Directed by
| Alfred Hitchcock | ||
Writing Credits
| Alec Coppel | ... | (screenplay by) & |
| Samuel A. Taylor | ... | (screenplay by) (as Samuel Taylor) |
| Pierre Boileau | ... | (based on the novel "D'Entre Les Morts" by) and |
| Thomas Narcejac | ... | (based on the novel "D'Entre Les Morts" by) |
| Maxwell Anderson | ... | (contributing writer) (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Herbert Coleman | ... | associate producer |
| Alfred Hitchcock | ... | producer (uncredited) |
Music by
| Bernard Herrmann | ||
Cinematography by
| Robert Burks | ... | director of photography |
Editing by
| George Tomasini | ||
Casting By
| Bert McKay | ... | unit casting director (uncredited) |
Art Direction by
| Henry Bumstead | ||
| Hal Pereira | ||
Set Decoration by
| Sam Comer | ||
| Frank R. McKelvy | ... | (as Frank McKelvy) |
Costume Design by
| Edith Head | ... | (costumes) |
Makeup Department
| Nellie Manley | ... | hair style supervisor |
| Wally Westmore | ... | makeup supervisor |
| Florence Avery | ... | hairdresser (uncredited) |
| Hazel Keats | ... | hairdresser (uncredited) |
| Ben Lane | ... | makeup artist: Miss Novak (uncredited) |
| Harry Ray | ... | makeup artist (uncredited) |
| Peggy Thomas | ... | hairdresser (uncredited) |
| Lenore Weaver | ... | hairdresser (uncredited) |
Production Management
| Frank Caffey | ... | production manager (uncredited) |
| Andrew J. Durkus | ... | unit production manager (uncredited) |
| C.O. Erickson | ... | unit production manager (uncredited) |
| Curtis Mick | ... | assistant unit production manager (uncredited) |
| Don Robb | ... | unit production manager: San Francisco (uncredited) |
Second Unit Director or Assistant Director
| Daniel McCauley | ... | assistant director |
| Ralph Axness | ... | second assistant director (uncredited) |
| Cy Brooskin | ... | second assistant director (uncredited) |
| Charles C. Coleman | ... | assistant director: San Francisco (uncredited) |
| Herbert Coleman | ... | second unit director: San Francisco (uncredited) |
| John P. Fulton | ... | second unit director: back projection (uncredited) |
| Edward Haldeman | ... | assistant director (uncredited) |
| Clem Jones | ... | assistant director: San Francisco (uncredited) |
| Frank Kies | ... | assistant director: San Francisco (uncredited) |
| Edward Morey Jr. | ... | assistant director: San Francisco (uncredited) |
Art Department
| Brian J. McNamara | ... | Digitial Restoration Artist |
| Saul Bass | ... | poster designer (uncredited) |
| Jim Cottrell | ... | assistant props (uncredited) |
| Gene Lauritzen | ... | construction coordinator (uncredited) |
| Dominic Mautino | ... | stand-by painter (uncredited) |
| Martin Pendleton | ... | props (uncredited) |
| Manlio Sarra | ... | portrait: Carlotta (uncredited) |
| Fred Simpfenderfer | ... | nurseryman (uncredited) |
| Lee Vasque | ... | props (uncredited) |
Sound Department
| Winston H. Leverett | ... | sound recordist (as Winston Leverett) |
| Harold Lewis | ... | sound recordist |
| Calvin Loeser | ... | commentary track re-recording mixer |
| George Dutton | ... | sound (uncredited) |
| Nick Gerolimates | ... | sound cable man (uncredited) |
| Hayden Hohstadt | ... | mike grip (uncredited) |
| Jim Miller | ... | sound recordist (uncredited) |
| Bud Parman | ... | sound boom man (uncredited) |
| Bert Van Volkenberg | ... | sound battery man (uncredited) |
| Bill Wistrom | ... | sound editor (uncredited) |
Visual Effects by
| Farciot Edouart | ... | process photography |
| John P. Fulton | ... | special photographic effects |
| W. Wallace Kelley | ... | process photography (as Wallace Kelley) |
| Paul K. Lerpae | ... | optical effects (uncredited) |
| John Whitney Sr. | ... | motion control designer: title sequence (uncredited) |
Stunts
| Polly Burson | ... | stunts (uncredited) |
| Jean Corbett | ... | stunt double: Kim Novak (uncredited) |
| Ted Mapes | ... | stunts (uncredited) |
| Fred Perce | ... | stunt double: James Stewart (uncredited) |
Camera and Electrical Department
| Earl Canter | ... | camera assistant (uncredited) |
| Robert Coburn | ... | still photographer (uncredited) |
| Earl Crowell | ... | electrician (uncredited) |
| John Friedman | ... | camera assistant (uncredited) |
| Adolph Froelich | ... | best boy (uncredited) |
| Bobby Greene | ... | assistant camera (uncredited) |
| Loyal Griggs | ... | director of photography: second unit (uncredited) |
| James Hawley | ... | assistant camera: second unit (uncredited) |
| Warren Hoag | ... | electrician (uncredited) |
| Vic Jones | ... | gaffer (uncredited) |
| Michael P. Joyce | ... | assistant camera (uncredited) |
| Fred Kaifer | ... | camera operator: second unit (uncredited) |
| W. Wallace Kelley | ... | director of photography: back projection (uncredited) |
| James Knott | ... | camera operator (uncredited) |
| Lon Massey | ... | electrician (uncredited) |
| Kyme Meade | ... | camera operator: second unit (uncredited) |
| Walter Newman | ... | grip (uncredited) |
| John Nostri | ... | grip (uncredited) |
| Val O'Malley | ... | camera operator (uncredited) |
| H. Parsley | ... | grip (uncredited) |
| G.E. Richardson | ... | still photographer (uncredited) |
| Irmin Roberts | ... | director of photography: second unit (uncredited) |
| Gus Ryden | ... | camera assistant (uncredited) |
| Leonard J. South | ... | camera operator (uncredited) |
| F. Steiner | ... | electrician (uncredited) |
| Darrell Turnmire | ... | company grip (uncredited) |
| Paul Uhl | ... | camera assistant (uncredited) |
| Edward Wahrman | ... | assistant camera (uncredited) |
| Paul Weddell | ... | assistant camera (uncredited) |
| B. Weiler | ... | camera operator: second unit (uncredited) |
| William Williams | ... | director of photography: animation (uncredited) |
Casting Department
| Olive Long | ... | secretary: casting director (uncredited) |
Costume and Wardrobe Department
| Leonard Harris | ... | wardrobe: men (uncredited) |
| Roselle Novello | ... | wardrobe: women (uncredited) |
| Dario Piazza | ... | wardrobe: men (uncredited) |
Editorial Department
| Richard Mueller | ... | color consultant: Technicolor |
Music Department
| Muir Mathieson | ... | conductor |
| Leon Birnbaum | ... | music editor (uncredited) |
| Bernard Herrmann | ... | orchestrator (uncredited) |
Script and Continuity Department
| Kathleen Fagan | ... | script supervisor: second unit (uncredited) |
| Peggy Robertson | ... | script supervisor (uncredited) |
| Anita Speer | ... | script supervisor: second unit (uncredited) |
Additional Crew
| Saul Bass | ... | titles designer |
| John Ferren | ... | special sequence |
| Robert A. Harris | ... | restored by |
| Diane Cummings | ... | photo double (uncredited) / stand-in (uncredited) |
| A. Vincent Gerty | ... | technical advisor (uncredited) |
| Bill Gray | ... | production auditor (uncredited) |
| Michael Hyatt | ... | assistant restorationist: 1996 film restoration (uncredited) |
| James C. Katz | ... | producer: 1996 film restoration (uncredited) |
| Frank Kies | ... | auditor: San Francisco (uncredited) |
| David Krouse | ... | Event Staff: American Cinematheque: 60th Anniversary Screening with Kim Novak (uncredited) |
| Luddie Laine | ... | dialogue coach (uncredited) |
| Al Peterson | ... | craft service (uncredited) |
| Art Sarno | ... | publicist (uncredited) |
| Herb Steinberg | ... | unit publicist (uncredited) |
| Dolores Stockton | ... | secretary: Mr. Coleman (uncredited) |
| Connie Willis | ... | script supervisor: San Francisco (uncredited) |
