"A Face in the Crowd" charts the rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.Written by
At the Piggott location shoot, approximately 380 dogs were assembled from Missouri and Arkansas for the scene following Rhodes' first mass-action call on his audience: to take their dogs to the home of a local sheriff who was running for higher office. Rhodes opined that people should first find out if a candidate is worthy of the office of "dog catcher". See more »
"Lonesome Rhodes" is in jail for a week for being drunk and disorderly. When he's asked to sing a song, he pulls his guitar out of its case along with a visible bottle of whiskey. It's highly unlikely the police wouldn't have searched his guitar case as a matter of safety. (He could have had a gun in there.) Certainly, they would have found and confiscated a bottle of "hooch," especially from a prisoner who had been charged with drunkenness in the first place. See more »
Oh, Miss Jeffries!
[as he jogs over to the KGRK network's station wagon]
Good morning Marcia! Well, I think we have just what you're lookin' for; we always get a good haul on the Fourth of July.
[in reference of her periodic head-hunting for local broadcasting talent on her radio show: A Face in the Crowd]
Good! Come on, let's go.
[they then drive over to the town jail]
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I just saw this movie very late the other night, and I must say WOW! Like the rest of you, I saw "A Face In the Crowd" on a regular VHS edition, but it wouldn't matter which edition I saw it in because this was one of the few movies recently that made the jaw of this movie snob literally DROP with amazement over how daring, how edgy, and how much mastery this movie had over the film-making craft.
I'm beginning to realize that in the 1950's there was a short period of time (1955-1960, say) where the world of Broadway and the theater, Television, and Hollywood came together, and the careers of people like Rod Serling, Sidney Lumet, and "A Face In the Crowd"'s own Budd Schulberg were started. The best screenwriters in the movie business became innately aware of the increasing importance and influence of the new media form Television, while the best directors (like Elia Kazan), many of whom had directed numerous plays, knew how to cull the talents of Broadways hottest and most gifted performers, and at least for a couple of years, managed to get some awesome performances out of them. That's why I view this movie in the same sort of category as "The Sweet Smell of Success", that ever so sour and bitingly satiric parable on the corruption of American glamour and fame, and how publicity is just as much of a curse as a blessing. The performances in that film are like few others in the same era, and I think its no coincidence that "A Face In the Crowd" came out the same year as the other film. The main scribes of both those films, Clifford Odets and Budd Schulberg, were experienced with TV work by the time they penned their masterpieces (though Schulberg could also claim as his masterpiece 'On the Waterfront').
So anyway, I suggest to all who can hear me and have a love enough for this film to want to see it given the presentation it deserves, that we all write to the Criterion Collection and other DVD distributing companies and ask, no DEMAND that a restored, cleaned up version of "A Face In the Crowd", with as many special features as can be rustled up, be released as soon as possible. It's like writing your congressman, except instead of asking for a new factory of national park, we're asking for the wider availability of a piece of art that has gone with far too little acclaim for far too long. Who's with me?!?
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