The Roth family leads a quiet life in a small village in the German Alps during the early 1930s. When the Nazis come to power, the family is divided and Martin Brietner, a family friend is caught up in the turmoil.
In 1845 Vienna, Johann Strauss II - Schani to his friends - would rather write and perform waltzes than anything else, this at a time when a waltz is not considered proper society music. ... See full summary »
A naïve young man is working on a logging camp beside a turbulent river. When it closes for winter, he opts to stay for the experience. He meets a woman who was the girlfriend to the boss ... See full summary »
MGM themselves cut 17 meters of this movie to make it pass the Swedish Censors for cinema distribution in 1938. The Swedish Censor Number is 58.401. See more »
After Erich and Pat leave the bar after their first date, a moving shadow of the boom microphone can be seen on the walls of the buildings behind them, following them as they walk down the street. See more »
I'll drink to what I value most. The three of us. To us. Not from day to day now, but year to year.
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"Three Comrades" was one of the few films on which F. Scott Fitzgerald got a writing credit. He co-wrote it with Edward E Paramore Jr from a novel by Erich Maria Remarque who wrote "All Quiet on the Western Front" and it's a beautiful job of work. It's set in Germany after the First World War, (you'll have no trouble accepting the American cast as Germans), and is about three friends, (Robert Taylor, Franchot Tone and Robert Young), and their relationship with a frivolous, sophisticated and dying girl. She's played magnificently by Margaret Sullavan, (she won the New York Film Critic's prize for Best Actress), and she's the lynchpin of this Frank Borzage classic which is deeply romantic and highly intelligent at the same time. It's a love story that doesn't shy away from the political situation pertaining in Germany at the time without ever being preachy. Indeed, it's one of the great films about friendship and it's very easy to accept Taylor, Tone and Young as men who really care for one another, (Tone is superb and even Taylor and Young don't let the side down), but this is Sullavan's movie. It's a luminous performance, perhaps her finest. Her disappearance from the movies and tragically early death was one of the cinema's greatest losses.
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