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Mary Poppins (1964)

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In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father.

Director:

Robert Stevenson

Writers:

Bill Walsh (screenplay), Don DaGradi (screenplay) (as Don Da Gradi) | 1 more credit »
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Popularity
408 ( 85)
Won 5 Oscars. Another 15 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julie Andrews ... Mary Poppins
Dick Van Dyke ... Bert / Mr. Dawes Senior (as Navckid Keyd)
David Tomlinson ... Mr. George W. Banks
Glynis Johns ... Mrs. Winnifred Banks
Hermione Baddeley ... Ellen - Maid
Reta Shaw ... Mrs. Brill - Cook
Karen Dotrice ... Jane Banks
Matthew Garber ... Michael Banks
Elsa Lanchester ... Katie Nanna
Arthur Treacher ... The Constable
Reginald Owen ... Admiral Boom
Ed Wynn ... Uncle Albert
Jane Darwell ... The Bird Woman
Arthur Malet ... Mr. Dawes Junior
James Logan James Logan ... Bank Doorman
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Storyline

When Jane and Michael, the children of the wealthy and uptight Banks family, are faced with the prospect of a new nanny, they are pleasantly surprised by the arrival of the magical Mary Poppins. Embarking on a series of fantastical adventures with Mary and her Cockney performer friend, Bert, the siblings try to pass on some of their nanny's sunny attitude to their preoccupied parents. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

See It Again and Again with that Supercalifragilistic Music! [re-release Australia 1976] See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

18 June 1965 (USA) See more »

Also Known As:

Mary Poppins See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$102,272,727

Cumulative Worldwide Gross:

$103,078,700
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Julie Andrews' first Oscar win for Best Actress in a Leading Role. See more »

Goofs

When Mary Poppins says the word "supercalifragilisticexpialidocious" backwards, she pronounces the final two syllables ("repus") 'ROO-pus' rather than 'REE-pus' or 'REPP-us'. See more »

Quotes

[first lines]
Bert: All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go!
[sings]
Bert: Room 'ere for everyone. Gather around.
[speaks]
Bert: The constable - responstable! Now 'ow does that sound?
[no response]
Bert: Hm.
[dashes over to Miss Lark, sings]
Bert: 'Ello, Miss Lark, I've got one for you.
[...]
See more »

Crazy Credits

The opening credits stop for a brief moment to show Mary Poppins seated on a cloud and applying makeup to her face, then the camera pans away and the credits resume. See more »

Alternate Versions

An airing on ABC in 2002 played it completely intact with the exception of a scene in which Admiral Boom refers to the nannies waiting to be interviewed as a "ghastly looking crew". See more »

Connections

Referenced in Intelligence: Red X (2014) See more »

Soundtracks

The Life I Lead
(uncredited)
Music and Lyrics by Richard M. Sherman and Robert B. Sherman
Sung by David Tomlinson
See more »

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User Reviews

 
That Ship Has Sailed
12 January 2018 | by JamesHitchcockSee all my reviews

Christmas is a time when the TV channels normally wheel out classic family movies, and this Boxing Day I caught "Mary Poppins", one of my favourite films as a child, but one which I had not seen for many years. The story is set in the London of 1910. Mary Poppins, a mysterious, magical figure blown in with the wind, takes a job as nanny to Jane and Michael, the children of George Banks, a well-to-do banker. Mr Banks hopes that Mary will reform his occasionally unruly children's behaviour, but it soon becomes clear that it is really their parents who need reforming. George, a stern Edwardian paterfamilias, pays more attention to his work than he does to his family, and his wife Winifred is too preoccupied with political good causes to have much time for her children.

This was the film which Walt Disney tried to make for over twenty years. In the 1930s he had promised his young daughters that he would make a film of their favourite "Mary Poppins" books. For a long time, however, it appeared that Disney would be unable to fulfil his promise. The main obstacle was the author of the books, Pamela Travers, who disliked the idea of her books being filmed, especially by Disney whom she considered a vulgar showman; when she finally relented in 1961 it is said that she was prompted more by financial difficulties than by a genuine change of heart. The story of Disney's battle with Travers is told in the recent "Saving Mr Banks".

I have not read Travers' books since my childhood, but I recall that her Mary was a rather strict middle-aged figure. Here she is played by Julie Andrews as young, beautiful, gentle and kind-hearted. Now it is a truth universally acknowledged in Hollywood, that a single woman in possession of youth, beauty, gentleness and a kind heart, must be in want of a husband, or at least a boyfriend. Universally acknowledged, that is, by everyone except Pamela Travers. Disney wanted to introduce a romance between Mary and Bert, the Cockney jack-of-all-trades played by Dick Van Dyke, but Travers resolutely vetoed this, so their relationship had to remain platonic.

Two battles Travers fought and lost were over the Sherman Brothers' songs, which she disliked, and over the use of animation, which she loathed. (She was even badgering Disney to remove them during the party after the premiere; he replied laconically "Pamela, that ship has sailed", and walked away). I think we can be glad that she lost these battles. The musical score- cheerful, lively, witty and bursting with great tunes- is one of the film's best features; every time we saw it my sisters and I would be singing "Supercalifragilisticexpialidocious", "Feed the Birds" and "Chim-Chim-Cher-ee" for days. The Sherman Brothers, in fact, threw themselves energetically into their song-writing duties; they produced more than 30 original songs for the movie, most of which were never used. As for the animated sequences, they emphasise the fantastical, magical nature of the story, making it something more than just a mundane tale of London in the olden days.

This is the film which made Julie Andrews, previously a well-known Broadway actress, into a huge international star. Her "Best Actress" Oscar must have been the most welcome form of consolation after her disappointment at being (controversially) passed over in favour of Audrey Hepburn for the role of Eliza in "My Fair Lady", a role which Andrews had created on Broadway. (The film as a whole was nominated for "Best Picture", the only such nomination Disney received in his lifetime).

There are some good supporting performances, especially from David Tomlinson as George Banks, a man who beneath an outward mask of pomposity and severity is not quite the domestic tyrant he has always seemed. The weak link in the acting has traditionally been said to be Van Dyke, and this is one battle which I wished Travers had won. She wanted a British actor in the role, but Disney insisted on having someone familiar to American audiences. Van Dyke is good when it comes to dancing and general clowning around, but his attempt to sound like a Cockney has gone down in history as one of the worst cinema accents ever. Van Dyke could, in fact, do an acceptable British RP accent, as he shows in his cameo role as George's boss Old Mr Dawes, but our working-class and regional accents are notoriously difficult for American actors to imitate. Even Meryl Streep, Hollywood's resident dialect specialist, shied away from a West Country accent in "The French Lieutenant's Woman".

The need to break the action occasionally so that people can break into song means that musicals generally take longer to tell their stories than "straight" films, and "Mary Poppins" is no exception. (Just think how lengthy it might have been had all those 30-odd songs made the final cut). The action does tend to flag in a few places; I felt that the "Uncle Albert" sequences went on a bit too long, both as a child and as an adult. Overall, however, it has stood the test of time well, and will doubtless entertain modern children as well as it did my generation. 8/10

Some goofs. The robins we see "feathering their nest" are American Robins, a species not found in Britain. The European Robin, although it also has a red breast, is only distantly related to its American namesake. Also, there are no freshwater turtles in Britain.


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