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The Man from U.N.C.L.E. 

The two top agents of the United Network Command for Law and Enforcement fight the enemies of peace, particularly the forces of THRUSH.

Creator:

Sam Rolfe
Reviews
Popularity
1,720 ( 38)

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Episodes

Seasons


Years



4   3   2   1  
1968   1967   1966   1965   1964  
Won 1 Golden Globe. Another 1 win & 22 nominations. See more awards »

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Cast

Complete series cast summary:
Robert Vaughn ...  Napoleon Solo / ... 105 episodes, 1964-1968
David McCallum ...  Illya Kuryakin / ... 105 episodes, 1964-1968
Leo G. Carroll ...  Alexander Waverly / ... 105 episodes, 1964-1968
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Storyline

Napoleon Solo and Illya Kuryakin are the two agents of the United Network Command for Law Enforcement, who fight evil (primarily an organization of Bad people called, THRUSH) and use charm, wit, and a never ending assortment of gadgets. Ran for 4 years. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis


Certificate:

See all certifications »
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Details

Official Sites:

The Fans From U.N.C.L.E.

Country:

USA

Language:

English

Release Date:

22 September 1964 (USA) See more »

Also Known As:

Mr. Solo See more »

Filming Locations:

California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(105 episodes)

Sound Mix:

Mono (Westrex Recording System)

Color:

Black and White (season 1)| Color (seasons 2-4) (Metrocolor)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The "Uncle Issue guns" were actually Walther P-38 9mm Semi-automatics. The P-38 featured a number of attachments including a scope, a barrel extension with a silencer and bi-pod and a rifle stock. These, combined with the special sound effect used when fired, gave the weapons a rather exotic mystique. A toy version was issued that included all the attachments as well as the signature triangular ID badge and an ID card. Decades later, the "Transformers" toyline featured a chrome P-38 with all attachments as the main bad guy, "Megatron". See more »

Goofs

Throughout the run of the series there was a large globe of the world used in the UNCLE office. However, it didn't appear to be current as it seemed to be from the middle of WW II. The colors for Europe seemed to reflect the conquests by the Axis powers, as well as the occupation of parts of China and southeast Asia by Japan. See more »

Quotes

Marcel Rudolph: You can't leave me here. They'll kill me.
Napoleon Solo: Not if you run fast enough.
See more »

Crazy Credits

Each episode's credits included a dedication to the men and women of UNCLE. See more »

Alternate Versions

The episode "The Pieces of Fate Affair" had to have all references to a lead character redubbed for European broadcast. The problem was a character named Judith Merle, a writer who is an enemy agent, was based on a real-life author named Judith Merril. Merril sued over the unauthorized use of her name, which resulted in the episode being withdrawn from syndication for 20 years. See more »

Connections

Referenced in The 4400: Voices Carry (2005) See more »

Frequently Asked Questions

See more »

User Reviews

 
A Classic
19 March 2001 | by spacelordSee all my reviews

The Man From U.N.C.L.E. is arguably one of the greatest shows of the Sixties and definitely the best American spy show. It blended tongue in cheek humour with action and adventure for an end result that was extremely entertaining. Unfortunately, all good things cannot last. The first season (when it was still shot in black and white) and the second season (the first one shot in colour) place The Man From U.N.C.L.E. among the best television has to offer. All of this changed with the third season, when the series became so silly that watching its episodes became nearly unbearable. The show recovered somewhat in its abbreviated fourth season (it would be cancelled midway through), but by that time The Man From U.N.C.L.E. had lost its charm. Though the fourth season episodes are watchable, they lack the humour and pinache of the first two seasons. Regardless, The Man From U.N.C.L.E. is a testament to what Sixties television could do at its very finest.


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