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In this spoof of the story The Maltese Falcon (1941) is based on, a double-crossing woman, the two-timing P.I. she hired, the corpulent "empress of crime", and a gentleman thief are all after a legendary priceless eighth-century ram's horn.
When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.
The newly-named Emperor Maximillian, the only monarch of the Second Mexican Empire, arrives in Mexico in the early 1860s with his wife Carlotta to face popular sentiment favoring Benito Juarez and popular demand for democracy. With an elite group of Mexican monarchists, Maximillian tries to appease the democratic Mexicans but he fails. Abraham Lincoln continues to support Juarez and asks the French to withdraw support for Maximilian. Carlotta goes to France to plead with Napoleon III, to no avail.Written by
Ed Stephan <firstname.lastname@example.org>
Although some sources, such as the Film Daily 1940 yearbook, list 132 minutes as the running time for "Juarez", all current prints, including the MGM/UA video release, run 121 minutes. The original review of the film in the April 26, 1939 issue of Variety listed 125 minutes as the running time; the 132-minute running time would appear to include the overture, running over 6 minutes, that was played live at the world premiere in Hollywood on April 25. The current 121-minute running time may indicate a loss of some of the film's scenes, but is more likely the result of frame rate differential in the transfer from film to videotape. See more »
When Napoleon lll is informed in a letter that Robert E. Lee has been defeated at Gettysburg, he responds by paraphrasing Lincoln's famous Gettysburg Address by calling democracy as government for the people, by the people, etc. He couldn't have known Lincoln's rhetorical flourish because the actual speech wasn't given until mid November 1863. See more »
In 1952, the film was re-released and several key scenes were removed, particularly sequences that contained dialogue that criticized countries which, in 1939 had been regarded as totalitarian, but which, by the early 1950s had become Cold War allies of the United States and could therefore no longer be criticized as imperialist adventurers. Germany and Italy, especially, former enemies in the 1940s, were now the cornerstone of NATO. The removal of these scenes obfuscated the narrative considerably, in particular, removing any clear reasons behind the execution of the Emperor Maximilian at the conclusion of the film. This revised print runs 106 minutes and is the version released on video and generally available today. The 1939 version is preserved on nitrate stock in the Warner Archive. See more »
Battle Hymn of the Republic
Music by William Steffe (circa 1856)
Lyrics by Julia Ward Howe (1862)
Played as part of the score when Abraham Lincoln is mentioned
Extensively played when news of Lincoln's assassination reaches Juarez See more »
What drew me into seeing Juarez in the first place were the cast and that Korngold wrote the music. And while it is far from perfect, there are definitely a lot of good things. It does look exquisite, not just in the lavishly rendered costumes and sets but also in the sweeping cinematography. Korngold's score is splendid also, full of the rich and rousing melodies he is famous for, if not quite on the same level as the scores he did for Prince and the Pauper, Captain Blood, The Sea Hawk and especially The Adventures of Robin Hood. The Mexican history is interesting and I did find it informative, and most of the acting is fine. In particular Bette Davis who is very compelling in her role, Brian Aherne's dignified Maximillian and Claude Rains who plays urbane better than anyone(except perhaps Cary Grant). Donald Crisp, Montagu Love and Joseph Calleia are excellent also. However there are debits, while the script is mostly literate it also suffers from being too talky and trying to tell us too much. The film is perhaps overlong, and is rather tedious in the pace at times. And two actors unfortunately didn't work for me. Paul Muni, wonderful in Scarface, The Good Earth and The Life of Emile Zola, not helped by very heavy make-up is far too stoic and stiff in the lead. And while he tries hard to give the honest intensity the small role of Porfirio Diaz, John Garfield just ended up being out of place. On the whole, a great cast, a splendid score and lavish production values are definite things to like, but Juarez is spoilt sadly by bad pacing, too much talk and two actors who don't convince as much as they should. 6/10 Bethany Cox
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