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All the King's Men (1949)

Approved | | Drama, Film-Noir | January 1950 (USA)
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The rise and fall of a corrupt politician, who makes his friends richer and retains power by dint of a populist appeal.

Director:

Robert Rossen

Writers:

Robert Penn Warren (based upon: the Pulitzer Prize novel "All the King's Men"), Robert Rossen (written for the screen by)
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Won 3 Oscars. Another 11 wins & 8 nominations. See more awards »

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Cast

Complete credited cast:
Broderick Crawford ... Willie Stark
John Ireland ... Jack Burden
Joanne Dru ... Anne Stanton
John Derek ... Tom Stark
Mercedes McCambridge ... Sadie Burke
Shepperd Strudwick ... Adam Stanton
Ralph Dumke Ralph Dumke ... Tiny Duffy
Anne Seymour ... Mrs. Lucy Stark
Katherine Warren ... Mrs. Burden (as Katharine Warren)
Raymond Greenleaf ... Judge Monte Stanton
Walter Burke ... Sugar Boy
Will Wright ... Dolph Pillsbury
Grandon Rhodes ... Floyd McEvoy
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Storyline

Jack Burden is a newspaper reporter who first hears of Willie Stark when his editor sends him to Kanoma County to cover the man. What's special about this nobody running for county treasurer? He's supposedly an honest man. Burden discovers this to be true when he sees Stark delivering a speech and having his son pass out handbills, while the local politicians do their best to intimidate him. Willie Stark is honest and brave. He's also a know-nothing hick whose schoolteacher wife has given him what little education he has. Stark loses the race for treasurer, but later makes his way through law school, becoming an idealistic attorney who fights for what is good. Someone in the governor's employ remembers Stark when the governor needs a patsy to run against him and split the vote of his rival. The fat cats underestimate Stark; but Jack Burden, Stark's biggest supporter, overestimates the man's idealism. To get where he wants to go, Willie Stark is willing to crack a few eggs - which ... Written by J. Spurlin

Plot Summary | Add Synopsis

Taglines:

He Might Have Been A Pretty Good Guy . . . If Too Much Power . . . And Women . . . Hadn't Gone To his Head ! See more »

Genres:

Drama | Film-Noir

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

January 1950 (USA) See more »

Also Known As:

All the King's Men See more »

Filming Locations:

California, USA See more »

Company Credits

Production Co:

Columbia Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(copyright length)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

After Robert Rossen took the Fifth Amendment when he was questioned by the House Committee on Un-American Activities in 1951, Columbia broke all connections with him and bought all rights and residuals in the films he made for the studio, including this one. In 1953, Rossen again appeared before the committee and named fifty-seven people in Hollywood who had at one time belonged to the Communist Party. See more »

Goofs

When the doctor is playing a waltz at the piano, the right hand portion of the music continues even when he lifts his right hand -- twice! -- to pick up a drink. See more »

Quotes

Willie Stark: You wanna know what my platform is? Here it is. I'm gonna soak the fat boys and spread it out thin.
See more »

Connections

Referenced in The Hustler: The Inside Story (2002) See more »

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User Reviews

A Still-Great Film
5 December 2004 | by ralphklattSee all my reviews

Maybe "All the King's Men" is a bit long in the tooth now, but until "The Godfather" and "Patton" it was the best film ever made!

The selection of Broderick Crawford as Willie Stark was gutsy, since Crawford can -at best- have been considered "good". Somehow, though, Crawford did not play Willie Stark - he Was Willie! Much like George C. Scott did not play Patton - he Was Patton.

The "you hicks" speech was great. Not until the "Patton" speech was there anything better on film.

Essentially, the thing making the film great was watching Willie "grow up" in the sense of casting aside his idealism for power. Turning point is the cemetery scene, when one of the attendees seeks divine forgiveness for not having voted for Willie.

The turning moment was not unlike Michael Corelone saying "I'm with you Pop" when the Godfather was in the hospital. Michael did not mean physical proximity, but that he then "bought into" the business.

In both cases, the storyline is a reminder about Power and Corruption.

Like most movies made from books, there were some changes that did detract from the story (no where in the movie do we learn that the Judge is Jack Burden's father - yet that is so important). Yet, correspondingly, no one can accuse the book of word economy. It is a powerful story, but overly descriptive.

Crawford's change of expression - the beginnings of insight - are classic.

Definitely worth seeing.


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