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The Producers (1967)

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1:48 | Trailer
Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop.

Director:

Mel Brooks

Writer:

Mel Brooks
Reviews
Popularity
4,711 ( 833)
Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Estelle Winwood ... Hold Me Touch Me
Renée Taylor ... Eva Braun (as Renee Taylor)
David Patch David Patch ... Goebbels
William Hickey ... The Drunk (as Bill Hickey)
Barney Martin ... Göring
Shimen Ruskin ... The Landlord
Frank Campanella Frank Campanella ... The Bartender
Josip Elic Josip Elic ... Violinist
Madelyn Cates Madelyn Cates ... Concierge (as Madlyn Cates)
John Zoller John Zoller ... Drama Critic
Brutus Peck Brutus Peck ... Hot Dog Vendor
Anne Ives Anne Ives ... Lady
Amelie Barleon Amelie Barleon ... Lady
Lisa Kirk Lisa Kirk ... Lady (as Elsie Kirk)
Nell Harrison Nell Harrison ... Lady
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Storyline

Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler." Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Plot Synopsis

Taglines:

Once upon a time there was a Broadway producer...who met a "creative" but timid accountant. Together they concocted the most outrageous $1,000,000 scheme in the annals of Show Biz. See more »

Genres:

Comedy | Music

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German

Release Date:

10 November 1968 (USA) See more »

Also Known As:

Springtime for Hitler See more »

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Box Office

Budget:

$941,000 (estimated)

Opening Weekend USA:

$6,091, 9 June 2002

Gross USA:

$328,673

Cumulative Worldwide Gross:

$375,143
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Pathécolor) (uncredited)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Mel Brooks' original title for the film was "Springtime for Hitler", but the studio wouldn't allow it. They did say that they would allow "Springtime for Mussolini", but Brooks didn't like that, and ended up calling it "The Producers". See more »

Goofs

The left arm of the "concierge" as she leans out her window is down/up between shots. See more »

Quotes

Ulla: [Sees Max and Leo and takes off dress] We make love?
Max Bialystock: No, we don't make love. Go to work.
[Ulla starts dancing to music on record player]
See more »

Crazy Credits

Closing credits are in reverse order, acting like curtain calls, which lead up to the star actor. (which matches the order shown in imdb.) See more »

Alternate Versions

The original, network television broadcasts added some outtakes (more fuse bumbling by Franz Liebkin) near the end, between "The quick fuse?!" and the eventual explosion. The padding was probably to balance some censorship cuts in the running time. See more »

Connections

Referenced in JonTron: Howling II: Your Sister Is a Werewolf (2016) See more »

Soundtracks

Du, du liegst mir im Herzen
German folk song
[Sung in Franz Liebkind's apartment]
See more »

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User Reviews

A gay romp through a great film
17 September 2002 | by nigel-bourneSee all my reviews

This is a marvellous piece - a combination of utter farce, black humour, Jewish schtick and high camp, "The Producers" remains a truly wonderful film.

From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....

Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.


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