A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.
- Awards
- 1 nomination total
William Finley
- Emil Breton
- (as Bill Finley)
Cathy Berry
- Lobster child
- (uncredited)
Eddie Carmel
- Giant
- (uncredited)
Olympia Dukakis
- Louise Wilanski
- (uncredited)
Art Evans
- African Room Waiter
- (uncredited)
Catherine Gaffigan
- Arlene
- (uncredited)
Justine Johnston
- Elaine D'Anna
- (uncredited)
James Mapes
- Guard
- (uncredited)
Laun Maurer
- Druggist
- (uncredited)
Bob Melvin
- Extra
- (uncredited)
Burt Richards
- Hospital Attendant
- (uncredited)
Storyline
Did you know
- TriviaBrian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
- GoofsAfter leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.
Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
- Alternate versionsFor the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
- ConnectionsFeatured in Terror in the Aisles (1984)
Featured review
Starts out very strong, and you can tell pretty quickly that De Palma is already a far stronger director than he was when he made Murder A La Mod just a few years prior.
The mystery is initially interesting, and the extended sequence where split screens are used is also great (if a little gimmicky, but it's a fun gimmick, and probably far less common back in the 1970s).
Unfortunately it lost steam for me in the second half. It starts to really emphasise the "psychological" part of psychological thriller, and I don't think it does so particularly well. The theme of doubles/pairs is often popular in thrillers, but I didn't think it was too well-explored here. By the end, it was difficult to feel very invested in the way things wrapped up.
But as far as early De Palma goes, this might be the earliest film of his I've seen that definitely feels very "De Palma", in the sense that it has his distinct visual style already quite well defined.
It's worth a watch for those stylish visuals and the strong first half, but in the end it was still a very slight disappointment.
The mystery is initially interesting, and the extended sequence where split screens are used is also great (if a little gimmicky, but it's a fun gimmick, and probably far less common back in the 1970s).
Unfortunately it lost steam for me in the second half. It starts to really emphasise the "psychological" part of psychological thriller, and I don't think it does so particularly well. The theme of doubles/pairs is often popular in thrillers, but I didn't think it was too well-explored here. By the end, it was difficult to feel very invested in the way things wrapped up.
But as far as early De Palma goes, this might be the earliest film of his I've seen that definitely feels very "De Palma", in the sense that it has his distinct visual style already quite well defined.
It's worth a watch for those stylish visuals and the strong first half, but in the end it was still a very slight disappointment.
- Jeremy_Urquhart
- Mar 11, 2021
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Siamesas diabólicas
- Filming locations
- 1757 Victory Boulevard, Staten Island, New York City, New York, USA(formerly Four Corners Bakery)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross worldwide
- $318,348
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