Directed by
Roy Boulting |
Writing Credits
Howard Spring | ... | (novel) |
Nigel Balchin | ... | (screenplay) |
Cast (in credits order)
Produced by
John Boulting | ... | producer |
George H. Brown | ... | associate producer |
Peter De Sarigny | ... | associate producer (as Peter de Sarigny) |
Music by
John Wooldridge |
Cinematography by
Günther Krampf | ... | director of photography (as Gunther Krampf) |
Editing by
Richard Best |
Art Direction by
John Howell |
Costume Design by
Honoria Plesch | ... | (costumes designed by) |
Makeup Department
Tony Sforzini | ... | makeup supervisor |
Vivienne Walker | ... | hairdressing supervisor |
Production Management
Filippo Del Giudice | ... | in charge of production (as F. Del Giudice) |
Peter De Sarigny | ... | production manager (uncredited) |
Herbert Smith | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
Michael Anderson | ... | assistant director |
Francis James | ... | assistant director (uncredited) |
John Redway | ... | second assistant director (uncredited) |
Guy Wilsdon | ... | third assistant director (uncredited) |
Art Department
Donald M. Ashton | ... | draughtsman (uncredited) |
William Bowden | ... | draughtsman (uncredited) |
Brian Herbert | ... | assistant (uncredited) |
Ian Imray | ... | draughtsman (uncredited) |
Roger Ramsdell | ... | assistant art director (uncredited) |
Stanley Yeomanson | ... | construction manager (uncredited) |
Sound Department
Harry Miller | ... | sound editor |
John W. Mitchell | ... | sound recordist |
L.E. Overton | ... | dubbing mixer |
Peter Davies | ... | first assistant dubbing mixer (uncredited) |
Dudley Messenger | ... | boom operator (uncredited) |
Special Effects by
Henry Harris | ... | special effects |
Douglas Woolsey | ... | special effects |
Visual Effects by
George Blackwell | ... | miniatures (uncredited) |
Jack Higgins | ... | miniatures (uncredited) |
Bert Marshall | ... | matte photography (uncredited) |
Joan Suttie | ... | matte painter (uncredited) |
Bill Warrington | ... | matte supervisor (uncredited) |
Camera and Electrical Department
Stanley Pavey | ... | associate director of photography |
Gilbert Taylor | ... | camera operator |
Harry Waxman | ... | associate director of photography |
Davis Boulton | ... | still photographer (uncredited) |
John Coquillon | ... | clapper loader (uncredited) |
Maurice Gillett | ... | electrician (uncredited) |
Arthur Ibbetson | ... | second camera operator (uncredited) |
Gerry Massy-Collier | ... | focus puller (uncredited) |
William McLeod | ... | second camera operator (uncredited) |
Wilfrid Newton | ... | still photographer (uncredited) |
Dennis Reed | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Jane Castles | ... | assistant costume designer (uncredited) |
Arthur Newman | ... | wardrobe master (uncredited) |
Editorial Department
Edith Burbeck | ... | assistant editor (uncredited) |
Nicholas Gurney | ... | second assistant editor (uncredited) |
Music Department
John Addison | ... | The Chopin Prelude played by (as Jock Addison) |
Hans May | ... | conductor |
Script and Continuity Department
Angela Martelli | ... | continuity |
Additional Crew
Max Benedict | ... | research (as Maxwell Benedict) |
J. Arthur Rank | ... | presenter (as J.Arthur Rank) |
Freda Howard | ... | publicist (uncredited) |
Anita Melburg | ... | production secretary (uncredited) |
John Jack Lewis Worrow | ... | publicist (uncredited) |