A Commander receives a citation for an attack on General Erwin Rommel's headquarters, which is actually undeserved, as the Commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
In El Paso, lawyer and ex-Confederate captain Clay Fletcher forms a vigilante group to bring law and order to a town where the judge is a drunk, the sheriff is corrupt and the town is run by a crooked landowner.
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the Younger brothers, and his attempt to lead a peaceful life after the disastrous attempt to rob the bank at Northfield, Minn.Written by
As originally conceived by Walter Bernstein and Nicholas Ray, the film had a non-linear plot with flashbacks, but studio boss Buddy Adler couldn't understand it and forced Ray to recut it with the scenes in chronological order. Bernstein said the recut rendered the film "pointless." See more »
In the beginning of the movie the sheriff and his men wait to attack the James gang do to heavy rain. Once the rain stops the posse proceeds by crossing a bridge over a completely dry,
dusty stream bed and dirt road. See more »
Jesse... They drove my son to it. The Yankees drove him to it. He's a good boy. You're his wife, Zee, you know how kind he is.
Try and sleep, Mother Samuel.
You know, once, he brought home a bird that had fallen from its nest. His father was alive then, and little Jesse wouldn't be comforted until Reverend James gave the little bird a funeral service. Jesse always was a gentle boy.
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All UK versions are cut by 9 secs to remove stock footage of the same fatal cliff-top jump that resulted in the death of a horse in the 1939 Jesse James. See more »
Not quite big enough to be an "A" movie, not quite small enough to qualify as a "B" movie, this version of the Jesse James story is too indecisive in its attitude toward its central character to have much impact. The Jesse depicted here is neither good nor bad, and the same thing could be said about the movie itself.
It is a very good-looking movie, though it's completely out of touch with the times it's meant to portray. Every set, every costume, every hair-do says "Hollywood 1950s" rather than "Missouri 1870s."
Robert Wagner seems too clean-cut to be a frontier outlaw but 20th Century-Fox was trying to push him toward stardom at the time, making use of his "hunk" appeal. He's thus given a few bare-chest scenes. Jeffrey Hunter, another would-be star, fits more easily into the western milieu as Jesse's brother, but his part has clearly been subordinated to keep the attention on the Jesse James character. One wonders how the movie might have been improved had these two actors exchanged roles.
Agnes Moorehead and John Carradine lend interest to a better-than-average supporting cast.
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