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The Exorcist (1973)

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When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

Director:

William Friedkin

Writers:

William Peter Blatty (written for the screen by), William Peter Blatty (novel)
Popularity
765 ( 39)
Won 2 Oscars. Another 14 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ellen Burstyn ... Chris MacNeil
Max von Sydow ... Father Merrin
Lee J. Cobb ... Lt. William Kinderman
Kitty Winn ... Sharon
Jack MacGowran ... Burke Dennings
Jason Miller ... Father Karras
Linda Blair ... Regan
William O'Malley ... Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ... Dr. Klein
Peter Masterson ... Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ... Karl
Gina Petrushka Gina Petrushka ... Willi
Robert Symonds ... Dr. Taney
Arthur Storch ... Psychiatrist
Thomas Bermingham Thomas Bermingham ... Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

Somewhere between science and superstition, there is another world. The world of darkness. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Latin | Greek | French | German | Arabic | Kurdish

Release Date:

26 December 1973 (USA) See more »

Also Known As:

William Peter Blatty's The Exorcist See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$8,175,666, 24 September 2000

Gross USA:

$232,906,145

Cumulative Worldwide Gross:

$441,306,145
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

70 mm 6-Track (1979 re-release)| DTS-ES (director's cut)| Dolby Digital EX (director's cut)| Mono (original release)| SDDS (director's cut)

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The film was plagued with problems that caused delays and raised the budget. William Friedkin blamed part of the budget problems on the continuous breakdown of a $50,000 air conditioning unit required to cool Regan's room to sub-zero temperatures for some scenes in which the actors' breath needed to appear chilled. In his interview at a 2006 AMPAS screening, Friedkin noted that when camera lights heated the room, shooting would be discontinued until the air returned to below freezing. See more »

Goofs

At one point in the exorcism, Karras stands right at the end of the bed as it begins to thump on the floor. There's a cut to a wider shot showing this end lifting off the floor but Karras has vanished. A subsequent shot shows him still standing in that spot. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Alternate Versions

The network TV version originally broadcast on CBS in the '80s was edited by William Friedkin, who also shot a replacement insert of the Virgin Mary statue crying blood, replacing the shot of a more obscenely desecrated statue. Friedkin himself spoke the Demon's new, censored lines; he was unwilling to work with Mercedes McCambridge again. The lines "Your mother sucks cocks in hell, Karras" and "Shove it up your ass you faggot" were re-dubbed by Friedkin as "Your mother still rots in hell" and "Shut your face, you faggot." Several of Ellen Burstyn's lines were also re-dubbed by the actress, replacing "Jesus Christ" with "Judas Priest" and omitting the f-word. Most of the profanity spoken by Regan is also cut out, as are the shots of her being abused with a crucifix and forcing Chris' face into her crotch. There is also a slightly alternate shot of Regan's face morphed into the white face of the demon just after Merrin arrives at the MacNeil house (the theatrical versions only show the beginning of the transformation). This network TV version is rarely if ever used for TV and cable showings today. See more »

Connections

Spoofed in Repossessed (1990) See more »

Soundtracks

Paramythaki Mou
(uncredited)
Written by Manos Loizos and Lefteris Papadopoulos
Performed by Yannis Kalatzis
See more »

Frequently Asked Questions

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User Reviews

 
One Genre Renewal movie: The Exorcist - Horror with no Crime, instead Horror with Spirits
25 December 2009 | by CihanVercanSee all my reviews

Two terrible sequels and one irrelevant remake were never replaced with the original, the 1973 version of The Exorcist; and no other version will never be any more. Written for the screen and produced by William Peter Blatty, both The Exorcist movie and the novel are incident driven basis of the actual happenings from 1949.

Looking at the most remarkable movies of 1973, there are 3 other important ones that the history of cinema will remember: -- A slow and touching movie from Ingmar Bergman "Cries and Whispers" -- Bernardo Bertolucci's depressive movie, a study of love "Last Tango in Paris" -- A crime story with Redford and Newman "The Sting". Among all and all the other movies that are produced in this year, The Exorcist stands one step further than the rest for its uniqueness on genre renewal. It's not the first movie that features the Demon in its content, yet in the Exorcist the Demon is introduced in the human level. The idea of being possessed by a spirit is used for the first time ever on the silver-screen. Horror genre featuring spirits didn't need to refer to Crime any more like it used to be in Hitchcock ages. Thus crime became a separate genre, and mostly acted conjointly with thrillers from now on.

This uniqueness profits from its sound mixing, great lighting techniques and of course a perfect screenplay. Director William Friedkin was lucky to find his producer Blatty, being also the novel-writer and the idea creator. The plot and the story development goes very smoothly: From Father Merrin's encountering with the Demon Pazuzu in Iraq; to Ellen Burstyn looking for the cure for her daughter's disease, going for visits to every type of doctor... From the noises in the attic, to Regan's peeing on the rug... From decoding the Demon's speech of speaking English in reverse, to the arriving of Merrin... Both the editing and directing gave high qualities to this film.

The 25th Anniversary edition DVD is in my movie collections. It's a must to have for horror fans. Either you have this version of DVD or the year 2000 version; you should check out the special features that reveals the real-life 1949 incident, the missing and the deleted scenes including the Spider-walk scene, sound mixing and sound effects tests show how they created the demon's voice and the BBC documentary: The Fear of God, all in the special features.


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