Mr. Bowers booby-traps his basement, electrocuting his wife when she turns on an overhead bulb. Next, the widower ties the knot with a mousy heiress, Maggie, whom he has seduced. While Edie warbles "...
Late at night in an empty greasy spoon, a mug coolly kills the owner, but when the register yields only $14, he just shrugs and unscrews his silencer. The diner was Lt. Jacoby's teenage hangout, so ...
Peter Gunn investigates the murder of Scarlotti, a mobster who once saved the detective's life. The primary suspect appears to be Fusco, who has taken over. In the middle of the case, an ... See full summary »
Mr. Lucky was an honest professional gambler who had won a plush floating casino, the ship Fortuna, and used it as his base of operations. Staying beyond the three-mile limit, where he ... See full summary »
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
Detective Peter Gunn is asked by a mob boss to find the murderer of a friend's brother. Although he is working outside from the mob, Gunn is none the less pursued by mobsters, the cops and interested women.
Filmed in a film noir atmosphere and featuring Henry Mancini music that could tell you the action with your eyes closed, Peter Gunn worked in style. Known as Pete to his friends and simply as Gunn to his enemies, he did his job in a calm cool way. He got his tips and cautions from Lieutenant Jacoby, a coffee drinking pal from the police. Also providing tips was "Mother" of her self-titled nightclub. Working at the nightclub as a singer was Edie Hart, his girlfriend.Written by
Mathias Banner <email@example.com>
A masterful interpretation of a wonderful TV show AND musical experience (thank you, Henry Mancini). And thank you, Kabuki!! This was one of the hottest TV shows of the 1950's, spawning a slew of imitators, a chart-topping record from Ray Anthony, a theme that has been covered by dozens of artists and which caused at least one existing TV series (M-Squad, starring Lee Marvin) to change its theme to a jazzier format (thank you, Count Basie). I grew up with this stuff, and to my mind, Peter Gunn exemplified television's 'golden age' in a way few others could. If only today's television fare could come close.
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