The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
In a tale that almost redefines sibling rivalry, faded actresses Blanche and 'Baby' Jane Hudson live together. Jane was by far the most famous when she performed with their father in vaudeville but as they got older, it was Blanche who became the finer actress, which Jane still resents. Blanche is now confined to a wheelchair and Jane is firmly in control. As time goes by, Jane exercises greater and greater control over her sister, intercepting her letters and ensuring that few if anyone from the outside has any contact with her. As Jane slowly loses her mind, she torments her sister going to ever greater extremes.Written by
Things you should know about this motion picture before buying a ticket: 1) If you're long-standing fans of Miss Davis and Miss Crawford, we warn you this is quite unlike anything they've ever done. 2) You are urged to see it from the beginning. 3) Be prepared for the macabre and the terrifying. 4) We ask your pledge to keep the shocking climax a secret. 5) When the tension begins to build, try to remember it's just a movie. See more »
During the filming of Hush...Hush, Sweet Charlotte (1964), Joan Crawford acknowledged to visiting reporter/author Lawrence J. Quirk the difficulty she was having with Bette Davis because of the Oscar incident but added, "She acted like Baby Jane was a one-woman show after they nominated her. What was I supposed to do, let her hog all the glory, act like I hadn't even been in the movie? She got the nomination. I didn't begrudge her that, but it would have been nice if she'd been a little gracious in interviews and given me a little credit. I would have done it for her." See more »
When Edwin first visits the Hudson home, the wrought iron gates at the front door swing inward as he enters. But later in the story, when he bursts out of the house after discovering what Jane has done to Blanche, the gates swing outward as he exits. See more »
Want to see it again little girl? It shouldn't frighten you.
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The Warner Bros. logo does not appear at the beginning of this film. See more »
The original British release was cut in two places: in Reel Four, where Jane kicks Blanche only once instead of multiple times, and Reel Six, which eliminated some shots of Blanche tied up to the bed and writhing. Both cuts were mandated by the BBFC in order to receive an "X" certificate. Subsequent reissues restored the footage. See more »
This 60s thriller ingeniously casts two faded Hollywood stars as ... two faded Hollywood stars. While Joan Crawford's Blanche is stuck in a wheelchair Bette Davis's Jane takes care of her. Bitter that her career as a child vaudeville star was eclipsed by Blanche's adult career, Davis drinks, looks through her old scrapbooks, and, unfortunately for Blanche, begins to lose her mind.
Davis commits fully to her bizarre character, starting out as a slatternly drudge and slowly going over the edge. There is a bravery to Davis' role most notable in her extraordinary recreation of Jane's childhood act. Victor Buono is also excellent as a rather peculiar pianist.
While I've never been a big Crawford fan, she is quite good as Blanche, whose genial indulgence of her sister slowly turns to terror.
The movie is a classic of its kind and necessary viewing for fans of Davis and/or 60s thrillers.
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