Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie's daughter, Marguerite, and William ... See full summary »
The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, ... See full summary »
Nigel De Brulier
The hectic adventures of D'Artagnan (Gene Kelly), a young provincial noble who came to Paris to become a Musketeer. He will meet action, love, hate, King Louis XIII (Frank Morgan) and Queen Anne (Dame Angela Lansbury), as his impetuousness gets him involved in political plots... and of course, virile and indestructible friendship with the three Musketeers Athos (Van Heflin), Porthos (Gig Young), and Aramis (Robert Coote).Written by
Over the first hour of the movie, Countess de Winter's mole is below and to the left of her mouth. When Richelieu introduces her to D'Artagnan, her mole is below and to the right of her right eye. When she breaks a mirror several minutes later, she has no mole at all. She then gets dressed and meets D'Artagnan in her parlor without a mole. During their conversation, it reappears near her right eye. When they start wrestling, the mole is again missing. The mole appears, disappears and moves throughout the movie. However, during this time, among the French upper class, women sometimes added a phony mole (or beauty mark) when applying their facial cosmetics. See more »
My friend, my friend. My young country friend, when will you learn about Paris? By now Richelieu, without the slightest question, knows even the color of your underpants.
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The Hollywood of the classic studio system is not known for its kindness in adapting great literary works. Often overwrought or oversimplified, cut down or bastardized, the movie versions rarely capture the essence or the form of the books they pretend to adapt.
This one is exceptional. Both the pathos and the verve of the Dumas novel (itself a roman-feuilleton - a serial- which it is rumored Dumas didn't actually write) are wonderfully captured, and Kelly is the dream D'Artagnan. Every bit of physicality and fun that he brought to his choreographies in the musicals is used beautifully to bring grace and energy to the duels. The humor of the star is used quite brilliantly. Compare the toungue-in-cheek pastiche THE DUELLING CAVALIER in SINGING IN THE RAIN with this earlier work. Look up a few of his directorial efforts (The Cheyenne Social Club) with the humor here.
Each fan of Dumas will have his favorite version of THE THREE MUSKETEERS, but we all must agree this is a noble and (overall) successful effort.
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