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One More Tomorrow (1946)

Approved | | Comedy, Drama | 1 June 1946 (USA)
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »


Peter Godfrey


Charles Hoffman (screenplay), Catherine Turney (screenplay) | 3 more credits »


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Cast overview:
Ann Sheridan ... Christie Sage
Dennis Morgan ... Thomas Rufus 'Tom' Collier III
Jack Carson ... Patrick 'Pat' Regan
Alexis Smith ... Cecelia Henry
Jane Wyman ... Frankie Connors
Reginald Gardiner ... James 'Jim' Aloysius Fisk
John Loder ... Owen Arthur
Marjorie Gateson ... Aunt Edna Collier
Thurston Hall ... Thomas Rufus Collier II
John Abbott ... Joseph Baronova
Marjorie Hoshelle Marjorie Hoshelle ... Illa Baronova
Sig Arno ... Poppa Diaduska


Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine which opposes everything his family represents. As Tom and Christie's relationship deepens, love blooms and he proposes to her. Realizing that she could never fit in with Tom's social circle, Christie says no, a decision she later regrets. But Tom isn't left alone for long--scheming gold-digger Cecelia Henry wastes no time in catching Tom on the rebound and forcing him into a disastrous marriage. Written by Daniel Bubbeo

Plot Summary | Add Synopsis


Comedy | Drama


Approved | See all certifications »






Release Date:

1 June 1946 (USA) See more »

Also Known As:

The Animal Kingdom See more »


Box Office


$869,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
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Technical Specs

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


According to a contemporary article in The Hollywood Reporter, Bette Davis and Paul Henreid were to star in this film. See more »


[first lines]
James 'Jim' Aloysius Fisk: Not your best effort Mr. Hitchcock.
Patrick Regan: No, kinda morbid ain't it.
Christie Sage: To say the least.
Patrick Regan: Well it's supposed to be a surprise party ma'am.
Christie Sage: Oh. I thought it was a housewarming for Dracula.
James 'Jim' Aloysius Fisk: Well you wanted to come.
See more »


Version of The Animal Kingdom (1932) See more »


Waltz in C sharp minor, Op. 64, No. 2
Music by Frédéric Chopin
Played on piano at the opening
See more »

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User Reviews

Quite good....not perfect...but quite good.
30 June 2016 | by MartinHaferSee all my reviews

Warner Brothers studio apparently had little confidence in this picture and apparently shelved it for three years before ultimately releasing it. Interesting, as it's one of the better Warner films of the era! I think the studio was uncertain about the film because the film does question conventional morality...even pushing the Production Code about as far as anyone did at the time. The other reason I think they sat on the film is that the movie starred many of the second-tier actors-- Jack Carson, Dennis Morgan, Alexis Smith and Ann Sheridan. Had it starred bigger names, I doubt if it would have sat as long...and I don't think the film would have been quite as good. It's hard to imagine Cagney, Bogart or Bette Davis in this film!

When the film begins, you learn that although Tom Collier (Morgan) is from a very wealthy family, he's not content to live the indolent life of the rich or go into the family business. He wants to make it on his own and soon buys a struggling magazine that is considered liberal and on the fringe. It's NOT what the family wants but his father loves him and doesn't press Tom too often to change jobs. But Cecelia (Smith) has every intention of changing him and making him exactly what sort of rich man she demands. Fortunately, Tom has instead fallen for a less conniving and more loving lady, Christie (Sheridan). But when Sheridan rejects Tom, he is easy pickings for Cecelia and they soon marry. However, problems clearly are looming as she's intent on breaking Tom and Tom is determined to be his own man. What's to become of them?

This is a very good film and brings up some great moral quandaries. However, the movie has one problem...Cecelia is just too obviously a horrible person. Had she been a bit more subtle in her machinations, the film would have been even better. Despite this, the acting is excellent, direction quite good and the story quite original and challenging. Well worth seeing.

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