The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddens née Hubbard has her daughter under her thumb. Mrs Giddens is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both?Written by
Although rumours were circulating that Samuel Goldwyn was looking to replace Bette Davis after she walked off the picture, the truth of the matter was that he was very reluctant to do so as it would involve significant costs in reshooting all the scenes already in the can with a different actress. See more »
On the night before Alexandria leaves for Baltimore when she leans over the railing after Aunt Birdie is slapped: In the wide shot her right hand is about 20 inches from the column, then in the close-up her hand is just inches from the column. See more »
[while riding into town]
Good mornin' Harold.
[looking up from shining the sign that reads 'The Planters Trust Company / Horace Giddens / President']
Mornin' miss Ann. What does your papa write to from Baltimore?
He writes that he feels better Harold.
Dat's good. Write him my greetins and tell him don't worry 'bout da brass - I'm keepin' his name fine and clean.
Thanks, I will.
Mm-mmm, those crabs'll make fine eatins Addie.
They bettah, we got high-toe company for dinner tonight.
Yum, bye ...
[...] See more »
Opening credits prologue: "Take us the foxes, The little foxes, that spoil the vines:
For our vines have tender grapes." The Song of Solomon 2:15
Little foxes have lived in all times, in all places. This family happened to live in the deep South in the year 1900. See more »
I always loved Lillian Hellman, way ahead of her time - she may have been controversial with powerful enemies and treacherous groupies but I'm always reminded of the stuff the lady was made of by going back to the letter she wrote to the House Of Un-American Activites that she wrote knowing that she was risking everything. She paid a heavy price but now we know who the real, patriotic Americans were - Lillian Hellman right up there - I saw The Little Foxes last night - first time in two decades - and I was enveloped in its relevance. Lillian Hellman herself wrote the screenplay based on her play about greed, the banquet of the 1 per cent and the blatant social injustice. Class, race and all the rest of it. As if that wasn't overwhelming enough, William Wyler and Bette Davis - what an brilliant combination - Davis was only 33 when she played Regina - Astonishing performance. This must be one of her very best, The film also has the extraordinary Patricia Collinge as Birdie and Teresa Wright. This is a film to visit and revisit for its historical relevance and cinematic brilliance
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