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Lawrence of Arabia (1962)

Approved | | Adventure, Biography, Drama | 11 December 1962 (UK)
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The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

Director:

David Lean

Writers:

T.E. Lawrence (writings), Robert Bolt (screenplay) | 1 more credit »
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Popularity
1,388 ( 312)
Top Rated Movies #90 | Won 7 Oscars. Another 23 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter O'Toole ... T.E. Lawrence
Alec Guinness ... Prince Faisal
Anthony Quinn ... Auda Abu Tayi
Jack Hawkins ... General Allenby
Omar Sharif ... Sherif Ali
José Ferrer ... Turkish Bey (as Jose Ferrer)
Anthony Quayle ... Colonel Brighton
Claude Rains ... Mr. Dryden
Arthur Kennedy ... Jackson Bentley
Donald Wolfit ... General Murray
I.S. Johar ... Gasim
Gamil Ratib ... Majid
Michel Ray ... Farraj
John Dimech ... Daud
Zia Mohyeddin ... Tafas
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Storyline

Due to his knowledge of the native Bedouin tribes, British Lieutenant T.E. Lawrence is sent to Arabia to find Prince Faisal and serve as a liaison between the Arabs and the British in their fight against the Turks. With the aid of native Sherif Ali, Lawrence rebels against the orders of his superior officer and strikes out on a daring camel journey across the harsh desert to attack a well-guarded Turkish port. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

A Mighty Motion Picture Of Action And Adventure! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK

Language:

English | Arabic | Turkish

Release Date:

11 December 1962 (UK) See more »

Also Known As:

Lawrence of Arabia See more »

Filming Locations:

Morocco See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$20,846, 22 September 2002, Limited Release

Gross USA:

$44,824,144

Cumulative Worldwide Gross:

$77,324,144
See more on IMDbPro »

Company Credits

Production Co:

Horizon Pictures (II) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

70 mm 6-Track (70 mm prints)| Mono (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Sir David Lean had less than two months to prepare the movie for its premiere after completing second unit work. As a result, the version shown at the premiere was a few minutes longer than he might have liked. He had hoped to go back and cut a few frames from some shots he thought ran too long, but after the premiere, distributor Columbia Pictures asked him to cut twenty minutes from it so that exhibitors could squeeze in an extra showing each day. So instead of trimming a few shots, he had to cut whole scenes. For a 1971 re-issue, another fifteen minutes were cut. Many critics have complained that this later version renders the action incoherent, particularly in the second half, which sustained the largest cuts. See more »

Goofs

At the end of the film, the army truck passing Lawrence's car in the opposite direction (after the motorcycle passes by) is a modern cab-forward design not seen in that era. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well, nil nisi bonum. But did he really deserve a place in here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Alternate Versions

The 1983 Capacitance Electronic Disc (CED), also commonly known RCA Selectavision Videodisc contains the 1971 re-release version which was rated "G" by the MPAA. See more »


Soundtracks

Lawrence And Bodyguard
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

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User Reviews

 
Majesty in the Desert
29 April 2005 | by evanston_dadSee all my reviews

The moment David Lean makes you aware you are in the hands of a master comes early on in "Lawrence of Arabia." Lawrence (Peter O'Toole) holds a lit match close to his lips and with one quick puff of air blows it out. Before the action is even completed, however, Lean has cut to a shot of a desert vista, with the sun slowly rising over the lip of the horizon. It's one of the most famous elliptical edits in cinema history, second maybe only to the bone/spaceship cut in "2001: A Space Odyssey." And it's only the first of countless memorable moments in "Lawrence of Arabia." The appeal of David Lean epics has always been his ability as a director to maintain an equilibrium between the scope of his films and the characters in them. Character development is never sacrificed to massive set pieces or knock-your-socks-off action sequences. "Lawrence of Arabia" has these elements too, but at heart it's a character study of one remarkable man. Lean seemed to understand that impressive landscapes alone are not inherently interesting; but if you place a fascinating character among those impressive landscapes, you can have movie magic.

"Lawrence" feels unlike other historical epics of its time. In most "big" films--I'm thinking of movies like "Ben-Hur," "Spartacus," "Cleopatra," all movies that premiered roughly around the same time as "Lawrence"--one gets the sense that directors framed compositions based on how much they were able to fit into their widescreen lenses. One rarely sees characters filmed from anything closer than a medium shot, and usually the background is stuffed to overflowing with garish art direction. Everything feels static and wooden. But in "Lawrence," Lean keeps his frames constantly alive by juxtaposing huge landscape shots with extreme close-ups of actor faces. In one especially brutal scene, after a battle that results in the slaughter of many people, the action cuts to a close-up of O'Toole, looking panicked and crazed, gripping a bloody knife in his hand as if he's reluctant to drop it, obviously both disturbed and titillated by the carnage he just witnessed. It's moments like that---not just an impressive battle scene but a character's reactions to the results of that scene---that set "Lawrence" apart from other standard epics.

And of course, I have to reserve space in my review for the performance of Mr. O'Toole. He is perhaps my favorite actor, not one of the most prolific, but certainly one of the most unpredictable. He has a flair for choosing eccentric characters that give him almost unlimited room in which to perform. He carries "Lawrence of Arabia" almost singlehandedly on his slim shoulders. That's not to say the supporting cast isn't great, but O'Toole towers above them all. O'Toole understands that the most influential figures in history could also be the most difficult and ruthless when they needed to be, and he gives Lawrence an incredibly complex characterization, leaving his audience in doubt as to whether he should be worshiped or feared, or perhaps both.

Lean would never direct an equal to "Lawrence of Arabia" again. His later films are certainly more than watchable, and "A Passage to India" is even quite remarkable in its own way, but we would never get another "Lawrence." Even more reason to appreciate it now.

My Grade: A+


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