The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie.Written by
There was no soundtrack album, but three of the stars made commercial discs of a few songs, on MGM Records. Two Gene Kelly-Betty Garrett duets were recorded , "Take Me Out to the Ball Game" (music by 'Albert Von Tilzer', lyrics by Jack Norworth), done in a swinging tempo, and "Yes, Indeedy" (music and lyrics by Roger Edens, Betty Comden and Adolph Green). Also, recorded on MGM Records, a Garrett solo, "It's Fate Baby, It's Fate" (music and lyrics by Edens, Comden and Green) and recorded on Columbia Records, Frank Sinatra's charming ballad, "The Right Girl for Me" (music and lyrics by Edens, Comden and Green). See more »
Theodore Roosevelt is portrayed as throwing out the ceremonial first pitch at a baseball game. The practice of presidents throwing out the first pitch did not begin until the presidency of William Howard Taft, Roosevelt's successor. See more »
Was it a mere 50 years ago that every major studio - but particularly MGM - was routinely producing several musical comedies every year? These were "entertainments" in every sense of the word: fast, funny, colorful, escapist. Some were low budget, others were elaborate; some had major stars, others featured lesser talent. There seemed no reason to believe that such an appealing type of picture would not be produced indefinitely. With so many to choose from, we could afford to discriminate between the truly great ones and those, such as "Take Me Out to the Ball Game," which didn't offer the most outstanding scores or scripts. Now, however, they are to be cherished for their very existence and for a style of excellence that neither today's filmmakers nor performers can duplicate. The passing years have transformed more than a few of the second-tier musicals into treasures. By no means artifacts, they are fresh, and enormously appealing. This picture is a prime example.
(Better than remembered: Gene Kelly's comic mugging, Frank Sinatra's dancing, Betty Garrett's energetic high spirits.)
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