The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Three disparate travelers, a disillusioned preacher, an unsuccessful prospector, and a larcenous, cynical con man, meet at a decrepit railroad station in the 1870s Southwest. The prospector and the preacher were witnesses at the singularly memorable rape and murder trial of the notorious Mexican outlaw Carasco. The bandit duped an aristocratic Southerner into believing he knew the location of a lost Aztec treasure. The greedy "gentleman" allows himself to be tied up while Carasco deflowers his wife. These events lead to the stabbing of the husband and are related by the three eyewitnesses to the atrocity: the infamous bandit, the newlywed wife, and the dead man through an Indian shaman. Whose version of the events is true? Possibly there was a fourth witness, but can his version be trusted?Written by
[Describing finding the dead body]
No, just one look at that face, and I got out of there as fast as I could!
Now, what makes people so jittery about the dead? Why, some of my best friends are corpses... the only ones I can trust! Oh, sure, they stink a little but no more than a few alive ones that I know.
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Newman deserves credit for trying something boldly unusual
Newman's fifth film for Martin Ritt, "The Outrage" was based on the classic Japanese film "Rashômon," but Ritt transplanted the tale to the South Western U.S. following the Civil War
Carrasco has been convicted of raping a woman (Claire Bloom) and murdering her husband (Laurence Harvey), but four eye-witness accounts conflict All agree that the bandit raped the woman, but only one asserts that he committed the killing
Sadistic, defiant, and challenging, Carrasco snarls, sneers, and walks with macho arrogance, to hide the fact that he can only be strong by tying a man to a tree and raping his wife
The role allowed Newman to give a bravura performance, not unlike Toshiro Mifune's in the Kurosawa film, and the stylization would fit the story if everybody else weren't playing it so straight As it is, the performance seems too showy, easily understandable, exaggerated
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