After a long three-year absence, the battle-scarred Confederate veteran of the American Civil War, Ethan Edwards turns up on the remote and dusty Texan homestead of his brother, Aaron. In high hopes of finding peace, instead, the taciturn former soldier will embark on a treacherous five-year odyssey of retribution, when the ruthless Chief Scar's murderous Comanche raiding party massacres his family, burns the ranch to the ground, and abducts his nine-year-old niece, Debbie. Driven by hatred of Indians, Ethan and his young companion, Martin Pawley, ride through the unforgiving desert to track down their lost Debbie; however, is the woman they lost and the prisoner in Scar's teepee still the same woman the searchers seek?Written by
The film is often criticized for its racist portrayal of Native American Indians, but in 1956 many audiences accepted its harsh view of Indians. See more »
When Clayton's posse is crossing the river, the Indian war party can be seen following behind on the river bank. When the posse gets to the other side, the war party is not visible on the opposite bank or in the river. See more »
Music by J.P. Webster
Lyrics by Henry D.L. Webster
Heard in score See more »
The Screen Comes Alive for Wayne and Ford
A John Ford masterwork that's rich and spacious, just like the gorgeous western countryside that splashes every backdrop. John Wayne plays a flawed centerpiece, a grizzled former soldier with a chip on his shoulder and a strange, conflicted relationship with his extended family. As usual, cool confidence and raw masculinity seep from his pores and he takes hold of each scene with a pair of strong, old cowherder's hands. This is a film that rewards an active imagination, as there's much going on between the lines that, without being spelled out, brands the cast with an unusual level of depth and detail. Unspoken histories flesh out most every character, allowing even generic walk-ons to mosey into the picture at most any moment and cast ripples throughout the entire tapestry. It can be slow at times, and the casting of a very obviously non-native actor to lead the stereotypical enemy Comanche tribe doesn't sit well, but both such faults can be generally chalked up to the dated eccentricities of that era. Take the time to soak it all in, to look deeper than the superficial story, and you'll find a wealth of spoils.
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