In Victorian London, a beautiful young man is given a portrait of himself by an admiring artist. Soon after this, he treats a young woman cruelly and then notices that his portrait seems to... See full summary »
A modern retelling of Oscar Wilde's classic masterpiece. In the wealthy and vain hedonist Dorian Gray, painter Basil Hallward has found his muse. Only when Dorian's portrait begins to age, ... See full summary »
In 1950s French Morocco, a local ruler and his friend, a French doctor, fall in-love with the same Arab girl and must also deal with an outbreak of plague and with the marauding Tuaregs who steal the vaccine shipment.
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Writer Georges Duroy (George Sanders) is one social-climbing S.O.B. who does most of his climbing over the warm (and cold) bodies of women. He begins with Rachel (Marie Wilson), a hanger-on... See full summary »
In 1886, in Victorian London, the corrupt Lord Henry Wotton (George Sanders) meets the pure Dorian Gray (Hurd Hatfield) posing for talented painter Basil Hallward (Lowell Gilmore). Basil paints Dorian's portrait and gives the beautiful painting and an Egyptian sculpture of a cat to him, while Henry corrupts his mind and soul, telling him that Dorian should seek pleasure in life. Dorian wishes that his portrait could age instead of him. Dorian goes to a side show in the Two Turtles in the poor neighborhood of London, and he falls in love with singer Sibyl Vane (Dame Angela Lansbury). Dorian decides to marry her and tells Lord Henry, who convinces him to test the honor of Sibyl. Dorian Gray leaves Sibyl and travels abroad, and when he returns to London, Lord Henry tells him that Sibyl committed suicide for love. Throughout the years, Dorian's friends age while he is still the same, but his picture discloses his evilness and corruptive life. Can he still have salvation, or is his soul ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
An American version of a Brit Railway Station - Toward the end of the movie Dorian (Hatfield) and Henry Wotton (Sanders) arrive at Selby Station, Yorkshire, England. The train pulls into the "stationhouse" platform which is to the most right-hand side coming UP from London. That would be correct for an American RR Station but the absolute wrong side for Britain; the Brits both drive on the left-hand side of the road and also run their trains that way. See more »
Lord Henry Wotton:
correcting the current: "I choose my friends carefully.", with the following: "I always choose my friends for their good looks, and my enemies for their good intellects. Man cannot be too careful in his choice of friends."
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Older TV prints of "The Picture of Dorian Gray" ran entirely in black-and-white, and did not show the painting in colour. Most current TV broadcasts now show the proper colour inserts. According to some sources, the final shot of the film was also originally shown in colour, but all extant prints show the final shot in black-and-white. See more »
This wonderfully atmospheric retelling of Oscar Wilde's chilling novel is one of the best horror films ever made. It outdoes DRACULA and FRANKENSTEIN because it is about a man -- not a monster. Yet the monster IS the man -- and hides within all of us. The story works even more effectively than the similar plot in Robert Louis Stevenson's STRANGE CASE OF DR. JEKYLL AND MR HYDE because here we have the dual sides of a man portrayed not as two separate characters but as two reflecting images -- like two mirrors facing each other, sending the images out to infinity. The painting itself is one of the most horrifing images ever created in films -- a surreal reflection of what each of us can become if we lose our humanity and replace it with careless egotism.
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