In London, a serial-killer drains the blood of females and the Detective Superintendent Bellaver and his team are hunting down the so-called Vampire Killer. Meanwhile in an undefined country that lives a military dictatorship, the cruel Konratz is climbing positions killing The Power that Be. When the Vampire Killer flees from the police, he seeks refugee at the real estate of scientist Dr. Browning and jumps into a tank of acid. Dr. David Sorel is intrigued with the powerful acid and decides to get a sample. He finds the truth about the research of Dr. Browning.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The original novel featured aliens as the villains, but they were replaced with Communists in the movie version. See more »
During the club scenes, the singer's lips never match the song he's supposed to be singing. See more »
Fastest transition in the world: from human to corpse. It doesn't do to get the two confused, or you'll never be successful.
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British prints of SCREAM AND SCREAM AGAIN have small differences than AIP's American Theatrical cut, with the American version removing Bellaver clumsily throwing a stone at the speedy cliff-climbing super-human Keith, and a bottle-swigging old drunk peeping at Keith and Sylvia fooling around in the convertible. The final shot of the British print is also different, with the credits scrolling over a long shot of Dr. Browning's lab heard over soundtrack music, rather than on the American print which has the credits being presented over a black screen with The Amen Corner's "Scream and Scream Again" playing. One thing omitted from the American version is a brief but significant dialogue exchange between Vincent Price and Christopher Lee: "But what of the dream?" asks Price. "There is only nightmare" replies Lee). See more »
Gordon Hessler was not all that great a director. He wasn't particularly good at setting up interesting shots or getting good performances out of his actors, but occasionally he managed by default to create a movie that was so completely off-the-wall and bizarre that those shortcomings could be forgotten.
SCREAM AND SCREAM AGAIN is a good example of that. It is by no means a good movie; in fact, it's really pretty bad. But you literally have no idea where it's headed, and by the time you get there, even though it's a tad underwhelming, it's still just oddball enough to keep you hooked.
Basically, it's the story of a serial killer who preys on bar-hopping women, and who, incidentally, seems to have superpowers of some sort. Or, maybe it's the story of a military conspiracy of some sort? Or is it the story of some kind of body parts black market? Believe it or not, all these seemingly unrelated plotlines eventually come together, and it's a wacky ride all the way.
The biggest disappointment for me, is the scarce screen time of headliners Vincent Price, Christopher Lee and Peter Cushing. They literally have less than twenty minutes of screen time combined, and only Lee and Price even appear together, in one very brief scene. The main characters seem to be a disgruntled Scotland Yard detective, and a younger, less cynical police officer.
I recommend this movie to any fan of AIP or any of the three horror stars, but most people will not have the patience to sit through it. Fans will enjoy it, if only for it's sheer weirdness.
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