Directed by
| David Lean | ||
Writing Credits
| David Lean | ... | (adapted for the screen by) & |
| Ronald Neame | ... | (adapted for the screen by) & |
| Anthony Havelock-Allan | ... | (adapted for the screen by) |
| Noël Coward | ... | (play) (uncredited) |
| Noël Coward | ... | (screenplay) (uncredited) |
Cast (in credits order) verified as complete
| Rex Harrison | ... | Charles Condomine | |
| Constance Cummings | ... | Ruth Condomine | |
| Kay Hammond | ... | Elvira Condomine | |
| Margaret Rutherford | ... | Madame Arcati | |
| Hugh Wakefield | ... | Dr. George Bradman | |
| Joyce Carey | ... | Violet Bradman | |
| Jacqueline Clarke | ... | Edith (as Jaqueline Clarke) | |
| Rest of cast listed alphabetically: | |||
| Marie Ault | ... | Cook (uncredited) | |
| Noël Coward | ... | Narrator (uncredited) | |
 |
Johnnie Schofield | ... | R.A.C. Man Directing Traffic (uncredited) |
Produced by
| Noël Coward | ... | producer (as Noel Coward) (produced by) |
Music by
| Richard Addinsell | ... | (musical score) |
Cinematography by
| Ronald Neame | ... | (photographed in Technicolor by) |
Editing by
| Jack Harris | ||
Casting By
| Irene Howard | ... | (uncredited) |
Art Direction by
| C.P. Norman | ||
Set Decoration by
| Arthur Taksen | ... | (uncredited) |
Makeup Department
| Tony Sforzini | ... | makeup artist |
| Vivienne Walker | ... | hairdresser |
Production Management
| Anthony Havelock-Allan | ... | in charge of production |
| Norman Spencer | ... | unit manager |
| Sydney Streeter | ... | unit manager (as S.S. Streeter) |
| Herbert Smith | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
| George Pollock | ... | assistant director |
Art Department
| G.E. Calthrop | ... | art supervisor to Noel Coward |
| T. Hopewell Ash | ... | draughtsman (uncredited) |
Sound Department
| John Cook | ... | sound recordist (as John Cooke) |
| Desmond Dew | ... | sound recordist |
| Cyril Crowhurst | ... | dubbing editor (uncredited) |
| Roy Day | ... | sound camera operator (uncredited) |
| Percy Dayton | ... | boom operator (uncredited) |
| Anthony J. Kay | ... | dubbing crew (uncredited) |
| George Lewis | ... | sound maintenance (uncredited) |
| George Paternoster | ... | assistant boom operator (uncredited) |
| Alan Whatley | ... | dubbing crew (uncredited) |
Special Effects by
| Tom Howard | ... | special effects |
Visual Effects by
| Charles Staffell | ... | back projection (uncredited) |
Camera and Electrical Department
| William McLeod | ... | camera operator (as Wm. McLeod) |
| Dennis Bartlett | ... | focus puller (uncredited) |
| Wilfrid Newton | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Hilda Collins | ... | dress supervisor |
| Raemonde Rahvis | ... | dresses (as Rahvis) |
Editorial Department
| Joan Bridge | ... | associate color director: Technicolor |
| Natalie Kalmus | ... | color director: Technicolor |
| Margery Saunders | ... | assembly editor (uncredited) |
| Norah Walsh | ... | assistant editor (uncredited) |
Music Department
| London Symphony Orchestra | ... | music performed by |
| Muir Mathieson | ... | conductor: The London Symphony Orchestra |
| Leonard Isaacs | ... | orchestrator (uncredited) |
Script and Continuity Department
| Yvonne Axworthy | ... | assistant continuity (uncredited) |
| Maggie Unsworth | ... | continuity (uncredited) |
Additional Crew
| George Minassian | ... | technician for Technicolor |
