When Milano police lieutenant Giorga's chief is murdered by an organized crime ring, he vows to avenge his boss's death. Going undercover to continue the chief's investigation, he plans to ...
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Starting the investigation of a murder mystery, a police man is to investigate dangerously top politicians and military. A chain of suicides takes its toll among the current and past ... See full summary »
This is a story of a secret organization of former police officers, who go beyond the law, to kill notorious criminals without trial. One police inspector, (Enrico Maria Salerno) tries to ... See full summary »
Enrico Maria Salerno,
A young prostitute is found brutally killed and is up to detective Germi (Claudio Cassinelli) the investigation of the case, as the search progress he uncovers a girls trafficking ring with connections to powerful people.
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
When Milano police lieutenant Giorga's chief is murdered by an organized crime ring, he vows to avenge his boss's death. Going undercover to continue the chief's investigation, he plans to take over a pimping outfit and then proceed to beat up enough low-level thugs until the big guys in the crime ring take notice of him, letting him get close enough to uncover their secrets. Should this unorthodox method actually work, he still must take down the entire organization single-handed.Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Trendsetter, along with its sister-film High Crime
MILANO TREMA boasts some nice Milan location work and some very well-handled action sequences by Sergio Martino. The proceedings however get a little bogged down with a few too many subplots, unlikable characters, and lots and lots of talking about politics. Ernesto Gastaldi was one of the best of Italy's genre movie screenwriters, always able to inject some realism and dimensionality even into the small bit players. There's even some successful intentional humor, particularly during Luc Merenda's successful infiltration of a bank heist racket even though he's (a former?) chief of police.
The car chases in this film really take the cake though as some of the best of the genre, and quite early in the cycle too. Footage from the chases popped up in numerous other crime films, particularly Umberto Lenzi's. Also, a lot of the same henchmen would pop up in film to film from here on out. While at first I was irked that the two bumbling goons (Claudio Ruffini and Sergio Smacchi) who get tasked with tailing Merenda around just disappear without any resolution, I was delighted to see teamed again (possibly as the same characters?) in such films as THE CYNIC THE RAT AND THE FIST.
Granted, the success of this film, along with HIGH CRIME led to an explosion of Italian crime movies over the rest of the decade. The two films share much in common including featuring a fisticuffs- loving inspector using extreme methods to rid his city of crime to the tune of Guido and Maurizio De Angelis music. Oh yes, and Silvano Tranquilli appears in both, though his character here much less intimidating.
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