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Psycho (1960)

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A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

Director:

Alfred Hitchcock

Writers:

Joseph Stefano (screenplay by), Robert Bloch (based on the novel by)
Popularity
506 ( 116)
Top Rated Movies #33 | Nominated for 4 Oscars. Another 5 wins & 10 nominations. See more awards »

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Cast

Complete credited cast:
Anthony Perkins ... Norman Bates
Vera Miles ... Lila Crane
John Gavin ... Sam Loomis
Janet Leigh ... Marion Crane
Martin Balsam ... Det. Milton Arbogast
John McIntire ... Sheriff Al Chambers
Simon Oakland ... Dr. Fred Richman
Frank Albertson ... Tom Cassidy
Patricia Hitchcock ... Caroline (as Pat Hitchcock)
Vaughn Taylor ... George Lowery
Lurene Tuttle ... Mrs. Chambers
John Anderson ... California Charlie
Mort Mills ... Highway Patrol Officer
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Storyline

Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

motel | money | shower | theft | secretary | See All (286) »

Taglines:

It's Back! (1965 reissue) See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

8 September 1960 (USA) See more »

Also Known As:

Wimpy See more »

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Box Office

Budget:

$806,947 (estimated)

Gross USA:

$32,000,000

Cumulative Worldwide Gross:

$50,000,000, 31 January 2004
See more on IMDbPro »

Company Credits

Production Co:

Shamley Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sir Alfred Hitchcock wanted either Stuart Whitman, Tom Tryon, Brian Keith, Cliff Robertson, or Rod Taylor for the role of Sam Loomis, but Universal Pictures insisted on John Gavin. See more »

Goofs

When Sam and Lila are checking her motel room for traces of Marion, the lid over the toilet seat is up in the bathroom when they enter it, but when Norman left the bathroom after finishing cleaning it up, it was down. See more »

Quotes

Norman Bates: I don't set a fancy table, but the kitchen's awful homey.
See more »

Crazy Credits

Opening credits prologue: PHOENIX, ARIZONA

FRIDAY, DECEMBER THE ELEVENTH

TWO FORTY-THREE P.M. See more »

Alternate Versions

In the UK, the film was originally distributed by Universal Pictures and cinema and VHS releases replaced the Paramount Pictures logo with the Universal one. DVD releases have the Paramount logo as seen in the US version. See more »

Connections

Spoofed in Breath of Life (1999) See more »

Frequently Asked Questions

See more »

User Reviews

 
Perkins Is Remarkable
12 September 2000 | by darkjoshSee all my reviews

Most modern-day horror films make the killer to be an absolutely inhuman, grotesque, unimaginable monster in order to scare the audience out of its wits. Most of the time, however, these stereotypes create a generic murderer a raving, ranting, clearly demented psychopath. One of the few memorable cinematic killers that does not adhere to these restraints and cliches is, of course, Anthony Hopkins' Hannibal Lecter, whom manages to effectively cause the audience to recoil without such drek as the aforementioned devices.

Anthony Perkins' skillfully crafts his performance as Norman Bates, avoiding a ranting, raving, drooling, murder-happy, manic characterization; instead his performance as Norman is subtle, creepy, cool, and unsettling. He is brilliant; from his quiet conversations with Marion Crane amidst the stuffed birds, to his weasling wimpiness when confronted by Arbogast, his performance is so exact that it chills the viewer, all without the unnecessary disturbing images prevalent in more modern films (read The Cell, Henry: Portrait of A Serial Killer).

Perkin's fine performance, a tight script, and Bernstein's classic score make Psycho a film that is now and will always be remembered as one of the pinnacles of the horror genre.


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