John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.Written by
James Meek <email@example.com>
Clips from this film - along with others directed by Nicolas Roeg - appear in Big Audio Dynamite's 'E=MC2' video (1986). The song mentions several of Roeg films including this one, describing some of its moments (such as 'Met a dwarf that was no good, dressed like little Red Riding Hood' and 'Best sex I've ever seen as if each moment was the last'). See more in spoilers. See more »
When John climbs the scaffold, the camera follows him from the priest and up to the top of the church and he has gloves on the entire way. However, when the camera briefly switches from him to the workers below and back to him, his gloves are gone and do not return for the rest of the scene. See more »
One of the things I love about Venice, is that it's so safe for me to walk.
Thank you... The sound changes, you see, as you come to a canal. And the echoes from the walls are so clear... My sister hates it.
That's too bad.
She says it's like a city in aspic, wrapped over from a dinner party, where all the guests are dead or gone.
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The region 1 DVD released by Paramount contains the full love scene which was slightly trimmed for an "R" rating in the U.S. See more »
Don't Look Now was clearly ahead of its time. In 1973, psychological movies such as this were either rare, or basic. Don't Look Now attempts to go where a lot of movies had never been, which was a realm where many things never truly make sense and yet behind it all is a coherent purpose.
First of it is *not* a candidate for greatest horror film ever, though the Times would have you believe otherwise. What it *is* though is a highly confusing yet thought-provoking story which covers grief and dillusion in equal measure.
Donald Sutherland plays John Baxter, who's married to Laura, who lose a child in an accident and find their worlds turned upside-down as a result. However, thereafter the story is set in Venice where John's working on a job and Laura's accompanied him there, and where things start to get disturbing for the couple as events begin to focus on their dead daughter and paranormal themes emerge.
It *is* a strange tale, and ultimately what you get out of it is entirely up to you. It is probably from this film that the likes of David Lynch started to derive inspiration.
Overall, good, if intrinsically confusing.
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