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Olivia de Havilland,
20th Century-Fox put a lot of eggs in this 1953 film---3-D and stereophonic sound on prints for the few theatres equipped for that sound system in 1953, and the result was possibly the best 3-D film made during the craze. The basically-simple plot, in theory but more than that in execution, concerns a spoiled and alcoholic millionaire, Robert Ryan, who breaks his leg falling off of a horse, and is left to die in the desert by his cheating wife, Rhonda Fleming (born for Technicolor and 3-D), and her lover, William Lundigan.Written by
Les Adams <email@example.com>
Robert Ryan would later state that his performance in this film was one of his finest. See more »
Early in the movie, after Robert Ryan has put a splint on his broken leg (which continues to cause him a lot of pain), he takes a small branch and breaks it over the injured leg, seemingly without feeling any pain. See more »
Donald Whitley Carson III:
[after finding water in a cactus]
This stuff's a great discovery. Just sit there and work on it all day and you can get enough juice to sit there and work on it all day.
See more »
Survival-in-wilderness thriller worth a look, even minus 3-D
The best thing about Inferno is that, like the Aeneid, it jumps right into the middle of the action. Out in a southwestern desert, under the baking sun, lies Robert Ryan, with his leg broken and only a meager supply of food and water. He's been left to die by his wife (Rhonda Fleming) and her lover (William Lundigan). There's no backstory, no lead-up to the crucial events; what little we need to know gets doled out as the movie advances, but never in flashback.
Of course, anybody can be left to die in the desert by a philandering spouse, but it helps if you're a millionaire, like Ryan. We learn that he inherited his fortune and wonders whether he deserves it, and that he's a tough and private man who suffers no fools gladly (the part's basically a reworking of Ryan's Smith Ohlrig in Max Ophuls' Caught).
The rest of Inferno cross-cuts between Ryan's attempts to survive by his wits and Fleming's and Lundigan's to throw the local police and Ryan's business associates back in Los Angeles off track. After several days elapse, when it becomes apparent that Ryan may still be alive and on the move, Fleming and Lundigan decide that, in order to save themselves, they have to go back and finish the job....
Inferno was issued in 1953, the annus mirabilis of 3-D. Unlike most titles filmed in that short-lived gimmick, it stands pretty well on its own even the hurtling rocks, striking rattlers and flaming rafters stay effective without knocking viewers over the head. But basically it's a story of a man born to wealth who, to stay alive, must negotiate a deadly wilderness where money proves worthless. Watching Ryan do so is worth giving Inferno a look.
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