A man involved in a crime (Nolan) kills his key witness by mistake and resigns himself to death. He changes his name so as not to harm his family. The law is not content with his ...
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"Night Editor" was based on the already existing radio program in which a newspaper editor would recount the 'inside story' of some bit newspaper story, and later became a television series... See full summary »
After killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law, under a false name intending to protect his own family's honor. But when the news of his ... See full summary »
William K. Howard
Johnny Mack Brown
Dr. Bartley Morgan covers up his profitable illegalities with the respectable veneer of a posh, highly profitable private practice, he runs with his nurse Margaret Hopkins. The FBI agent ... See full summary »
Private detective Michael Shayne (Lloyd Nolan) is serving on the jury trying Lillian Hubbard (Janis Carter) for the murder of Harley Forsythe. A witness with information that could clear ... See full summary »
A private detective is hired to retrieve a valuable antique coin that was stolen from its owner by her son, who used it to pay off a blackmailer. The private eye soon finds himself up to ... See full summary »
A man involved in a crime (Nolan) kills his key witness by mistake and resigns himself to death. He changes his name so as not to harm his family. The law is not content with his explanation, however.Written by
Ed Stephan <firstname.lastname@example.org>
Told that he might wind up in the electric chair, Joe Monday says he once heard a coward dies a thousand times. He's paraphrasing William Shakespeare's "Julius Caesar"--"A coward dies a thousand times before his death, but the valiant taste of death but once. It seems to me most strange that men should fear, seeing that death, a necessary end, will come when it will come." See more »
Even by Fox's handsome standards, production values for this "B" from the Sol Wurtzel unit rate as commendably high. True, this unusual, compellingly off-beat murder/courtroom drama (partly scripted by Fox's ace Ellis-Logan team) is inclined to be a bit talky, but the acting is fine. Just look at that cast! The support players enjoy some real moments of glory here, particularly Irving Bacon as a swaggering raconteur, and Eric Blore mugging delightfully as a simpering servant.
My only complaint is that director David Burton, or film editor Alex Troffey, have a disconcerting habit of jarringly cutting into a full-face close-up from a profiled two-shot. In other respects, however, the direction is most efficient and the photography commendably crisp.
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