Eve (Anne Baxter) is waiting backstage to meet her idol, aging Broadway star Margo Channing (Bette Davis). It seems innocent enough as Eve explains that she has seen Margo in EVERY performance of her current play. Only playwright/critic DeWitt (George Sanders) sees through Eve's evil plan, which is to take her parts and her fiancé, Bill Simpson (Gary Merrill). When the fiancé shows no interest, she tries for playwright Lloyd Richards (Hugh Marlowe), but DeWitt stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where a young woman named Phoebe has sneaked into her room and fallen asleep. This is where the "Circle of Life" now comes to fruition as Eve will get played like she played Margo.
After the first week of filming, the cast and crew gathered to view the rushes in San Francisco. From what everyone saw on screen, it was clear that was something special. People got excited, and that excitement fuelled what already seemed to be a charmed production into an even better picture. "None of us could wait to get to work," recalled Anne Baxter. See more »
When Eve and Addison De Witt are walking down the street in New Haven from the Schubert Theater, the pedestrians behind them are walking at a faster pace, but never gain any ground on them. This is because "back projection" is being used; George Sanders and Anne Baxter are not really walking down a street. They are "walking in place" and the background is actually projected film being shown behind them. See more »
How was Miss Casswell?
Frankly, I don't remember.
Just slipped your mind?
Completely. Nor I am sure anyone else can tell you how Miss Casswell read or whether Miss Casswell read or rode a pogo stick.
See more »
Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »
In show business, there is probably an Eve Harrington born every day. Someone who butters up to a performer of note, acting innocently, revealing none of the coldhearted ambition they really have. Anne Baxter plays this type of person to a tee. She looks like a baby-faced fan, but little do we know, there is a fame machine at work in her mind. Bette Davis, as Margo Channing, star of the stage, is a veteran who has seen it all. She is quite the egotist. Margo is a brilliant actress and she knows it. Eve discovers her blind spot and moves in on her like a quiet storm. This is the premise of ALL ABOUT EVE, Joseph L. Mankiewicz's masterpiece of sly wit and subtle manipulation. Mankiewicz also wrote the picture (winner of the Best Picture Oscar of 1950) with such skill, the talented cast need only to memorize the lines and deliver them with the proper technique.
The performances are great, regardless, especially by Bette Davis and the always detested George Sanders, one of my favorite actors of the Golden Age of Hollywood. The film is narrated initially by Sanders, who plays a ruthless swine of a theatre critic, then by Celeste Holm, the wife of Eve and Margo's playwrighter, then Bette Davis in the performance of a lifetime. The movie is about 90% dialogue, much like a play. The words are so crisp and sharp, you never sway or lose interest. These characters are just too interesting. Bette Davis has a cavalcade of unforgettable dialogue. "Fasten your seatbelts. Its going to be a bumpy night!" This is the one everyone remembers, but I would be remiss to get into any others.
The picture runs well over 2 hours, but it doesn't seem like enough. Mankiewicz could've held a seminar of screenwriting by showing this. George Sanders is the only actor of the roster to bring home an Academy Award, and rumor has it Davis and Baxter, who was just 27 at the time, were feuding during much of the shoot and lusted the Oscar. Time has been very good to the film as well. 1950 was a wonderful year for movies and ALL ABOUT EVE's artistic equal that year was the equally well-written SUNSET BOULEVARD, which took us behind the scenes of a tainted Hollywood. EVE takes on theatre and treats Hollywood like an afterthought. There are many references to the film industry, usually involving the scenes with Margo Channing's boyfriend, who is attempting to make a career on the silver screen.
The movie is highly unpredictable, especially the last scenes which tie the ideas of the story up. There is an Eve everywhere and each character gets what he or she deserves. Fasten the belts and listen up. This is screenwriting at its finest.
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