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J W Coop (1971)

GP | | Drama, Western | 1 January 1972 (USA)
After losing 9 years 9 months and thirteen days to prison, cowboy J. W. Coop is released to return to life as a professional rodeo cowboy in the 60's. Determined to make up for the lost '... See full summary »

Director:

Cliff Robertson
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Cast

Cast overview, first billed only:
Cliff Robertson ... J W Coop
Geraldine Page ... Mama
Cristina Ferrare ... Bean
R.G. Armstrong ... Jim Sawyer
R.L. Armstrong R.L. Armstrong ... Tooter Watson
John Crawford ... Rancher
Wade Crosby ... Billy Sol Gibbs
Marjorie Durant Marjorie Durant ... Big Marge (as Marjorie Durant Dye)
Paul Harper Paul Harper ... Warden Morgan
Son Hooker Son Hooker ... Motorcycle Cop
Richard Kennedy ... Sheriff
Bruce Kirby ... Diesel Tanker Driver
Larry Mahan Larry Mahan ... Himself
Mary-Robin Redd Mary-Robin Redd ... Bonnie May (as Mary Robin Redd)
Dennis Reiners Dennis Reiners ... Billy Hawkins
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Storyline

After losing 9 years 9 months and thirteen days to prison, cowboy J. W. Coop is released to return to life as a professional rodeo cowboy in the 60's. Determined to make up for the lost 'prime' years of his career, he doggedly goes forward, and learns that not only has the business of rodeo changed during his incarceration but society as a whole has made dramatic changes as well. Written by David Fowler

Plot Summary | Add Synopsis

Taglines:

For J.W. Coop second place is the same as last. See more »

Genres:

Drama | Western

Certificate:

GP | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

1 January 1972 (USA) See more »

Also Known As:

J.W. Coop See more »

Filming Locations:

Springville, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

During the National Finals Rodeo sequence when the rodeo announcer is talking, the man with a cowboy hat and blue sport coat on and a blue scarf tie is Clem McSpadden. He was a nephew of Will Rogers and was a longtime Oklahoma State Senator. He was from Claremore, as was Will Rogers. He was also a famed rodeo announcer professionally. See more »

Goofs

When JW is sitting on a bull, he is introduced to "Hot Pistol" whomever, and Larry Mahan; he asks for tips on riding the bull, and is told something about "marking him out"; there is no mark out rule in bull riding. See more »

Connections

Referenced in 'Obsession' Revisited (2001) See more »

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User Reviews

 
Robertson shows contemplative skill as a director...and as an actor gives arguably his best performance
17 May 2009 | by moonspinner55See all my reviews

Cliff Robertson co-wrote, co-produced, directed and stars in this unassuming rodeo drama-cum-character study, a movie he personally financed for distribution through Columbia Pictures by keeping costs down and paying most of his actors scale. It's a handsome, occasionally laconic piece of work, crisp and not dawdling, helped immeasurably by Frank Stanley's sometimes good-sometimes brilliant cinematography. The star of a Texas prison rodeo, having just served 10 years in the jug for writing bad checks, is paroled and hits the rodeo circuit, where he works his way up to second-best cowboy (just behind an airplane-chauffeured hotshot who barely has to break a sweat to be number one). Robertson directs himself very well--it is one of his finest performances--though the same can't be said for many of the supporting players, many of whom are real-life rodeo performers portraying themselves. An air of detached amateurism coats the project, with much of the background and sideline action coming off as needless, over-the-top, or just plain sloppy. Still, when Robertson zeros in on a sequence--such as a rough fist-fight in a men's washroom or an idyllic getaway for Coop and his hippie girlfriend--the results can be stunningly effective. Robertson is contemplative and unafraid to allow curious scenes to run their course; Geraldine Page, as Coop's mother, has just one long sequence that doesn't appear to do much for the picture, yet Robertson finds the rhythm in the dialogue and eventually gets to the meditative payoff. I'm not quite sure what the final scene is meant to say, except that "a loner is a lonely man"...still, the artiness which underlines the film's climax is a bit alienating. It doesn't make for a big night at the movies. ** from ****


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