User Reviews

Acceptable Chorizo Western with a prolific American director and two Hollywood B-actors as Russ Tamblyn and James Philbrook . A good example of Latino western genre from Spain . The year is 1877 , Johnny Ketchum is a young gunslinger , then he aware his mother was murdered by his father . Johnny is son of a famous gunfighter , and seeks the man who killed his mother . As Johnny heads South to encounter his mother's assassin . Ace Ketchum ( James Philbrook) is an outlaw , wanted ¨Dead or alive¨ , north and south the border . Johnny goes out to avenge his mother and trespasses Rio Grande frontier and after battling bounty killers finds his father . His search brings him into contact with Deputy Mace Fenton (Kieron Moore) , who wishes to collect the reward on Ace Ketchum's head . Johnny is wounded and is healed in a manor by the daughter (Maria Granada as Pilar) of a wealthy landowner named Don Pedro Fortuna (Fernando Rey) . Later on , Johnny falls in love with Pilar . But then they are besieged by a Mexican bandit named Juan Morales (Aldo Sambrell) until a spectacular final battle that takes place in a defile .

Offbeat Chorizo Western co-produced between Spain and US and doesn't follows the Sergio Leone wake , but it is proceeded in American models . It's an exciting western with breathtaking gunfight between the protagonist Russ Tamblyn against the heartless Aldo Sambrell and his nasty hoodlums , in addition a stirring ending fight into a narrow pass . This movie is a lot of fun to watch. It's an acceptable story with a touch of peculiarity, some great characters, and an amazing music score . The picture is a tale of justice and revenge , as a young man looks for vendetta but his objective results to be his father . The basic plot is typical spaghetti western fare , but what makes this movie stand out is its style . Tamblyn is passable though miscast , he ravages the screen, shoots , hit and run and kills . Russ's performance in the movie is a bit wooden for the role of such an interesting character , but the fantastic performance by the always great Aldo Sambrell as the slimy, menacing outlaw make up for , here in his ordinary role as bandit and in a cruelly baddie character , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . There appears as secondaries the habitual in Spanish/Italian Western such as Fernando Rey , Antonio Casas, Fernando Hilbeck and Barta Barri .

The film packs violence , shootouts , high body-count and it's fast moving and quite entertaining . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes. There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as in the final gunfights full of horse ridding , pursuits and shots . The movie gets the usual Western issues , such as avengers antiheroes , violent facing off , exaggerated baddies and spectacular duels , among them . The sense of pacing is such interesting that his film can be counted on to move quickly and smoothly . Good production design creating an excellent scenario with luminous outdoors , dirty and rocky landscapes under a glimmer sun and fine sets by expert set designer Julio Molina who designed several Westerns as Spanish as international ones . The musician Robert Mellin composes a nice soundtrack and well conducted , this turns out to be one of the most memorable parts of the movie; as it's full of enjoyable sounds and haunting musical background . The opening and ending sounds are two of my favorites, and are of those unforgettable tunes that will play in your mind over and over long after the movie is realized. The soundtrack contributes tremendously to the atmosphere of the film, including an emotive leitmotif, the music score is perhaps the best part of this film . Striking cinematography by Manuel Berenguer , though is necessary a correct remastering . Outdoor sequences with barren and rocky exteriors filmed in Spanish places located on outskirts Madrid , Hoyo De Manzanares and La Pedriza , replacing Almeria . Colmenar Viejo and Hoyo de Manzanares where was built a Western village called 'Golden City' resulted to be the locations in which were shot lots of Western produced and directed by Spanish and Italian and occasionally American people , because Almeria was too far and the landscapes bear remarkable resemblance . This motion picture is well produced by Gregorio Sacristan who as producer and production manager produced the most super-productions realized in Spain during the 60s and 70s as ¨Battle of Bulge¨ , ¨Krakatoa , East of Java¨ , ¨Custer of the West¨ , ¨Bad man's river¨ , ¨A town called Bastard¨ ,and ¨Horror Express¨ . Being professionally directed by Paul Landres . Landres is generally considered to be a prolific director of television episodes as ¨Lone ranger¨ , ¨Cisko Kid¨, ¨Maverick¨ , ¨Life and Legend of Wyattt Earp¨ . He realized his first feature in 1949 , a western , ¨Grand Canyon¨ genre in which he would not only excel but one where he would spent much of the rest of his career. Although Paul Landres couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He also filmed detective thrillers , Western as ¨Lone Texas¨, ¨Frontier gun¨ , action motion pictures and even a horror film or two as ¨The vampire¨, ¨The return of Dracula¨. Rating : 5,5 . Acceptable and passable

Produced near the tail-end of the western cycle, this is a handsomely photographed movie that -- in its many outdoor scenes -- makes good use of the wide-screen process. It also has a rousing musical score, though at times this score drifts too far into modern territory. However, the movie's weakened by the miscasting of its two top-billed actors. Russ Tamblyn simply isn't "tough" and "hard" enough for the kind of character he's asked to play, (such was also the case with Bobby Darin in "Gunfight at Abilene"), and Irish-born Kieron Moore can't seem to find the right accent for the half-Texan, half-Mexican character he's asked to play. (On the other hand, Fernando Rey is just right as a wealthy landowner.) What's more, there seem to be too many plot elements squeezed into this script. You have Tamblyn and his outlaw father, you have a Mexican bandit, you have Fernando Rey and his daughter, you have Tamblyn and the daughter, you have the bandit versus Rey, you have the bandit versus the outlaw father, you have ... Well, this is one of those movies in which it's hard to determine the key relationship, the key conflict. Something leaner and less cluttered would have been preferable.

A small point of interest: a bare-chested Kieron Moore winds up being staked out in the desert, spreadeagle style, and left to die. This time, though, a strip of wet rawhide is tied around his neck. As the rawhide shrinks in the hot sun, it will slowly strangle him. A similar fate befell another Moore in the movies. In "Gold of the Seven Saints," Roger Moore was also staked out, but in that case the wet rawhide strips were tied around his chest. Kieron was about 40 years old at this time and he still looks in good shape, physique wise, but one wonders: why was it necessary for the bad guys to remove his shirt in order to tie that rawhide strip around their victim's neck?

I switched on today before coming to work and saw the listed film 'Son of a Gunfighter' - never heard of the actors involved but stuck around to watch the adventure roll out. Bit of a giveaway film title though as it becomes apparent during the telling as to who is who and who is going to kill who. There could have been more chemistry in the blooming romance between Johnny and Pilar. But the music was really surprising - shades of the Rawhide them and when the action built up, so did the music. But what became of the bad guy laid out in stakes under the hot sun with a wet hide tied round his neck - i assume he met an inevitable agonising death as the hide dried and choked him quite slowly and painfully. Scenery was great and is the first time I have seen Maria Granada - quite a honey. For a movie now well over 40 years old, I found it quite entertaining genre wise.

Now this was a movie that looked promising, but it didn't deliver. It is very handsome in its look though, the sets, scenery, costumes and photography still look absolutely beautiful, the score is suitably rousing and fitting, I loved the film's idea and out of the supporting Fernando Rey is by far the most consistent. However, the film is too short and I think rushed too. The idea of the story is great, but it is lacking in emotion and at the end of the day it is the case of too much going on. The dialogue can be silly too, the direction is ambitious but it tries too hard and Russ Tamblyn(who I really like) and Kieron Moore are bland in the lead roles. Overall, disappointing but worth a peek I guess. 4/10 Bethany Cox

I had watched the trailer for this movie, and thought it might be a good movie-and it is. I'd set my timer to tape it during the night. I should tell you that this is the first western film I ever reviewed.

The film starts when a local sheriff and his men are on the trail of an outlaw known as Ketchum, who has busted a few coharts out of prison. Soon they met up with a 19-year-old (I think) lad named Johnny-just Johnny, who is after Ketchum for a personal reason. Then suddenly, they were ambushed by Ketchum's men, and soon after the skirmish, Johnny was on Ketchum's trail.

And then Johnny came across some Mexican cattle ranchers that were under attack by banditos! Johnny came to their aid and received thanks from the ranch owner, Pedro Fortuna, but Johnny was soon shot in the arm by one of Ketchum's men (I think). Fortuna and his men took Johnny back to their hacienda to be treated by the residents-including Fortuna's daughter, Pilar. That's all I could tell you folks. You will have to see the film for yourself to know how it ends.

Overall, this is one of my favorite westerns, loaded with action and a little humor.