7.7/10
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348 user 124 critic

Fantasia (1940)

Trailer
1:26 | Trailer
A collection of animated interpretations of great works of Western classical music.

Directors:

James Algar (uncredited), Samuel Armstrong (uncredited) | 10 more credits »

Writers:

Joe Grant (story direction), Dick Huemer (story direction) | 23 more credits »
8 wins & 1 nomination. See more awards »

Videos

Photos

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Cast

Complete credited cast:
Deems Taylor Deems Taylor ... Self - Narrative Introductions
Leopold Stokowski ... Self - Conductor of The Philadelphia Orchestra
The Philadelphia Orchestra The Philadelphia Orchestra ... Themselves
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Storyline

Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day. Written by David Thiel <d-thiel@uiuc.edu>

Plot Summary | Add Synopsis

Taglines:

Walt Disney's Technicolor FEATURE triumph See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The name of the dancing hippo in the "Dance of the Hours" segment is Hyacinth, the Ostrich is Mlle. Upanova, and the alligator is Ben Ali Gator. See more »

Goofs

In the third section of the "Pastoral Symphony", the character known as Bacchus is misnamed. Bacchus and the Greek equivalent Dionysius are always depicted as young men. The fat, drunken man corresponds to Silenus, the teacher and companion of Bacchus. Silenus is always depicted in much the same way as the character in the movie. The two are often confused. See more »

Quotes

[first lines]
Deems Taylor: How do you do? Uh, my name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
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Crazy Credits

Originally, the production credits were on a booklet distributed at the roadshow showings. They were finally put on screen for the 50th anniversary re-release. See more »

Alternate Versions

In the roadshow version only, the orchestra members applaud after Mickey Mouse shakes hands with Leopold Stokowski. See more »

Connections

Referenced in Erotic Liaisons (1992) See more »

Soundtracks

Jam Session Sequence
(uncredited)
Played by members of The Philadelphia Orchestra without a conductor
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User Reviews

 
The first, the best, the unrivaled
2 June 2015 | by VartiainenSee all my reviews

Fantasia was to be the crowning achievement of Walt Disney Studios, their magnum opus, a work of art that finally convinced the people that animated films could be more than "mere" children's entertainment. Unfortunately, it was too much too soon. People went in expecting children's entertainment - after all, that's what Disney was known for - and instead were treated to high art. Nothing wrong with that, but you need to expect it first. And thus, Fantasia flopped financially, and what was meant to be a continuing series of films, remained just one until the turn of the century.

But oh what a film it is. Music by the best classical composers ever lived, performed by the Philadelphia Orchestra, hosted by Deems Taylor, featuring some the finest animated segments Disney had ever done. It's a stone cold classic, was from the very first moment, and it's a shame it didn't do so well. Luckily it has gone down in history as one of Disney's finest and will be watched and appreciated for centuries to come.

As for the individual segments, they're not of equal quality, though they are all very good in their own ways.

The opening segment, Toccata and Fugue in D Minor, is not one of my personal favourites, but it works as a good opening intro to the idea behind Fantasia and is pretty to look at in its own way. It hasn't aged as well as some of the other segments, but it does its job more than adequately.

Nutcracker Suite, on the other hand, is fantastic. Beautiful images, perfectly accompanied by one of the most recognizable pieces of music there is. After seeing this segment once, it's hard not to see fairies and seasons dancing around whenever you hear the piece.

And then there's The Sorcerer's Apprentice. Everyone knows this one and has most probably seen it, even if they haven't seen the whole film. It's the segment with the most story and is one of the strongest Mickey Mouse shorts ever made. Grandeur, funny and even a bit threatening, it's probably the film's strongest moment.

Rite of Spring is another one with a story, this time about the history of our small blue orb floating in the space. It's intriguing to watch, but once again the animation shows a bit of its age and it's perhaps even a little bit too ambitious for its running length. Not the strongest segment, but once again very good nonetheless.

The Pastoral Symphony and Dance of the Hours, the next two segment, are to me very similar and while they're both fine, I cannot admit to liking them all that much. They're mostly just general gallivanting and while that's fine and fits the music, it can become a bit boring. The Pastoral Symphony is also the segments that has aged the least gracefully with some really rough character designs.

Luckily we have Night on Bald Mountain and Awe Maria to close the film. And they are awe-inspiring. The devil on his lone mountain top is one of the scariest images Disney has ever produced and the rest of the segment is equally haunting, eerie and threatening. Which is why the following tranquility and quietness of Awe Maria works so well and allows you to drift over the finish line with a smile on your face and peace in your heart.

Fantasia is not a perfect film, but it's still one of the finest pieces of art I've ever seen and a perfect introduction to animated films meant for adults. As a child I found it slightly boring. As an adult I'm in awe.


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Frequently Asked Questions

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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

19 September 1941 (USA) See more »

Also Known As:

Walt Disney's Fantasia See more »

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Box Office

Budget:

$2,280,000 (estimated)

Opening Weekend USA:

$980,798, 10 February 1985

Gross USA:

$76,408,097

Cumulative Worldwide Gross:

$76,411,819
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Company Credits

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Technical Specs

Runtime:

| (2000 roadshow restoration) | (1942 cut) | (1991 VHS release) | (1946 cut)

Sound Mix:

3 Channel Stereo (RCA Sound System) (as Fantasound)

Color:

Color

Aspect Ratio:

1.37 : 1
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