed across the Soviet Union, and many churches were replaced by offices and halls of the Communist party. Spiritual life was dominated by ugly propaganda. People were blinded by fear and pushed to wrong values. Meaningful human virtues were replaced with fake ideals of ruthless Soviet communism. Propaganda idolized members of the Soviet Politburo, their portraits were decorating every school and factory along with countless portraits and statues of the first Soviet leader Vladimir Lenin.
In November 1979 Gorbachev was promoted Candidate Member of the Politburo, then less than a year later, he was made Full Member of Politbureau, the highest rank in the Communist Party which gave him unlimited direct access to Brezhnev and Andropov. The latter also promoted Gorbachev to sub for him at several Politburo meetings, and gave him a huge power in decision-making. Gorbachev developed a personal friendship with another Politburo member, Eduard Shevardnadze, and the two were vacationing together at the prestigious Black sea resort of Pitsunda. At that time the invasion of Afghanistan, ordered by senile Brezhnev in 1979, seriously undermined international credibility of the Soviet Union. Andrei Sakharov wrote an open letter to Brezhnev calling for a stop to the war. 50 nations boycotted the 1980 Olympics in Moscow. Crackdown on intellectual freedom and human rights included the use of psychiatric terror, arrests, and the exile of dissidents. The head of the KGB Yuri Andropov declared Andrei Sakharov the "enemy No. 1." Sakharov was forcefully exiled from Moscow to the militarized 'closed' city of Gorky. He was placed under tight surveillance and restricted from any contacts. His wife was also under tight surveillance. By his 70th birthday Brezhnev's health declined dramatically; but he made himself a Generalissimus Marshal of the Soviet Union, similar to that of Joseph Stalin. Brezhnev accepted over 200 decorations and awards, including awards from all pro-Soviet governments, except China. Brezhnev accepted countless expensive gifts and amassed a collection of vintage cars and other bribes. His personal vanity and behavior was replicated at all levels of the Communist Party and led to massive corruption. The old Brezhnev lost his acting abilities and couldn't even read the script. Massive disillusionment was reflected in cynical jokes about the Soviet life. The ugly reality in the Soviet Union was reflected in its senile leader. Gorbachev saw that outdated economic and political system in the Soviet Union was doomed, but propaganda was still brainwashing the minds of millions, because it was controlled by the privileged few top communists who lived in denial of the big reality.
The youngest Politburo Member, Mikhail Gorbachev, was contemplating reforms. Leonid Brezhnev died on November 10, 1982, and was succeeded by Yuri Andropov who died just 16 months later. He was replaced by Konstantin Chernenko, who died in just 13 months. In 1983 Politbureau member Rashidov committed suicide, then, in 1984 the powerful Defence Minister Ustinov died. While the Soviet Union was in a dying mode, the real world was rapidly growing into computer age that reshaped global community. The rigid Soviet System was incompatible with the constantly innovating world. USSR failed to respond to rapidly changing reality and alienated forward-thinking people even in the pro-Soviet countries. During the early 1980s Soviet Politbureau was torn between two viciously fighting groups of Communists, one was made of the old hard-liners led by Andrei Gromyko, the apprentice of Joseph Stalin. The other, pro-democracy group, was made of the forward-thinking members of the Politbureau who chose Gorbachev as their leader along with Aleksandr Yakovlev who was the brain behind Gorbachev's moves. With Gorbachev's support Yakovlev managed to change all hard-liners in the Soviet media and propaganda system. In March 1985 Gorbachev was made the Secretary General of the Communist Party of the Soviet Union, becoming the first Soviet leader to have been born after the disastrous Russian Revolution of 1917. He announced reforms called 'perestroika' (aka.. restructuring) and 'glasnost' (aka.. opening up), and lifted the walls of propaganda and denial. However, Gorbachev's first reform on regulations related to manufacturing and trade of alcohol became an economic disaster, causing a serious economic damage to the Soviet Union's State budget with annual losses exceeding tens of billions of dollars. Although his reforms were supported by public, many communist hard-liners openly opposed Gorbachev. Eventually, by the late 1980s Gorbachev's push for economic liberalization resulted in emergence of co-operatives and other forms of independent businesses, making the movement to freedom irreversible.
In December of 1986, Gorbachev personally contacted Andrei Sakharov in his exile. Gorbachev ordered that the KGB should release Sakharov and return him to Moscow. Back in Moscow Sakharov continued his work as a humanitarian. A few months before his death, he was elected as a representative of the Academy of Sciences to the Supreme Soviet in 1989. Sakharov showed to the World what an independent thinker can do by going to the extremes of science. He invented a bomb that could bring the most horrible extermination of life, and then took a stand to ban his own invention for the salvation of planet Earth. Gorbachev had important meetings with Ronald Reagan culminating in their summit in Reikjavik, Iceland, and leading to a more stable political and military situation in the world, that resulted in reunification of Germany and the fall of the Berlin Wall in November of 1989. At that time the Soviet hard-liners criticized Gorbachev's international moves, saying that he was not a leader, but rather a follower of Ronald Reagan's instruction: "Mr. Gorbachev, tear down that wall" when the state of world affairs did not allow Gorbachev to disobey without a risk of losing his face. He also followed recommendations by Margaret Thatcher on opening the "Iron Curtain" to allow the Russian people to see the world and learn about the diverse international reality and travel freely on their own. A first, Gorbachev skillfully used hidden buttons within the rigid structure of the Soviet power tainted by the long tradition of obedience, fear and intimidation, which was installed by dictator Joseph Stalin within the ranks of Communist bureaucracy. That fear of the man in Kremlin served Gorbachev's plans well, as he managed to overcome the resistance of hard liners in ending the ruling powers of the Communist Party. Soon Gorbachev began giving away many power buttons in Moscow, which allowed his rivals to gain strength and independently form opposition groups. Andrei Gromyko, the last living member of Joseph Stalin's old Politbureau, had criticized Gorbachev's methods as "weak leadership" and also said "He (Gorbachev) is unfit for the Hat" (where the Hat means Kremlin, or an allusion to the Tsar's crown of power). Such criticism was ignored by most of the younger members of the Communist Politbureau and Central Committee, because weak central leadership allowed provincial bosses to privatize state property at a fraction of its real value.
Gorbachev replaced his hard-line critic Andrei Gromyko with Eduard Shevardnadze as the Minister of Foreign Affairs of the USSR, and both Gorbachev and Shevardnadze pushed for international détente and withdrawal of the Soviet troops from Afghanistan. In another effort to add weight to his gradually eroding power, in March of 1990 Gorbachev updated his official title by adding a newly created post as President of the Soviet Union, albeit he was not really a democratically elected president. He surrounded himself with the political council of 15 top politicians, but he was lacking the grass-roots connections with masses and mid-level bureaucracy across the country. At that time Gorbachev began to experience powerlessness in his efforts to change the gigantic Soviet system, he was known for expressing his powerlessness by using profanities and anger at his meetings with the ranks of Soviet Government and industrial leaders. Gorbachev was facing an impossible task of modernizing the brittle structure of the Soviet Communism, especially the massive and inefficient Soviet military-industrial complex where opposition to reforms was the most organized, and inefficiency was dissembled as a military secret, like a catch-22, thus making it unreformable. Gorbachev himself was still perceived as the Secretary General of the Soviet Communist Party, and that stigma became the weakest part of his image in the eyes of many open-minded and quickly learning people in the Soviet Union. His effort to gain political weight by adding a figure of Vice-President of the Soviet Union had failed and soon backfired. Gorbachev's fatal mistake was letting the Members of Politbureau to chose the Vice-President of the Soviet Union behind closed doors in Kremlin; the "chosen" one was a career communist Gennadi Yanayev who would very soon betray Gorbachev during the coup.
Eventually Gorbachev became overshadowed by a much stronger figure of Boris Yeltsin, who gained more popular support by pushing further economic and political reforms, and also criticized Gorbachev's manner of restructuring of the Soviet system as slow, indecisive and inefficient. The rivalry between two former Communist comrades ended in the August 1991 coup, when still powerful KGB and Soviet Army leaders tried to take the power away from both Gorbachev and Yeltsin. Their coup failed just a couple days later, after the entire country watched Gennady Yanayev and his coup members on TV. "Let me say that Mikhail Gorbachev is now on vacation. He is undergoing treatment, himself, in our country. He is very tired after all these years and he will need time to get better." said Gennadi Yanayev before the cameras, and his hands were visibly trembling from fear. Gorbachev's disappearance during the coup was also seen as his grave weakness. Boris Yeltsin disposed his Communist ID card in front of the cameras and publicly denounced Gorbachev. Then all ranks of communists deserted the Communist Party in a massive exodus, and that was the end of the Soviet Union. All regional leaders were anxious to rule as presidents of their own independent states, and Yeltsin was already elected the president of Russia, the biggest part of the Soviet Union. Yeltsin met with the leaders of Ukraine and Belarus and they made a treaty as independent states. By the end of December 1991 the Soviet Union became obsolete and Gorbachev retired after a formal signing of dissolution of the USSR.
Mikhail Gorbachev is still regarded in the Western world for his input in ending the Cold War and helping the reunification of Germany. He was awarded the Nobel Peace Prize (1990) and received numerous international awards, decorations and privileges, such as the Honorary German Citizenship. However, in Russia Gorbachev's political standing failed to gain any substantial public support. He received less than 1% of popular vote in the 1996 presidential elections in Russia, when his former rival Boris Yeltsin was elected for his second presidential term. In 2001 Gorbachev founded the Social Democratic Party of Russia, but later, in 2003, he had resigned from the party leadership and stayed away from most of the current Russian political forces and media. In contrast to Gorbachev's popularity all over the world, he fell in obscurity in Russia, largely because in the new era of the wild Russian capitalism his outdated views and experience became obsolete. Instead he turned to business of giving lecture tours and speeches internationally and selling photo-ops with him for money that goes to humanitarian causes; he also sold his name and image to commercials such as the Pizza Hut and other businesses. He has been running the business of the Gorbachev Foundation, which handles his international appearances, while keeping a low profile in the current political life of Russia. In 2005 he was awarded the Point Alpha Prize for his role in re-unification of Germany. In 2006 Gorbachev underwent a carotid artery surgery in Munich, Germany.- Actor
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Aleksandr Abdulov, one of Russian cinema's best known sex symbols and was one of the most celebrated Russian film stars.
He was born Aleksandr Gavrilovich Abdulov on May 29, 1953, in Tobolsk, Siberian Russia, into the family of a theatre director from Fergana, Uzbekistan. His father, named Gavriil Abdulov was a wounded veteran of the Second World War decorated for his courage at the front-line tank battles against the Nazis. Abdulov's mother was a make-up artist at several Russian theatres. Young Abdulov grew up in Uzbekistan, where he finished high school and also became the Master of Sports in fencing. He was admitted to a local college where he had the chance of becoming a sports coach.
His dream of becoming an actor was almost ruined when he failed the admission tests at the Moscow State Institute of Theatrical Arts (GITIS). He could not go back to Uzbekistan so he stayed in various gloomy dorms in Moscow, working hard labor jobs at railway stations just to survive. He then studied acting at GITIS, made very little money working as an extra, and still was a hard laborer in order to pay for his living in Moscow. In 1975 he graduated from GITIS and was hired by the Lenkom Theatre director Mark Zakharov.
Abdulov revealed the full range of his talent in popular films An Ordinary Miracle (1979) and S lyubimymi ne rasstavaytes (1980). The public adored Abdulov and he became the first big sex-symbol in the former USSR. Millions of his pictures has been decorating homes and student dorms in every big and small town of the former Soviet Union. The public loved Abdulov - the actor and the man - for his sincere talent and for his devotion to his ideas.
He played his best roles under the direction of Mark Zakharov in such films as 'Obyknovennoe Chudo (1978), 'Tot samyi Munchgausen (1979), 'Formula Lyubvi' (1984), and Ubit drakona (1988). His best film partners were Oleg Yankovskiy, Evgeniy Leonov, Vyacheslav Tikhonov, Evgeniy Evstigneev, Leonid Bronevoy, Andrey Mironov, Irina Kupchenko, Leonid Yarmolnik, Semyon Farada, Aleksandr Zbruev, Sergey Nikonenko, Irina Alfyorova and others. This ensemble of fine actors and directors evolved into a special and uniquely Russian milieu, where Abdulov's multifaceted talent was supported by other actors.
His range and nuanced acting reached a new level in the films made in the late 1980s and 1990s. Abdulov created powerful roles in a tandem with the masterful Innokentiy Smoktunovskiy in the innovative film 'Geniy' (1991) by director Viktor Sergeev. At that time, Abdulov also received a Nika Award nomination for supporting role in Sukiny deti (1991) by director Leonid Filatov. Abdulov made two equally interesting works in collaboration with director Sergey Solovyov in 'Chyornaya roza - emblema pechali, krasnaya roza - emblema lyubvi' (1989) and in 'Dom pod zvyozdnym nebom' (1991). Both works were awarded, acclaimed by critics, and loved by the public.
Abdulov showed his gift for transformation in the devilish character Korov'ev in 'Master i Margarita' (2005), a TV-series from director Vladimir Bortko based on the eponymous book by Mikhail A. Bulgakov. Abdulov's energy helped the film making him the most lively nerve in the group of 'super stars' (some say super old stars). His acting became more classic and restrained in the traditionally Russian period-film 'Anna Karenina' (2005) based on the eponymous novel by Lev Tolstoy from director Sergey Solovyov. Later Abdulov worked with director Aleksandr Buravskiy in the epic film Leningrad (2009), about the historic siege during the Second World War; where his acting partners were Gabriel Byrne, Mira Sorvino, Kirill Lavrov, Mikhail Efremov, Donatas Banionis and other notable actors.
Aleksandr Abdulov was designated People's Artist of Russia. He received numerous awards and nominations for his performances in film and on stage. He was a permanent member of the troupe at Lenkom Theatre in Moscow. He also directed several films as well as stage productions. Aleksandr Abdulov died of lung cancer, on January 3, 2008, and was laid to rest in Vagankovskoe cemetery in Moscow, Russia.- Actor
- Producer
- Writer
Vladimir Menshov was a Russian director and actor, noted for his depiction of the Russian everyman and working class life in his films. Born on September, 17, 1937 in Baku (then USSR, now the territory of Azerbaijan), like many Russian directors and actors Menshov studied at the state film school VGIK. Although his filmography as an actor is superior to that as director (actually confined to only five movies), he will be remembered most of all for his second film as director, Moscow Does Not Believe in Tears (1980), one of the most popular and beloved films in Russia, starring his wife Vera Alentova. The film brought him international recognition and the Oscar for the Best Foreign Film. Menshov did not attend the Academy Awards ceremony personally because he could not leave the country due to some problems of political nature, and the prize statuette was accepted by the USSR Commissioner to the U.S. The film itself is a moving story of three girlfriends who arrive in Moscow in search for a better life. A great melodrama in the first place, on a close analysis, the film can be seen as a biography of a whole generation since in the late 1970s, young people who abandoned their provincial towns with no opportunities for good jobs and strove to settle in the Russian capital.
In 1999, the 20th anniversary of the film's original release was celebrated at a series of events around Russia. Another film, an immensely popular comedy of manners Love and Doves (1985), was about a rural farmer peasant falling in love with a glamor urban lady. It ensured that his career continued to glitter. In the decade that followed he refrained from directing and in his rare interviews was very critical of the cinema industry. In 1995 he made Shirli-myrli (1995) - a very long extravaganza satirizing practically every aspect of cultural and political life in Russia. The film showed that these "off the job" years had not affected his talent. Zavist bogov (2000) - a nostalgic drama - demonstrated his longing for the Soviet era life style. Although criticized by some for "being too simple", Menshov was affectionately loved by ordinary cinema-goers who saw him as one of a very few directors capable of creating a perfect comedy or drama out of a down-to-earth situation.- Actor
- Music Department
- Soundtrack
Anatoliy Dmitrievich Papanov was born on October 31, 1922, in Vyasma, Smolensk region, USSR. His father, named Dmitri Filippovich Papanov, was a Russian industrial worker. His mother, named Elena Bronislavovna Roskovskaya, was of Polish ancestry. Young Papanov moved to Moscow with his parents in 1929. After graduation from a secondary school in 1939, he worked as a metal worker at the 2nd Moscow Ball-bearing Factory. There Papanov was an amateur actor at the Worker's Club Theatre-studio named "Kauchuk".
In 1941 Papanov was drafted in the Red Army and served as an Artillery Sergeant. He was severely wounded in his legs in 1942, and spent six months in hospitals. At age 21, he became permanently disabled and used a cane for the rest of his life. Papanov was admitted to the acting class of the Moscow Theatre Institute (GITIS), from which he graduated in 1946. While a student, Papanov married his classmate actress Nadezhda Karataeva. From 1946-1948 he worked on stage at the Klaipeda Drama Theatre in Latvia. In 1948 Papanov was invited to the Moscow Theatre of Satire by director Andrei Goncharov. He became permanent member of the troupe and worked on stage for almost 40 years. His regular stage partners were Andrey Mironov, Tatyana Pelttser, Spartak Mishulin, Aleksandr Shirvindt, Mikhail Derzhavin, Vladimir Kozel, Olga Aroseva, Georgi Menglet, and other renown Russian actors.
Papanov made his film debut as an extra in 'Lenin v Oktyabre' (1937) by director Mikhail Romm. He played supporting roles in comedies by director Eldar Ryazanov - 'Chelovek niotkuda' (1961), where his partner was Sergey Yurskiy, and in 'Beregis avtomobilya' (1966), where his partners were Innokentiy Smoktunovskiy, Oleg Efremov, Andrey Mironov, Georgi Zhzhyonov, Donatas Banionis, Evgeniy Evstigneev, and others. Papanov became really famous after his impressive work in the role of General Sepilin in 'Zhivye i myortvye' (1963), for which he was awarded the Brothers Vasilyev State Prize in 1966.
Anatoli Papanov is best known for his roles in the comedies of director Leonid Gaidai. His satirical character - a gangster chief Lyolik in 'Brilliantovaya ruka' (The Diamond Arm, 1968) became one of the most popular characters in the Russian cinema. Papanov made an excellent acting ensemble with his film partners Andrey Mironov, Yuriy Nikulin, Nonna Mordyukova, Nina Grebeshkova, Svetlana Svetlichnaya, Leonid Kanevskiy, and other remarkable actors. 'Brilliantovaya ruka' was the all-time box-office leader with over 76,000,000 admissions in theaters of the Soviet Union. In a 1995 national poll in Russia, 'Brilliantovaya ruka' was voted the best Russian comedy ever.
Anatoli Papanov was awarded the Russian State Prize of Brothers Vasilyev (1966). He was designated People's Actor of the USSR (1973) and was awarded the USSR State Prize (1989, posthumously). Papanov died of a heart attack on August 7, 1987, at his Moscow apartment, a few days before the tragic collapse of his friend and partner Andrey Mironov. Anatoli Papanov's death caused a considerable mourning among his fans in the Soviet Union, he was laid to rest in the Novodevichy Cemetery in Moscow, Russia.- Actor
- Additional Crew
- Soundtrack
Yuri Nikulin was a Russian film actor, comedian, mime, and circus clown who was also Artistic Director of Moscow Circus and popular TV show host.
He was born Yuri Vladimirovich Nikulin on December 18, 1921, in the town of Demidov, Smolensk province, Central Russia. His father, Vladimir Andreevich Nikulin, was a writer and director who worked for theater and circus. Yuri Nikulin inherited his fathers talents and had a dream of becoming an actor. The Second World War changed his plans as he was drafted in the Soviet Army in 1939 and served in a tank unit until 1946. After the war he came out a changed man. He could not get in any Soviet acting school for a few years, until he went to the Moscow Circus. There he was admitted after presenting a pantomime as a clown. He graduated from the Circus School in 1950, and started his acting career as a clown at the Moscow State Circus.
Yuri Nikulin became best known for his roles in the comedies from director Leonid Gaidai. Their collaboration from 1961 to 1971 was one of the most productive actor-director partnerships in the history of Russian film. Their comedies were the highest-grossing box office hits ever in Russia and the former Soviet Union with the admissions of 222,800,000 in the first 15 months. The Diamond Arm (1969) was the #1 top grossing Russian box office hit ever with theatrical admissions over 76,700,000 in the Soviet Union in 1969. In a 1995 national poll in Russia, The Diamond Arm (1969), starring Yuri Nikulin was voted the best Russian comedy ever.
Nikulin's effortless style and precise delivery, as well as his mastery of timing and his hilarious masks made him an outstanding comedian, arguably the best Russian comedian ever. Nikulin showed his range in a variety of genres from slapstick comedy to romance and war drama. His most popular film partners were Georgiy Vitsin, Evgeniy Morgunov, Natalya Varley, Rolan Bykov, Anatoliy Papanov, Sergey Filippov, Mikhail Pugovkin, Aleksandr Demyanenko, Leonid Kuravlyov, Andrey Mironov, Evgeniy Evstigneev, Vasiliy Shukshin, Vyacheslav Tikhonov, Sergey Bondarchuk, Nikolay Burlyaev, Viktor Pavlov, Boris Novikov, Vladimir Etush, Saveliy Kramarov, Nikolay Grinko, and many other notable Russian actors.
Yuri Nikulin received popular and critical acclaim for his leading and supporting roles in such films as 'Andrei Rublev' (1961) by director Andrei Tarkovsky, They Fought for Their Country (1975) by director Sergey Bondarchuk, 'Stariki-razboyniki' (1971) by director Eldar Ryazanov, 'Chuchelo' (1983) by director Rolan Bykov, 'Kogda derevya byli bolshimi' (1961) by director Lev Kulidzhanov, '12 stulev' by director Leonid Gaidai, 'Dvadtsat dney bez voiny' (1976) by director Aleksey German, and many other memorable works in film. Nikulin's recording of the theme song from The Diamond Arm (1969), especially his delivery of such lines as "We care less" and "We are fearless" made it a popular hit in the 60s and 70s Soviet Union.
Nikulin was among very few comedians who could continue laughing in the face of the Soviet system without any fear of being punished. Even the toughest hard-liners knew that without his humor the everyday life of many millions would be totally unbearable. His genuine talent endured the country's worst times with a smile. He could make people smile anytime and anywhere; even after the collapse of the Soviet Union, when the bloody communism was replaced with the no less bloody Russian capitalism. During the 1990s Nikulin hosted 'Bely Popugai' (aka.. White Parrot), a hilarious TV show where he gathered the crème de la crème of Russian comedians.
The Moscow State Circus on Tsvetnoi Bulevard was the main workplace for Yuri Nikulin, where he had a career spanning about 50 years. He was awarded the honorable title of the National Artist and received numerous decorations for his achievements as an actor. Yuri Nikulin died after an open heart surgery, on August 21, 1997, in Moscow, and was laid to rest in the Novodevichy Monastery Cemetery, among the tombs of Anton Chekhov, Mikhail A. Bulgakov, Nikolay Gogol, Nikita Khrushchev, Sergey Bondarchuk, Anatoliy Papanov, and other Russian culture luminaries and historic figures.- Zhanna Prokhorenko was born on 11 May, 1940, in Poltava, Ukraine, Soviet Union (now Poltava, Ukraine). Her father, Trofim Prokhorenko, an Air Force officer, was killed in WWII, when she was a one-year-old baby. She was brought up by single mother and went to school in Leningrad. Young Zhanna Prokhorenko studied acting at the acting studio of Leningrad Palace of Pioneers. There she was scouted by Moscow Art Theatre and moved to Moscow. At age nineteen, she was cast by director Grigoriy Chukhray in Ballad of a Soldier (1959) opposite Vladimir Ivashov. The movie won Grand Prix at the Cannes Film Festival, and Zhanna Prokhorenko shot to international fame. In 1960, she toured the USA presenting the film to American audiences. At that time, Moscow Art Theatre had a strict policy against stage actors who switch to movies, so Zhanna Prokhorenko was fired. She took the acting class of Sergey Gerasimov at Soviet State Institute of Cinema (VGIK), graduating in 1964 as film actress.
Zhanna Prokhorenko was married twice. Her first husband was director Evgeniy Vasilev and the couple had one daughter, Yekaterina Vasilyeva, and granddaughter, Maryana Spivak. Her second husband, writer Artur Makarov, was killed by burglars in her lavish Moscow apartment in 1995, while Zhanna Prokhorenko was away. The murderer was never found. Zhanna Prokhorenko suffered from depression and went into seclusion in a small village away from Moscow. She died of a chronic illness, on 1 August, 2011, in a Moscow hospital, and was laid to rest in Khovanskoe Cemetery in Moscow, Russia. - Actor
- Director
- Second Unit Director or Assistant Director
Oleg Tabakov was a renown Russian actor, director, and public figure, who played over 100 roles in film and on TV. He is best known for his roles as Count Nikita Rostov in War and Peace (1965) by Sergey Bondarchuk, and as Oblomov in the eponymous film by Nikita Mikhalkov.
He was born Oleg Pavlovich Tabakov on August 17, 1935, in Saratov, Russia, USSR. His father, Pavel Kondratevich Tabakov, and his mother, Maria Andreevna Berezovskaya, were medical doctors in Saratov. His parents separated during the Second World War, and young Tabakov was brought up by his single mother and grandmother. He attended the all-boys school in Saratov, and was active in the drama class. From 1950-1953 he studied acting at the Saratov House of Pioneers under the legendary acting coach Natalia Iosifivna Sukhostav.
In 1953, Tabakov moved to Moscow and entered the Moscow Art Theatre (MKhAT) School of Acting. He attended the class of Vasili Toporkov, graduating in 1957 as an actor. He made his film debut as Sasha in Sasha vstupayet v zhizn (1957) by director Mikhail Shvejtser, in 1956. That same year he became the youngest of the six founding members of Sovremennik Theatre under the directorship of Oleg Efremov. From 1957 - 1983, he was member of Sovremennik. There he played leading roles in such productions as 'Goly Korol' (aka.. Naked King), 'Tri Zhelaniya' (aka.. Three Wishes), 'Obyknovennaya istoriya' (aka.. Ordinary story) and other contemporary Russian plays. From 1970 - 1976 Tabakov was General Manager of Sovremennik, he promoted Galina Volchek to Principal Director of the company.
Since 1970s Tabakov had been teaching young actors at his master-class. Many of his students became successful professionals on stage as well as in film industry. His teaching credentials included workshops and productions at the Paris Conservatoire, the British American Drama Academy, Akademie Der Künst in Hamburg, the Max Reinhardt Seminar in Vienna, Carnegie Mellon, The Juilliard School, New York University, Florida State University, The University of Delaware, and Harvard University.
In 1978 Tabakov and his students opened the "Tabakerka" Theatre in downtown Moscow. There Tabakov produced and directed several successful plays, such as 'Vesnoi ya vernus k tebe' (aka.. I'll be back in Spring), 'Proschay Maugli' (aka.. farewell to Maugli), and 'Belosnezhka i sem gnomov' (aka.. Snowhite and seven dwarfs). However, regardless of success with public and steady critical acclaim, the Soviet officials did not authorize Tabakov's new theatre, and his company dissolved by 1982. At that time Tabakov was depressed and transferred to MKhAT. There he played one of his best stage roles, Salieri, in the popular play 'Amadeus' under directorship of Oleg Efremov. Over the course of his acting career Tabakov appeared in about 150 roles, he also directed over 30 international stage productions.
During the 1990s, Oleg Tabakov was a strong supporter of democratic reforms and freedom in the new Russia. He made public speeches and was involved in many public events facilitating the cultural transformation of arts and theatres in Russia. Having himself experienced the Soviet control and suppression during his creative career, Tabakov became one of the leading proponents of cultural reforms in Russia. His efforts came to fruition in the revival of the Moscow Art Theatre under his leadership, as well as his participation in numerous cultural and political events in Russia. Over the course of his life and career, Oleg Tabakov rose to become one of the living symbols of artistic freedom in Russia. However, during the last years of life, Tabakov had shown public support of the ruling regime of Russia, supposedly out of the desire to help his students and the actors of his theatre.
Since 2000, after the death of his friend Oleg Efremov, Tabakov had been Artistic Director of Moscow Art Theatre named after A. Chekhov. He was also the Artistic Director of "Tabakerka" Theatre, and the leading actor in both companies. He was awarded the USSR State Prize for the Arts, the Russian State Prize for the Arts, and other national and international awards and decorations from Hungary, France, Poland, and the USSR. Oleg Tabakov was designated People's Actor of the USSR and Russia (1980s), and was decorated with the Order of Merit of Fatherland II degree, by the Russian president Vladimir Putin (2005).
Oleg Tabakov has been married twice. His first son, Anton Tabakov, is an actor and also a successful night-club owner in Moscow. Since 1996, Oleg Tabakov had been married to actress Marina Zudina and the couple had two children, son, Pavel (b. 1996), and daughter, Maria (b. 2006). Oleg Tabakov was hospitalized in the late November of 2017. His condition worsened gradually, ending in his death on 12th of March, 2018.- Actress
- Soundtrack
Zhanna Friske was born on 8 July 1974 in Moscow, RSFSR, USSR [now Russia]. She was an actress, known for Day Watch (2006), Night Watch (2004) and Odnoklassniki.ru: naCLICKay udachu (2013). She died on 15 June 2015 in Moscow, Russia.- Director
- Writer
- Actor
Leonid Iovich Gaidai was born on January 30, 1923, in the town of Svobodny, Amur region of Siberia, USSR. He was the third child in the family of a railroad worker. His father, named Iov Isidorovich Gaidai, was exiled to Siberia from Poltava, Ukraine. His mother, named Maria Ivanovna Lubimova, came from the Russian city of Ryazan. In 1930 the family moved to the Siberian city of Irkutsk. There Gaidai went to school and graduated in June of 1941.
In 1941, during the Nazi occupation of Russia in the Second World War, Gaidai was drafted in the Red Army. He was assigned to the front-line Army intelligence at the Kalinin Front near Moscow. Because he spoke German, he was involved in clandestine intelligence operations against the Nazi invaders. In 1943 he was seriously wounded, when he stepped on a land mine. He became physically handicapped and was decorated for his courage. He was discharged with honors as a disabled veteran of WWII.
Gaidai went back to Siberian city of Irkutsk, There he studied acting at the Drama Studio of the Irkutsk Drama Theatre. He graduated in 1947, and was an actor of that theatre until 1949. From 1949-1955 he studied as film director at State Institute of Cinematography (VGIK) under Grigoriy Aleksandrov, Mikhail Romm and Ivan Pyrev. From 1955 Gaidai was a film director at the Mosfilm Studios under his mentor Mikhail Romm. Gaidai used literary material by Ilya Ilf and Yevgeni Petrov, Mikhail A. Bulgakov, Mikhail Zoschenko, and O. Henry among other writers.
His early films of the 1950's had little success. In the 1960's Gaidai created the "goldmine" with comedians Yuriy Nikulin, Georgiy Vitsin, Evgeniy Morgunov, and Aleksandr Demyanenko. Comedies with those actors were the highest-grossing box office hits ever in the Soviet Union with the attendance of 222,800,000 in the first 15 months. Total admissions of the Gaidai's comedies during the 1960's only in the USSR exceeded 600,000,000 without counting the reruns and the international sales.
During the 1970s and 1980s Gaidai worked with the best comedians of the Soviet cinema, such as Evgeniy Leonov, Leonid Kuravlyov, Archil Gomiashvili, Mikhail Pugovkin, Yuriy Yakovlev and many other renown actors. Alhough the inevitable changes in society during "perestroika" affected the film industry, Gaidai's films still remained on the top. Gaidai's comedies on video even gained popularity after the collapse of the Soviet Union. In a 1995 poll in Russia, 'Brilliantovaya ruka' (1968) was voted the best Russian comedy ever.
Financial success did not reach Gaidai personally, he lived in a co-op flat and had the same one car, "Lada", driven by his wife, actress Nina Grebeshkova for many years. She was the fortress behind his success by being a quiet help and never demanding more than they had. She described her husband, Gaidai, as being similar to the popular character 'Shurik' in his films. Leonid Gaidai died of thrombo-embolic disease and complications of his WWII wounds on November 19, 1993, in Moscow. He was laid to rest in the Kuntsevsky Cemetery in Moscow, Russia.- Actor
- Producer
Aleksey Petrenko was born on 26 March 1938 in Chemer, Chernigov Oblast, Ukrainian SSR, USSR [now Chernihiv Oblast, Ukraine]. He was an actor and producer, known for 12 (2007), Skaz pro to, kak tsar Pyotr arapa zhenil (1976) and Kollektsioner (2001). He was married to Azima Abdumaminova, Alla Petrenko and Galina Kozhukhova-Petrenko. He died on 22 February 2017 in Moscow, Russia.- Actor
- Writer
- Producer
Aleksandr Kuznetsov was born on 2 December 1959 in Petrovka, Primorskiy kray, RSFSR, USSR [now Russia]. He was an actor and writer, known for The Bourne Supremacy (2004), Space Cowboys (2000) and The Peacemaker (1997). He was married to Yuliya Rutberg, Christina and Lyudmila Sobko. He died on 6 June 2019 in Moscow, Russia.- Actor
- Music Department
- Soundtrack
Evegeni Leonov was a Russian actor best known for leading roles in comedies, such as Kin-dza-dza! (1986) and Gentlemen of Fortune (1971).
He was born Evgeni Pavlovich Leonov on September 2, 1926, in Moscow, Russia, USSR (now Moscow, Russia). He was the second son in the family. His father, Pavel Vasilevich Leonov, was an aviation engineer, his mother, Anna Il'inichna was a homemaker. Young Evgeni Leonov had a dream of becoming a pilot like the famous aviator Valeri Chkalov. During the Second World War his school studies were interrupted by invasion of the Nazi Armies. Leonov became a metal-worker after he completed only seven years of secondary school. Leonov worked in the aviation industry and studied at Moscow Aviation Technical School, named after S. Ordzhonikidze. There he started amateur acting at students club.
One day in 1943, Leonov decided to become a professional actor. He borrowed a coat from his brother and went to the Moscow State Theatre Studio. There he took an entrance exam: he presented monologues from Anton Chekhov and Mikhail Zoschenko to the State Commission of 25 professionals, including Andrei Goncharov and Rostislav Zakharov, the renown director from the Bolshoi Theater. After finishing the prepared monologues Leonov was asked to perform something else. "Something else is even worse", he replied. His words caused an explosion of laughter. The State Commission saw his great potential, and Leonov became a student at the drama class of the Moscow State Theatre Studio. There his teachers were Rostislav Zakharov and Andrei Goncharov. He continued his day job as an industrial worker, and studied acting at nights, graduating in 1947, as actor.
Leonov became a member of the Moscow Dzerzhinsky Borough Theatre, which was renamed the Stanislavsky Theatre in 1948. He had no serious roles for two years and struggled through working extras at the Mosfilm. In 1949 Leonov played his first cameo roles in 'Karandash na ldu' and 'Schastlivy reis'. His first big work in movies was the supporting role in 'Delo Rumyantseva' (1955). In the course of his film career Leonov played a dazzling variety of leading and supporting roles in more than 60 films. Leonov is best remembered for his roles in popular films from directors Vladimir Fetin, Leonid Gaidai, Mark Zakharov, and Georgiy Daneliya. He was twice awarded the State Prize of the USSR, was designated People's Actor of USSR (1978) and received numerous decorations for his film roles and for his stage works.
Evgeni Leonov was among the leading comedians in Russian cinema of the Soviet era. He was best known for his roles in such films as Striped Trip (1961), Gentlemen of Fortune (1971), Kin-dza-dza! (1986), Mimino (1977), and _Osenniy marafon (1979). Leonov also demonstrated remarkable range in dramas and period films, such as Belorussky Station (1971) and Tchaikovsky (1970). He was the voice of Vinnie the Pooh in the eponymous Russian cartoon. His happy face and a sincere smile was a guarantee for success of a film or a stage play. Leonov's stage career, spanning more than 50 years, really took off in 1954, with the role of Lariosik in 'Dni Turbinykh', a play by Mikhail A. Bulgakov. From 1974 - 1994 Leonov was a permanent member of the troupe at Moscow Lenkom Theatre under the directorship of Mark Zakharov. There his stage partners were such actors as Inna Churikova, Leonid Bronevoy, Oleg Yankovskiy, Aleksandr Abdulov, Nikolay Karachentsov, Aleksandr Zbruev, Aleksandra Zakharova, Tatyana Kravchenko, Aleksandr Lazarev, Dmitriy Pevtsov, and other notable Russian actors. Leonov gave a remarkable performance in the leading role as Tevye in 'Pominalnaya Molitva', an adaptation of Tevye the Milkman story by Sholom Aleichem, which was the last role of this great Russian actor.
Outside of his entertainment career, Evgeni Leonov was fond of fine art; he developed a passion for collecting Russian landscape paintings and graphics, as well as Russian period furniture and antiques. His home in Moscow looked like a museum of Russian art. He enjoyed treating his friends and guests to the highlights of his private collection. Leonov, a gourmet connoisseur, was famous for his remarkable hospitality and shared his passion with many friends and guests. He was married to Vanda Vladimirovna Stoilova, and the couple's son, Andrey Leonov, also became an actor. Evgeni Leonov died of a heart attack on January 29, 1994, in Moscow, and was laid to rest in the Novodevichy Convent Cemetery in Moscow, Russia.- Director
- Special Effects
- Writer
Aleksandr Ptushko was born on 19 April 1900 in Lugansk, Lugansk uyezd, Yekaterinoslav Governorate, Russian Empire [now Luhansk, Luhansk Oblast, Ukraine]. He was a director and writer, known for The Stone Flower (1946), Sadko (1953) and Ruslan i Lyudmila (1972). He died on 6 March 1973 in Moscow, Russian SFSR, USSR [now Russia].- Director
- Writer
- Actor
Eldar Aleksandrovich Ryazanov was born on November 18, 1927 in Samara, Russia. He graduated with honors from the Soviet State Institute of Cinematography (VGIK) in 1950, as a film director. He was making documentaries for five years. In 1955 Ryazanov came to work at the Mosfilm Studios under the direction of Ivan Pyrev, who produced Ryazanov's first feature film 'Karnavalnaya Noch' (Carnival in Moscow, 1956). It was an instant box office hit starring Lyudmila Gurchenko and Igor Ilyinsky.
Ryazanov's early comedies 'Devushka bez adresa' (1957), 'Gusarskaya ballada' (1962), 'Dayte zhalobnuyu knigu' (1963) were popular in the time of the cultural "Thaw" which was initiated by Nikita Khrushchev. However Ryazanov's film 'Chelovek niotkuda' (1961) was banned by the Soviet censorship, regardless of the fine acting by Sergey Yurskiy and Anatoliy Papanov. 'Beregis avtomobilya' (Watch Out for the Automobile, 1966) is arguably the most popular of Ryazanov's comedies. In that film Ryazanov worked with the stellar cast, including such actors, as Innokenti Smoktunovsky , Oleg Yefremov, Anatoli Papanov, Georgi Zhzhyonov, Yevgeni Yevstigneyev, Andrei Mironov (I), Olga Aroseva, Donatas Banionis, and other Russian film stars. The music score for the film was written by the brilliant composer Andrey Petrov.
Ryazanov created his own style of lyrical comedy with a soft satire on the Soviet life. His 'Zigzag udachi', with Evgeniy Leonov in the leading role, was a nice fairy tale for the Soviet people. 'Stariki-razboyniki', starring Yuriy Nikulin, Evgeniy Evstigneev, and Andrey Mironov was a crime-parody. His extremely popular TV-movie 'Ironiya sidby, ili S lyogkim parom!' (Irony of Fate, 1975 TV) was a big hit of the 70's and later turned into a nostalgic cult. It is shown every New Year's Eve as a tradition in the former Soviet Union. Actors Andrey Myagkov, Yuriy Yakovlev, Barbara Brylska, and Aleksandr Shirvindt are working together as one acting ensemble. Two years later Ryazanov directed another hit, 'Sluzhebny roman' (1977), where Andrei Myagkov made a nice duet with 'Alisa Freindlikh'.
Eldar Ryazanov wrote and directed 'Garazh' (1979). Ryazanov delivers a dazzling array of Soviet characters and situations in this film, ranging from funny, bitter, and sarcastic, to greedy, manipulative, and scary stupid. In somewhat a departure from comedy, Ryazanov brings the theme of "Gulag" prison-camp in 'Vokzal dlya dvoikh' (1982). Still the film is full of Ryazanov's warm humor and also benefits from the performances of Lyudmila Gurchenko and Oleg Basilashvili. 'Ruthless Romance' (1984) is the Ryazanov's adaptation of the 19th century story by 'Aleksandr Ostrovsky'. His latest film is Andersen. Zhizn bez lyubvi (2006).- Mikhail A. Bulgakov was a Russian writer and medical doctor known for big screen adaptations of his books, such as Beg (1971) and Master i Margarita (2006).
He was born Mikhail Afanasievich Bulgakov on May 15, 1891, in Kiev, Russia (now Kiev, Ukraine). He was the first of six children in the family of a theology professor. His family belonged to the intellectual elite of Kiev. Bulgakov with his brothers took part in the demonstration commemorating the death of Lev Tolstoy. Bulgakov graduated with honors from the Medical School of Kiev University in 1915. He married his classmate Tatiana Lippa, who became his assistant at surgeries and in his Doctor's office. He practiced medicine, specializing in venereal and other infectious diseases from 1915 to 1919.
Bulgakov wrote about his experiences as a doctor in his early works "Notes of a Young Doctor." In 1917-1919, he suffered from an infection that caused him an unbearable painful itch requiring him to take morphine; which he became addicted to, but he managed to overcome the dependency and quit. He joined the anti-communist White Army in the Russian Civil War. After the Civil War, he tried to emigrate from Russia, to reunite with his brother in Paris. But he became trapped in Soviet Russia. Several times he was almost killed by opposing forces on both sides of the Russian Civil War, but soldiers needed doctors, so Bulgakov was left alive. He provided medical help to the Chehchens, Caucasians, Cossacs, Russians, the Whites, the Reds... Bulgakov was the Doctor to all the sick people.
In 1921, Bulgakov moved to Moscow. There he became a writer and made friends with Valentin Kataev, Yuriy Olesha, Ilya Ilf, Yevgeni Petrov, and Konstantin Paustovsky. Later, he met Mikhail Zoschenko, Anna Akhmatova, Viktor Ardov, Sergey Mikhalkov, and Korney Ivanovich Chukovskiy. Bulgakov's plays at the Moscow Art Theatre were directed by Konstantin Stanislavski and Vladimir Nemirovich-Danchenko. "Days of the Turbins," about the demise of the White Army, was performed more than 200 times at the Moscow Art Theatre, and also at other Soviet theatres until it was banned.
The play was later restored to the repertoire and at least fifteen performances of this play were attended by Joseph Stalin. Stalin liked the play and later, in his official speeches, he used some of the well-written lines that were spoken from the stage by the Bulgakov's characters. In 1941, after the Nazi invasion in Russia during the Second World War, Joseph Stalin started his first radio address to the people of the Soviet Union with Bulgakov's words from the play, "Brothers and Sisters..."
Bulgakov's political independence was expressed in his article on the death of the first Soviet dictator Vladimir Lenin, "He killed a river of people..." wrote Bulgakov in 1924.
Bugakov's own way of life and his witty criticism of the ugly realities of life in the Soviet Union caused him much trouble. In 1925 he released 'Heart of a Dog', a bitter satire about the loss of civilized values in Russia under the Soviet system. Soon after, Bulgakov was interrogated by the Soviet secret service, OGPU. After interrogations, his personal diary and several unfinished works were confiscated by the secret service.
His plays were banned in all theaters, which terminated his income. Being financially broke, he wrote to his brother in Paris about his terrible life and poverty in Moscow. Bulgakov distanced himself from the Proletariat Writer's Union because he refused to write about the peasants and proletariat. He made adaptation of the "Dead Souls" by Nikolay Gogol for the stage; it became a success but was abruptly banned.
He took a risk and wrote a letter to Joseph Stalin with an ultimatum: "Let me out of the Soviet Union, or restore my work at the theaters." On the 18th of April of 1930, Bulgakov received a telephone call from Joseph Stalin. The dictator told the writer to fill an employment application at the Moscow Art Theater. Gradually, Bulgakov's plays were back in the repertoire of the Moscow Art Theatre. But most other theatres were in fear and did not stage any of the Bulgakov's plays for many years.
Joseph Stalin, who was increasingly paranoid, ordered massive extermination of intellectuals during the repressions known as the "Great Terror" (aka.. Great Purge). Many of Bulgakov's friends and colleagues, like Vladimir Mayakovsky, Osip Mandelstam, Vsevolod Meyerhold, Anna Akhmatova, Mikhail Zoschenko and many others were censored, banned, prosecuted, exiled, imprisoned, executed, found dead, or just disappeared without a trace.
At that time Bulgakov started his masterpiece - "Master and Margarita." It was slowly evolving from the series of chapters, initially titled "The Black Magician" in 1929. That was changed to "The Prince of Darkness" in 1930. Then it was changed again to "The Great Chancellor" in 1934. Finally, the novel was titled as "Master and Margarita" in 1934 and was rewritten and updated constantly until the writer's death in 1940.
While writing the novel, Bulgakov met Elena Sergeevna Shilovskaya, who became his wife. She was, in part, the model for Margarita in the novel. Secret service agents were spying on Bulgakov and learned about his new novel. Bulgakov was interrogated again and was ordered to destroy the manuscript under the threat from the government agents. He had to be very cautious. Bulgakov split the manuscript in two parts and destroyed one half in a fire.
Soon, he restored the missing part from memory and continued writing the novel. He was writing the novel in secrecy, hiding its manuscript for many years until his death in 1940. The main character in the novel, Voland, alludes to Stalin, or Beria, or any dictator who plays a semi-god. Voland was modeled after Satan in "Faust" by Johann Wolfgang von Goethe. The novel has many parallels with the Bible and the "Divine Comedy" by Dante Alighieri. The characters and events in "Master and Margarita" are alluding to Bulgakov's experiences in Moscow under the dictatorship of Joseph Stalin.
Five days before his death, Bulgakov accepted an unusual promise from his loving wife. She swore to live a humble life and wait as long as it would take for Bulgakov's masterpiece to be published. The original manuscript of "The Master and Margarita" was preserved by Bulgakov's wife, Elena Sergeevna, until its first publication in 1966. It is a Menippean satire, a cross-genre comedy, drama, and fantasy, regarded by many as the best of the 20th century Russian novels.
Mikhail Bulgakov died of a kidney failure, on March 10, 1940, in Moscow. He was laid to rest in the Novodevichy Monastery Cemetery, next to other Russian cultural luminaries. - Director
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Georgi Daneliya was born on August 25, 1930 in Tbilisi, Georgia. Since 1939 the family lived in Moscow, where Danelia's father was the chief engineer for the Moscow Underground Metro System. Daneliya's father became a decorated WWII General, specializing in construction of underground bunkers for the Soviet Government. His mother was a good chess-player and later worked as a second unit director at Mosfilm. Daneliya's mother's sister Veriko Anjaparidze was married to Mikheil Chiaureli, who was a personal friend of Joseph Stalin. Daneliya first earned his architect's degree from the Moscow Architecture Institute. Then he studied at the Higher Director's Courses at Mosfilm under Mikhail Romm, and graduated in 1959, becoming a film director at the Mosfilm Studios in Moscow.
During the cultural "Thaw" initiated by Nikita Khrushchev Daneliya was at the start of the Soviet "New Wave" in films. He had his first success shared with Igor Talankin. Their film 'Seryozha' (1960) was awarded the Crystal Globe in Karlovy Vary. He then worked with Gennady Shpalikov on a propaganda-free project about life in Moscow. Censorship caused a few obstacles by demanding changes to the plot and the script of 'Walking the Streets of Moscow' (1963). It became a popular lyrical comedy with a title hit song by Andrey Petrov. But soon Nikita Khrushchev was dismissed by Leonid Brezhnev and the "Thaw" ended. Daneliya's brilliant comedy '33' (1965) was labeled as anti-Soviet by the head of KGB Vladimir Semichastny, who wrote in a secret letter to the Central Committee: "anti-Soviet...film '33' is an attempt to discredit everything including the cosmonaut's flight."
Daneliya had to wait for 4 long years until he got a chance to work on his next film. It was titled "Don't Grieve" - 'Ne Goryuy' (1969), starring Vakhtang Kikabidze. His more careful, but masterful comedies 'Gentlemen of Luck' (1972), 'Afonya' (1975), 'Mimino' (1977) continued his successful career. A step beyond the comedy genre was made in his film 'Osenny Marafon' (1979). It's a melodrama about a man in his mid-life crisis, torn between two women, and all three are trapped in the game of lies and personal demands, amidst the stagnant Soviet reality.
His innovative film 'Kin-Dza-Dza' (1986) stands out as a genre of it's own. Everything is different, yet very familiar in this metaphoric film. New type of script with renown stars, new environment for and old tale, new language for ancient wisdom. Daneliya created a universe of allusions; It grows with a passage of time, while getting closer to our future. He presented a fresh view of the human nature, and played with reflections on his own life, the fate of a genius in a rigid society going through inevitable changes.
Danelia is blessed with good friends and highly professional collaborators. His first wife was actress Lyubov Sokolova (1921-2001) who played 370 film roles and is listed in the Guinnes book of Records. Their son Nikolai Daneliya (1958-1985) was a film director before his tragic death. Danelia lives in Moscow and works on his new project, an animation sequel to 'Kin-Dza-Dza'.- Music Department
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Prokofiev was a multi-talented man and an innovative composer. He learned piano from his mother and chess from his father. He always had a chess set on his piano, and was able to play against the chess champions of his time. He studied music with Nikolai Rimsky-Korsakov, graduated with highest marks from the St. Petersburg Conservatory (1914), and was rewarded with a grand piano. He emigrated from Russia after the revolution, and made successful concert tours in Europe and the U.S. In 1918 in New York he met Spanish singer Carolina Codina (Lina Llubera), they married in Paris, in 1923, and had two sons.
Prokofiev's radiant optimism and his childlike personality shines in his popular orchestral suite "Peter and the Wolf" and in the "Classical Symphony". His humorous irony and wit is popping up in piano pieces named "Sarcasms", also in his five piano concertos, ballets and film scores, all written in his instantly identifiable musical language. He wrote film scores for The Czar Wants to Sleep (1934), Alexander Nevsky (1938), Cinderella (1961), and the two-part Ivan the Terrible, Part I (1944), directed by Sergei Eisenstein.
All of his music, that he created while outside of the Soviet Union, was sometimes criticized as cosmopolitan and anti-Soviet. Prokofiev divorced his wife in 1948. His ninth sonata, dedicated to Svyatoslav Richter, was welcomed warmly, but another official critic on his music and life started in 1948. He died in 1953, the same day of Joseph Stalin.- Writer
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Aleksandr Dovzhenko was born on 10 September 1894 in Vyunishche, Sosnitsa Ueyzd, Chernigov Governorate, Russian Empire [now Sosnitsa, Sosnitsa Raion, Chernihiv Oblast, Ukraine]. He was a writer and director, known for Earth (1930), Shors (1939) and Life in Bloom (1949). He was married to Yuliya Solntseva. He died on 25 November 1956 in Moscow, Russian SFSR, USSR [now Russia].- Actor
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Vasili Lanovoy was a notable Russian actor best known as Captain Grey in Alye parusa (1961) and as Anatol Kuragin in War and Peace (1965).
He was born Vasili Semenovich Lanovoy on January 16, 1934, in Moscow, Russia, USSR. His parents were Ukrainian peasants from Odessa region. They escaped from death in the famine of 1931 and survived by moving to Moscow. At the age of 7, Lanovoy went to visit his relatives near Odessa, but there he was caught by the advancing Nazi Armies during the Second World War. Young Lanovoy was abused by the Nazis who fired machine guns above his head to scare him, so he stammered for several years as a consequence. However, he had a dream of being an actor, regardless of his stammer and his heavy Ukrainian accent. He attended the acting class of Sergei Lvovich Stein at Moscow ZIL club, and made his stage debut in a play by Lev Kassil.
Young Lanovoy was torn between two professions, acting and journalism, and entered to study both. In 1953, at age 18, while a Journalism student of Moscow University, he was cast in Problem Child (1954), making his film debut. From 1953 - 1957 he studied acting at Shchukin Theatrical School of Vakhtangov Theatre in Moscow. There his classmate was Tatyana Samoylova, and they married in 1955, and later became co-stars in Anna Karenina (1967) by director Aleksandr Zarkhi. He also appeared as Anatol Kuragin in War and Peace (1965) by director Sergey Bondarchuk.
Since 1957 Vasili Lanovoy has been member of Vakhtangov Theatre in Moscow. There his stage partners were such actors as Mikhail Ulyanov, Ruben Simonov, Boris Zakhava, Mikhail Astangov, Varvara Popova, Irina Kupchenko, Natalya Tenyakova, Yuliya Borisova, Lyudmila Maksakova, Lyudmila Tselikovskaya, Marianna Vertinskaya, Nina Ruslanova, Nikolai Plotnikov, Yuriy Yakovlev, Vladimir Etush, Vyacheslav Shalevich, Andrei Abrikosov, Grigori Abrikosov, Boris Babochkin, Nikolai Gritsenko, Nikolai Timofeyev, Aleksandr Grave, Evgeniy Karelskikh, Sergey Makovetskiy, and Ruben Simonov, among others. His most memorable stage performances were as Protasov in 'Deti Solntsa' (1968), as Oktavian in 'Antony and Cleopatra' (1975), and the title role in 'Kasanova' (1985). Since taking the role as Prince Calaf in 1963, Lanovoy has been delivering acclaimed performances in the legendary Vakhtangov's production of Carlo Gozzi's comedy 'Princess Turandot'.
Vasili Lanovoy was designated People's Actor of the USSR, was awarded Lenin's Prize (1980), and received numerous awards and decorations for his works on stage and in film. Outside of his acting profession Lanovoy was fond of classical music and Ukrainian songs together with his friends and family. In his 70s and 80s, he was maintaining a good physical form through sports and pesco-vegetarian diet. He was married three times, and had two sons with actress Irina Kupchenko. Lanovoy was prominent member of the Communist Party of USSR and Russia, he also supported president Putin and Moscow mayor Sobyanin in their re-elections. He died of Covid-19 complications 12 days after his 87th birthday, on the 28th of January 2021 in Moscow, Russia.- Valentina Malyavina was born on 18 June 1941 in Moscow, RSFSR, USSR [now Russia]. She was an actress, known for Ivan's Childhood (1962), Osennie soblazny (1993) and Portret Doriana Greya (1968). She was married to Aleksandr Zbruev. She died on 30 October 2021 in Moscow, Russia.
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Rolan Bykov was born on 12 November 1929 in Kiev, Ukrainian SSR, USSR [now Ukraine]. He was an actor and director, known for Chuchelo (1984), Aybolit-66 (1967) and Andrei Rublev (1966). He was married to Elena Sanaeva. He died on 6 October 1998 in Moscow, Russia.- Lyubov Polishchuk was born on 21 May 1949 in Omsk, RSFSR, USSR [now Russia]. She was an actress, known for Tayna chyornykh drozdov (1983), Persiki i perchiki. Kurtuaznye istorii (2003) and Moya prekrasnaya nyanya (2004). She was married to Sergey Tsigal and Valeriy Makarov. She died on 28 November 2006 in Moscow, Russia.
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Vladimir Ilyich Ulyanov (22 April 1870 - 21 January 1924), better known as Vladimir Lenin, was a Russian revolutionary, politician, and political theorist. He served as the first and founding head of government of Soviet Russia from 1917 to 1924 and of the Soviet Union from 1922 to 1924. Under his administration, Russia, and later the Soviet Union, became a one-party socialist state governed by the Communist Party. Ideologically a Marxist, his developments to the ideology are called Leninism.- Director
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Lev Kuleshov was a Russian director who used the editing technique known as the "Kuleshov effect." Although some of the editing innovations, such as crosscutting were used by other directors before him, Kuleshov was the first to use it in the Soviet Russia. he was driving a Ford sports car amidst hard situation in the post-Civil war USSR, and remained a controversial figure who joined the Soviet communist party and destroyed archives of rare silent movies during his experiments, thus clearing way for his own works: documentaries and feature films ranging from political cinema to timeless gems.
He was born Lev Vladimirovich Kuleshov on 1 January, 1899, in Tambov, Russia. His father, Vladimir Kuleshov, belonged to Russian landed gentry, was a patron of arts and owner of a private estate in Central Russia. His mother, Pelagea Shubina, was a teacher before she married his father. His parents understood his weaknesses (poor speaking ability and bouts of depression) and strengths (a sharp eye, persistence and determination). His forte was the ability to see what for others remained unseen. Young Kuleshov received exclusive private education at the home of his father who had a degree from Moscow Art College. After the death of his father, 15-year-old Kuleshov and his mother moved to Moscow. There he studied art and history at the prestigious Stroganov School, then continued his studies at Moscow School of Painting, Architecture and Sculpture focusing on oil painting.
In 1916 he started his film career as a set designer at the Moscow film studio of Aleksandr Khanzhonkov and occasionally acted in some of its productions. He played a young lover opposite Emma Bauer, a stunning beauty, whom he truly fell in love with even before the filming started. That was the silent film Za schastem (1917). Watching himself on the silver screen, young Kuleshov was disappointed with the comic effect of his acting conflicting with naturalism of his true feelings. He decided to focus on directing and developing the style of his own. His new friend, experienced film-maker Akhramovich-Ashmarin, introduced him to American school of film-making, which also influenced his work.
With the help from Khanzhonkov's leading cinematographer, Yevgeny Bauer, Kuleshov made his first experimental works in editing. In 1917, he made his first publication in 'Vestnik Kinematografii': in three consecutive articles Kuleshov trashed the "salon" traditions of his employer by writing about an artist's role in converting film industry into a new form of art. His directorial career began under the patronage of Bauer, with whom Kuleshov worked as art director on such films, as Nabat (1917) and Za schastem (1917), and completed the latter as director after the original director Bauer died. In 1918, Kuleshov made his directorial debut with 'Project of Engineer Prite', and the film brought him attention of film studio executives who gave the 19-year-old beginner a chance to participate in documenting the early history of the Civil War-era Russia.
Following the Russian revolution of 1917, Kuleshov joined the Bolsheviks and sided with the Red Army in the Russian Civil War of 1918-1919, which was a continuation of the First World War. He covered the war on the Eastern front with a documentary crew. After the end of the Civil War, the Communist Party solidified control of the country, thus helping Kuleshov's career. His friend, Vladimir Gardin, appointed him instructor at the Moscow Film School. There he made a career as director and teacher. In 1920, he directed a war film Na krasnom fronte (1920), a government sponsored film about the Red Army. For some time Kuleshov continued wearing the Red Army uniform, to show his loyalty to the new government.
He studied the techniques of Hollywood directors, particularly D.W. Griffith and Mack Sennett and introduced such innovations as crosscutting in editing and montage into Russian cinema. For his experiments Kuleshov was cutting old silent films from the archives of Khanzhonkov, Bauer and other private studios nationalized by the socialist govenment. Kuleshov used the archives of old silent movies for his own cutting experiments and thus most of the film archives was destroyed. Kuleshov remained quiet about this part of his career when he experimented with editing technique. He focused on putting two shots together to achieve a new meaning.
The "Kuleshov effect" is using the Pavlovian physiology to manipulate the impression made by an image and thus to spin the viewer's perception of that image. To demonstrate such manipulation, Kuleshov took a shot of popular Russian actor Ivan Mozzhukhin's expressionless face from an early silent film. He then edited the face together with three different endings: a plate of soup, a seductive woman, a dead child in a coffin. The audiences believed that Ivan Mozzhukhin acted differently looking at the food, the girl, or the coffin, showing an expression of hunger, desire, or grief respectively. Actually the face of Ivan Mozzhukhin in all three cases was one and the same shot repeated over and over again. Viewers own emotional reactions become involved in manipulation. Images spin those who are prone to be spun. Although editing and montage have already been used in art, architecture, fashion, politics, book publishing, theatrical productions and religious events (just look at placement of icons in churches, or photos in books, or pictures at exhibitions), the use of such editing in silent films was innovative and eventually led to more advanced visual effects.
Vsevolod Pudovkin, who claimed to have been the co-creator of Kuleshov's experiment, later described how the audience "raved about the acting... the heavy pensiveness of Ivan Mozzhukhin's mood over the soup, the deep sorrow with which he looked on the dead child, and the lust with which he observed the woman. But we knew that in all three cases the face was exactly the same." Kuleshov demonstrated the effect of editing that was successfully used in montage of such films, as Battleship Potemkin (1925) and Konets Sankt-Peterburga (1927) among other Soviet films. Kuleshov's good education, as well as his connections among Russian intellectual elite also helped his career.
At that time, Kuleshov and a group of his students, among them actress Aleksandra Khokhlova, collaborated on several movies that are now generally regarded as seminal films in Russian cinema. Among them are The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924), a satire on clash of civilizations showing naive American Christian pastor who comes to Russia just to be robbed twice, but then helped by exemplary Soviet policeman. In 1926 he produced his most popular film, By the Law (1926), based on a Jack London story. The movie was successful in Russia and especially in Europe. In 1933, he directed The Great Consoler (1933), based on biography of American writer O. Henry. The film was highly praised by Osip Brik and Lilya Brik. It was an interesting advancement in Kuleshov's experimental style.
In 1936, he received his Ph.D and became professor of directing and Moscow Film School. In 1941, Kuleshov's book 'Osnovy kinorezhissury' (aka... Fundamentals of Film Direction) was published in Moscow. Kuleshov was promoted to high position within the Soviet film industry and was designated Doctor of Science for the book, which was translated in several languages and became regarded among filmmakers worldwide.
During WWII, Kuleshov made two films. One, made in collaboration with writer Arkadiy Gaydar, was Klyatva Timura (1942). To complete the film, Kuleshov with his film crew was moved on Soviet government expense from cold Moscow to warm Stalinabad, the capital of Turkmenistan. There, in 1943, together with his wife, Aleksandra Khokhlova, he directed his last movie, We from the Urals (1944), a film about young Soviet boys making heroic efforts in the Eastern Front of WWII. After that, he returned from Central Asia back to Moscow. The Soviet capital was recovering after attacks of Nazi armies. For his contribution to art, and also for his dedication to communist ideas, a prestigious position as Artistic Director of the Moscow Film Institute (VGIK) where he worked for the next 25 years. Over the course of his career, his students were hundreds of Soviet filmmakers, such as directors Vsevolod Pudovkin, Boris Barnet, Mikhail Kalatozov and many others. His most trusted and devoted friend was Sergei Eisenstein.
Kuleshov visited Paris and presented a retrospective of his films in 1962. There he enjoyed much attention from international media. His friends in the Western world included many celebrities, such as Yves Montand, Louis Aragon, Elsa Triolet among others. Kuleshov was member of the Jury at 1966 Venice Film Festival and attended other film festivals as a special guest. He made several exclusive trips outside of the Soviet Union.Kuleshov was a friend of the State security chief, KGB General V.N. Merkulov.
Kuleshov was awarded Order of Lenin, Order of Red Banner, was designated People's Artist of Russia (1969), and received other decorations and perks from the Soviet government.
Outside of his film career, Lev Kuleshov was fond of hunting, he owned a collection of exclusive hunting guns and often used them to kill game outside of Moscow and in Southern Russia. He also spent much time at Mediterranean resort near Yalta in Crimea and often made hunting trips in that area. Kuleshov was married to his student Aleksandra Khokhlova, and lived with his wife in a prestigious block on Lenin Prospect in central Moscow. There he died in 1970, and was laid to rest in Moscow's most prestigious Novodevichy Cemetery. Kuleshov's funeral took place while the Soviet Union was celebrating the centennial anniversary of the former leader Vladimir Lenin.- Actress
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Inna Mikhailovna Churikova was born on October 5, 1943, in Belebey, near Ufa, Bashkiria Republic, Russia (at that time USSR). Her parents were from peasant families. Her father, Mikhail Kuzmich Churikov, was a veteran of the Second World War, he worked at Academy of Agriculture. Her mother, Elisaveta Zakharovna (nee Mantrova), was a Ph.D in Biochemistry. Young Inna Churikova was brought up in Moscow by her mother. During her school years she was fond of theatre and attended an acting class at Stanislavsky Theatre in Moscow. From 1960 - 1965 she attended Schepkin Theatrical School at Maly Theatre, graduating in 1965 as an actress.
In 1961 Churikova made her big screen debut in 'Tuchi nad Borskom', then she played bit parts in 'Ya shagayu po Moskve' and in several other films. She shot to fame with the leading role as Tanya Tetkina in _V ogne broda net (1968)_ by director Gleb Panfilov. Churikova's next role in The Beginning (1970), as Pasha Stroganova, a provincial amateur actress who is invited to play Joan of Arc in a big film, was arguably her best work in film. After having a big success with 'Nachalo', Churikova and her husband, director Gleb Panfilov, worked on development of an epic film about Joan of Arc, but their work on the project was obstructed by the Soviet officials. However, Churikova continued her successful film career. In 1984 she won the Silver Bear for Best Actress at the Berlin Film Festival for the leading role as Vera in 'Voenno-polevoy roman', by director Petr Todorovsky. She starred as Vera in 'God Sobaki', and as Asya in Ryaba, My Chicken (1994), among her other film works.
Since 1974 Inna Churikova has been a member of the troupe at Lenkom Theatre in Moscow under directorship of Mark Zakharov. There her stage partners were such actors as Nikolay Karachentsov, Gennadi Khazanov, Oleg Yankovskiy, Leonid Bronevoy, Aleksandr Abdulov, Armen Dzhigarkhanian, Aleksandr Zbruev, and other notable Russian actors. Among Churikova's most memorable stage performances were such roles as Sara in 'Ivanov' and as Arkadina in 'Seagull', both plays by Anton Chekhov. She also appeared as Ophelia in Shakespeare's 'Hamlet', and as Commissar in Vishnevsky's 'Optimisticheskaya tragedia', among her other stage works.
Inna Churikova has been loved by the public and earned critical acclaim for her range and effortless style. Churikova was designated Peoples Artist of the USSR (1991) and People's Artist of Russia. She was awarded the Golden Mask, and also received the State Prize of Russia (1985) and the Stanislavsky Prize for her contribution to theatre and film. She is residing in Moscow, Russia.- Marina Levtova was born on 27 April 1959 in Neryuktyayinsky, Megino-Kangalassky Raion, Yakut ASSR, RSFSR, USSR [now Sakha Republic, Russia]. She was an actress, known for Lilac Ball (1988), Podzemelye vedm (1990) and Moya Anfisa (1979). She was married to Yuriy Moroz. She died on 28 February 2000 in Rasdory, Odintsovo Raion, Moscow Oblast, Russia.
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Yuri Solomin is an acclaimed Russian stage and film actor and director, internationally best known for his work with director Akira Kurosawa in the leading role as Arseniev in Russian-Japanese film Dersu Uzala (1975).
He was born Yuri Mefodievich Solomin on June 18, 1935, in Chita, Siberian Russia, Soviet Union. His father, Mefodi Viktorovich, was a cellist and violinist, his mother, Zinaida Ananievna, was a mezzo-soprano; both parents taught classical music at the House of Pioneers in Chita. In 1953, after graduating from Chita high school, young Yuri Solomin moved to Moscow. There he attended Shchepkin Theatrical School, studied acting under Vera Pashennaya, graduating in 1957 as an actor. That same year he became permanent member of the troupe at the Academic Maly Theatre in Moscow. Since 1988, Solomin has been Artistic Director of the Maly Theatre. He also was Russian Minister of Culture from 1990 to 1992.
Yuri Solomin played over 50 roles in films and on television, and also played about 60 roles in stage productions. He was elected president of Association of Russian Theatres, was designated People's Actor of the USSR, and received numerous awards and decorations from both the Soviet and Russian governments. He is living in Moscow, Russia.- Director
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Konstantin Stanislavski was a wealthy Russian businessman turned director who founded the Moscow Art Theatre, and originated the Stanislavski's System of acting which was spread over the world by his students, such as Michael Chekhov, Aleksei Dikij, Stella Adler, Viktor Tourjansky, and Richard Boleslawski among many others.
He was born Konstantin Sergeevich Alekseev on January 5, 1863, in Moscow, Russia. His father, Sergei Alekseev, was a wealthy Russian merchant. His mother, Elisaveta Vasilevna (nee Yakovleva) was French-Russian and his grandmother was a notable actress in Paris. Young Stanislavski grew up in a bilingual environment. He was fond of theatre and arts, studied piano and singing, and performed amateur plays at home with his elder brother and two sisters. He studied business and languages at Lasarevsky Institute, the most prestigious private school in Moscow. He did not graduate, instead he continued self-education while traveling in several European countries and studying at libraries and museums. Eventually Stanislavski joined his father's company, became a successful businessman, and the head of his father's business, the Alekseev's factory and other assets. During the 1880s Stanislavski made a fortune in international business and trade, he was awarded the Gold Medal at the World's Fair in Paris. At the same time, he was an active patron of arts and theatre in Russia. In 1885 he studied acting and directing at the Maly Theatre in Moscow, and took a stage name Stanislavski. In 1888 he founded the "Society for Arts and Literature" in Moscow.
In 1898 Stanislavski together with his partner, Vladimir Nemirovich-Danchenko, founded the Moscow Art Theatre, which made a profound influence on theatrical art all over the world. They opened with staging of "Tsar Feodor" a play by Aleksei Tolstoy, then staged "The Seagull" written by Anton Chekhov specially for the Moscow Art Theatre. In 1900 Stanislavski brought the Moscow Art Theatre on tour in Sebastopol and Yalta in Crimea, where he invited then ailing Anton Chekhov to see several plays. Chekhov admired the company's stage production of his plays, and respected the theatrical achievements of Stanislavski and Vladimir Nemirovich-Danchenko. Chekhov's legendary collaboration with the Moscow Art Theatre was fruitful for both sides: it resulted in creation of such classics as 'The Seagull', 'Uncle Vanya', 'The Three Sisters', and 'The Cherry Orchard', the four big plays which remained in the repertoire ever since.
Stanislavski's system was developed through his own cross-cultural experience as actor, director, and businessman. He constantly updated his method through inter-disciplinary studies, absorbing from a range of sources and influences, such as the modernist developments, yoga and Pavlovian behaviorist psychology. He introduced group rehearsals and relaxation techniques to achieve better spiritual connections between actors. Pavlovian approach worked well by conditioning actors through discipline in longer, organized rehearsals, and using a thorough analysis of characters. Stanislavski himself was involved in a long and arduous practice making every actor better prepared for stage performance and eventually producing a less rigid acting style. In his own words, Stanislavski described his early approach as "Spiritual Realism." His actors worked hard to deliver perfectly believable performances, as none of his actors wanted to hear his famous verdict, "I don't believe."
As an actor, Stanislavski starred in several classical plays. His most notable stage performances, such as Othello in the Shakespeare's 'Othello', and as Gayev in Chekhov's 'The Cherry Orchard', were acclaimed by critics and loved by public. His own students said that Stanislavski was a very comfortable partner on stage, due to his highly professional and truthful acting. At the same time, he could be very demanding off stage, because of his high standards, especially during his lengthy and rigorous rehearsals, requiring nothing less but the full devotion from each actor of his company, the Moscow Art Theatre.
After the Russian Revolution of 1917, his factory and all other business property was nationalized by the Soviet Communists, but he was allowed to own his mansion in Moscow. Stanislavski wisely let go of all his wealth and possessions and expressed himself in writing and directing. He remained the principal director of Moscow Art Theatre for the rest of his life. During the turbulent years before and after the Russian Revolution, and later in the 1920s and 30s, he witnessed bitter rivalry among his former students. Some actors emigrated from Russia, others fought for their share of success, and the Moscow Art Theatre was eventually divided into several companies.
In 1928 Stanislavski suffered from a heart attack. He then distanced himself from disputes and competition between his former students Michael Chekhov and Aleksei Dikij, whose individual ambitions resulted in further fragmentation of the original Moscow Art Theatre company. At the same time, his younger apprentice, Nikolay Khmelyov, remained loyal to the teacher, and eventually later filled the position held by Stanislavski at Moscow Art Theatre. However, his other students, such as Vsevolod Meyerhold and Yevgeni Vakhtangov founded their own theatre companies and continued using their versions of the Stanislavski's system. In the 1930s, Stanislavski together with Vladimir Nemirovich-Danchenko formed one more theatrical company in Moscow, the Musical Theatre of Stanislavski and Nemirovich-Danchenko.
Stanislavski was a proponent of democratic ideas, such as equal opportunity and equal value of every human being on the planet. At that time Stanislavski's nephew was arrested for political reasons, and died in the Gulag prison-camp. Stanislavsky was also under permanent surveillance, because his Moscow Art Theatre was frequently attended by Joseph Stalin and other Soviet strongmen. However, at that time Moscow Art Theatre became especially popular, because Russian intellectuals needed a cultural oasis to escape from the grim Soviet reality. Under Stanislavski the Moscow Art Theatre produced several brilliant plays by Mikhail A. Bulgakov, and also continued running such classics as 'The Seagull', 'The Cherry Orchard', 'The Lower Bottom' and other original productions of plays by Anton Chekhov and Maxim Gorky.
In his later years, Stanislavsky wrote a book titled "An Actor Prepares" which, in Charley Chaplin's words, ".. helps all people to reach out for big dramatic art. It tells what an actor needs to rouse the inspiration he requires for expressing profound emotions." Stanislavsky explained how actors may use his System, "Create your own method. Don't depend slavishly on mine. Make up something that will work for you! But keep braking traditions, I beg you!" And that was exactly what the best of his followers did. Stanislavski's ideas were used by many acting teachers, such as Michael Chekhov, Stella Adler, and Lee Strasberg, among others across the world.
During the 1930s Konstantin Stanislavski directed the original productions of several classic Russian plays, such as "Na Dne" (aka.. The Lower Depths) by Maxim Gorky, "Tsar Fedor Ioannovich" by A.K. Tolstoy, and other plays at the Moscow Art Theatre. After Stanislavski's death his original theatrical productions were adapted to black and white films, where Stanislavsky is credited as the original theatrical director. He died of a heart failure on August 7, 1938, in Moscow and was laid to rest in Novodevichy Cemetery in Moscow, Russia.
Stanislavski's mansion in central Moscow is now a public museum and research center displaying a collection of original stage sets and theatrical costumes. Stanislavski's personal library is also part of his museum. It has rare books that he collected in his numerous travels, as well as original manuscripts and letters by Stanislavski.- Ninel Myshkova was born on 8 May 1926 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]. She was an actress, known for Sadko (1953), Chelovek niotkuda (1961) and Gadyuka (1965). She died on 13 September 2003 in Moscow, Russia.
- Nikita Khruschev was born on April 17, 1894, into a family of peasants in the village of Kalinovka, Kursk region, Russian Empire. He was raised among agricultural and mining workers. He studied for only two years at grammar school as a child. After the Russian Revolution he joined the Red Army, then joined the Communist party in 1918 and made a career as a politician.
He was active in the Russian revolution and Civil War, when the intellectual elite was brutally killed as well as the family of Nickolas and Alexandra. The Civil War continued for decades in a form of the "Great Terror" and repressions under Joseph Stalin during the 1920s, 30s, 40s and 50s. Under orders from Moscow, Khrushchev participated in massive confiscations of food, crops, forage grains, and supplies, that left millions of peasants starving to death in famines of 1920s-30s. Some areas of Ukraine and Russia suffered so much that people later perceived WWII as liberation from the Soviet regime. In 1931 Khrushchev was promoted to Moscow, where he briefly studied at the Soviet Industrial Academy. In 1934 he became a member of the Central Committee of the Communist Party and in 1935 - the 1st Secretary of the Moscow City Committee. In 1938 Khrushchev was appointed the 1st Secretary of the Ukrainian Communist Party and promoted to Politburo.
During WWII Khrushchev was coordinating the defense of Ukraine, while his family was evacuated to Kuibyshev. In 1942-42 he was a political commissar during the battle of Stalingrad. There, frozen Nazi Armies were stopped and lost the battle to the Russian soldiers, who defended their land. Khrushchev was decorated and promoted in the Communist party. He was later a political commissar of the 1st Ukrainian Front, where his deputy was Leonid Brezhnev. Khrushchev patronized Brezhnev, whom he knew since 1931.
After the death of Joseph Stalin on March 5, 1953, and following the elimination of Stalin's inner circle, Khrushchev became the leader of the Communist Party on September 7, 1953. He completed the takeover after the execution of his main rival Lavrenti Beria in December 1953, with the help of the powerful Marshal Georgi Zhukov. Then Khrushchev promoted Leonid Brezhnev in hopes to have a steady ally in the coming power-struggles against the Stalinist conservatives.
In his historic speech on February 23, 1956, Khrushchev denounced Joseph Stalin for his brutal purges and massive executions of people. Khrushchev spoke behind closed doors at the 20th Congress of the Communist Party. His speech was the "new order" message to the ruling Soviet elite. Not everyone liked it, regardless of its many historic benefits. In 1957 Khrushchev with backing from Leonid Brezhnev and Marshal Georgi Zhukov defeated the Stalinist conservatives Vyacheslav Molotov, Georgi Malenkov, and Lazar Kaganovich. Then Khrushchev exiled the powerful Marshal Georgi Zhukov and became the undisputed ruler of the Soviet Union.
Khrushchev's speech was designed to liberate people from Stalin's brutal regime based on manipulative methods of control by fear. The speech was addressed to the Soviet leadership as well as to the people of Russia and other republics, however, the Soviet leadership decided to keep the speech secret from the people. At the same time Khrushchev's speech was available in the rest of the world. After reading Khrushchev's speech, Moshe Dayan said that Soviet Union may disappear in 30 years, and he was off only by 5 years. Although Khrushchev was unable to see that far, he made efforts to liberate intellectuals and to clear innocent victims of the "Great Purges" under Stalin's regime.
In the late 1950's Khrushchev initiated the "Thaw" during the Cold War. Hundreds of thousands of innocent victims of Stalin's "Great Purges" were posthumously cleared of all charges and their sentences were reversed to full rehabilitation. Many surviving intellectuals, actors, like Innokentiy Smoktunovskiy, Georgi Zhzhyonov, Vitali Golovin and others were allowed to return from imprisonment and Siberian exile. Film directors such as Sergei Parajanov, Eldar Ryazanov, Georgiy Daneliya made new kind of films. The First International Festival of Students and Youth was held in Moscow, in 1958. The First International Tchaikovsky Competition was held in Moscow, where the Texan pianist Van Cliburn became the first winner, and was praised by Khrushchev. Some performing artists, like Svyatoslav Richter and Mstislav Rostropovich were allowed to go on personal international concert tours.
Khruschev's "Thaw" liberated the Soviet life to a degree, that allowed some foreign books, movies and music, along with the other previously banned art, literature and music of Sergei Prokofiev, Dmitri Shostakovich, Aram Khachaturyan, publications of Anna Akhmatova, Mikhail Zoschenko, Yuriy Olesha, and others. The 60's generation emerged during the "Thaw" with Yevgeniy Yevtushenko, Bella Akhmadulina, Andrei Voznesensky, Bulat Okudzhava, Vasiliy Aksyonov and other writers. They played an important role in liberation of the collective consciousness after decades of repressions under Joseph Stalin and in changing of some old bans, what later made possible the publication of Mikhail A. Bulgakov. Khrushchev personally approved the 1962 publication by Aleksandr Solzhenitsyn about the Stalin's "Gulag" prison-camps.
Khrushchev attacked those whom he failed to understand, like the Nobel Laureate writer Boris Pasternak, poet Andrei Voznesensky, and avant-garde artists. Khrushchev mismanaged agriculture by banning any private farming. His major mistake was forceful replacing of wheat by corn, which could not grow in Russian climate. This and other mistakes caused serious food shortages and the bloody popular uprising in Novocherkassk, in 1962. Khrushchev showed uncivilized and undiplomatic behavior at the UN conference by insulting other delegates verbally and by banging on the table with his fists and with his shoe. Khrushchev pushed the construction of the Berlin Wall in 1961. He made risky political moves and was accused of losing control during the Cuban missile crisis, when the world came to the brink of a nuclear war.
Leonid Brezhnev dismissed Khrushchev on October 14, 1964, after Khrushchev's vacation at the Communist Party owned Black Sea resort. He was stripped of all privileges and lived under house arrest outside Moscow. After his death on September 11, 1971, Khrushchev was not buried officially like other Politburo members near the Kremlin. Instead, he was buried without an official ceremony at the Novodevichy Cemetery. The cold war continued. Khrushchev's historic speech denouncing Joseph Stalin was banned from publication until the collapse of the Soviet Union in 1991. - Yuriy Bogatyryov was born on 2 March 1947 in Riga, Latvian SSR, USSR [now Latvia]. He was an actor, known for A Few Days from the Life of I.I. Oblomov (1980), Myortvye dushi (1984) and At Home Among Strangers, a Stranger Among His Own (1974). He died on 2 February 1989 in Moscow, RSFSR, USSR [now Russia].
- Actress
- Second Unit Director or Assistant Director
Lorina Kamburova worked in the US under commerce and granite, Lorina started her career in Sofia then went to new starts. She remained in that country until she starred in Death Race (2018).
Lorina transformed multi languages including, English language, French, Sign and Dutch
Death Race (2018) is what is Lorina most known for.- Born on August 28, 1925 in Batumi, Georgian SSR, Transcaucasian SFSR, USSR (now in Georgia), Arkadiy Natanovich Strugatskiy was a Soviet/Russian sci-fi writer, often writing in collaboration with his younger brother Boris Strugatskiy. Strugatskiys' father Natan Strugatskiy was a Jewish art critic and their mother was a Russian Orthodox teacher. When Arkadiy was a child, the family moved to Leningrad. He was evacuated from the city during the siege of Leningrad in 1942 along with his father, who didn't survive the journey. The following year he was drafted into the Soviet army and went to study at the artillery school in Aktyubinsk. In 1949 he graduated the Military Institute of Foreign Languages in Moscow as Japanese and English interpreter. He worked for the military until 1955, when he became a writer instead. In 1958 the Strugatskiy brothers begun their artistic collaboration, which lasted until Arkadiy's death. In 1979, the brothers' best-known novel, "Piknik na obochine" ("Roadside Picnic") was loosely adapted for the screen by Andrei Tarkovsky as Stalker (1979). Arkadiy died on October 12, 1991 in Moscow, USSR (now in Russia). Writings of the Strugatskiys continue to inspire creators of movies (such as Dark Planet (2008)) and video games (such as S.T.A.L.K.E.R.: Shadow of Chernobyl (2007) and its sequels).
- Actor
- Soundtrack
Vladimir Samoylov was born on 15 March 1924 in Odessa, Ukrainian SSR, USSR [now Ukraine]. He was an actor, known for Krakh (1969), Kapitanskaya dochka (1978) and Wedding in Malinovka (1967). He was married to Nadezhda Samojlova. He died on 8 September 1999 in Moscow, Russia.