The lives of numerous people over the course of 20 years in 19th century France, weaved together by the story of an ex-convict named Jean Valjean on the run from an obsessive police inspector, who pursues him for only a minor offense.
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lillian, if she can dance in his new show. Bert Keeler, a newspaper man, ... See full summary »
This is by far the best version of Les Misérables ever made in my opinion and the critics. Charles Laughton makes this movie, but literally every scene and every character add to this amazing film. If you have never seen a Charles Laughton movie this one will get you hooked. His portrayal of Inspector Javert is 2nd to none. He tracks the wanted man Jean Valjean throughout the movie and the twists and turns are so well done even you movie buffs will not see what's coming. The movie takes you through Valjeans life and many crossroads that shape his life. My words don't do this movie justice. This is a must see Drama. The scene with the priest always gets to me, be sure to catch all the dialog. This movie will make you laugh though it is not a comedy. It will make you mad. It will move your heart in a good way. You will become many of the characters as you watch the film. The less you know about the film the better in my opinion which is why my summary is so vague on details. You can ...Written by
The prison ships are of a make discontinued before 1800. See more »
[to an old woman]
You want to know who I am? I'm a convict! Yeah! I served my sentence. Now my punishment begins, it seems. Look, in prison they gave me a bed of wood. Now I have one of stone.
That's what they do when they set you free!
Well, call the police, why don't you? Have me turned off this as well!
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This is perhaps the best screen adaptation of the Hugo novel about crime and punishment. March is terrific as Valjean, a man subjected to ten years of imprisonment for stealing a loaf of bread. As Javert, a letter-of-the-law police inspector singularly obsessed with returning Valjean to prison for missing parole, Laughton is better than in the same year's "Mutiny on the Bounty." Hardwicke is effective in a small but pivotal role while Hudson and Beal make attractive lovers. Boleslawski, who died at age 47 only two years after directing this film, generally keeps the film from turning melodramatic and benefits from Toland's fine cinematography.
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