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A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
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The film begins when the legendary swordsman Miyamoto Musashi is still named Shinmen Takezo. After being on the losing side of the Battle of Sekigahara, Takezo and his friend manage to escape and come across a young woman and her mother.
A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!Written by
As composer Charles Fox explained in his book "Killing Me Softly: My Life in Music", he was hired to track existing music into the U.S. re-cut of the film since there was no budget to do a new score. He agreed, with hesitation and insisted he not be credited. The film was tracked with heavily edited music from various composers, including cues from the original composer and even existing pieces by Fox, but much to his surprise the film opened with his name not only credited, but credited as the composer. See more »
When the team is on the asteroid, the overhead studio lights are clearly reflected on the helmets. See more »
[examining a charred corpse from which smoke is still rising]
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Although "The Green Slime" was released in the U.S. as a 90 minute version, director Kinji Fukasaku and his editor prepared a much more tightly edited 77 minute version (called "Gamma III: Big Military Space Operation") for release in Japan. This "Japanese" version eliminates the Robert Horton/Richard Jaeckel/Luciana Paluzzi relationship triangle, and is much more "militaristic" in tone. Several scenes are edited differently, additional alternate music cues are used (which are less "sci-fi" sounding than the "Amercian" version), and the rock and roll theme song is omitted entirely (replaced by a military march theme). The ending before the credit roll has additional scenes inserted with Paluzzi and Jaeckel, which change the tone of the ending from optimistic to downbeat. See more »
Robert Horton was on the downslide and poor Richard Jaeckel was stuck in one more film unworthy of his talents. Luciana Paluzzi....well, with neither talent nor anywhere to slide, I guess she belongs in this movie.
It's bright, loud and brassy and everything in the space station screams of the 1960's, including the theme song which has to be the most unusual ever tacked on to a sci-fi film. The color process they used (is it Technicolor?) is so unreal that the whole thing reminds me of a comic book. Watch "Danger,Diabolik" and you'll get that same feeling. Bile greens and mucous yellows.....ugh.
The story line is not much but the special effects, frankly, may be better than some of that period. This was made before fx came into their own, so be a little forgiving. The monsters are not very well conceived and they are soooo slow moving.
Just watch this one for the fun of it and try to forget how embarrassed the actors must have been mouthing those lines, wearing those outfits and running around in cardboard sets while being pursued (very slowly) by a bunch of green Jello. What a hoot!!
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