Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ...
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Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Daisy Kenyon (Joan Crawford) is a commercial artist living in New York City and having a 'back street' affair with a married lawyer, Dan O'Mara (Dana Andrews), whom she hopes to marry as ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As Burt successfully woos her and wins her hand in marriage, rumors begin to surface that Millicent's newfound beau is in fact a deranged maniac. Things grow even more complicated for Millicent when a woman claiming to be Hansen's first wife shows up. As Burt begins to lose control of himself, Millicent ponders the most radical of actions against her husband.Written by
The film's original title was "The Way We Are", but this was changed to capitalize on the success of the Nat "King" Cole song "Autumn Leaves", which was enjoying considerable popularity at the time. See more »
[after meeting Milly's landlady, Liz, who is sporting a garishly "loud" Hawaiian-type, floral shirt]
Who's the character?
Liz Eckhardt. She's the manager.
Is she always dressed for Halloween? In the middle of the summer?
That happens to be one of her most conservative outfits!
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Opening credits are shown over a background of...... leaves. See more »
Autumn Leaves finds Joan Crawford as fortyish unmarried woman living alone in a court bungalow with landlady Ruth Donnelly for occasional company. A chance meeting with young Cliff Robertson at a concert brings two people with needs together.
Cliff's needs are much bigger than her's however. For all his surface charm, the man has some deep issues. Part of which is that he's grown up without a mother another part of which his father Lorne Greene did him one terrible hurt.
The film was Cliff Robertson's breakout role and he does a fine job, running the whole emotional alphabet from the charming and shallow young man who overcompensates a lot to his mental breakdown with Crawford which is terrifying. Crawford gets one of her best late career roles as well. Not much is said about her mental state, but the way she interprets the part, Joan's needs are as much maternal as romantic and Robertson seems to fill the bill.
For those of you who expect to see wise and patriarchal Ben Cartwright, that is not the Lorne Greene you see here. In fact before being cast in Bonanza, Greene played a nice variety of nasty people in such films as The Buccaneer, Tight Spot, and this one. Vera Miles is also here as Robertson's ex-wife and a piece of work herself.
Robert Aldrich does a good job with Joan Crawford and the rest of the cast. But the film really belongs to Cliff Robertson, after this performance, his career was assured.
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