It's time for the annual London to Brighton antique car rally, and Alan McKim and Ambrose Claverhouse are not going to let their friendship stop them from trying to humiliate each other. ...
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It's time for the annual London to Brighton antique car rally, and Alan McKim and Ambrose Claverhouse are not going to let their friendship stop them from trying to humiliate each other. Along the way, some old jealousies are kindled to the point where the two men decide to have a "friendly" wager on who will be the first back to London. Once the competitive juices get all fired up, however, it quickly becomes a nasty, hotly-contested affair. Ambrose's companion must suffer through her "maiden voyage" on the rally, while Mrs. McKim, on the other hand, is a long-time sufferer of her husband's obsession.Written by
As Kenneth More approaches the bridge his car wheels get stuck in tram lines forcing him to turn right instead of left but the next shot shows the car out of the tracks. See more »
This is the end! Making a public spectacle of yourselves. I couldn't have believed you could have behaved like this, either of you. Just hawling like brooligans.
Hawling like brooligans?
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At the end of the opening credits: For their patient co-operation the makers of this film express their thanks to The Officers and Members of the Veteran Car Club of Great Britain. Any resemblance between the deportment of our characters and any club members is emphatically denied - - - by the club. See more »
A chirpy British comedy following the fortunes of two overly-competitive friends who enter vintage cars in the famous London to Brighton rally. John Gregson stars as the dour lawyer Alan who, baited by his larger than life friend (Kenneth More), accepts a bet on who will return to London first.
Dinah Sheridan and Fay Kendal provide glamorous and dependable support, with Kendal sparkling as an upper class fashion model with an unexpected capacity for trumpet playing and heavy drinking. Much of the film is typical race and chase stuff, but avoids the usual potholes of over-engineered stunts and tricks. The characters are far more interesting than that!
A brilliant harmonica soundtrack by Larry Adler keeps the tempo and spirits high and the full colour production provides a ready backdrop of 1950's town and country scenes. Escapist entertainment from a period when British cinema boomed.
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