The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold ... See full summary »
Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ...Written by
Ed Stephan <firstname.lastname@example.org>
Jeanette MacDonald's commercial recording of the title song was not recorded nor released commercially until more than 13 years after the film was made, after the eminently successful 1948 re-release. It was included in an RCA Victor Red Seal album called "Romantic Moments" and marketed simultaneously in 33-1/3 rpm, 45-rpm and 78-rpm editions. See more »
The 'highbrow number' sung by Mary Blake while Blackie Norton entertains Jack Burley and Signor Baldini in his box early in the film, is "A Heart That's Free" by Alfred G. Robyn, composed in 1910. See more »
Hello, Della. I'm glad to see you again.
You won't be for long. I just dropped over to tell you what I think of you. You know, I haven't seen this woman since she walked out on the best man in San Francisco to marry the town's number one rodent.
I think you better go, Della.
Oh, no. I've got a few things I want to tell you, too. Now, in case you folks don't follow me, I'll tell you that this mouse here has just had a padlock put on The Paradise and thrown all of Blackie Norton's performers in jail...
[...] See more »
After initial premiere, the manager of the Paramount Theater in San Francisco added to the downbeat ending a few shots showing the Golden Gate Bridge being built. Seeing the positive public reaction, MGM decided to have the sequence added to all other prints in release. See more »
Timeless special effects created in 1936 by John Hoffman
John Hoffman (my father) was responsible for the Great Earthquake scene and a number the other montage sequences in the film. A friend of his, the film preservationist David Shepard, tells me the film had already been shot, but the studio execs weren't happy with it. So, they handed it over to the then head of MGM's Montage Department, John Hoffman, to see if he could salvage it. Hoffman rewrote, directed and edited many of the scenes. The result: five Oscar nominations (including 'Best Picture') and one win ('Best Sound') released in 1936, it preceded the introduction of the Oscar for Special Effects award by a few years.
A few years ago, when the Academy Awards Ceremony featured a review of the greatest disaster films ever made, I was disappointed to note that San Francisco hadn't been included. Still, from reading the reviews posted here, it's great to see how many people still appreciate it today.
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