The little people are witness to an attempt to save two children from a cave-in accident. Since the earth is too instable, the little people proposes to the parents to find a way to let the children ...
The Spindrift, a sub-oribital spaceship on a flight from Los Angeles to London, became lost when it passed through a strange cloud in the ship's orbit around Earth. It landed on an alternate Earth-type planet, where the inhabitants were roughly twelve times the size of the Spindrift's passengers. Our heroes include the ship's captain (Steve Burton), co-pilot (Dan) and stewardess (Betty); an arrogant engineer (Mark); a sexy jet-setter (Valerie); a young boy (Barry) and his dog Chipper; and a mysterious rogue known as Commander Fitzhugh. Together they battle the planet's totalitarian government, try to avoid capture, and attempt to repair the Spindrift so they can get back home.Written by
Marty McKee <email@example.com>
Prior to the show being green lighted for production, Irwin Allen showed the network executives a six minute presentation film, which featured Allen's storyboard of the pilot. However, there were some differences. First, Burton's name wasn't Steve, but Tim. Also, the character that would become Fitzhugh was originally named Peter Lingelhopper. However, the biggest difference was that there was no Valerie. The second female castaway was originally going to be a female doctor named Joan Templeton, who was heading to London to take part in an international science conference. See more »
In several episodes the women appear wearing different clothes. It is not explained where they get these. See more »
Starting in March 2008, the American Life TV Network has aired second season prints that use the first season's theme music in the main title sequence while retaining the second season title's visuals. See more »
Having just read all the comments I had an idea of why this show made such a strong impression on so many.
It seems many of the people that were fans were kids when this first aired (I was six, probably became truly imprinted on my neural circuits in early syndication). I believe this show connected so much with its audience because as young children we all felt in some way that we were living in a Land of the Giants and so we identified very much with all the characters.
Anyway, sorry for the cheesy pop psychiatry, but that's my theory and I'm sticking with it.
Now if I can only figure out why I loved so many other 60's/70's TV sci-fi (Star Trek, Lost In Space, UFO, Space 1999, etc)
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