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North by Northwest (1959)

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3:25 | Trailer
A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies.

Director:

Alfred Hitchcock

Writer:

Ernest Lehman
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Popularity
874 ( 1,176)
Top Rated Movies #96 | Nominated for 3 Oscars. Another 8 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Cary Grant ... Roger Thornhill
Eva Marie Saint ... Eve Kendall
James Mason ... Phillip Vandamm
Jessie Royce Landis ... Clara Thornhill
Leo G. Carroll ... The Professor
Josephine Hutchinson ... Mrs. Townsend
Philip Ober ... Lester Townsend
Martin Landau ... Leonard
Adam Williams ... Valerian
Edward Platt ... Victor Larrabee
Robert Ellenstein ... Licht
Les Tremayne ... Auctioneer
Philip Coolidge ... Dr. Cross
Patrick McVey Patrick McVey ... Sergeant Flamm
Edward Binns ... Captain Junket
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Storyline

Madison Avenue advertising man Roger Thornhill finds himself thrust into the world of spies when he is mistaken for a man by the name of George Kaplan. Foreign spy Philip Vandamm and his henchman Leonard try to eliminate him but when Thornhill tries to make sense of the case, he is framed for murder. Now on the run from the police, he manages to board the 20th Century Limited bound for Chicago where he meets a beautiful blond, Eve Kendall, who helps him to evade the authorities. His world is turned upside down yet again when he learns that Eve isn't the innocent bystander he thought she was. Not all is as it seems however, leading to a dramatic rescue and escape at the top of Mt. Rushmore. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The Master of Suspense weaves his greatest tale! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

26 September 1959 (Japan) See more »

Also Known As:

Alfred Hitchcock's North by Northwest See more »

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Box Office

Budget:

$3,101,000 (estimated)

Cumulative Worldwide Gross:

$55,597
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)| Dolby SR | Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The cropduster sequence, meant to take place in northern Indiana, was shot on location on Garces Highway (CA 155) near the towns of Wasco and Delano, north of Bakersfield in Kern County, California. Years later, in a show at the Pompidou Center called "Hitchcock and Art: Fatal Coincidences", an aerial shot of Cary Grant in the cornfield, with a "road cutting straight through the cornrows to the edge of the screen", was said to draw on Léon Spilliaert's "Le Paquebot ou L'Estran", which features "alternating strips of sand and ocean blue bands stretch[ed] to the edge of the canvas." See more »

Goofs

The angle of the driver's side windshield wiper on the tanker truck (during the shot when the truck's hit by the crop-duster plane) is different from the angle in the next shot - even though the wipers aren't turned on. See more »

Quotes

[first lines]
Roger Thornhill: [coming out of the crowded elevator, dictating to his secretary] If you accept the belief that a high Trendex automatically means a rising sales curve...
Eddie: Mr. Thornhill?
See more »

Crazy Credits

The Leo the Lion/MGM trademark preceding the credits is on a green field, to match the green field used in the credits proper. See more »

Alternate Versions

The print originally had an acknowledgement for the cooperation of the Department of the Interior and the National Park Service. But they requested it be removed after MGM violated the agreement that no violence would take place near the Mt. Rushmore monument. Some prints, however, were released with the acknowledgement still in. See more »

Connections

Referenced in Boris and Natasha (1992) See more »

Soundtracks

I've Grown Accustomed to Her Face
(1956)
(uncredited)
Music by Frederick Loewe
Lyrics by Alan Jay Lerner
Portion sung by Cary Grant (as "I've Grown Accustomed to Your Bourbon") as he's being seated behind the wheel of the Mercedes while drunk
See more »

Frequently Asked Questions

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User Reviews

 
I finally get how great it is: Hitch infuses his wrong-man caper with ironic movie language and reality-be-damned escapism and suspense.
24 July 2004 | by Ben_CheshireSee all my reviews

Its Hitch's most briskly entertaining movie, and one of his most comic, adventure-caper type movies, largely thanks to the persona of Cary Grant. But its also one of his most suspenseful - in the fact that Grant is being recognised as someone else, and that he may be put in jail for someone else's crime.

I've finally come to realise just how great North by Northwest is. The reason you should love Hitchcock is he put entertainment upfront. Hitchcock was not interested in whether this or that would happen in real life: he was interested in what would make the most entertaining scene for the movie. North by Northwest is a peak in this regard. The dialogue and situations intentionally throw reality to the wind - the double-entendre dialogue in the love scenes is not supposed to be the way people talk!

If you said to Hitchcock "as if he'd keep driving" or "as if she'd do that" - he would just laugh at you and say you've missed the point. This is 100% movieland, and once you get used to the fact, and that this is not a fault in the film, but done intentionally, you'll love it. Its expressionistic - everything happens in movie language: the people laughing at Grant in the elevator, the way he keeps driving drunk near the beginning, the way he grabs the knife and everyone stares at him after someone's been stabbed.

It flirts with the idea of identity. I thought it was interesting how Grant first is dismissing, then incredulous that people should be calling him by another name; then, as the tries to find out who this guy is, he enters the hotel room of this new identity, then he puts the suit on, and finally he identifies himself as George Kaplan.

A succession of fantastic, memorable scenes, a great leading man in Grant, and one of Hermann's essential Hitch scores make for a movie i can put on at any time.

10/10


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