Brandon and Jessie Bourne have a long, apparently happy marriage. Several years earlier Brandon had had an affair with a younger woman, Isabel Lorrison, who's now returned to New York intending to re-kindle the relationship. Meanwhile, Jessie is attracted to Mark Dwyer, a former policeman-turned-writer just arrived from a secret mission in Italy.Written by
Beverly Michaels who portrays Felice Backett is the wife of Academy Award winning screenplay writer Russell Rouse and the mother of Academy Award winning film editor Christopher Rouse. It also her debut in movies. See more »
When Josephine enters Jessie's room when she's crying over reading the paper about the previous night's events, the interior door inexplicably has a deadbolt lock on it - but no corresponding plate or bolt are seen on the door's edge. This is a common shortcut of set carpenters. The same can be observed with Isabel's apartment door. See more »
Yes, this is my town. It's not new to you. You're read books about it. You've seen it in movies. People are always talking about New York. It's the most exciting city in the world, they say. The most glamorous, the most frightening and, above all, the fastest. You hear a great deal about the tempo of this city, it's speed, it's pace, it's driving heartbeat. Perhaps, it's true - for visitors. But, I was born here. I live here. And the only pace I know is the pace of my own life. The...
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I've Got You Under My Skin
Music and Lyrics by Cole Porter
Background music at restaurant/bar scene See more »
Ava attempts to steal Mason away from Stanwyck...look out!
Extremely busy marital melodrama which (rather unsuccessfully) lapses into a homicide investigation! New York City socialite Barbara Stanwyck loves and trusts investment counselor husband James Mason--even though he has a penchant for disappearing after-hours and returning home at four in the morning. Turns out old flame Ava Gardner is back in town; she's a high-class man-chaser who won't take no for an answer. Screenwriter Isobel Lennart, working from the novel by Marcia Davenport, starts things off routinely, but keeps adding characters until the scenario is bubbling over like a stew-pot. Van Heflin does wonders with a shapeless role as a war correspondent/ex-detective who ends up in jilted Stanwyck's kitchen, flirting with her in Italian, while Gardner is offered some juicy repartee (when Mason calls her "cheap", Ava replies, "That's what you like about me."). A country square-dance is curiously transplanted to a Manhattan penthouse, and Beverly Michaels' supporting performance congeals into high camp; still, Barbara and Van have an immediate rapport--one that is not apparent in her scenes with Mason (who doesn't help his cause by portraying the cad-husband like a petulant boy). Stanwyck, outfitted and coiffed like a lady ten times her age, initially doesn't have much to do, but Lennart's script soon has her traveling all over the city--east side, west side, and beyond. It's a nervous, flighty picture, paced exhaustively by director Mervyn LeRoy, but overall quite watchable. **1/2 from ****
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