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- When fascist leader Benito Mussolini took power and turned Italy into a first officially fascist state, Hitler's role model and first ally was born. However, some defend Mussolini's reign of terror even now, including his elderly son.
- Vouvray, Indre-et-Loire, France. It's autumn and harvest time is here again. The day will be fine. Jeanne, a young sensual vineyard worker, who turns on all the boys, has seduced to grape-picking men.. Which of the two rivals will get her? How will the loser react?
- Philibert Bretonneau signs novels which are actually written by Moluchet, his secretary, secretly in love with Bretonneau's charming wife, Pauline... One day, Jim la houlette, the king of thieves, resurfaces in France. He steals jewels from Madame Clisson, the wife of a lawyer. Saint-Lévy, Bretonneau's publisher, has an idea : to simulate the theft of a manuscript by Jim la houlette, in fact by Moluchet posing as the criminal. But Moluchet, confronted by the real Jim, lets him run away and is arrested...
- Documentary investigation of a classic French film director features interviews with some of those who knew him.
- Truffaut au présent is a film divided in three shorts; throughout "Acteurs", "Actrices" and "Couples" we explore François Truffaut's legacy and influence on contemporary French cinema.
- Two soldiers who guard a building in Paris. An abandoned suitcase, curious passers-by, an open window and a mad homeless allow to step up the situation. The border between everyday life and real danger blurs.
- This program is put together from surviving fragments of silent films, the rest of which have otherwise been lost, found in various archival collections.
- To the elegant music of Contempt, a stranger in a hat seems to be watching for something in front of what looks like a suburban pavilion. A man wakes up.
- Images of barricades and police movements in the street. In his bedroom, a young man indulges in daydreams that invade the whole space.
- Gambler "On-the-Level" Leigh gives up his profession for his little sister, Alice, whose precarious health demands that she move to the mountains. There, the gambler meets the fiery dance hall girl Coralie whose advances he rejects. His funds exhausted from the expense of the move, Level unwillingly returns to his old profession, but Coralie induces the dealer to "cold deck" Level, and he loses every cent. Out of desperation, Level decides to hold up the passengers of the stagecoach while unknown to him, Black Jack shoots and kills the driver for the express box. Learning of the driver's death, Level surrenders himself to the law and is jailed. Escaping from his cell, Level discovers Black Jack uncovering the express box and arrests him. Level returns to town with the real murderer, is cleared of all charges and is reunited with his sweetheart, Rose Larkin.
- A young man with a knife wound in the stomach remembers the events leading to it.
- A French documentary film about World War I.
- Nosferatu, approaching his hundredth birthday, travels to sites used in the film, meets with experts, tells us about his "fathers" (the men who created the film), and reflects on changes in European society and culture since 1922.
- In the early days of film-biz Alice joined the company of pioneer Gaumont, rose in the ranks and directed more than 400 films. But the company eventually erased her from her credits, she was forgotten, even experts have to rediscover her.
- The Life of the Jews in Palestine: 1913 is an extraordinary look at the pioneers of the First and Second Aliyah in Palestine.
- Follows the life and work of animator Lotte Reiniger.
- 1964–19721h 34m7.8 (46)TV EpisodeFirst part of an over four hour documentary for TV in which Rivette visited Renoir at his country place, lunched with him, and let him talk about his work, interspersed with extracts from some of his oeuvre.
- Six films by photographer Paul Nadar in 1896 were combined into a program in 1970 by the Cinemathèque Francaise. It contains four dance routines and two Paris-based actualities.
- This program is put together from the rushes of the original 1936 shooting, which had been stored for almost sixty years at the French Cinematheque in Paris.
- A camera demonstrates the power of its design.
- A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.
- A trip all along the Spanish cinema that analyzes the sexist point of view offered in many films about women. The documentary includes scenes from the times of the Spanish republic to the present.
- Paul Verhoeven, a Dutch filmmaker for whom sex, violence and religion are "the three most important elements on Earth", likes to press where it hurts. Born in 1938, he grew up in The Hague under the German occupation, in the fury of bombings and summary executions. Inspired by comics and the New Wave, atheist but passionate about the historical figure of Jesus, Paul Verhoeven lets his darker side and his complexity shine through his characters, and pushes them to transgression. In Hollywood, he is pampered and has had a string of successes ("Robocop", "Total Recall", "Basic Instinct") without giving up his obsessions. Michael Douglas and Isabelle Huppert, the heroine of his latest feature film, "Elle", confide in us.
- A Ruizian adaptation of Jean-Claude Gallotta's iconic wordless ballet choreography.
- Brief, fragmented memories of Rohmer spoken by Godard, while the screen shows various titles of articles Rohmer wrote for Cahiers du Cinema.
- Françoise and her husband Jean-Pierre invite some friend couples to spend a weekend in their large villa on the Portuguese coast. What follows is a romantic intrigue, with each character discovering a little more about himself.
- Female artists, writers, photographers, designers, and adventurers are settled in Paris between the wars.
- A young French man bicycles across town after an evening out to spend the night with his boyfriend.
- A bargeman, his wife and sister-in-law navigate the canals of northern Belgium in their two vessels, the eponymous "L'Hirondelle et la Mésange," taking the time to appreciate the sites and landscapes they encounter along their way. Like many in his trade, the mariner supplements his income by transporting occasional contraband. The tranquil rhythms of their nautical lives are interrupted, however, when they hire an ambitious new pilot.
- The international documentary is presenting - besides a lot of funny clips from the best Laurel and Hardy movies
- Nothing can atone for young "Carrot top"s mother's hatred, nor for his father's indifference. But when his father learns that his son is thinking about committing suicide, he steps in and takes him under his wing.
- A look back at Charlie Chaplin's early life and career, from his rough childhood and music hall success in England to his early Hollywood days and the development of his enormously popular "Little Tramp" character.
- After the rejection of their latest--preposterous--scenario, two scriptwriters get back to basics to prepare a new movie. The new scenario centers on Henriette, a pretty, lively Parisian, and how she spends the 14th of July in Paris with her fiancé. We follow the tribulations of Henriette as various other characters enter the story and turn a traditional festive day into something more adventurous than expected.
- Life and work of the founder of the Cinémathèque Française.
- Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière. The cinematographic pioneer Lumière produced thousands of documentaries in the end of the 19th century, but also some short comedies with amateur actors. The films are done in one shot and are only 1 minute in length. Lumiére and his operators chose a place, put up the camera and then recorded what happened in front of the lens. In spite of this both Renoir and Langlois argue that the films of Lumière are not simply reproductions of reality, but pieces of art. Renoir points out that Lumiére didn't just reproduce the externals of what he saw, but also its spirit and inner life. The films are not only showing a piece of contemporary reality, but Lumière's vision of that reality. Langlois remarks that the films of Lumière were not made at random, but out of a consciously chosen dramaturgy and composition. Lumiére and his team chose, after long deliberations, the motif of the film as well as the camera-angle. There is usually some kind of beginning and end of the film. The main action never occurs in the center of the screen, but either at the right or the left side of it. This means that the main movements happen along a diagonal across the screen, which produces a dynamic impression. The films are made in one shot, but the shots are usually very deep, which means that you get some close-ups in the foreground at the same time as you see something happen in full scale behind that and something else even more far away. The conversation with Renoir and Langlois is interspersed with some of Lumière's films, to underline the arguments.
- A poor vegetable peddler in Paris runs afoul of the law and finds himself ground up in the cogs of the corrupt French judicial system.
- A Broadway matinee idol famous for his black-face portrayals anonymously joins an amateur acting troupe and falls in love with the leading lady.
- A red-haired boy is his mother's punching bag ; only his father's presence is a great comfort to him,but this weak man is under the shrew's thumb. His pain is so great he feels suicidal.