Oliver! (1968)
Critic Reviews
100
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Chicago Sun-Times Roger Ebert
Sir Carol Reed's Oliver! is a treasure of a movie. It is very nearly universal entertainment, one of those rare films like The Wizard of Oz that appeals in many ways to all sorts of people.
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100
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New York Daily News Wanda Hale
Oliver! is a timeless classic that will be as lovable in 10 or 20 years as it is today.
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80
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The Guardian
Some of the set pieces are overdone but the final scenes take on an almost operatic quality.
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80
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Variety
It’s a bright, shiny, heartwarming musical, packed with songs and lively production highspots and, though the leading performances are not all up to the Lean mark, if memory serves it’s a fine enough thesping ensemble to keep exhibitors and audience enthusiastic.
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80
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TV Guide Magazine
Oliver! is better than most screen musicals of the 1960s, a period when oversized, poorly rendered songfests virtually killed the genre.
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63
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ReelViews James Berardinelli
It’s an uneven film with a tone that veers from playful to menacing. Despite numerous simplifications of the source material, it’s long and, with only a few exceptions, the songs are unremarkable and feel more like filler than organic elements of storytelling.
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60
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Chicago Reader Dave Kehr
Carol Reed's careful if passionless adaptation of the musical was mounted handsomely enough to win the best-picture Oscar back in 1969. In retrospect, it seems emblematic of the triviality Reed descended to in the last years of his career.
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60
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Empire Ian Nathan
Even if you're not a 'fan' of the musicals, Oliver is so witty, so bright and so endearing that even the iciest viewer should start melting in it's corona.
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60
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Time Out
Reed is craftsman enough to make an efficient family entertainment out of Lionel Bart's musical, but not artist enough to put back any of Dickens' teeth which Bart had so assiduously drawn.
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50
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The New York Times Vincent Canby
The focus of the movie is so wide, and the logistics of the production so heavy, that Oliver himself, dutifully played by 9-year-old Mark Lester, gets flattened out and almost lost, as if he had been run over by a studio bulldozer.
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