While in London, for a medical convention, Dr Ben McKenna, his wife, Jo, a former singer, and their teenage son, Hank decide to take a quick trip to Marrakesh. Whilst there, hanks kidnapped by a British couple. A man, who the McKenna's had met the same day, is stabbed, in front of them, but before he dies, he tells Ben there's a plan to assassinate on a politician. Fearing for his son's safety, the McKenna's don't tell this to the police. As the he clock grows ever closer - to the l both the speed time of the assassination, and to dealt find Hank, the tension ratches up.Written by
Rarely for a Sir Alfred Hitchcock movie, two characters among Jo McKenna's U.K. theatrical friends greeting her at the hotel, are the real-life theater patron and manager Val Parnell and his wife Helen. See more »
On their first morning in London, McKenna leaves a taxi and walks down a quiet residential street and stops at the next corner. Four or five camera shots were taken as he slowly walked down the street. In the first three or four shots the shadow of the buildings along the block extended across the sidewalk to about three feet into the street. But in the final scene at the corner the shadows were gone. See more »
Partly because the rights to this film were acquired from Paramount by Universal, the Paramount VistaVision fanfare is played over the opening Universal logo. This is the way it is currently (2005) shown on television in the re-release version (1984). See more »
The original film opened with the Paramount logo followed by their patented wide screen process, Vista Vision. In the 80's, Universal re-issued the film with their logo, and dropped the reference to Vista Vision. The Blu-Ray edition retains the Paramount/Vista Vision logos at the start, but carries the 80's Universal logo at the end. See more »
I hadn't seen it since I was in college. I remembered it like a fun, absurd movie. Now in 2018 what hit me the most was the wife played by Doris Day. She is spectacular and the absurdity becomes totally real just by looking at her. James Stewart is great of course but he seems to be the foil here rather than the center that keeps us connected to that essential leap of faith. The scene in which he gives her the tranquilizers before telling her the terrible news. What Doris Day manages to do with her character is extraordinary. Brenda de Banzie is a terrific villainess and Bernard Herrmann's score another major plus. I'm sure that even my grandchildren's grandchildren will talk about The Man Who Knew Too Much and about Doris Day.
62 of 68 people found this review helpful.
Was this review helpful to you?
| Report this