The Story of the Fox (1937) Poster

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8/10
The Tale of the Fox
random_avenger7 September 2010
One of the first animated feature films of the world, The Tale of the Fox still holds up after 80 years since its completion. The story is based on old fables about the great anthropomorphic fox trickster Reynard: the sly and eloquent fox is making a living by cheating and stealing from the other animals of the kingdom, eventually provoking the lion king to send several of his servants to capture the fox and to put an end to his carefree lifestyle. The fox proves out to be anything but easy to stop even by the best of the king's men.

I've always been fond of animation, and the charming stop-motion technique of The Tale of the Fox doesn't let a fan down. The creators have clearly put a lot of effort to the puppets' lifelike appearances and mannerisms: especially the lion king and his reticent lioness queen look excellent but also funny with all the details on their faces and costumes. The movements of the characters and the camera are also well planned; the action-packed comedic scenes and the adorable little carnival of frogs and mice made me laugh out loud out of joy. Especially the grand battle scenes and the fox's elaborate traps in the castle at the end are pure slapstick, perfectly equal to many live-action comedies of the era. The music and the French voices are also top-notch and haven't dated at all.

Despite the hilarity of the fox's antics, it is also easy to feel sorry for his gullible victims thanks to their lifelikeness, be they bears, wolves or cats. Among the medieval set pieces there are also some obvious references to modern society that further emphasize the longstanding relevancy of the film; namely the newspaper ad, the commentated duel sporting event and the overly talented barrister badger who keeps twisting the truth like the best defense lawyers or our days. The queen's silly infatuation with the troubadour cat is also a subplot worth mentioning.

As even the ending avoids the predictable "evil will get its pay" message, The Tale of the Fox can only be strongly recommended to any enthusiast of classic animation. Hopefully the film will receive wider attention some day, as it is certainly superior to many modern family films that only rely on noisy bumbling or colourful CGI.
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9/10
A great picture, though NOT released in 1930
Tinlizzy8 January 2006
Warning: Spoilers
Production on RENARD THE FOX was begun by Ladislas and Irene Starevich in 1930 and the film was completed in 1940. It is the first puppet animated feature film. It is not the first animated feature film (that honor belongs to Lotte Reiniger's ABENTEUER VON PRINZ ACHMED of 1926.)SNOW WHITE remains the first animated feature film with sound. Now that that's done-- Why can't this wonderful feature be released in the USA? Well, Starevich completed it in 1940 in Paris. The Nazis, who had conquered France in 1940, provided funds for its completion. US law forbids any film made by the Nazis from being released in the country. RENARD is actually a very subversive piece of film-making based on a medieval fable. The moral of the story is this: Each man has his price, even the king, and if you can't beat the fox, appoint him as your minister so he's at least on your side! The animation is absolutely stunning and there is nothing in this story that could not be shown today. You may be able to locate copies of the movie in France and it is well worth the effort; RENARD is a milestone in animation. I was blown away by a photograph of Starevich with his "Lion King" puppet--the thing was nearly as tall as the animator! The sequence with the flirty Lion Queen being serenaded by a cat minstrel is marvelous, but then so is nearly everything else in the film. Try and see RENARD if you are interested in animation. It is a delight.
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8/10
Just an amazing and entertaining movie to watch!
Hayden9813 May 2023
Warning: Spoilers
This movie got me into old stop motion films, and it showed me how many amazing films exist and people don't even talk about them.

I loved watching the fox creating havoc in the village, it really showed how creative and horrible the foxes could be. The animation was just so amazing to watch, I saw somewhere that the puppets are life sized which is just crazy to see that. My favourite part of the movie was when the village finally had enough and came to the foxes house, trying to make them pay for their mischief. Which they never go to, instead the foxes won in the end.

I'd recommend this to anyone wanting to watch something entertaining, this definitely worth a watch!
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Astonishing
Puppetmister27 February 2003
I saw this last night as part of the Exeter animation festival. It was preceded by two great shorts, but nothing prepared me for the Tale of the Fox. You might expect stop-motion animation from 1930 to be stilted, with locked-off camera set-ups and slow, jerky animals with ruffling fur (see King Kong, for instance). Starewitch's (this, according to his grand-daughter's website, is the correct way to spell his name) characters are incredibly expressive, fast moving and dynamic, and he includes crash zooms, whip pans and close-ups to stunning effect. If you've studied animation before, you'll be blown away by the use of motion blur, and the compositing of animated creatures with seemingly flowing water, but for non-nerds there is a fast, very funny story to be enjoyed. The Tale of the Fox might just be the single greatest achievement in animation there has ever been. That includes Willis O'Brien, Ray Harryhausen, Walt Disney and perhaps even Hayao Miyazaki.
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10/10
A buried treasure.
dbdumonteil7 March 2007
It took ten years to make it.I must confess I was not expecting much when I began to watch it.What?A puppet animated feature film from the thirties?For the kiddies??

"Le Roman de Renart" (it was originally a "t " ,for Renart was a proper noun;the old FRench word for fox was "goupil" ) is 65 minutes of constant innovation.Borrowing from La Fontaine his "Corbeau et le Renard " (the Raven and the Fox)and smartly integrating anachronisms (the dream of Renard :the tournament is given a live commentary treatment complete with microphone,the sentence which the Lion King (!)says when he's attacking Renart's fortress is from Napoleon in front of the pyramids.),Ladislas Larevich does not forget humor (the message the Lion King finds in his cassette)and by several respects it's also a musical: there is a frog chorus fifty years before Rupert the Bear (and Paul Mac Cartney),Italian serenades ..

It's very faithful to the spirit of the book:by no means a film for children (it would be interesting to watch a movie of that time targeted at the children market,if there were any),it's a work for the grown-ups like Grimault/Prévert's "Le Roi et L'Oiseau" or Dunning's "Yellow Submarine" .Yes,it's that much good.My favourite scene is when Renard has fallen to the bottom of the well and he pretends he is in Heaven: the pictures almost predate pop art and psychedelic state !The spoof on religion is always present ,the "love one another" becomes " don't eat one another" ,and the Lion King asks his subjects to go veggie (except for his royal majesty on Thursday and on Sunday);another stupefying scene shows the rabbit who begins to shake his small bells frenetically after having drunk the sacred wine (the blood of the Lord)in the church.

In France,it's completely forgotten.It's a buried treasure.
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10/10
No offense to the Disney or Pixar classics, but undeniably one of the greatest animated features
jlewis77-128 April 2009
It is not officially available in the US, but you can sometimes get copies of the adapted European release through ebay and other online sources. Certainly, it deserves a full class presentation. This is one of those films you'll most likely re-watch several times, if you're a fan of stop-motion animation.

The German version was released in April 1937, thereby qualifying "Tale Of The Fox" as one of the Pre-"Snow White" Six of cartoon features. As far as puppetoon "epics" go, I guess it runs a tie with Alexsandr Ptushko's "New Gulliver" as first, since the bulk of the production was completed before 1931 (though there was certainly more tinkering done in the mid-thirties). However, apart from the impressionistic black and white photography, there's little that "dates" this classic. Starewicz's technique is so flawless and the facial expressions of his humanized furry stars so expressive, that it is hard to imagine anyone today mastering this type of animation without some digital help. As wonderful as "King Kong" is, it still looks more primitive in comparison.

... And speaking of "Kong", the forest set-ups in this one share some of the dreamlike quality of Skull Island, with plenty of soft-focus foliage. Basically, this is a swashbuckler with an all-critter cast, complete with King Lion and Lioness (passing affections to a singing cat), foolish bunnies, easy-to-be-had wolf and bear, dancing mice, workaholic badger and, of course, the wily star who gets the best of everybody. Most spectacular are the battle scenes waged against the fox's castle, but the gentle scoffing of authorities and "organized" religion (rabbits getting drunk in church, the fox's views of Heaven at the bottom of a well, etc.) makes this more avant-garde than the animated films we're used to.

Interestingly, Disney started making an adaptation of this story three decades later, but instead made a fox-version of Robin Hood. Usually, cartoon features don't star an anti-hero like Renart, who lies and cheats his way through life and wins out in the end. Although it boasts a Disneyesque level of production excellence, "Tale Of The Fox" is about as un-Disney like as you can get in thirties animation.
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10/10
Excellent and fun film and not sure about US law
jef-frisone-12 March 2013
I love this little gem of a film. It does deserve a place along side Snow White and the New Gulliver. I saw this quite by accident on Youtube and I am glad I did. I don't want to tell you anything about the story. Instead, read the great story it is based on. I read it in French. It is a refreshingly medieval take on morality, refreshing compared to the tales of Perraut or La Fontaine. Some here say the film can't be shown in the US because of some law or other forbidden the exhibiting of Nazi financed films. That could be, though I would find that very hard to believe as I saw both Triumph of the Will (at a theater in San Francisco) and Olympiad (on television-AMC I believe, though maybe not) in the USA. How more Nazi can you get than those two films and yet they are both distributed in the USA. So, to me, there should be no reason that this true, and joyful, classic should not be seen in the US. If not, see if you can see it on Youtube. It comes in six parts with English subtitles. There it is called 'Tale of the Fox.' Hope you can see it and laugh along.
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10/10
a pioneering work in the stop-motion animation genre
myriamlenys19 December 2019
Warning: Spoilers
Let me start by saying that "Le roman de Renard" pulls off a double trick : firstly by being very old (which means, logically, that it once was new and, indeed, revolutionary) and secondly by being very, very good. I started watching the movie without great expectations but gradually my mouth fell open both with admiration and astonishment. It was rather like discovering, say, that around the year 1900 someone somewhere had built a car capable of driving, flying, diving, sailing, shooting and achieving speeds of up to 100 miles an hour. Oh yes, and the car was provided with solar panels, a colour television, a working GPS system and an efficient little kitchen...

So we're not just talking about a very early example of feature-length stop-motion animation : this is a strong, beautiful and entertaining work of art capable of burying quite a lot of modern rivals. At least two scenes stand out in the memory : the scene where the lioness queen indulges in amorous reverie while listening to a minstrel song - a fine tune, by the way - and the scene where the fox, that delicate and deeply Christian soul, discovers the hare indulging in sacrilege and doing a drunken dance. ("Gagnam style" avant la lettre !)

Now "Le roman" is based on a French tale or rather tale collection, dating back all the way to the Middle Ages, which seems to have gone through various changes and editions. Blushing deeply, I've got to confess I've never read it... As a Dutch-speaking Belgian I'm much more familiar with its Dutch-language counterpart "Van den vos Reynaerde", which seems to have been based on the French example(s) plus some other European sources. (This is a matter I gladly leave to the specialists.) The Dutch version - probably written in Flanders - still stands as one of the jewels of Medieval literature. It is notable for many things, chief among them the sharpness and slyness of its satire and the creation of one of the great anti-heroes of all time, to wit a trickster fox of unusual cunning, cynicism and cruelty.

Now the Dutch and the French source material must be very similar, because I immediately recognized the tale being told, about a fox outsmarting pretty much every other animal around, including the dim-witted and greedy lion supposed to be a noble king. I also recognized the satirical message, with the author(s) blowing poison darts at humanity at large, at Medieval society AND at Medieval courtly literature. What you get here is basically an anti-King Arthur with a court made up of dolts, hypocrites and parasites, none of whom are a match for the cruel and highly intelligent criminal who runs circles around them.

Both the source material and the movie remain surprisingly topical, for instance by pointing out that habitual criminals are never more dangerous than when they "have found God". It's a lesson quite a lot of social workers and reformers seem to have forgotten... The story also has some interesting things to say about judges, lawyers and spin doctors.

I recommend the movie wholeheartedly, but I recommend it to an older audience of adolescents and adults. The satire is not only layered and complex, it has a genuinely nasty, grisly edge which makes it unsuitable for young children. Do not be deceived into thinking it's just good rollicking fun...

I gather there's an interesting tale involving the movie's origins : it seems as though the bulk of the movie was made in France, with financial troubles rearing their head and preventing proper completion. Some years later, the movie was finished thanks to German funding. It was then introduced to France by the Germans during World War II, which must have gone down a treat. If true : now here lies the inspiration for a whole book...
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10/10
The second stop-motion animated film in animation history
ja_kitty_7127 December 2009
I watched this 1937 French stop-motion animated film last night on YouTube, and I thought it was a great film.

This film is also the second stop-motion animated film in animation history. The film is based on the old medieval stories of Reynard the Fox and all the tricks he plays with the animals in King Lion's court, who are trying to bring him to justice and whose punishment is being hung. You know, I could clearly see the inspiration for Disney's animated version of "Robin Hood," as well as the inspiration for the 2009 stop-motion animated film "Fantastic Mr. Fox."

Overall, I really enjoyed this film, and it is now one of my favorite foreign animated films.
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Dazzling Animation from a forgotten genius
hamilton6529 September 2001
Seven years before "Snow White" Wladyslaw Starewicz produced a truly amazing piece of stop motion animation, not only one of the first to use sound and dialogue as more than decoration, but the first truly adult animation with a blackly comic story-line that's astonishingly fresh today.

The culmination of twenty years of pioneering animation, "Tale" was virtually forgotten from it's release till the early 1990's when it resurfaced at various film festivals. Seeing "Tale" now it's easy to understand why 1930's audiences might have had a hard time with this. The brutality of humour and characters would've been off-putting to most and even now the film an ability to shock.

It's easy to go into this expecting a more primitive "Song of the South" and at first this seems like where we're headed. But there's a cynicism and sophistication Walt could never have imagined.

Reynaud (craftily voiced by Romain Bouquet)is no Disney hero nor should he be taken as a soft hearted villain. Completely amoral, loyal to none (outside his family) he ruthlessly exploits the gullibility of his peers (and even the king himself), in a series of inventive and savagely comic encounters to a point where the enraged animal kingdom declares war on him.

Ten years in the making, "Tale" offers numerous highlights (the drunken rabbit in the monastery, the attack on Reynaud's castle; not to mention a particularly surreal and endearing song between a love smitten cat and a royal girl dove during the strange armistice in which no animal is allowed to eat another.)

An unforgettable and remarkable movie that defies it's age. Try to look out for this one on video (it's available) or in animation festivals... Better still write into your local TV station and request it so more people can see it.
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10/10
Excellent early animation Warning: Spoilers
This film is extraordinary.

Not only the animation is incredibly well done (In every single frame of this movie the viewer could appreciate a high level of details in the characters and the sceneries) but also the story was delightful and very fun to watch, with very likable and interesting characters.

Loosely based in "The Reynard Cycle", this film is some sort of "anti-fable", or better said, a spoof of the classical fables, with the main character being the complete opposite of a role model (The eponymous fox is dishonest, amoral, sly, and self serving rogue, but at the same time, is also a charming, memorable character.

I would recommend this film to anyone, but specially to all those who love and enjoy any kind of animated films.
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8/10
Overlooked and deserving of more attention
Jeremy_Urquhart12 June 2023
Alternate title: The Frenchtastic Mr. Fox.

It's honestly crazy how this looks, and how well it's aged. It's hard to even describe the animation style, but what I can say is that nothing else looks quite like this. For the visuals alone, it's worth checking out for anyone who's interested in animation.

Thankfully, the rest of the film's also pretty good. The story is simple but interesting enough, and I liked the film's odd sense of humour, too.

This is an underrated decades-old animated movie that I never would have known about were it not for Letterboxd. Gotta love how easy it is to find such weird and cool movies online nowadays - I continue to make sure I don't take it for granted.
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8/10
Strong stop-motion animation never gets old
I_Ailurophile30 June 2022
Even in black and white, and years after it's been supplanted, stop-motion animation still impresses with the lush detail it's able to convey. The best movies rendered with graphics programs on a computer can tug at our heartstrings, but there's vivid, tangible life and texture in the meticulous frame by frame movement of figures and set pieces that is at least as awe-inspiring. It requires terrific imagination to produce any such feature, let alone a fable that anthropomorphizes animals and embraces pure fantastical whimsy. And that's just what we get in 'The story of the fox,' complete with a medieval setting and sometimes jarringly dark overtones. For various reasons this may not be for everyone, but one way or another there's no mistaking that this is a vibrant, dazzling viewing experience.

Inspired by classic folklore of the vulpine as a trickster figure, this treatment especially highlights the wily, sometimes cruel cunning. As it does, the picture bursts with wit, intelligence, and heart to build each scene and the overall story - figuratively and literally, as there are many small elements to painstakingly adjust from one shot to the next. All my congratulations to directors Ladislas and Irene Starevich, editor Laura Sejourné, and all others involved in the fundamental crafting of the picture: 'The story of the fox' is unquestionably a labor of love, and the hard effort shines through with rich, fanciful storytelling and film-making that stands tall and stands out even 85 years later.

Barely over 1 hour, the picture still arguably is a tad overlong, perhaps particularly at the climax. Nevertheless, the writing is excellent and whole, weaving in timeless archetypes, themes, and otherwise notions. Every square centimeter of the tableau laid before us, down to the slightest facet of a character's appearance, is considered and executed with utmost care. It's one matter to watch a Pixar film and recognize the 0s and 1s on the other side of the screen; it's another to see stop-motion animation and know there's not one scrap of the presentation that wasn't handmade, probably from scratch, and moved by hand. I feel like I'm repeating myself in saying so, yet that's just the point: most any film can tell an engaging story, as is true here as well, but the way in which the tale is told can make all the difference. This movie is simply a delight in every capacity.

For non-French speakers who don't care for subtitles, or for those whose personal preferences lie outside old titles or black and white imagery, some viewers may be better served seeking their entertainment elsewhere. Even for devoted cinephiles, I won't say that 'The story of the fox' is perfectly, absolutely enthralling. Yet it represents such a tremendous endeavor, and is so enjoyable on its own merits, that it's hard not to offer a blanket recommendation. It's not so essential that you need to go out of your way for it, but if you get the chance to watch this 1937 picture, it's well worth 62 minutes of your time.
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8/10
Ladislas Starevich's 1930 Animated Film Gets 1937 Sound Track, Third Animated Feature Film Before "Snow White."
springfieldrental23 September 2023
"The Tale of the Fox," finally released in April 1937, was posed to be distributed to theaters years earlier as cinema's first animated feature film with accompanying audio. But its creator, Ladislas Starevich, had trouble securing a clean sound track. As one of cinema's top stop-motion pioneers, Starevich was intending to finish his masterpiece in 1930 when he ran out of money after he spent his savings on a distorted audio track. Several years later, the German National Socialist government (the Nazis) took notice of Starevich's film as it collected dust sitting on his shelves and agreed to fund its completion with audio.

"The Tale of the Fox" was based on Johann Wolfgang Gothe's interpretation of the Middle Ages' 'Reynard the Fox,' about a trickster red fox who constantly frustrates the other animals in the kingdom by his wile ways and intellect. The Nazis, sensing a great opportunity to show off its Teutonic pride with a work from Gothe, one of Germany's most illustrious writers, stepped in to pay for the audio, complete with a musical score and voice actors speaking the animals' dialogue. Once the track was laid alongside Starevich's visuals, the movie premiered in Germany.

"The animation is truly visionary and charming," writes reviewer Martin Teller, "with beautiful attention to detail and impressionist touches. These puppets are alive with character, and you can draw a straight line from this film to the magic of Wes Anderson's 'Mr. Fantastic Fox (2006).'"

Starevich and his team took 18-months, beginning in 1929, to create the story of Renard, the fox who loved to play pranks on his fellow animals. In an early trick, a neighboring wolf saw the fox standing next to a pile of fish and inquired how he caught so many. The fox pointed to the frozen hole in the ice where he stuck his tail in and caught fish by the dozens. The eager wolf broke up the ice and dropped in his tail, only to see the hole ice up within minutes. He became stuck and was unable to get out of the dilemma he found himself in. For its intended 1930 premier, Starevich's producer Louis Nalpas decided to use the new audio technology of the late 1920s, Vitaphones' sound-on-disc. But everyone involved was frustrated by its quality. Later the French provided their own sound track in 1941.

Because of its delay, "The Tale of the Fox" became the third animated feature film to have sound. Argentina's 1931 'Peludopolis' (now lost) by Quirino Cristani, and Soviet Union's 1935 "The New Gulliver" predated Starevich's only feature film. Starevich, who made his first short animated film in 1910 in Russia, had been living in France since the 1917 October Revolution. His stop-motion expertise in the 1930 film was so ahead of its time that despite the advances of the technology in 1933's "King Kong," Some critics claim "The Tale of the Fox" is still is more impressive for its time.

"The film is performed exclusively by puppets of animals moved by means of stunning, technically brilliant stop motion animation," wrote film reviewer Keith Allen, "and the effect the director achieves by populating his work solely with such puppets is truly bewitching."
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