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The French Connection (1971)

2:48 | Trailer
A pair of NYC cops in the Narcotics Bureau stumble onto a drug smuggling job with a French connection.


William Friedkin


Ernest Tidyman (screenplay by), Robin Moore (based on the book by)
3,051 ( 363)
Won 5 Oscars. Another 18 wins & 11 nominations. See more awards »



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Cast overview, first billed only:
Gene Hackman ... Jimmy Doyle
Fernando Rey ... Alain Charnier
Roy Scheider ... Buddy Russo
Tony Lo Bianco ... Sal Boca
Marcel Bozzuffi ... Pierre Nicoli
Frédéric de Pasquale Frédéric de Pasquale ... Devereaux (as Frederic De Pasquale)
Bill Hickman ... Mulderig
Ann Rebbot Ann Rebbot ... Marie Charnier
Harold Gary Harold Gary ... Weinstock
Arlene Farber Arlene Farber ... Angie Boca
Eddie Egan ... Simonson
André Ernotte André Ernotte ... La Valle (as Andre Ernotte)
Sonny Grosso Sonny Grosso ... Klein
Benny Marino Benny Marino ... Lou Boca
Patrick McDermott ... Chemist (as Pat McDermott)


William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis


There are no rules and no holds barred when Popeye cuts loose! See more »


R | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official site




English | French

Release Date:

9 October 1971 (USA) See more »

Also Known As:

Doyle See more »


Box Office


$1,800,000 (estimated)

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)| 4-Track Stereo


Color (Color by Deluxe)

Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Eddie Egan, Sonny Grosso: the real-life models of Doyle and Russo appear in the movie, Egan as the detectives' supervisor and Grosso as Klein, the BNDD Special Agent, Mulderig's partner. See more »


When Popeye is entering the building with the sniper on the roof, the same audio of people talking can be heard twice in a row. "Oh yeah, there must be a sniper on the roof"....."There is one." See more »


[first lines]
Jimmy 'Popeye' Doyle: Merry Christmas. What's your name, little boy?
Little Boy: Eric.
Jimmy 'Popeye' Doyle: Uh-huh, Eric. What do you want for Christmas Eric? Hmmm?
See more »

Crazy Credits

The 20th-Century Fox logo fades in in black and white and then dissolves to color. See more »

Alternate Versions

A Dolby Digital 5.1 surround remix was created for the 2001 2-disc Special Edition DVD from Fox Home Entertainment. Aside from creating stereo effects from the original mono elements, all the gunshots were replaced with more contemporary sound effects. See more »


Featured in WatchMojo: Top 10 Movies of the 1970s (2014) See more »


Everybody Gets to Go to the Moon
(1969) (uncredited)
Written by Jimmy Webb
Performed by The Three Degrees in the club
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Frequently Asked Questions

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User Reviews

Gene Hackman's Show!
18 October 2017 | by gab-14712See all my reviews

I remember watching The French Connection for the first time several years ago. I knew people regarded it as an instant classic, so I was expecting to love it. But the power of subjectivity appeared, and it turned out I didn't like it all too much. In discussions with cinema lovers, I was lambasted because people see this as one of the all-time greats. I watched this for a second time recently, and how about that! My opinion changed. While not calling this film an all-time great, I do respect and like it very much. The film fits the definition of a 70's American film. It is dark, gritty, and features some heavy violence. Also, the film happens to be home of one of cinema's greatest car chases. Essentially, the movie is a giant chase but that particular car chase is something else. I'll discuss it more later on in this review.

This Oscar-winning film takes us onto the streets of New York City following two detectives, Jimmy 'Popeye' Doyle (Gene Hackman) and his partner, Buddy Russo (Roy Scheider). Popeye is infamous for taking in street-level drug dealers, and at best his policework can be described as shady. He's violent drunk cop with low ethical standards, and his career is rapidly falling apart. But he seizes his biggest opportunity when he learns of a huge heroin shipment coming from France. Now we have an interesting contrast between Popeye and the heroin smuggler, Alain Charnier (Fernando Rey). I just mentioned Popeye has low moral standards, but he still is a dedicated cop. On the other hand, Charnier is a smooth gentleman that no one can predict he is a criminal. Now the standoff between the two men begins when Popeye does all he can to bring Charnier in.

Now going back to that car chase! It was a wonderfully executed car chase and what I like is that it is all real. There was an actual chase filmed in Brooklyn exactly how you see it on screen. It's crazy too because the chase is about a simple car trying to outrun and outmaneuver a moving train which eventually has a dead conductor at the wheel. So then it turns into a psychologically-crazy man versus machine kind of chase. The chase also proves the recklessness of Popeye. He held no regard for the common people as he had close calls with them during the chase. He was basically using the people for his benefit….in an oddly positive way. Some of the camera techniques are very effective. They filmed in a way where the subjects are actually further away from the cars than shown on screen….which must have been a relief for some of the actors. But yes, this is one of the biggest car chases to have ever been filmed so this film is a must-see just for that.

Speaking of actors, well yes let's talk about the acting. Director William Friedkin famously did not want Gene Hackman in the lead role. Hackman, by 1971 was already a bankable star, but Friedkin did not think so. Luckily, they decided to cast Hackman anyway and it's a good thing they did. Hackman is one of those actors who can do any genre and always gives his best effort. I loved his performance here and his character was perhaps the only three-dimensional character in the film because the film spends so much time on him. But I was won over by Hackman almost right away. The scene where he enters a bar and violently asks everyone to turn out their pockets in the search for drugs-well, I knew I would be in for a treat. I was happy to see his performance win Best Actor at the Academy Awards. Roy Scheider does a solid job as Popeye's partner, but I didn't feel the same way for him as I did for Popeye. There was nothing much to do for him except to act as a backup. Same goes for Fernando Rey. A very solid performance, but his character was also under-utilized.

The French Connection is a violent, fast-paced film. I said in my opening the movie plays like one giant chase, but I liked the frenetic pacing of the movie. My favorite scene is no doubt that car chase, but I loved the smaller scenes especially the ones where Popeye is up to no good. I also loved the actual photography of the film. Sure, the movie is over forty years old but seeing the streets of my favorite city in the world always makes me happy as it brings back some fond memories. The film has a violent nature and it may take you by surprise, but this film is heralded by many as an instant classic. I may not think so, but I did enjoy it very much.

My Grade: B+

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